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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7841C it is the complementary color #387BE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7841C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7841C shade: #CC8417, #DD962A, #EEA83D, #FFBA50 and #FFCC63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7841C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7841C shade: #C7841C, #B67209, #A56000, #944E00 and #833C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7841C shade: #C9851D, #C9571D, #C9291D and #C91D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7841C shade: #C9851D, #C9B41D, #AFC91D, #81C91D and #53C91D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7841C shade matches the following richer shades: #C9851D and #DB890A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7841C shade: #C9851D, #B6812F, #A47D42, #917954 and #7F7567

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7841C shade: #C9281D, #C9561D, #C9841D, #C9B21D and #B2C91D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7841C shade: #815512, #A56D18, #C9851D, #E19B2E and #E6AC52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7841C shade: #C7841C, #3FC91D and #3F1DC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7841C shade: #C7841C, #1DC984 and #841DC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7841C shade: #C7841C, #3FC91D, #1D62C9 and #A61DC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7841C shade: #C7841C, #1DC92E, #1D62C9 and #C91DB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 86 / 22

HEX #C7841C

RGB 199 132 28

HSL 36.49, 0.75%, 0.45%

LAB 60.54, 17.97, 60.56

 

Complementary color

CMYK 75 / 46 / 0 / 11

HEX #387BE3

RGB 56 123 227

HSL 216.49, 0.75%, 0.55%

LAB 52.46, 14.59, -58.95

 

CMYK 0 / 35 / 89 / 20

HEX #CC8417

RGB 204 132 23

HSL 36.13, 0.8%, 0.45%

LAB 61.13, 20.03, 62.68

 

CMYK 0 / 32 / 81 / 13

HEX #DD962A

RGB 221 150 42

HSL 36.2, 0.72%, 0.52%

LAB 67.54, 18.14, 63.04

 

CMYK 0 / 29 / 74 / 7

HEX #EEA83D

RGB 238 168 61

HSL 36.27, 0.84%, 0.59%

LAB 73.88, 16.49, 62.52

 

CMYK 0 / 27 / 69 / 0

HEX #FFBA50

RGB 255 186 80

HSL 36.34, 1%, 0.66%

LAB 80.16, 15.04, 61.56

 

CMYK 0 / 20 / 61 / 0

HEX #FFCC63

RGB 255 204 99

HSL 40.38, 1%, 0.69%

LAB 84.66, 6.82, 58.03

 

CMYK 0 / 34 / 86 / 22

HEX #C7841C

RGB 199 132 28

HSL 36.49, 0.75%, 0.45%

LAB 60.54, 17.97, 60.56

 

CMYK 0 / 37 / 95 / 29

HEX #B67209

RGB 182 114 9

HSL 36.42, 0.91%, 0.37%

LAB 54.03, 20.04, 59.22

 

CMYK 0 / 42 / 100 / 35

HEX #A56000

RGB 165 96 0

HSL 34.91, 1%, 0.32%

LAB 47.45, 22.41, 55.59

 

CMYK 0 / 47 / 100 / 42

HEX #944E00

RGB 148 78 0

HSL 31.62, 1%, 0.29%

LAB 40.81, 24.96, 50.22

 

CMYK 0 / 54 / 100 / 49

HEX #833C00

RGB 131 60 0

HSL 27.48, 1%, 0.26%

LAB 34.1, 27.53, 44.83

 

CMYK 0 / 34 / 86 / 21

HEX #C9851D

RGB 201 133 29

HSL 36.28, 0.75%, 0.45%

LAB 61.03, 18.32, 60.76

 

CMYK 0 / 57 / 86 / 21

HEX #C9571D

RGB 201 87 29

HSL 20.23, 0.75%, 0.45%

LAB 51.06, 42.51, 52.45

 

CMYK 0 / 80 / 86 / 21

HEX #C9291D

RGB 201 41 29

HSL 4.19, 0.75%, 0.45%

LAB 44.36, 60.6, 46.79

 

CMYK 0 / 86 / 86 / 21

HEX #C91D1D

RGB 201 29 29

HSL 0, 0.75%, 0.45%

LAB 43.34, 63.52, 45.91

 

CMYK 0 / 34 / 86 / 21

HEX #C9851D

RGB 201 133 29

HSL 36.28, 0.75%, 0.45%

LAB 61.03, 18.32, 60.76

 

CMYK 0 / 10 / 86 / 21

HEX #C9B41D

RGB 201 180 29

HSL 52.67, 0.75%, 0.45%

LAB 72.99, -6.92, 70.6

 

CMYK 13 / 0 / 86 / 21

HEX #AFC91D

RGB 175 201 29

HSL 69.07, 0.75%, 0.45%

LAB 76.66, -28.55, 72.78

 

CMYK 36 / 0 / 86 / 21

HEX #81C91D

RGB 129 201 29

HSL 85.12, 0.75%, 0.45%

LAB 73.89, -46.4, 69.32

 

CMYK 59 / 0 / 86 / 21

HEX #53C91D

RGB 83 201 29

HSL 101.16, 0.75%, 0.45%

LAB 72.03, -60.46, 66.98

 

CMYK 0 / 34 / 86 / 21

HEX #C9851D

RGB 201 133 29

HSL 36.28, 0.75%, 0.45%

LAB 61.03, 18.32, 60.76

 

CMYK 0 / 37 / 95 / 14

HEX #DB890A

RGB 219 137 10

HSL 36.46, 0.91%, 0.45%

LAB 64.14, 23.6, 68.33

 

CMYK 0 / 34 / 86 / 21

HEX #C9851D

RGB 201 133 29

HSL 36.28, 0.75%, 0.45%

LAB 61.03, 18.32, 60.76

 

