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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C77C92 it is the complementary color #38836D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C77C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C77C92 shade: #CC7C8D, #DD8EA0, #EEA0B3, #FFB2C6 and #FFC4D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C77C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C77C92 shade: #C77C92, #B66A7F, #A5586C, #944659 and #833446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C77C92 shade: #C67B91, #C67B7D and #C67B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C77C92 shade: #C67B91, #C67BA5, #C67BBA, #BF7BC6 and #AA7BC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C77C92 shade matches the following richer shades: #C67B91, #D66C8B, #E55C84 and #F44D7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C77C92 shade: #C67B91, #B78A97, #A8999E, #99A9A4 and #89B8AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C77C92 shade: #C67BBA, #C67BA6, #C67B92, #C67B7D and #C68D7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C77C92 shade: #A74864, #BA5E79, #C67B91, #D398A9 and #DFB5C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C77C92 shade: #C77C92, #C6BF7B and #7BB0C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C77C92 shade: #C77C92, #92C67B and #7B92C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C77C92 shade: #C77C92, #C6BF7B, #7BC6B0 and #7B82C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C77C92 shade: #C77C92, #B7C67B, #7BC6B0 and #8A7BC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 27 / 22

HEX #C77C92

RGB 199 124 146

HSL 342.4, 0.4%, 0.63%

LAB 60.46, 32.04, 0.5

 

Complementary color

CMYK 57 / 0 / 17 / 49

HEX #38836D

RGB 56 131 109

HSL 162.4, 0.4%, 0.37%

LAB 49.71, -28.92, 4.93

 

CMYK 0 / 39 / 31 / 20

HEX #CC7C8D

RGB 204 124 141

HSL 347.25, 0.44%, 0.64%

LAB 60.94, 33.19, 4.14

 

CMYK 0 / 36 / 28 / 13

HEX #DD8EA0

RGB 221 142 160

HSL 346.33, 0.54%, 0.71%

LAB 67.47, 32.32, 3.06

 

CMYK 0 / 33 / 25 / 7

HEX #EEA0B3

RGB 238 160 179

HSL 345.38, 0.7%, 0.78%

LAB 73.92, 31.52, 2.09

 

CMYK 0 / 30 / 22 / 0

HEX #FFB2C6

RGB 255 178 198

HSL 344.42, 1%, 0.85%

LAB 80.28, 30.77, 1.2

 

CMYK 0 / 23 / 15 / 0

HEX #FFC4D9

RGB 255 196 217

HSL 338.64, 1%, 0.88%

LAB 84.87, 24.17, -2.3

 

CMYK 0 / 38 / 27 / 22

HEX #C77C92

RGB 199 124 146

HSL 342.4, 0.4%, 0.63%

LAB 60.46, 32.04, 0.5

 

CMYK 0 / 42 / 30 / 29

HEX #B66A7F

RGB 182 106 127

HSL 343.42, 0.34%, 0.56%

LAB 53.8, 32.93, 1.59

 

CMYK 0 / 47 / 35 / 35

HEX #A5586C

RGB 165 88 108

HSL 344.42, 0.3%, 0.5%

LAB 47.06, 33.87, 2.86

 

CMYK 0 / 53 / 40 / 42

HEX #944659

RGB 148 70 89

HSL 345.38, 0.36%, 0.43%

LAB 40.24, 34.83, 4.4

 

CMYK 0 / 60 / 47 / 49

HEX #833446

RGB 131 52 70

HSL 346.33, 0.43%, 0.36%

LAB 33.4, 35.75, 6.34

 

CMYK 0 / 38 / 27 / 22

HEX #C67B91

RGB 198 123 145

HSL 342.4, 0.4%, 0.63%

LAB 60.08, 32.08, 0.51

 

CMYK 0 / 38 / 37 / 22

HEX #C67B7D

RGB 198 123 125

HSL 358.4, 0.4%, 0.63%

LAB 59.57, 29.44, 11.29

 

