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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C781FF it is the complementary color #387E00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C781FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C781FF shade: #CC81FA, #DD93FF, #EEA5FF, #FFB7FF and #FFC9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C781FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C781FF shade: #C781FF, #B66FEC, #A55DD9, #944BC6 and #8339B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C781FF shade: #C680FF, #E980FF, #FF80F3, #FF80D1 and #FF80AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C781FF shade: #C680FF, #A480FF, #8280FF and #8080FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C781FF shade matches the following richer shades: #C680FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C781FF shade: #C680FF, #C58AF5, #C494EA, #C39EE0 and #C2A9D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C781FF shade: #8280FF, #A480FF, #C680FF, #E880FF and #FF80F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C781FF shade: #A22DFF, #B456FF, #C680FF, #D9A9FF and #EBD2FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C781FF shade: #C781FF, #FF809F and #80FF93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C781FF shade: #C781FF, #FFC680 and #80FFC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C781FF shade: #C781FF, #FF809F, #B9FF80 and #80FFDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C781FF shade: #C781FF, #FF8680, #B9FF80 and #80F9FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 49 / 0 / 0

HEX #C781FF

RGB 199 129 255

HSL 273.33, 1%, 0.75%

LAB 65.8, 49.58, -52.58

 

Complementary color

CMYK 56 / 0 / 100 / 51

HEX #387E00

RGB 56 126 0

HSL 93.33, 1%, 0.25%

LAB 46.66, -41.42, 50.72

 

CMYK 18 / 48 / 0 / 2

HEX #CC81FA

RGB 204 129 250

HSL 277.19, 0.92%, 0.74%

LAB 66.09, 49.81, -49.34

 

CMYK 13 / 42 / 0 / 0

HEX #DD93FF

RGB 221 147 255

HSL 281.11, 1%, 0.79%

LAB 71.87, 46.1, -42.86

 

CMYK 7 / 35 / 0 / 0

HEX #EEA5FF

RGB 238 165 255

HSL 288.67, 1%, 0.82%

LAB 77.46, 41.6, -34.03

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 22 / 49 / 0 / 0

HEX #C781FF

RGB 199 129 255

HSL 273.33, 1%, 0.75%

LAB 65.8, 49.58, -52.58

 

CMYK 23 / 53 / 0 / 7

HEX #B66FEC

RGB 182 111 236

HSL 274.08, 0.77%, 0.68%

LAB 59.32, 50.42, -52.5

 

CMYK 24 / 57 / 0 / 15

HEX #A55DD9

RGB 165 93 217

HSL 274.84, 0.62%, 0.61%

LAB 52.77, 51.25, -52.37

 

CMYK 25 / 62 / 0 / 22

HEX #944BC6

RGB 148 75 198

HSL 275.61, 0.52%, 0.54%

LAB 46.18, 51.99, -52.15

 

CMYK 27 / 68 / 0 / 30

HEX #8339B3

RGB 131 57 179

HSL 276.39, 0.52%, 0.46%

LAB 39.59, 52.53, -51.76

 

CMYK 22 / 50 / 0 / 0

HEX #C680FF

RGB 198 128 255

HSL 273.07, 1%, 0.75%

LAB 65.49, 49.84, -53.07

 

CMYK 9 / 50 / 0 / 0

HEX #E980FF

RGB 233 128 255

HSL 289.61, 1%, 0.75%

LAB 69.46, 59.07, -46.54

 

CMYK 0 / 50 / 5 / 0

HEX #FF80F3

RGB 255 128 243

HSL 305.67, 1%, 0.75%

LAB 71.67, 62.94, -36.33

 

CMYK 0 / 50 / 18 / 0

HEX #FF80D1

RGB 255 128 209

HSL 321.73, 1%, 0.75%

LAB 70.39, 57.67, -19.55

 

CMYK 0 / 50 / 32 / 0

HEX #FF80AE

RGB 255 128 174

HSL 338.27, 1%, 0.75%

LAB 69.29, 53.01, -1.62

 

CMYK 22 / 50 / 0 / 0

HEX #C680FF

RGB 198 128 255

HSL 273.07, 1%, 0.75%

LAB 65.49, 49.84, -53.07

 

CMYK 36 / 50 / 0 / 0

HEX #A480FF

RGB 164 128 255

HSL 257.01, 1%, 0.75%

LAB 62.13, 41.28, -58.62

 

CMYK 49 / 50 / 0 / 0

HEX #8280FF

RGB 130 128 255

HSL 240.94, 1%, 0.75%

LAB 59.35, 33.53, -63.23

 

CMYK 50 / 50 / 0 / 0

HEX #8080FF

RGB 128 128 255

HSL 240, 1%, 0.75%

LAB 59.2, 33.11, -63.47

 

CMYK 22 / 50 / 0 / 0

HEX #C680FF

RGB 198 128 255

HSL 273.07, 1%, 0.75%

LAB 65.49, 49.84, -53.07

 

CMYK 22 / 50 / 0 / 0

HEX #C680FF

RGB 198 128 255

HSL 273.07, 1%, 0.75%

LAB 65.49, 49.84, -53.07

 

CMYK 20 / 44 / 0 / 4

HEX #C58AF5

RGB 197 138 245

HSL 273.08, 0.84%, 0.75%

LAB 67.01, 42.03, -45.2

 

