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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C77893 it is the complementary color #38876C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C77893. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C77893 shade: #CC788E, #DD8AA1, #EE9CB4, #FFAEC7 and #FFC0DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C77893. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C77893 shade: #C77893, #B66680, #A5546D, #94425A and #833047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C77893 shade: #C77A94, #C77A80 and #C77A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C77893 shade: #C77A94, #C77AA9, #C77ABE, #BC7AC7 and #A77AC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C77893 shade matches the following richer shades: #C77A94, #D76B90, #E65B8B and #F54C86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C77893 shade: #C77A94, #B88999, #A9989E, #9AA8A3 and #8AB7A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C77893 shade: #C77ABE, #C77AAA, #C77A95, #C77A80 and #C7887A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C77893 shade: #A84668, #BB5D7D, #C77A94, #D497AC and #E0B4C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C77893 shade: #C77893, #C7BC7A and #7AB4C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C77893 shade: #C77893, #95C77A and #7A95C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C77893 shade: #C77893, #C7BC7A, #7AC7AC and #7A86C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C77893 shade: #C77893, #BCC77A, #7AC7AC and #867AC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 26 / 22

HEX #C77893

RGB 199 120 147

HSL 339.49, 0.41%, 0.63%

LAB 59.6, 34.34, -1.33

 

Complementary color

CMYK 59 / 0 / 20 / 47

HEX #38876C

RGB 56 135 108

HSL 159.49, 0.41%, 0.37%

LAB 50.98, -31.08, 7.33

 

CMYK 0 / 41 / 30 / 20

HEX #CC788E

RGB 204 120 142

HSL 344.29, 0.45%, 0.64%

LAB 60.09, 35.46, 2.34

 

CMYK 0 / 38 / 27 / 13

HEX #DD8AA1

RGB 221 138 161

HSL 343.37, 0.55%, 0.7%

LAB 66.61, 34.59, 1.25

 

CMYK 0 / 34 / 24 / 7

HEX #EE9CB4

RGB 238 156 180

HSL 342.44, 0.71%, 0.77%

LAB 73.06, 33.77, 0.29

 

CMYK 0 / 32 / 22 / 0

HEX #FFAEC7

RGB 255 174 199

HSL 341.48, 1%, 0.84%

LAB 79.42, 33.01, -0.6

 

CMYK 0 / 25 / 15 / 0

HEX #FFC0DA

RGB 255 192 218

HSL 335.24, 1%, 0.88%

LAB 83.98, 26.42, -4.14

 

CMYK 0 / 40 / 26 / 22

HEX #C77893

RGB 199 120 147

HSL 339.49, 0.41%, 0.63%

LAB 59.6, 34.34, -1.33

 

CMYK 0 / 44 / 30 / 29

HEX #B66680

RGB 182 102 128

HSL 340.5, 0.35%, 0.56%

LAB 52.96, 35.23, -0.23

 

CMYK 0 / 49 / 34 / 35

HEX #A5546D

RGB 165 84 109

HSL 341.48, 0.33%, 0.49%

LAB 46.24, 36.14, 1.07

 

CMYK 0 / 55 / 39 / 42

HEX #94425A

RGB 148 66 90

HSL 342.44, 0.38%, 0.42%

LAB 39.46, 37.05, 2.65

 

CMYK 0 / 63 / 46 / 49

HEX #833047

RGB 131 48 71

HSL 343.37, 0.46%, 0.35%

LAB 32.69, 37.83, 4.67

 

CMYK 0 / 39 / 26 / 22

HEX #C77A94

RGB 199 122 148

HSL 339.74, 0.41%, 0.63%

LAB 60.07, 33.41, -1.22

 

CMYK 0 / 39 / 36 / 22

HEX #C77A80

RGB 199 122 128

HSL 355.32, 0.41%, 0.63%

LAB 59.54, 30.73, 9.54

 