CMYK 0 / 38 / 38 / 22

HEX #C67B7B

RGB 198 123 123

HSL 0, 0.4%, 0.63%

LAB 59.53, 29.2, 12.37

 

CMYK 0 / 38 / 27 / 22

HEX #C67B91

RGB 198 123 145

HSL 342.4, 0.4%, 0.63%

LAB 60.08, 32.08, 0.51

 

CMYK 0 / 38 / 17 / 22

HEX #C67BA5

RGB 198 123 165

HSL 326.4, 0.4%, 0.63%

LAB 60.68, 35.09, -10.08

 

CMYK 0 / 38 / 6 / 22

HEX #C67BBA

RGB 198 123 186

HSL 309.6, 0.4%, 0.63%

LAB 61.41, 38.63, -20.96

 

CMYK 4 / 38 / 0 / 22

HEX #BF7BC6

RGB 191 123 198

HSL 294.4, 0.4%, 0.63%

LAB 61.06, 38.62, -28.36

 

CMYK 14 / 38 / 0 / 22

HEX #AA7BC6

RGB 170 123 198

HSL 277.6, 0.4%, 0.63%

LAB 58.78, 32.1, -32.08

 

CMYK 0 / 38 / 27 / 22

HEX #C67B91

RGB 198 123 145

HSL 342.4, 0.4%, 0.63%

LAB 60.08, 32.08, 0.51

 

CMYK 0 / 50 / 35 / 16

HEX #D66C8B

RGB 214 108 139

HSL 342.45, 0.56%, 0.63%

LAB 58.87, 44.84, 2.47

 

CMYK 0 / 60 / 42 / 10

HEX #E55C84

RGB 229 92 132

HSL 342.48, 0.72%, 0.63%

LAB 58.02, 56.61, 5.61

 

CMYK 0 / 68 / 48 / 4

HEX #F44D7E

RGB 244 77 126

HSL 342.4, 0.88%, 0.63%

LAB 58.08, 66.67, 9.55

 

CMYK 0 / 38 / 27 / 22

HEX #C67B91

RGB 198 123 145

HSL 342.4, 0.4%, 0.63%

LAB 60.08, 32.08, 0.51

 

CMYK 0 / 25 / 17 / 28

HEX #B78A97

RGB 183 138 151

HSL 342.67, 0.24%, 0.63%

LAB 62.06, 19.15, -0.23

 

CMYK 0 / 9 / 6 / 34

HEX #A8999E

RGB 168 153 158

HSL 340, 0.08%, 0.63%

LAB 64.62, 6.41, -0.62

 

CMYK 9 / 0 / 3 / 34

HEX #99A9A4

RGB 153 169 164

HSL 161.25, 0.09%, 0.63%

LAB 67.89, -6.59, 0.66

 

CMYK 26 / 0 / 8 / 28

HEX #89B8AA

RGB 137 184 170

HSL 162.13, 0.25%, 0.63%

LAB 71.22, -18.53, 2.06

 

CMYK 0 / 38 / 6 / 22

HEX #C67BBA

RGB 198 123 186

HSL 309.6, 0.4%, 0.63%

LAB 61.41, 38.63, -20.96

 

CMYK 0 / 38 / 16 / 22

HEX #C67BA6

RGB 198 123 166

HSL 325.6, 0.4%, 0.63%

LAB 60.72, 35.25, -10.61

 

CMYK 0 / 38 / 26 / 22

HEX #C67B92

RGB 198 123 146

HSL 341.6, 0.4%, 0.63%

LAB 60.11, 32.22, -0.02

 

CMYK 0 / 38 / 37 / 22

HEX #C67B7D

RGB 198 123 125

HSL 358.4, 0.4%, 0.63%

LAB 59.57, 29.44, 11.29

 

CMYK 0 / 29 / 38 / 22

HEX #C68D7B

RGB 198 141 123

HSL 14.4, 0.4%, 0.63%

LAB 63.74, 19.34, 18.22

 

