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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C77E174C it is the complementary color #3881E84C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C77E174C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C77E174C shade: #CC7E124C, #DD90254C, #EEA2384C, #FFB44B4C and #FFC65E4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C77E174C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C77E174C shade: #C77E174C, #B66C044C, #A55A004C, #9448004C and #8336004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C77E174C shade: #C97F18, #C94F18, #C92018 and #C91818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C77E174C shade: #C97F18, #C9AF18, #B3C918, #83C918 and #53C918

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C77E174C shade matches the following richer shades: #C97F18 and #DB8205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C77E174C shade: #C97F18, #B77C2A, #A5793C, #92764E and #807360

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C77E174C shade: #C92018, #C95018, #C97F18, #C9AE18 and #B4C918

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C77E174C shade: #7F500F, #A46813, #C97F18, #E59524 and #EAA749

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C77E174C shade: #C77E17, #3EC918 and #3818C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C77E174C shade: #C77E17, #18C97F and #7F18C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C77E174C shade: #C77E17, #3EC918, #1861C9 and #A218C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C77E174C shade: #C77E17, #18C926, #1861C9 and #C918BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 27 / 7

HEX #C77E174C

RGBA 199 126 23 0.3

HSLA 35.11, 0.79%, 0.44%, 0.3

LABA 59.09, 21.13, 60.82, 0.3

 

Complementary color

CMYK 23 / 13 / 0 / 3

HEX #3881E84C

RGBA 56 129 232 0.3

HSLA 215.11, 0.79%, 0.56%, 0.3

LABA 54.41, 12.72, -58.61, 0.3

 

CMYK 0 / 11 / 27 / 6

HEX #CC7E124C

RGBA 204 126 18 0.3

HSLA 34.84, 0.84%, 0.44%, 0.3

LABA 59.71, 23.2, 62.81, 0.3

 

CMYK 0 / 10 / 25 / 4

HEX #DD90254C

RGBA 221 144 37 0.3

HSLA 34.89, 0.73%, 0.51%, 0.3

LABA 66.1, 21.21, 63.47, 0.3

 

CMYK 0 / 10 / 23 / 2

HEX #EEA2384C

RGBA 238 162 56 0.3

HSLA 34.95, 0.84%, 0.58%, 0.3

LABA 72.43, 19.46, 63.09, 0.3

 

CMYK 0 / 9 / 21 / 0

HEX #FFB44B4C

RGBA 255 180 75 0.3

HSLA 35, 1%, 0.65%, 0.3

LABA 78.7, 17.92, 62.19, 0.3

 

CMYK 0 / 7 / 19 / 0

HEX #FFC65E4C

RGBA 255 198 94 0.3

HSLA 38.76, 1%, 0.68%, 0.3

LABA 83.16, 9.6, 58.61, 0.3

 

CMYK 0 / 11 / 27 / 7

HEX #C77E174C

RGBA 199 126 23 0.3

HSLA 35.11, 0.79%, 0.44%, 0.3

LABA 59.09, 21.13, 60.82, 0.3

 

CMYK 0 / 12 / 29 / 9

HEX #B66C044C

RGBA 182 108 4 0.3

HSLA 35.06, 0.96%, 0.36%, 0.3

LABA 52.6, 23.29, 59.2, 0.3

 

CMYK 0 / 14 / 30 / 11

HEX #A55A004C

RGBA 165 90 0 0.3

HSLA 32.73, 1%, 0.32%, 0.3

LABA 46.06, 25.75, 54.72, 0.3

 

CMYK 0 / 15 / 30 / 13

HEX #9448004C

RGBA 148 72 0 0.3

HSLA 29.19, 1%, 0.29%, 0.3

LABA 39.46, 28.28, 49.41, 0.3

 

CMYK 0 / 18 / 30 / 15

HEX #8336004C

RGBA 131 54 0 0.3

HSLA 24.73, 1%, 0.26%, 0.3

LABA 32.84, 30.75, 44.07, 0.3

 

