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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C796D6 it is the complementary color #386929. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C796D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C796D6 shade: #CC96D1, #DDA8E4, #EEBAF7, #FFCCFF and #FFDEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C796D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C796D6 shade: #C796D6, #B684C3, #A572B0, #94609D and #834E8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C796D6 shade: #C695D6, #D695D3, #D695C2, #D695B0 and #D6959F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C796D6 shade: #C695D6, #B595D6, #A395D6 and #9595D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C796D6 shade matches the following richer shades: #C695D6, #CD89E2, #D37DEE and #D971F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C796D6 shade: #C695D6, #C0A0CA, #BAACBE, #B3B8B2 and #ADC4A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C796D6 shade: #A395D6, #B495D6, #C595D6, #D695D5 and #D695C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C796D6 shade: #A759BE, #B777CA, #C695D6, #D6B2E1 and #E6D0ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C796D6 shade: #C796D6, #D69598 and #95D6AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C796D6 shade: #C796D6, #D6C595 and #95D6C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C796D6 shade: #C796D6, #D69598, #A5D695 and #95D6D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C796D6 shade: #C796D6, #D6A595, #A5D695 and #95C5D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 30 / 0 / 16

HEX #C796D6

RGB 199 150 214

HSL 285.94, 0.44%, 0.71%

LAB 68.61, 29.54, -25.61

 

Complementary color

CMYK 47 / 0 / 61 / 59

HEX #386929

RGB 56 105 41

HSL 105.94, 0.44%, 0.29%

LAB 39.76, -29.92, 30.38

 

CMYK 2 / 28 / 0 / 18

HEX #CC96D1

RGB 204 150 209

HSL 294.92, 0.39%, 0.7%

LAB 68.93, 30.18, -22.31

 

CMYK 3 / 26 / 0 / 11

HEX #DDA8E4

RGB 221 168 228

HSL 293, 0.53%, 0.78%

LAB 75.44, 29.54, -22.67

 

CMYK 4 / 25 / 0 / 3

HEX #EEBAF7

RGB 238 186 247

HSL 291.15, 0.79%, 0.85%

LAB 81.84, 28.95, -23.02

 

CMYK 0 / 20 / 0 / 0

HEX #FFCCFF

RGB 255 204 255

HSL 300, 1%, 0.9%

LAB 87.81, 26.37, -18.1

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 7 / 30 / 0 / 16

HEX #C796D6

RGB 199 150 214

HSL 285.94, 0.44%, 0.71%

LAB 68.61, 29.54, -25.61

 

CMYK 7 / 32 / 0 / 24

HEX #B684C3

RGB 182 132 195

HSL 287.62, 0.34%, 0.64%

LAB 61.99, 30.22, -25.32

 

CMYK 6 / 35 / 0 / 31

HEX #A572B0

RGB 165 114 176

HSL 289.35, 0.28%, 0.57%

LAB 55.25, 30.94, -25.02

 

CMYK 6 / 39 / 0 / 38

HEX #94609D

RGB 148 96 157

HSL 291.15, 0.24%, 0.5%

LAB 48.38, 31.72, -24.7

 

CMYK 5 / 43 / 0 / 46

HEX #834E8A

RGB 131 78 138

HSL 293, 0.28%, 0.42%

LAB 41.39, 32.52, -24.34

 

CMYK 7 / 30 / 0 / 16

HEX #C695D6

RGB 198 149 214

HSL 285.23, 0.44%, 0.71%

LAB 68.28, 29.77, -26.13

 

CMYK 0 / 30 / 1 / 16

HEX #D695D3

RGB 214 149 211

HSL 302.77, 0.44%, 0.71%

LAB 69.82, 34.35, -21.97

 

CMYK 0 / 30 / 9 / 16

HEX #D695C2

RGB 214 149 194

HSL 318.46, 0.44%, 0.71%

LAB 69.25, 31.33, -13.42

 