CMYK 0 / 29 / 74 / 29

HEX #B6812F

RGB 182 129 47

HSL 36.44, 0.59%, 0.45%

LAB 57.9, 12.81, 50.37

 

CMYK 0 / 24 / 60 / 36

HEX #A47D42

RGB 164 125 66

HSL 36.12, 0.43%, 0.45%

LAB 55.02, 8.25, 37.52

 

CMYK 0 / 17 / 42 / 43

HEX #917954

RGB 145 121 84

HSL 36.39, 0.27%, 0.45%

LAB 52.21, 3.94, 23.75

 

CMYK 0 / 8 / 19 / 50

HEX #7F7567

RGB 127 117 103

HSL 35, 0.1%, 0.45%

LAB 49.75, 1.36, 9.12

 

CMYK 0 / 80 / 86 / 21

HEX #C9281D

RGB 201 40 29

HSL 3.84, 0.75%, 0.45%

LAB 44.27, 60.88, 46.7

 

CMYK 0 / 57 / 86 / 21

HEX #C9561D

RGB 201 86 29

HSL 19.88, 0.75%, 0.45%

LAB 50.88, 42.99, 52.3

 

CMYK 0 / 34 / 86 / 21

HEX #C9841D

RGB 201 132 29

HSL 35.93, 0.75%, 0.45%

LAB 60.79, 18.87, 60.56

 

CMYK 0 / 11 / 86 / 21

HEX #C9B21D

RGB 201 178 29

HSL 51.98, 0.75%, 0.45%

LAB 72.46, -5.88, 70.16

 

CMYK 11 / 0 / 86 / 21

HEX #B2C91D

RGB 178 201 29

HSL 68.02, 0.75%, 0.45%

LAB 76.88, -27.3, 73.05

 

CMYK 0 / 34 / 86 / 49

HEX #815512

RGB 129 85 18

HSL 36.22, 0.76%, 0.29%

LAB 39.93, 12.59, 42.95

 

CMYK 0 / 34 / 85 / 35

HEX #A56D18

RGB 165 109 24

HSL 36.17, 0.75%, 0.37%

LAB 50.69, 15.53, 51.9

 

CMYK 0 / 34 / 86 / 21

HEX #C9851D

RGB 201 133 29

HSL 36.28, 0.75%, 0.45%

LAB 61.03, 18.32, 60.76

 

CMYK 0 / 31 / 80 / 12

HEX #E19B2E

RGB 225 155 46

HSL 36.54, 0.75%, 0.53%

LAB 69.22, 17.31, 63.31

 

CMYK 0 / 25 / 64 / 10

HEX #E6AC52

RGB 230 172 82

HSL 36.49, 0.75%, 0.61%

LAB 74.15, 12.09, 53.38

 

CMYK 0 / 34 / 86 / 22

HEX #C7841C

RGB 199 132 28

HSL 36.49, 0.75%, 0.45%

LAB 60.54, 17.97, 60.56

 

CMYK 69 / 0 / 86 / 21

HEX #3FC91D

RGB 63 201 29

HSL 108.14, 0.75%, 0.45%

LAB 71.5, -64.86, 66.31

 

CMYK 69 / 86 / 0 / 21

HEX #3F1DC9

RGB 63 29 201

HSL 251.86, 0.75%, 0.45%

LAB 29.79, 60.44, -81.06

 

CMYK 0 / 34 / 86 / 22

HEX #C7841C

RGB 199 132 28

HSL 36.49, 0.75%, 0.45%

LAB 60.54, 17.97, 60.56

 

CMYK 86 / 0 / 34 / 21

HEX #1DC984

RGB 29 201 132

HSL 155.93, 0.75%, 0.45%

LAB 72.03, -56.7, 23.21

 

CMYK 34 / 86 / 0 / 21

HEX #841DC9

RGB 132 29 201

HSL 275.93, 0.75%, 0.45%

LAB 37.84, 67.75, -67.51

 

CMYK 0 / 34 / 86 / 22

HEX #C7841C

RGB 199 132 28

HSL 36.49, 0.75%, 0.45%

LAB 60.54, 17.97, 60.56

 

CMYK 69 / 0 / 86 / 21

HEX #3FC91D

RGB 63 201 29

HSL 108.14, 0.75%, 0.45%

LAB 71.5, -64.86, 66.31

 

CMYK 86 / 51 / 0 / 21

HEX #1D62C9

RGB 29 98 201

HSL 215.93, 0.75%, 0.45%

LAB 43.08, 18.01, -59.32

 

CMYK 17 / 86 / 0 / 21

HEX #A61DC9

RGB 166 29 201

HSL 287.79, 0.75%, 0.45%

LAB 43.07, 72.89, -58.78

 

CMYK 0 / 34 / 86 / 22

HEX #C7841C

RGB 199 132 28

HSL 36.49, 0.75%, 0.45%

LAB 60.54, 17.97, 60.56

 

CMYK 86 / 0 / 77 / 21

HEX #1DC92E

RGB 29 201 46

HSL 125.93, 0.75%, 0.45%

LAB 71.03, -68.66, 61.09

 

CMYK 86 / 51 / 0 / 21

HEX #1D62C9

RGB 29 98 201

HSL 215.93, 0.75%, 0.45%

LAB 43.08, 18.01, -59.32

 

CMYK 0 / 86 / 8 / 21

HEX #C91DB8

RGB 201 29 184

HSL 305.93, 0.75%, 0.45%

LAB 47.95, 76.4, -40.71

 

Description

Color code: HEX #C7841C | qconv.com Color code: HEX #C7841C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 132 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 132 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 86 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 86% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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