CMYK 0 / 37 / 88 / 21

HEX #C97F18

RGB 201 127 24

HSL 34.92, 0.79%, 0.44%

LAB 59.58, 21.47, 61.04

 

CMYK 0 / 61 / 88 / 21

HEX #C94F18

RGB 201 79 24

HSL 18.64, 0.79%, 0.44%

LAB 49.59, 46.18, 53.17

 

CMYK 0 / 84 / 88 / 21

HEX #C92018

RGB 201 32 24

HSL 2.71, 0.79%, 0.44%

LAB 43.53, 62.77, 48.44

 

CMYK 0 / 88 / 88 / 21

HEX #C91818

RGB 201 24 24

HSL 0, 0.79%, 0.44%

LAB 42.97, 64.38, 48

 

CMYK 0 / 37 / 88 / 21

HEX #C97F18

RGB 201 127 24

HSL 34.92, 0.79%, 0.44%

LAB 59.58, 21.47, 61.04

 

CMYK 0 / 13 / 88 / 21

HEX #C9AF18

RGB 201 175 24

HSL 51.19, 0.79%, 0.44%

LAB 71.65, -4.43, 70.6

 

CMYK 11 / 0 / 88 / 21

HEX #B3C918

RGB 179 201 24

HSL 67.46, 0.79%, 0.44%

LAB 76.93, -27.01, 74.09

 

CMYK 35 / 0 / 88 / 21

HEX #83C918

RGB 131 201 24

HSL 83.73, 0.79%, 0.44%

LAB 73.97, -45.84, 70.44

 

CMYK 59 / 0 / 88 / 21

HEX #53C918

RGB 83 201 24

HSL 100, 0.79%, 0.44%

LAB 72.01, -60.64, 67.99

 

CMYK 0 / 37 / 88 / 21

HEX #C97F18

RGB 201 127 24

HSL 34.92, 0.79%, 0.44%

LAB 59.58, 21.47, 61.04

 

CMYK 0 / 41 / 98 / 14

HEX #DB8205

RGB 219 130 5

HSL 35.05, 0.96%, 0.44%

LAB 62.54, 27.29, 67.98

 

CMYK 0 / 37 / 88 / 21

HEX #C97F18

RGB 201 127 24

HSL 34.92, 0.79%, 0.44%

LAB 59.58, 21.47, 61.04

 

CMYK 0 / 32 / 77 / 28

HEX #B77C2A

RGB 183 124 42

HSL 34.89, 0.63%, 0.44%

LAB 56.73, 15.81, 51.39

 

CMYK 0 / 27 / 64 / 35

HEX #A5793C

RGB 165 121 60

HSL 34.86, 0.47%, 0.44%

LAB 54.03, 10.5, 39.49

 

CMYK 0 / 19 / 47 / 43

HEX #92764E

RGB 146 118 78

HSL 35.29, 0.3%, 0.44%

LAB 51.4, 5.41, 26.11

 

CMYK 0 / 10 / 25 / 50

HEX #807360

RGB 128 115 96

HSL 35.63, 0.14%, 0.44%

LAB 49.12, 1.8, 12.36

 

CMYK 0 / 84 / 88 / 21

HEX #C92018

RGB 201 32 24

HSL 2.71, 0.79%, 0.44%

LAB 43.53, 62.77, 48.44

 

CMYK 0 / 60 / 88 / 21

HEX #C95018

RGB 201 80 24

HSL 18.98, 0.79%, 0.44%

LAB 49.76, 45.71, 53.3

 

CMYK 0 / 37 / 88 / 21

HEX #C97F18

RGB 201 127 24

HSL 34.92, 0.79%, 0.44%

LAB 59.58, 21.47, 61.04

 

CMYK 0 / 13 / 88 / 21

HEX #C9AE18

RGB 201 174 24

HSL 50.85, 0.79%, 0.44%

LAB 71.39, -3.9, 70.39

 