CMYK 0 / 30 / 18 / 16

HEX #D695B0

RGB 214 149 176

HSL 335.08, 0.44%, 0.71%

LAB 68.7, 28.38, -4.2

 

CMYK 0 / 30 / 26 / 16

HEX #D6959F

RGB 214 149 159

HSL 350.77, 0.44%, 0.71%

LAB 68.24, 25.85, 4.63

 

CMYK 7 / 30 / 0 / 16

HEX #C695D6

RGB 198 149 214

HSL 285.23, 0.44%, 0.71%

LAB 68.28, 29.77, -26.13

 

CMYK 15 / 30 / 0 / 16

HEX #B595D6

RGB 181 149 214

HSL 269.54, 0.44%, 0.71%

LAB 66.65, 24.4, -28.78

 

CMYK 24 / 30 / 0 / 16

HEX #A395D6

RGB 163 149 214

HSL 252.92, 0.44%, 0.71%

LAB 65.07, 18.86, -31.35

 

CMYK 30 / 30 / 0 / 16

HEX #9595D6

RGB 149 149 214

HSL 240, 0.44%, 0.71%

LAB 63.95, 14.72, -33.18

 

CMYK 7 / 30 / 0 / 16

HEX #C695D6

RGB 198 149 214

HSL 285.23, 0.44%, 0.71%

LAB 68.28, 29.77, -26.13

 

CMYK 9 / 39 / 0 / 11

HEX #CD89E2

RGB 205 137 226

HSL 285.84, 0.61%, 0.71%

LAB 66.8, 40.88, -35.01

 

CMYK 11 / 47 / 0 / 7

HEX #D37DEE

RGB 211 125 238

HSL 285.66, 0.77%, 0.71%

LAB 65.51, 51.31, -43.6

 

CMYK 13 / 55 / 0 / 2

HEX #D971F9

RGB 217 113 249

HSL 285.88, 0.92%, 0.71%

LAB 64.48, 61.02, -51.23

 

CMYK 7 / 30 / 0 / 16

HEX #C695D6

RGB 198 149 214

HSL 285.23, 0.44%, 0.71%

LAB 68.28, 29.77, -26.13

 

CMYK 5 / 21 / 0 / 21

HEX #C0A0CA

RGB 192 160 202

HSL 285.71, 0.28%, 0.71%

LAB 69.9, 19.34, -17.08

 

CMYK 2 / 9 / 0 / 25

HEX #BAACBE

RGB 186 172 190

HSL 286.67, 0.12%, 0.71%

LAB 72, 8.34, -7.37

 

CMYK 3 / 0 / 3 / 28

HEX #B3B8B2

RGB 179 184 178

HSL 110, 0.04%, 0.71%

LAB 74.24, -2.86, 2.43

 

CMYK 12 / 0 / 15 / 23

HEX #ADC4A6

RGB 173 196 166

HSL 106, 0.2%, 0.71%

LAB 76.75, -13.42, 12.46

 

CMYK 24 / 30 / 0 / 16

HEX #A395D6

RGB 163 149 214

HSL 252.92, 0.44%, 0.71%

LAB 65.07, 18.86, -31.35

 

CMYK 16 / 30 / 0 / 16

HEX #B495D6

RGB 180 149 214

HSL 268.62, 0.44%, 0.71%

LAB 66.56, 24.09, -28.93

 

CMYK 8 / 30 / 0 / 16

HEX #C595D6

RGB 197 149 214

HSL 284.31, 0.44%, 0.71%

LAB 68.18, 29.45, -26.29

 

CMYK 0 / 30 / 0 / 16

HEX #D695D5

RGB 214 149 213

HSL 300.92, 0.44%, 0.71%

LAB 69.89, 34.72, -22.97

 

CMYK 0 / 30 / 9 / 16

HEX #D695C3

RGB 214 149 195

HSL 317.54, 0.44%, 0.71%

LAB 69.28, 31.5, -13.92

 

