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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C76C4500 it is the complementary color #3893BA00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C76C4500. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C76C4500 shade: #CC6C4000, #DD7E5300, #EE906600, #FFA27900 and #FFB48C00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C76C4500. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C76C4500 shade: #C76C4500, #B65A3200, #A5481F00, #94360C00 and #83240000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C76C4500 shade: #C86D46, #C84A46 and #C84646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C76C4500 shade: #C86D46, #C89046, #C8B346, #BAC846 and #97C846

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C76C4500 shade matches the following richer shades: #C86D46, #DB6633 and #EF5E20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C76C4500 shade: #C86D46, #B4755A, #A17D6D, #8E8581 and #7A8C94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C76C4500 shade: #C84665, #C84B46, #C86D46, #C89046 and #C8B246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C76C4500 shade: #914A2B, #B05A35, #C86D46, #D18666 and #DB9F86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C76C4500 shade: #C76C45, #87C846 and #4653C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C76C4500 shade: #C76C45, #46C86D and #6D46C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C76C4500 shade: #C76C45, #87C846, #46A1C8 and #8746C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C76C4500 shade: #C76C45, #60C846, #46A1C8 and #AE46C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #C76C4500

RGBA 199 108 69 0

HSLA 18, 0.54%, 0.53%, 0

LABA 55.38, 32.74, 37.43, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #3893BA00

RGBA 56 147 186 0

HSLA 198, 0.54%, 0.47%, 0

LABA 57.32, -14.12, -28.12, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CC6C4000

RGBA 204 108 64 0

HSLA 18.86, 0.58%, 0.53%, 0

LABA 56.02, 34.44, 41.02, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DD7E5300

RGBA 221 126 83 0

HSLA 18.7, 0.67%, 0.6%, 0

LABA 62.44, 32.94, 39.07, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EE906600

RGBA 238 144 102 0

HSLA 18.53, 0.8%, 0.67%, 0

LABA 68.81, 31.58, 37.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFA27900

RGBA 255 162 121 0

HSLA 18.36, 1%, 0.74%, 0

LABA 75.13, 30.36, 35.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB48C00

RGBA 255 180 140 0

HSLA 20.87, 1%, 0.77%, 0

LABA 79.5, 22.69, 31.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C76C4500

RGBA 199 108 69 0

HSLA 18, 0.54%, 0.53%, 0

LABA 55.38, 32.74, 37.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B65A3200

RGBA 182 90 50 0

HSLA 18.18, 0.57%, 0.45%, 0

LABA 48.87, 34.32, 39.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A5481F00

RGBA 165 72 31 0

HSLA 18.36, 0.68%, 0.38%, 0

LABA 42.36, 36.02, 41.58, 0

 

CMYK 0 / 0 / 0 / 0

HEX #94360C00

RGBA 148 54 12 0

HSLA 18.53, 0.85%, 0.31%, 0

LABA 35.91, 37.76, 43.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #83240000

RGBA 131 36 0 0

HSLA 16.49, 1%, 0.26%, 0

LABA 29.63, 39.29, 41.81, 0

 

CMYK 0 / 46 / 65 / 22

HEX #C86D46

RGB 200 109 70

HSL 18, 0.54%, 0.53%

LAB 55.74, 32.67, 37.36

 

CMYK 0 / 63 / 65 / 22

HEX #C84A46

RGB 200 74 70

HSL 1.85, 0.54%, 0.53%

LAB 49.03, 49.89, 29.23

 

CMYK 0 / 65 / 65 / 22

HEX #C84646

RGB 200 70 70

HSL 0, 0.54%, 0.53%

LAB 48.39, 51.62, 28.43

 

CMYK 0 / 46 / 65 / 22

HEX #C86D46

RGB 200 109 70

HSL 18, 0.54%, 0.53%

LAB 55.74, 32.67, 37.36

 

CMYK 0 / 28 / 65 / 22

HEX #C89046

RGB 200 144 70

HSL 34.15, 0.54%, 0.53%

LAB 63.89, 13.68, 46.73

 

CMYK 0 / 11 / 65 / 22

HEX #C8B346

RGB 200 179 70

HSL 50.31, 0.54%, 0.53%

LAB 72.87, -5.12, 56.51

 

CMYK 7 / 0 / 65 / 22

HEX #BAC846

RGB 186 200 70

HSL 66.46, 0.54%, 0.53%

LAB 77.39, -21.69, 60.92

 

