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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C78B05 it is the complementary color #3874FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C78B05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C78B05 shade: #CC8B00, #DD9D13, #EEAF26, #FFC139 and #FFD34C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C78B05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C78B05 shade: #C78B05, #B67900, #A56700, #945500 and #834300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C78B05 shade: #C68A05, #C65605, #C62205 and #C60505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C78B05 shade: #C68A05, #C6BF05, #9AC605, #66C605 and #31C605

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C78B05 shade matches the following richer shades: #C68A05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C78B05 shade: #C68A05, #B68415, #A57E26, #957836 and #847147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C78B05 shade: #C62205, #C65505, #C68905, #C6BD05 and #9CC605

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C78B05 shade: #765203, #9E6E04, #C68A05, #EFA706 and #F9B725

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C78B05 shade: #C78B05, #1BC605 and #3C05C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C78B05 shade: #C78B05, #05C689 and #8905C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C78B05 shade: #C78B05, #1BC605, #0542C6 and #B005C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C78B05 shade: #C78B05, #05C628, #0542C6 and #C605A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 97 / 22

HEX #C78B05

RGB 199 139 5

HSL 41.44, 0.95%, 0.4%

LAB 62.18, 13.76, 66.57

 

Complementary color

CMYK 78 / 54 / 0 / 2

HEX #3874FA

RGB 56 116 250

HSL 221.44, 0.95%, 0.6%

LAB 52.1, 27.38, -72.36

 

CMYK 0 / 32 / 100 / 20

HEX #CC8B00

RGB 204 139 0

HSL 40.88, 1%, 0.4%

LAB 62.76, 15.91, 67.99

 

CMYK 0 / 29 / 91 / 13

HEX #DD9D13

RGB 221 157 19

HSL 40.99, 0.84%, 0.47%

LAB 69.14, 13.85, 70.54

 

CMYK 0 / 26 / 84 / 7

HEX #EEAF26

RGB 238 175 38

HSL 41.1, 0.85%, 0.54%

LAB 75.44, 12.02, 71.83

 

CMYK 0 / 24 / 78 / 0

HEX #FFC139

RGB 255 193 57

HSL 41.21, 1%, 0.61%

LAB 81.67, 10.4, 72.05

 

CMYK 0 / 17 / 70 / 0

HEX #FFD34C

RGB 255 211 76

HSL 45.25, 1%, 0.65%

LAB 86.19, 1.92, 69.43

 

CMYK 0 / 30 / 97 / 22

HEX #C78B05

RGB 199 139 5

HSL 41.44, 0.95%, 0.4%

LAB 62.18, 13.76, 66.57

 

CMYK 0 / 34 / 100 / 29

HEX #B67900

RGB 182 121 0

HSL 39.89, 1%, 0.36%

LAB 55.71, 16.04, 62.03

 

CMYK 0 / 38 / 100 / 35

HEX #A56700

RGB 165 103 0

HSL 37.45, 1%, 0.32%

LAB 49.13, 18.47, 56.66

 

CMYK 0 / 43 / 100 / 42

HEX #945500

RGB 148 85 0

HSL 34.46, 1%, 0.29%

LAB 42.45, 21.01, 51.24

 

CMYK 0 / 49 / 100 / 49

HEX #834300

RGB 131 67 0

HSL 30.69, 1%, 0.26%

LAB 35.67, 23.61, 45.76

 

CMYK 0 / 30 / 97 / 22

HEX #C68A05

RGB 198 138 5

HSL 41.35, 0.95%, 0.4%

LAB 61.82, 13.86, 66.26

 

CMYK 0 / 57 / 97 / 22

HEX #C65605

RGB 198 86 5

HSL 25.18, 0.95%, 0.4%

LAB 50.3, 41.45, 58.68

 

CMYK 0 / 83 / 97 / 22

HEX #C62205

RGB 198 34 5

HSL 9.02, 0.95%, 0.4%

LAB 43, 61.21, 54.6

 

CMYK 0 / 97 / 97 / 22

HEX #C60505

RGB 198 5 5

HSL 0, 0.95%, 0.4%

LAB 41.41, 65.76, 53.85

 

CMYK 0 / 30 / 97 / 22

HEX #C68A05

RGB 198 138 5

HSL 41.35, 0.95%, 0.4%

LAB 61.82, 13.86, 66.26

 

CMYK 0 / 4 / 97 / 22

HEX #C6BF05

RGB 198 191 5

HSL 57.82, 0.95%, 0.4%

LAB 75.62, -14.25, 76.19

 

CMYK 22 / 0 / 97 / 22

HEX #9AC605

RGB 154 198 5

HSL 73.68, 0.95%, 0.4%

LAB 74.36, -36.13, 73.81

 

CMYK 48 / 0 / 97 / 22

HEX #66C605

RGB 102 198 5

HSL 89.84, 0.95%, 0.4%

LAB 71.71, -54.72, 70.6

 

CMYK 75 / 0 / 97 / 22

HEX #31C605

RGB 49 198 5

HSL 106.32, 0.95%, 0.4%

LAB 70.21, -67.01, 68.77

 

CMYK 0 / 30 / 97 / 22

HEX #C68A05

RGB 198 138 5

HSL 41.35, 0.95%, 0.4%

LAB 61.82, 13.86, 66.26

 

CMYK 0 / 30 / 97 / 22

HEX #C68A05

RGB 198 138 5

HSL 41.35, 0.95%, 0.4%

LAB 61.82, 13.86, 66.26

 