CMYK 12 / 53 / 0 / 25

HEX #A759BE

RGB 167 89 190

HSL 286.34, 0.44%, 0.55%

LAB 50.78, 48.01, -40.06

 

CMYK 9 / 41 / 0 / 21

HEX #B777CA

RGB 183 119 202

HSL 286.27, 0.44%, 0.63%

LAB 59.46, 39.13, -33.18

 

CMYK 7 / 30 / 0 / 16

HEX #C695D6

RGB 198 149 214

HSL 285.23, 0.44%, 0.71%

LAB 68.28, 29.77, -26.13

 

CMYK 5 / 21 / 0 / 12

HEX #D6B2E1

RGB 214 178 225

HSL 285.96, 0.44%, 0.79%

LAB 77.02, 21.27, -18.7

 

CMYK 3 / 12 / 0 / 7

HEX #E6D0ED

RGB 230 208 237

HSL 285.52, 0.45%, 0.87%

LAB 86.03, 12.76, -11.46

 

CMYK 7 / 30 / 0 / 16

HEX #C796D6

RGB 199 150 214

HSL 285.94, 0.44%, 0.71%

LAB 68.61, 29.54, -25.61

 

CMYK 0 / 30 / 29 / 16

HEX #D69598

RGB 214 149 152

HSL 357.23, 0.44%, 0.71%

LAB 68.06, 24.88, 8.29

 

CMYK 30 / 0 / 20 / 16

HEX #95D6AB

RGB 149 214 171

HSL 140.31, 0.44%, 0.71%

LAB 80.42, -29.41, 14.76

 

CMYK 7 / 30 / 0 / 16

HEX #C796D6

RGB 199 150 214

HSL 285.94, 0.44%, 0.71%

LAB 68.61, 29.54, -25.61

 

CMYK 0 / 8 / 30 / 16

HEX #D6C595

RGB 214 197 149

HSL 44.31, 0.44%, 0.71%

LAB 79.84, -1.24, 26.28

 

CMYK 30 / 0 / 8 / 16

HEX #95D6C5

RGB 149 214 197

HSL 164.31, 0.44%, 0.71%

LAB 81.02, -24.17, 1.81

 

CMYK 7 / 30 / 0 / 16

HEX #C796D6

RGB 199 150 214

HSL 285.94, 0.44%, 0.71%

LAB 68.61, 29.54, -25.61

 

CMYK 0 / 30 / 29 / 16

HEX #D69598

RGB 214 149 152

HSL 357.23, 0.44%, 0.71%

LAB 68.06, 24.88, 8.29

 

CMYK 23 / 0 / 30 / 16

HEX #A5D695

RGB 165 214 149

HSL 105.23, 0.44%, 0.71%

LAB 80.88, -27.94, 27.09

 

CMYK 30 / 0 / 2 / 16

HEX #95D6D2

RGB 149 214 210

HSL 176.31, 0.44%, 0.71%

LAB 81.37, -21.31, -4.62

 

CMYK 7 / 30 / 0 / 16

HEX #C796D6

RGB 199 150 214

HSL 285.94, 0.44%, 0.71%

LAB 68.61, 29.54, -25.61

 

CMYK 0 / 23 / 30 / 16

HEX #D6A595

RGB 214 165 149

HSL 14.77, 0.44%, 0.71%

LAB 71.81, 15.81, 15.25

 

CMYK 23 / 0 / 30 / 16

HEX #A5D695

RGB 165 214 149

HSL 105.23, 0.44%, 0.71%

LAB 80.88, -27.94, 27.09

 

CMYK 30 / 8 / 0 / 16

HEX #95C5D6

RGB 149 197 214

HSL 195.69, 0.44%, 0.71%

LAB 76.79, -11.7, -13.58

 

Description

Color code: HEX #C796D6 | qconv.com Color code: HEX #C796D6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 150 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 150 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 30 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 30% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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