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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C78307 it is the complementary color #387CF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C78307. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C78307 shade: #CC8302, #DD9515, #EEA728, #FFB93B and #FFCB4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C78307. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C78307 shade: #C78307, #B67100, #A55F00, #944D00 and #833B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C78307 shade: #C58207, #C54F07, #C51B07 and #C50707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C78307 shade: #C58207, #C5B507, #A2C507, #6FC507 and #3BC507

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C78307 shade matches the following richer shades: #C58207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C78307 shade: #C58207, #B47D18, #A47828, #937339 and #836E49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C78307 shade: #C51A07, #C54D07, #C57F07, #C5B207 and #A5C507

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C78307 shade: #754D04, #9D6706, #C58207, #ED9C09 and #F7AE27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C78307 shade: #C78307, #27C507 and #3307C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C78307 shade: #C78307, #07C57F and #7F07C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C78307 shade: #C78307, #27C507, #074DC5 and #A507C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C78307 shade: #C78307, #07C520, #074DC5 and #C507AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 96 / 22

HEX #C78307

RGB 199 131 7

HSL 38.75, 0.93%, 0.4%

LAB 60.24, 18.16, 64.91

 

Complementary color

CMYK 77 / 50 / 0 / 3

HEX #387CF8

RGB 56 124 248

HSL 218.75, 0.93%, 0.6%

LAB 54.06, 21.67, -68.07

 

CMYK 0 / 36 / 99 / 20

HEX #CC8302

RGB 204 131 2

HSL 38.32, 0.98%, 0.4%

LAB 60.85, 20.29, 66.41

 

CMYK 0 / 33 / 90 / 13

HEX #DD9515

RGB 221 149 21

HSL 38.4, 0.83%, 0.47%

LAB 67.22, 18.17, 68.7

 

CMYK 0 / 30 / 83 / 7

HEX #EEA728

RGB 238 167 40

HSL 38.48, 0.85%, 0.55%

LAB 73.52, 16.29, 69.64

 

CMYK 0 / 27 / 77 / 0

HEX #FFB93B

RGB 255 185 59

HSL 38.57, 1%, 0.62%

LAB 79.77, 14.63, 69.58

 

CMYK 0 / 20 / 69 / 0

HEX #FFCB4E

RGB 255 203 78

HSL 42.37, 1%, 0.65%

LAB 84.24, 6.12, 66.65

 

CMYK 0 / 34 / 96 / 22

HEX #C78307

RGB 199 131 7

HSL 38.75, 0.93%, 0.4%

LAB 60.24, 18.16, 64.91

 

CMYK 0 / 38 / 100 / 29

HEX #B67100

RGB 182 113 0

HSL 37.25, 1%, 0.36%

LAB 53.77, 20.48, 60.76

 

CMYK 0 / 42 / 100 / 35

HEX #A55F00

RGB 165 95 0

HSL 34.55, 1%, 0.32%

LAB 47.21, 22.97, 55.44

 

CMYK 0 / 48 / 100 / 42

HEX #944D00

RGB 148 77 0

HSL 31.22, 1%, 0.29%

LAB 40.58, 25.52, 50.08

 

CMYK 0 / 55 / 100 / 49

HEX #833B00

RGB 131 59 0

HSL 27.02, 1%, 0.26%

LAB 33.89, 28.08, 44.7

 

CMYK 0 / 34 / 96 / 23

HEX #C58207

RGB 197 130 7

HSL 38.84, 0.93%, 0.4%

LAB 59.75, 17.82, 64.46

 

CMYK 0 / 60 / 96 / 23

HEX #C54F07

RGB 197 79 7

HSL 22.74, 0.93%, 0.4%

LAB 48.86, 44.44, 57.25

 

CMYK 0 / 86 / 96 / 23

HEX #C51B07

RGB 197 27 7

HSL 6.32, 0.93%, 0.4%

LAB 42.26, 62.5, 53.48

 

CMYK 0 / 96 / 96 / 23

HEX #C50707

RGB 197 7 7

HSL 0, 0.93%, 0.4%

LAB 41.28, 65.33, 52.98

 

CMYK 0 / 34 / 96 / 23

HEX #C58207

RGB 197 130 7

HSL 38.84, 0.93%, 0.4%

LAB 59.75, 17.82, 64.46

 

CMYK 0 / 8 / 96 / 23

HEX #C5B507

RGB 197 181 7

HSL 54.95, 0.93%, 0.4%

LAB 72.85, -9.56, 73.88

 

CMYK 18 / 0 / 96 / 23

HEX #A2C507

RGB 162 197 7

HSL 71.05, 0.93%, 0.4%

LAB 74.59, -32.42, 74.01

 

CMYK 44 / 0 / 96 / 23

HEX #6FC507

RGB 111 197 7

HSL 87.16, 0.93%, 0.4%

LAB 71.78, -51.46, 70.6

 

CMYK 70 / 0 / 96 / 23

HEX #3BC507

RGB 59 197 7

HSL 103.58, 0.93%, 0.4%

LAB 70.09, -64.98, 68.53

 

CMYK 0 / 34 / 96 / 23

HEX #C58207

RGB 197 130 7

HSL 38.84, 0.93%, 0.4%

LAB 59.75, 17.82, 64.46

 

CMYK 0 / 34 / 96 / 23

HEX #C58207

RGB 197 130 7

HSL 38.84, 0.93%, 0.4%

LAB 59.75, 17.82, 64.46

 