CMYK 0 / 27 / 88 / 29

HEX #B68415

RGB 182 132 21

HSL 41.37, 0.79%, 0.4%

LAB 58.51, 10.25, 60.01

 

CMYK 0 / 24 / 77 / 35

HEX #A57E26

RGB 165 126 38

HSL 41.57, 0.63%, 0.4%

LAB 55.14, 6.43, 50.76

 

CMYK 0 / 19 / 64 / 42

HEX #957836

RGB 149 120 54

HSL 41.68, 0.47%, 0.4%

LAB 51.94, 3.45, 39.68

 

CMYK 0 / 14 / 46 / 48

HEX #847147

RGB 132 113 71

HSL 41.31, 0.3%, 0.4%

LAB 48.47, 1.34, 26.01

 

CMYK 0 / 83 / 97 / 22

HEX #C62205

RGB 198 34 5

HSL 9.02, 0.95%, 0.4%

LAB 43, 61.21, 54.6

 

CMYK 0 / 57 / 97 / 22

HEX #C65505

RGB 198 85 5

HSL 24.87, 0.95%, 0.4%

LAB 50.11, 41.94, 58.57

 

CMYK 0 / 31 / 97 / 22

HEX #C68905

RGB 198 137 5

HSL 41.04, 0.95%, 0.4%

LAB 61.57, 14.41, 66.09

 

CMYK 0 / 5 / 97 / 22

HEX #C6BD05

RGB 198 189 5

HSL 57.2, 0.95%, 0.4%

LAB 75.08, -13.24, 75.79

 

CMYK 21 / 0 / 97 / 22

HEX #9CC605

RGB 156 198 5

HSL 73.06, 0.95%, 0.4%

LAB 74.49, -35.33, 73.97

 

CMYK 0 / 31 / 97 / 54

HEX #765203

RGB 118 82 3

HSL 41.22, 0.95%, 0.24%

LAB 37.65, 8.7, 45.18

 

CMYK 0 / 30 / 97 / 38

HEX #9E6E04

RGB 158 110 4

HSL 41.3, 0.95%, 0.32%

LAB 50.01, 11.35, 55.97

 

CMYK 0 / 30 / 97 / 22

HEX #C68A05

RGB 198 138 5

HSL 41.35, 0.95%, 0.4%

LAB 61.82, 13.86, 66.26

 

CMYK 0 / 30 / 97 / 6

HEX #EFA706

RGB 239 167 6

HSL 41.46, 0.95%, 0.48%

LAB 73.55, 16.16, 76.45

 

CMYK 0 / 27 / 85 / 2

HEX #F9B725

RGB 249 183 37

HSL 41.32, 0.95%, 0.56%

LAB 78.54, 12.48, 75.14

 

CMYK 0 / 30 / 97 / 22

HEX #C78B05

RGB 199 139 5

HSL 41.44, 0.95%, 0.4%

LAB 62.18, 13.76, 66.57

 

CMYK 86 / 0 / 97 / 22

HEX #1BC605

RGB 27 198 5

HSL 113.16, 0.95%, 0.4%

LAB 69.92, -69.64, 68.41

 

CMYK 70 / 97 / 0 / 22

HEX #3C05C6

RGB 60 5 198

HSL 257.1, 0.95%, 0.4%

LAB 27.15, 65.62, -83.7

 

CMYK 0 / 30 / 97 / 22

HEX #C78B05

RGB 199 139 5

HSL 41.44, 0.95%, 0.4%

LAB 62.18, 13.76, 66.57

 

CMYK 97 / 0 / 31 / 22

HEX #05C689

RGB 5 198 137

HSL 161.04, 0.95%, 0.4%

LAB 71.03, -55.73, 19.17

 

CMYK 31 / 97 / 0 / 22

HEX #8905C6

RGB 137 5 198

HSL 281.04, 0.95%, 0.4%

LAB 36.94, 71.99, -67.21

 

CMYK 0 / 30 / 97 / 22

HEX #C78B05

RGB 199 139 5

HSL 41.44, 0.95%, 0.4%

LAB 62.18, 13.76, 66.57

 

CMYK 86 / 0 / 97 / 22

HEX #1BC605

RGB 27 198 5

HSL 113.16, 0.95%, 0.4%

LAB 69.92, -69.64, 68.41

 

CMYK 97 / 67 / 0 / 22

HEX #0542C6

RGB 5 66 198

HSL 221.04, 0.95%, 0.4%

LAB 34, 36.75, -72.43

 

CMYK 11 / 97 / 0 / 22

HEX #B005C6

RGB 176 5 198

HSL 293.16, 0.95%, 0.4%

LAB 43.38, 77.33, -56.44

 

CMYK 0 / 30 / 97 / 22

HEX #C78B05

RGB 199 139 5

HSL 41.44, 0.95%, 0.4%

LAB 62.18, 13.76, 66.57

 

CMYK 97 / 0 / 80 / 22

HEX #05C628

RGB 5 198 40

HSL 130.88, 0.95%, 0.4%

LAB 69.88, -69.62, 61.75

 

CMYK 97 / 67 / 0 / 22

HEX #0542C6

RGB 5 66 198

HSL 221.04, 0.95%, 0.4%

LAB 34, 36.75, -72.43

 

CMYK 0 / 97 / 18 / 22

HEX #C605A3

RGB 198 5 163

HSL 310.88, 0.95%, 0.4%

LAB 45.3, 76.03, -32.5

 

Description

Color code: HEX #C78B05 | qconv.com Color code: HEX #C78B05 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 139 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 139 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 97 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 97% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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