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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7814E it is the complementary color #387EB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7814E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7814E shade: #CC8149, #DD935C, #EEA56F, #FFB782 and #FFC995

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7814E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7814E shade: #C7814E, #B66F3B, #A55D28, #944B15 and #833902

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7814E shade: #C7804D, #C75F4D and #C74D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7814E shade: #C7804D, #C7A14D, #C7C24D, #ABC74D and #8AC74D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7814E shade matches the following richer shades: #C7804D, #DA7D3A and #ED7A27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7814E shade: #C7804D, #B48360, #A18673, #8E8986 and #7B8C99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7814E shade: #C74D5B, #C75F4D, #C7804D, #C7A04D and #C7C14D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7814E shade: #93592E, #B26C38, #C7804D, #D1966C and #DBAD8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7814E shade: #C7814E, #7BC74D and #4F4DC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7814E shade: #C7814E, #4DC780 and #804DC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7814E shade: #C7814E, #7BC74D, #4D94C7 and #984DC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7814E shade: #C7814E, #57C74D, #4D94C7 and #BD4DC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 61 / 22

HEX #C7814E

RGB 199 129 78

HSL 25.29, 0.52%, 0.54%

LAB 60.24, 22.01, 38.42

 

Complementary color

CMYK 68 / 29 / 0 / 31

HEX #387EB1

RGB 56 126 177

HSL 205.29, 0.52%, 0.46%

LAB 50.61, -5.26, -33.41

 

CMYK 0 / 37 / 64 / 20

HEX #CC8149

RGB 204 129 73

HSL 25.65, 0.56%, 0.54%

LAB 60.8, 23.75, 41.83

 

CMYK 0 / 33 / 58 / 13

HEX #DD935C

RGB 221 147 92

HSL 25.58, 0.65%, 0.61%

LAB 67.29, 22.4, 40.2

 

CMYK 0 / 31 / 53 / 7

HEX #EEA56F

RGB 238 165 111

HSL 25.51, 0.79%, 0.68%

LAB 73.7, 21.22, 38.65

 

CMYK 0 / 28 / 49 / 0

HEX #FFB782

RGB 255 183 130

HSL 25.44, 1%, 0.75%

LAB 80.03, 20.17, 37.2

 

CMYK 0 / 21 / 42 / 0

HEX #FFC995

RGB 255 201 149

HSL 29.43, 1%, 0.79%

LAB 84.59, 12.64, 33.29

 

CMYK 0 / 35 / 61 / 22

HEX #C7814E

RGB 199 129 78

HSL 25.29, 0.52%, 0.54%

LAB 60.24, 22.01, 38.42

 

CMYK 0 / 39 / 68 / 29

HEX #B66F3B

RGB 182 111 59

HSL 25.37, 0.51%, 0.47%

LAB 53.63, 23.46, 40.11

 

CMYK 0 / 44 / 76 / 35

HEX #A55D28

RGB 165 93 40

HSL 25.44, 0.61%, 0.4%

LAB 46.95, 25.14, 41.78

 

CMYK 0 / 49 / 86 / 42

HEX #944B15

RGB 148 75 21

HSL 25.51, 0.75%, 0.33%

LAB 40.22, 27.07, 43.1

 

CMYK 0 / 56 / 98 / 49

HEX #833902

RGB 131 57 2

HSL 25.58, 0.97%, 0.26%

LAB 33.47, 29.2, 43.64

 

CMYK 0 / 36 / 61 / 22

HEX #C7804D

RGB 199 128 77

HSL 25.08, 0.52%, 0.54%

LAB 59.99, 22.48, 38.65

 

CMYK 0 / 52 / 61 / 22

HEX #C75F4D

RGB 199 95 77

HSL 8.85, 0.52%, 0.54%

LAB 52.8, 40, 29.85

 

CMYK 0 / 61 / 61 / 22

HEX #C74D4D

RGB 199 77 77

HSL 0, 0.52%, 0.54%

LAB 49.48, 48.65, 25.64

 

CMYK 0 / 36 / 61 / 22

HEX #C7804D

RGB 199 128 77

HSL 25.08, 0.52%, 0.54%

LAB 59.99, 22.48, 38.65

 

CMYK 0 / 19 / 61 / 22

HEX #C7A14D

RGB 199 161 77

HSL 41.31, 0.52%, 0.54%

LAB 68.14, 4.48, 48.12

 

CMYK 0 / 3 / 61 / 22

HEX #C7C24D

RGB 199 194 77

HSL 57.54, 0.52%, 0.54%

LAB 76.84, -12.83, 57.73

 

CMYK 14 / 0 / 61 / 22

HEX #ABC74D

RGB 171 199 77

HSL 73.77, 0.52%, 0.54%

LAB 76.09, -26.82, 56.3

 

CMYK 31 / 0 / 61 / 22

HEX #8AC74D

RGB 138 199 77

HSL 90, 0.52%, 0.54%

LAB 74.05, -39.44, 53.48

 

CMYK 0 / 36 / 61 / 22

HEX #C7804D

RGB 199 128 77

HSL 25.08, 0.52%, 0.54%

LAB 59.99, 22.48, 38.65

 

CMYK 0 / 43 / 73 / 15

HEX #DA7D3A

RGB 218 125 58

HSL 25.13, 0.68%, 0.54%

LAB 61.55, 30.86, 50.57

 

CMYK 0 / 49 / 84 / 7

HEX #ED7A27

RGB 237 122 39

HSL 25.15, 0.85%, 0.54%

LAB 63.4, 39.35, 61.29

 

CMYK 0 / 36 / 61 / 22

HEX #C7804D

RGB 199 128 77

HSL 25.08, 0.52%, 0.54%

LAB 59.99, 22.48, 38.65

 