CMYK 0 / 31 / 87 / 29

HEX #B47D18

RGB 180 125 24

HSL 38.85, 0.76%, 0.4%

LAB 56.52, 13.31, 57.5

 

CMYK 0 / 27 / 76 / 36

HEX #A47828

RGB 164 120 40

HSL 38.71, 0.61%, 0.4%

LAB 53.47, 9.45, 48.29

 

CMYK 0 / 22 / 61 / 42

HEX #937339

RGB 147 115 57

HSL 38.67, 0.44%, 0.4%

LAB 50.41, 5.62, 36.34

 

CMYK 0 / 16 / 44 / 49

HEX #836E49

RGB 131 110 73

HSL 38.28, 0.28%, 0.4%

LAB 47.57, 2.86, 23.69

 

CMYK 0 / 87 / 96 / 23

HEX #C51A07

RGB 197 26 7

HSL 6, 0.93%, 0.4%

LAB 42.19, 62.7, 53.45

 

CMYK 0 / 61 / 96 / 23

HEX #C54D07

RGB 197 77 7

HSL 22.11, 0.93%, 0.4%

LAB 48.5, 45.37, 57.04

 

CMYK 0 / 36 / 96 / 23

HEX #C57F07

RGB 197 127 7

HSL 37.89, 0.93%, 0.4%

LAB 59.03, 19.47, 63.96

 

CMYK 0 / 10 / 96 / 23

HEX #C5B207

RGB 197 178 7

HSL 54, 0.93%, 0.4%

LAB 72.05, -8.01, 73.29

 

CMYK 16 / 0 / 96 / 23

HEX #A5C507

RGB 165 197 7

HSL 70.11, 0.93%, 0.4%

LAB 74.79, -31.19, 74.25

 

CMYK 0 / 34 / 97 / 54

HEX #754D04

RGB 117 77 4

HSL 38.76, 0.93%, 0.24%

LAB 36.17, 11.25, 43.74

 

CMYK 0 / 34 / 96 / 38

HEX #9D6706

RGB 157 103 6

HSL 38.54, 0.93%, 0.32%

LAB 48.11, 14.92, 54.14

 

CMYK 0 / 34 / 96 / 23

HEX #C58207

RGB 197 130 7

HSL 38.84, 0.93%, 0.4%

LAB 59.75, 17.82, 64.46

 

CMYK 0 / 34 / 96 / 7

HEX #ED9C09

RGB 237 156 9

HSL 38.68, 0.93%, 0.48%

LAB 70.73, 21.15, 74.04

 

CMYK 0 / 30 / 84 / 3

HEX #F7AE27

RGB 247 174 39

HSL 38.94, 0.93%, 0.56%

LAB 76.19, 16.4, 72.57

 

CMYK 0 / 34 / 96 / 22

HEX #C78307

RGB 199 131 7

HSL 38.75, 0.93%, 0.4%

LAB 60.24, 18.16, 64.91

 

CMYK 80 / 0 / 96 / 23

HEX #27C507

RGB 39 197 7

HSL 109.89, 0.93%, 0.4%

LAB 69.74, -68.06, 68.1

 

CMYK 74 / 96 / 0 / 23

HEX #3307C5

RGB 51 7 197

HSL 253.89, 0.93%, 0.4%

LAB 26.41, 64.63, -84.36

 

CMYK 0 / 34 / 96 / 22

HEX #C78307

RGB 199 131 7

HSL 38.75, 0.93%, 0.4%

LAB 60.24, 18.16, 64.91

 

CMYK 96 / 0 / 36 / 23

HEX #07C57F

RGB 7 197 127

HSL 157.89, 0.93%, 0.4%

LAB 70.53, -57.46, 23.8

 

CMYK 36 / 96 / 0 / 23

HEX #7F07C5

RGB 127 7 197

HSL 277.89, 0.93%, 0.4%

LAB 35.39, 70.36, -69.22

 

CMYK 0 / 34 / 96 / 22

HEX #C78307

RGB 199 131 7

HSL 38.75, 0.93%, 0.4%

LAB 60.24, 18.16, 64.91

 

CMYK 80 / 0 / 96 / 23

HEX #27C507

RGB 39 197 7

HSL 109.89, 0.93%, 0.4%

LAB 69.74, -68.06, 68.1

 

CMYK 96 / 61 / 0 / 23

HEX #074DC5

RGB 7 77 197

HSL 217.89, 0.93%, 0.4%

LAB 36.71, 29.2, -67.38

 

CMYK 16 / 96 / 0 / 23

HEX #A507C5

RGB 165 7 197

HSL 289.89, 0.93%, 0.4%

LAB 41.5, 75.34, -58.99

 

CMYK 0 / 34 / 96 / 22

HEX #C78307

RGB 199 131 7

HSL 38.75, 0.93%, 0.4%

LAB 60.24, 18.16, 64.91

 

CMYK 96 / 0 / 84 / 23

HEX #07C520

RGB 7 197 32

HSL 127.89, 0.93%, 0.4%

LAB 69.53, -69.71, 63.58

 

CMYK 96 / 61 / 0 / 23

HEX #074DC5

RGB 7 77 197

HSL 217.89, 0.93%, 0.4%

LAB 36.71, 29.2, -67.38

 

CMYK 0 / 96 / 13 / 23

HEX #C507AC

RGB 197 7 172

HSL 307.89, 0.93%, 0.4%

LAB 45.64, 76.82, -37.35

 

Description

Color code: HEX #C78307 | qconv.com Color code: HEX #C78307 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 131 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 131 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 96 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 96% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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