CMYK 16 / 37 / 0 / 8

HEX #C494EA

RGB 196 148 234

HSL 273.49, 0.67%, 0.75%

LAB 68.65, 33.88, -36.61

 

CMYK 13 / 29 / 0 / 12

HEX #C39EE0

RGB 195 158 224

HSL 273.64, 0.52%, 0.75%

LAB 70.48, 25.92, -28.29

 

CMYK 9 / 21 / 0 / 16

HEX #C2A9D6

RGB 194 169 214

HSL 273.33, 0.35%, 0.75%

LAB 72.69, 17.45, -19.43

 

CMYK 49 / 50 / 0 / 0

HEX #8280FF

RGB 130 128 255

HSL 240.94, 1%, 0.75%

LAB 59.35, 33.53, -63.23

 

CMYK 36 / 50 / 0 / 0

HEX #A480FF

RGB 164 128 255

HSL 257.01, 1%, 0.75%

LAB 62.13, 41.28, -58.62

 

CMYK 22 / 50 / 0 / 0

HEX #C680FF

RGB 198 128 255

HSL 273.07, 1%, 0.75%

LAB 65.49, 49.84, -53.07

 

CMYK 9 / 50 / 0 / 0

HEX #E880FF

RGB 232 128 255

HSL 289.13, 1%, 0.75%

LAB 69.34, 58.81, -46.74

 

CMYK 0 / 50 / 4 / 0

HEX #FF80F4

RGB 255 128 244

HSL 305.2, 1%, 0.75%

LAB 71.71, 63.1, -36.81

 

CMYK 36 / 82 / 0 / 0

HEX #A22DFF

RGB 162 45 255

HSL 273.43, 1%, 0.59%

LAB 47.98, 78.78, -81.51

 

CMYK 29 / 66 / 0 / 0

HEX #B456FF

RGB 180 86 255

HSL 273.37, 1%, 0.67%

LAB 55.66, 66.42, -68.91

 

CMYK 22 / 50 / 0 / 0

HEX #C680FF

RGB 198 128 255

HSL 273.07, 1%, 0.75%

LAB 65.49, 49.84, -53.07

 

CMYK 15 / 34 / 0 / 0

HEX #D9A9FF

RGB 217 169 255

HSL 273.49, 1%, 0.83%

LAB 76.28, 33.17, -36.02

 

CMYK 8 / 18 / 0 / 0

HEX #EBD2FF

RGB 235 210 255

HSL 273.33, 1%, 0.91%

LAB 87.47, 16.77, -18.77

 

CMYK 22 / 49 / 0 / 0

HEX #C781FF

RGB 199 129 255

HSL 273.33, 1%, 0.75%

LAB 65.8, 49.58, -52.58

 

CMYK 0 / 50 / 38 / 0

HEX #FF809F

RGB 255 128 159

HSL 345.35, 1%, 0.75%

LAB 68.9, 51.27, 6.24

 

CMYK 50 / 0 / 42 / 0

HEX #80FF93

RGB 128 255 147

HSL 128.98, 1%, 0.75%

LAB 90.88, -57.25, 40.95

 

CMYK 22 / 49 / 0 / 0

HEX #C781FF

RGB 199 129 255

HSL 273.33, 1%, 0.75%

LAB 65.8, 49.58, -52.58

 

CMYK 0 / 22 / 50 / 0

HEX #FFC680

RGB 255 198 128

HSL 33.07, 1%, 0.75%

LAB 83.55, 12.16, 42.7

 

CMYK 50 / 0 / 22 / 0

HEX #80FFC6

RGB 128 255 198

HSL 153.07, 1%, 0.75%

LAB 91.77, -48.23, 16.54

 

CMYK 22 / 49 / 0 / 0

HEX #C781FF

RGB 199 129 255

HSL 273.33, 1%, 0.75%

LAB 65.8, 49.58, -52.58

 

CMYK 0 / 50 / 38 / 0

HEX #FF809F

RGB 255 128 159

HSL 345.35, 1%, 0.75%

LAB 68.9, 51.27, 6.24

 

CMYK 27 / 0 / 50 / 0

HEX #B9FF80

RGB 185 255 128

HSL 93.07, 1%, 0.75%

LAB 93.19, -42.51, 53.4

 

CMYK 50 / 0 / 13 / 0

HEX #80FFDF

RGB 128 255 223

HSL 164.88, 1%, 0.75%

LAB 92.33, -42.87, 4.46

 

CMYK 22 / 49 / 0 / 0

HEX #C781FF

RGB 199 129 255

HSL 273.33, 1%, 0.75%

LAB 65.8, 49.58, -52.58

 

CMYK 0 / 47 / 50 / 0

HEX #FF8680

RGB 255 134 128

HSL 2.83, 1%, 0.75%

LAB 69.38, 45.25, 24.26

 

CMYK 27 / 0 / 50 / 0

HEX #B9FF80

RGB 185 255 128

HSL 93.07, 1%, 0.75%

LAB 93.19, -42.51, 53.4

 

CMYK 50 / 2 / 0 / 0

HEX #80F9FF

RGB 128 249 255

HSL 182.83, 1%, 0.75%

LAB 91.49, -32.43, -13.37

 

Description

Color code: HEX #C781FF | qconv.com Color code: HEX #C781FF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 129 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 129 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 49 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 49% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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