CMYK 0 / 39 / 39 / 22

HEX #C77A7A

RGB 199 122 122

HSL 0, 0.41%, 0.63%

LAB 59.4, 30.01, 12.79

 

CMYK 0 / 39 / 26 / 22

HEX #C77A94

RGB 199 122 148

HSL 339.74, 0.41%, 0.63%

LAB 60.07, 33.41, -1.22

 

CMYK 0 / 39 / 15 / 22

HEX #C77AA9

RGB 199 122 169

HSL 323.38, 0.41%, 0.63%

LAB 60.72, 36.61, -12.31

 

CMYK 0 / 39 / 5 / 22

HEX #C77ABE

RGB 199 122 190

HSL 307.01, 0.41%, 0.63%

LAB 61.46, 40.2, -23.14

 

CMYK 6 / 39 / 0 / 22

HEX #BC7AC7

RGB 188 122 199

HSL 291.43, 0.41%, 0.63%

LAB 60.55, 38.43, -29.75

 

CMYK 16 / 39 / 0 / 22

HEX #A77AC7

RGB 167 122 199

HSL 275.06, 0.41%, 0.63%

LAB 58.28, 31.97, -33.45

 

CMYK 0 / 39 / 26 / 22

HEX #C77A94

RGB 199 122 148

HSL 339.74, 0.41%, 0.63%

LAB 60.07, 33.41, -1.22

 

CMYK 0 / 50 / 33 / 16

HEX #D76B90

RGB 215 107 144

HSL 339.44, 0.57%, 0.63%

LAB 58.95, 46.29, -0.29

 

CMYK 0 / 60 / 40 / 10

HEX #E65B8B

RGB 230 91 139

HSL 339.28, 0.74%, 0.63%

LAB 58.2, 58.08, 1.79

 

CMYK 0 / 69 / 45 / 4

HEX #F54C86

RGB 245 76 134

HSL 339.41, 0.89%, 0.63%

LAB 58.32, 68.02, 5.21

 

CMYK 0 / 39 / 26 / 22

HEX #C77A94

RGB 199 122 148

HSL 339.74, 0.41%, 0.63%

LAB 60.07, 33.41, -1.22

 

CMYK 0 / 26 / 17 / 28

HEX #B88999

RGB 184 137 153

HSL 339.57, 0.25%, 0.63%

LAB 61.98, 20.41, -1.48

 

CMYK 0 / 10 / 7 / 34

HEX #A9989E

RGB 169 152 158

HSL 338.82, 0.09%, 0.63%

LAB 64.45, 7.33, -0.87

 

CMYK 8 / 0 / 3 / 34

HEX #9AA8A3

RGB 154 168 163

HSL 158.57, 0.07%, 0.63%

LAB 67.67, -5.9, 0.89

 

CMYK 25 / 0 / 8 / 28

HEX #8AB7A8

RGB 138 183 168

HSL 160, 0.24%, 0.63%

LAB 70.94, -18.13, 2.76

 

CMYK 0 / 39 / 5 / 22

HEX #C77ABE

RGB 199 122 190

HSL 307.01, 0.41%, 0.63%

LAB 61.46, 40.2, -23.14

 

CMYK 0 / 39 / 15 / 22

HEX #C77AAA

RGB 199 122 170

HSL 322.6, 0.41%, 0.63%

LAB 60.75, 36.78, -12.83

 

CMYK 0 / 39 / 25 / 22

HEX #C77A95

RGB 199 122 149

HSL 338.96, 0.41%, 0.63%

LAB 60.1, 33.55, -1.75

 

CMYK 0 / 39 / 36 / 22

HEX #C77A80

RGB 199 122 128

HSL 355.32, 0.41%, 0.63%

LAB 59.54, 30.73, 9.54

 

CMYK 0 / 32 / 39 / 22

HEX #C7887A

RGB 199 136 122

HSL 10.91, 0.41%, 0.63%

LAB 62.64, 22.37, 17.28

 