CMYK 0 / 57 / 40 / 35

HEX #A74864

RGB 167 72 100

HSL 342.32, 0.4%, 0.47%

LAB 43.9, 41.92, 3.23

 

CMYK 0 / 49 / 35 / 27

HEX #BA5E79

RGB 186 94 121

HSL 342.39, 0.4%, 0.55%

LAB 51.64, 39.97, 2.07

 

CMYK 0 / 38 / 27 / 22

HEX #C67B91

RGB 198 123 145

HSL 342.4, 0.4%, 0.63%

LAB 60.08, 32.08, 0.51

 

CMYK 0 / 28 / 20 / 17

HEX #D398A9

RGB 211 152 169

HSL 342.71, 0.4%, 0.71%

LAB 68.87, 24.59, -0.07

 

CMYK 0 / 19 / 13 / 13

HEX #DFB5C1

RGB 223 181 193

HSL 342.86, 0.4%, 0.79%

LAB 77.63, 17.03, -0.34

 

CMYK 0 / 38 / 27 / 22

HEX #C77C92

RGB 199 124 146

HSL 342.4, 0.4%, 0.63%

LAB 60.46, 32.04, 0.5

 

CMYK 0 / 4 / 38 / 22

HEX #C6BF7B

RGB 198 191 123

HSL 54.4, 0.4%, 0.63%

LAB 76.5, -7.57, 35.19

 

CMYK 38 / 11 / 0 / 22

HEX #7BB0C6

RGB 123 176 198

HSL 197.6, 0.4%, 0.63%

LAB 69, -11.82, -16.72

 

CMYK 0 / 38 / 27 / 22

HEX #C77C92

RGB 199 124 146

HSL 342.4, 0.4%, 0.63%

LAB 60.46, 32.04, 0.5

 

CMYK 26 / 0 / 38 / 22

HEX #92C67B

RGB 146 198 123

HSL 101.6, 0.4%, 0.63%

LAB 74.78, -30.8, 32.26

 

CMYK 38 / 26 / 0 / 22

HEX #7B92C6

RGB 123 146 198

HSL 221.6, 0.4%, 0.63%

LAB 60.65, 4.84, -29.5

 

CMYK 0 / 38 / 27 / 22

HEX #C77C92

RGB 199 124 146

HSL 342.4, 0.4%, 0.63%

LAB 60.46, 32.04, 0.5

 

CMYK 0 / 4 / 38 / 22

HEX #C6BF7B

RGB 198 191 123

HSL 54.4, 0.4%, 0.63%

LAB 76.5, -7.57, 35.19

 

CMYK 38 / 0 / 11 / 22

HEX #7BC6B0

RGB 123 198 176

HSL 162.4, 0.4%, 0.63%

LAB 74.66, -28.33, 3.69

 

CMYK 38 / 34 / 0 / 22

HEX #7B82C6

RGB 123 130 198

HSL 234.4, 0.4%, 0.63%

LAB 56.34, 14.19, -36.2

 

CMYK 0 / 38 / 27 / 22

HEX #C77C92

RGB 199 124 146

HSL 342.4, 0.4%, 0.63%

LAB 60.46, 32.04, 0.5

 

CMYK 8 / 0 / 38 / 22

HEX #B7C67B

RGB 183 198 123

HSL 72, 0.4%, 0.63%

LAB 77.21, -17.06, 35.89

 

CMYK 38 / 0 / 11 / 22

HEX #7BC6B0

RGB 123 198 176

HSL 162.4, 0.4%, 0.63%

LAB 74.66, -28.33, 3.69

 

CMYK 30 / 38 / 0 / 22

HEX #8A7BC6

RGB 138 123 198

HSL 252, 0.4%, 0.63%

LAB 55.73, 22.54, -37.07

 

Description

Color code: HEX #C77C92 | qconv.com Color code: HEX #C77C92 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 124 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 124 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 27 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 27% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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