CMYK 10 / 0 / 88 / 21

HEX #B4C918

RGB 180 201 24

HSL 67.12, 0.79%, 0.44%

LAB 77.01, -26.59, 74.18

 

CMYK 0 / 37 / 88 / 50

HEX #7F500F

RGB 127 80 15

HSL 34.82, 0.79%, 0.28%

LAB 38.35, 14.52, 42.57

 

CMYK 0 / 37 / 88 / 36

HEX #A46813

RGB 164 104 19

HSL 35.17, 0.79%, 0.36%

LAB 49.3, 17.78, 52.28

 

CMYK 0 / 37 / 88 / 21

HEX #C97F18

RGB 201 127 24

HSL 34.92, 0.79%, 0.44%

LAB 59.58, 21.47, 61.04

 

CMYK 0 / 35 / 84 / 10

HEX #E59524

RGB 229 149 36

HSL 35.13, 0.79%, 0.52%

LAB 68.23, 21.92, 65.98

 

CMYK 0 / 29 / 69 / 8

HEX #EAA749

RGB 234 167 73

HSL 35.03, 0.79%, 0.6%

LAB 73.29, 15.91, 56.68

 

CMYK 0 / 37 / 88 / 22

HEX #C77E17

RGB 199 126 23

HSL 35.11, 0.79%, 0.44%

LAB 59.09, 21.13, 60.82

 

CMYK 69 / 0 / 88 / 21

HEX #3EC918

RGB 62 201 24

HSL 107.12, 0.79%, 0.44%

LAB 71.46, -65.24, 67.3

 

CMYK 72 / 88 / 0 / 21

HEX #3818C9

RGB 56 24 201

HSL 250.85, 0.79%, 0.44%

LAB 28.67, 61.72, -82.94

 

CMYK 0 / 37 / 88 / 22

HEX #C77E17

RGB 199 126 23

HSL 35.11, 0.79%, 0.44%

LAB 59.09, 21.13, 60.82

 

CMYK 88 / 0 / 37 / 21

HEX #18C97F

RGB 24 201 127

HSL 154.92, 0.79%, 0.44%

LAB 71.89, -58.09, 25.65

 

CMYK 37 / 88 / 0 / 21

HEX #7F18C9

RGB 127 24 201

HSL 274.92, 0.79%, 0.44%

LAB 36.71, 68.31, -69.39

 

CMYK 0 / 37 / 88 / 22

HEX #C77E17

RGB 199 126 23

HSL 35.11, 0.79%, 0.44%

LAB 59.09, 21.13, 60.82

 

CMYK 69 / 0 / 88 / 21

HEX #3EC918

RGB 62 201 24

HSL 107.12, 0.79%, 0.44%

LAB 71.46, -65.24, 67.3

 

CMYK 88 / 52 / 0 / 21

HEX #1861C9

RGB 24 97 201

HSL 215.25, 0.79%, 0.44%

LAB 42.7, 18.33, -59.94

 

CMYK 19 / 88 / 0 / 21

HEX #A218C9

RGB 162 24 201

HSL 286.78, 0.79%, 0.44%

LAB 42.08, 73.27, -60.41

 

CMYK 0 / 37 / 88 / 22

HEX #C77E17

RGB 199 126 23

HSL 35.11, 0.79%, 0.44%

LAB 59.09, 21.13, 60.82

 

CMYK 88 / 0 / 81 / 21

HEX #18C926

RGB 24 201 38

HSL 124.75, 0.79%, 0.44%

LAB 70.94, -69.58, 63.36

 

CMYK 88 / 52 / 0 / 21

HEX #1861C9

RGB 24 97 201

HSL 215.25, 0.79%, 0.44%

LAB 42.7, 18.33, -59.94

 

CMYK 0 / 88 / 7 / 21

HEX #C918BA

RGB 201 24 186

HSL 305.08, 0.79%, 0.44%

LAB 47.77, 77.52, -42.16

 

Description

Color code: HEX #C77E174C | qconv.com Color code: HEX #C77E174C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 126 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 126 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 27 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 27% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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