CMYK 0 / 27 / 47 / 29

HEX #B48360

RGB 180 131 96

HSL 25, 0.36%, 0.54%

LAB 58.77, 14.51, 26.3

 

CMYK 0 / 17 / 29 / 37

HEX #A18673

RGB 161 134 115

HSL 24.78, 0.2%, 0.54%

LAB 57.91, 7.32, 14.07

 

CMYK 0 / 4 / 6 / 44

HEX #8E8986

RGB 142 137 134

HSL 22.5, 0.03%, 0.54%

LAB 57.43, 1.29, 2.26

 

CMYK 20 / 8 / 0 / 40

HEX #7B8C99

RGB 123 140 153

HSL 206, 0.13%, 0.54%

LAB 57.33, -3.19, -8.96

 

CMYK 0 / 61 / 54 / 22

HEX #C74D5B

RGB 199 77 91

HSL 353.11, 0.52%, 0.54%

LAB 49.74, 49.69, 17.65

 

CMYK 0 / 52 / 61 / 22

HEX #C75F4D

RGB 199 95 77

HSL 8.85, 0.52%, 0.54%

LAB 52.8, 40, 29.85

 

CMYK 0 / 36 / 61 / 22

HEX #C7804D

RGB 199 128 77

HSL 25.08, 0.52%, 0.54%

LAB 59.99, 22.48, 38.65

 

CMYK 0 / 20 / 61 / 22

HEX #C7A04D

RGB 199 160 77

HSL 40.82, 0.52%, 0.54%

LAB 67.89, 5.02, 47.83

 

CMYK 0 / 3 / 61 / 22

HEX #C7C14D

RGB 199 193 77

HSL 57.05, 0.52%, 0.54%

LAB 76.57, -12.32, 57.44

 

CMYK 0 / 39 / 69 / 42

HEX #93592E

RGB 147 89 46

HSL 25.54, 0.52%, 0.38%

LAB 43.57, 19.86, 34.34

 

CMYK 0 / 39 / 69 / 30

HEX #B26C38

RGB 178 108 56

HSL 25.57, 0.52%, 0.46%

LAB 52.37, 23.23, 40.1

 

CMYK 0 / 36 / 61 / 22

HEX #C7804D

RGB 199 128 77

HSL 25.08, 0.52%, 0.54%

LAB 59.99, 22.48, 38.65

 

CMYK 0 / 28 / 48 / 18

HEX #D1966C

RGB 209 150 108

HSL 24.95, 0.52%, 0.62%

LAB 66.86, 17.24, 30.87

 

CMYK 0 / 21 / 37 / 14

HEX #DBAD8B

RGB 219 173 139

HSL 25.5, 0.53%, 0.7%

LAB 74.07, 12.19, 23.88

 

CMYK 0 / 35 / 61 / 22

HEX #C7814E

RGB 199 129 78

HSL 25.29, 0.52%, 0.54%

LAB 60.24, 22.01, 38.42

 

CMYK 38 / 0 / 61 / 22

HEX #7BC74D

RGB 123 199 77

HSL 97.38, 0.52%, 0.54%

LAB 73.28, -44.66, 52.4

 

CMYK 60 / 61 / 0 / 22

HEX #4F4DC7

RGB 79 77 199

HSL 240.98, 0.52%, 0.54%

LAB 39.74, 36.9, -63.49

 

CMYK 0 / 35 / 61 / 22

HEX #C7814E

RGB 199 129 78

HSL 25.29, 0.52%, 0.54%

LAB 60.24, 22.01, 38.42

 

CMYK 61 / 0 / 36 / 22

HEX #4DC780

RGB 77 199 128

HSL 145.08, 0.52%, 0.54%

LAB 72.22, -50.03, 25.73

 

CMYK 36 / 61 / 0 / 22

HEX #804DC7

RGB 128 77 199

HSL 265.08, 0.52%, 0.54%

LAB 44.26, 46.61, -55.94

 

CMYK 0 / 35 / 61 / 22

HEX #C7814E

RGB 199 129 78

HSL 25.29, 0.52%, 0.54%

LAB 60.24, 22.01, 38.42

 

CMYK 38 / 0 / 61 / 22

HEX #7BC74D

RGB 123 199 77

HSL 97.38, 0.52%, 0.54%

LAB 73.28, -44.66, 52.4

 

CMYK 61 / 26 / 0 / 22

HEX #4D94C7

RGB 77 148 199

HSL 205.08, 0.52%, 0.54%

LAB 58.86, -6.84, -33.01

 

CMYK 24 / 61 / 0 / 22

HEX #984DC7

RGB 152 77 199

HSL 276.89, 0.52%, 0.54%

LAB 47.11, 52.16, -51.21

 

CMYK 0 / 35 / 61 / 22

HEX #C7814E

RGB 199 129 78

HSL 25.29, 0.52%, 0.54%

LAB 60.24, 22.01, 38.42

 

CMYK 56 / 0 / 61 / 22

HEX #57C74D

RGB 87 199 77

HSL 115.08, 0.52%, 0.54%

LAB 71.83, -55.29, 50.38

 

CMYK 61 / 26 / 0 / 22

HEX #4D94C7

RGB 77 148 199

HSL 205.08, 0.52%, 0.54%

LAB 58.86, -6.84, -33.01

 

CMYK 5 / 61 / 0 / 22

HEX #BD4DC7

RGB 189 77 199

HSL 295.08, 0.52%, 0.54%

LAB 52.12, 61.14, -42.94

 

Description

Color code: HEX #C7814E | qconv.com Color code: HEX #C7814E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 129 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 129 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 61 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 61% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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