CMYK 0 / 58 / 38 / 34

HEX #A84668

RGB 168 70 104

HSL 339.18, 0.41%, 0.47%

LAB 43.81, 43.7, 0.65

 

CMYK 0 / 50 / 33 / 27

HEX #BB5D7D

RGB 187 93 125

HSL 339.57, 0.41%, 0.55%

LAB 51.69, 41.34, -0.21

 

CMYK 0 / 39 / 26 / 22

HEX #C77A94

RGB 199 122 148

HSL 339.74, 0.41%, 0.63%

LAB 60.07, 33.41, -1.22

 

CMYK 0 / 29 / 19 / 17

HEX #D497AC

RGB 212 151 172

HSL 339.34, 0.41%, 0.71%

LAB 68.83, 25.96, -1.8

 

CMYK 0 / 20 / 13 / 12

HEX #E0B4C3

RGB 224 180 195

HSL 339.55, 0.42%, 0.79%

LAB 77.54, 18.25, -1.55

 

CMYK 0 / 40 / 26 / 22

HEX #C77893

RGB 199 120 147

HSL 339.49, 0.41%, 0.63%

LAB 59.6, 34.34, -1.33

 

CMYK 0 / 6 / 39 / 22

HEX #C7BC7A

RGB 199 188 122

HSL 51.43, 0.41%, 0.63%

LAB 75.77, -5.72, 34.79

 

CMYK 39 / 10 / 0 / 22

HEX #7AB4C7

RGB 122 180 199

HSL 194.81, 0.41%, 0.63%

LAB 70.11, -13.95, -15.6

 

CMYK 0 / 40 / 26 / 22

HEX #C77893

RGB 199 120 147

HSL 339.49, 0.41%, 0.63%

LAB 59.6, 34.34, -1.33

 

CMYK 25 / 0 / 39 / 22

HEX #95C77A

RGB 149 199 122

HSL 98.96, 0.41%, 0.63%

LAB 75.23, -30.36, 33.39

 

CMYK 39 / 25 / 0 / 22

HEX #7A95C7

RGB 122 149 199

HSL 218.96, 0.41%, 0.63%

LAB 61.44, 3.12, -28.83

 

CMYK 0 / 40 / 26 / 22

HEX #C77893

RGB 199 120 147

HSL 339.49, 0.41%, 0.63%

LAB 59.6, 34.34, -1.33

 

CMYK 0 / 6 / 39 / 22

HEX #C7BC7A

RGB 199 188 122

HSL 51.43, 0.41%, 0.63%

LAB 75.77, -5.72, 34.79

 

CMYK 39 / 0 / 14 / 22

HEX #7AC7AC

RGB 122 199 172

HSL 158.96, 0.41%, 0.63%

LAB 74.8, -29.97, 6.05

 

CMYK 39 / 33 / 0 / 22

HEX #7A86C7

RGB 122 134 199

HSL 230.65, 0.41%, 0.63%

LAB 57.38, 11.83, -35.15

 

CMYK 0 / 40 / 26 / 22

HEX #C77893

RGB 199 120 147

HSL 339.49, 0.41%, 0.63%

LAB 59.6, 34.34, -1.33

 

CMYK 6 / 0 / 39 / 22

HEX #BCC77A

RGB 188 199 122

HSL 68.57, 0.41%, 0.63%

LAB 77.84, -15.73, 37.28

 

CMYK 39 / 0 / 14 / 22

HEX #7AC7AC

RGB 122 199 172

HSL 158.96, 0.41%, 0.63%

LAB 74.8, -29.97, 6.05

 

CMYK 33 / 39 / 0 / 22

HEX #867AC7

RGB 134 122 199

HSL 249.35, 0.41%, 0.63%

LAB 55.19, 22.25, -38.52

 

Description

Color code: HEX #C77893 | qconv.com Color code: HEX #C77893 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 120 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 120 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 26 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 26% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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