CMYK 25 / 0 / 65 / 22

HEX #97C846

RGB 151 200 70

HSL 82.62, 0.54%, 0.53%

LAB 75.03, -35.64, 57.71

 

CMYK 0 / 46 / 65 / 22

HEX #C86D46

RGB 200 109 70

HSL 18, 0.54%, 0.53%

LAB 55.74, 32.67, 37.36

 

CMYK 0 / 53 / 77 / 14

HEX #DB6633

RGB 219 102 51

HSL 18.21, 0.7%, 0.53%

LAB 56.88, 42.74, 49.14

 

CMYK 0 / 61 / 87 / 6

HEX #EF5E20

RGB 239 94 32

HSL 17.97, 0.87%, 0.53%

LAB 58.47, 53.26, 59.91

 

CMYK 0 / 46 / 65 / 22

HEX #C86D46

RGB 200 109 70

HSL 18, 0.54%, 0.53%

LAB 55.74, 32.67, 37.36

 

CMYK 0 / 35 / 50 / 29

HEX #B4755A

RGB 180 117 90

HSL 18, 0.38%, 0.53%

LAB 55.24, 21.73, 25.06

 

CMYK 0 / 22 / 32 / 37

HEX #A17D6D

RGB 161 125 109

HSL 18.46, 0.22%, 0.53%

LAB 55.43, 11.58, 14.07

 

CMYK 0 / 6 / 9 / 44

HEX #8E8581

RGB 142 133 129

HSL 18.46, 0.05%, 0.53%

LAB 56.2, 2.64, 3.36

 

CMYK 18 / 5 / 0 / 42

HEX #7A8C94

RGB 122 140 148

HSL 198.46, 0.11%, 0.53%

LAB 57.11, -4.67, -6.44

 

CMYK 0 / 65 / 50 / 22

HEX #C84665

RGB 200 70 101

HSL 345.69, 0.54%, 0.53%

LAB 49.01, 53.91, 10.62

 

CMYK 0 / 63 / 65 / 22

HEX #C84B46

RGB 200 75 70

HSL 2.31, 0.54%, 0.53%

LAB 49.2, 49.45, 29.43

 

CMYK 0 / 46 / 65 / 22

HEX #C86D46

RGB 200 109 70

HSL 18, 0.54%, 0.53%

LAB 55.74, 32.67, 37.36

 

CMYK 0 / 28 / 65 / 22

HEX #C89046

RGB 200 144 70

HSL 34.15, 0.54%, 0.53%

LAB 63.89, 13.68, 46.73

 

CMYK 0 / 11 / 65 / 22

HEX #C8B246

RGB 200 178 70

HSL 49.85, 0.54%, 0.53%

LAB 72.6, -4.59, 56.23

 

CMYK 0 / 49 / 70 / 43

HEX #914A2B

RGB 145 74 43

HSL 18.24, 0.54%, 0.37%

LAB 39.73, 27.31, 31.55

 

CMYK 0 / 49 / 70 / 31

HEX #B05A35

RGB 176 90 53

HSL 18.05, 0.54%, 0.45%

LAB 48.01, 32.05, 36.69

 

CMYK 0 / 46 / 65 / 22

HEX #C86D46

RGB 200 109 70

HSL 18, 0.54%, 0.53%

LAB 55.74, 32.67, 37.36

 

CMYK 0 / 36 / 51 / 18

HEX #D18666

RGB 209 134 102

HSL 17.94, 0.54%, 0.61%

LAB 62.98, 25.36, 29.12

 

CMYK 0 / 27 / 39 / 14

HEX #DB9F86

RGB 219 159 134

HSL 17.65, 0.54%, 0.69%

LAB 70.58, 19.14, 21.85

 

CMYK 0 / 46 / 65 / 22

HEX #C76C45

RGB 199 108 69

HSL 18, 0.54%, 0.53%

LAB 55.38, 32.74, 37.43

 

CMYK 33 / 0 / 65 / 22

HEX #87C846

RGB 135 200 70

HSL 90, 0.54%, 0.53%

LAB 74.13, -41.55, 56.47

 

CMYK 65 / 59 / 0 / 22

HEX #4653C8

RGB 70 83 200

HSL 234, 0.54%, 0.53%

LAB 40.67, 32.07, -62.58

 

CMYK 0 / 46 / 65 / 22

HEX #C76C45

RGB 199 108 69

HSL 18, 0.54%, 0.53%

LAB 55.38, 32.74, 37.43

 

CMYK 65 / 0 / 46 / 22

HEX #46C86D

RGB 70 200 109

HSL 138, 0.54%, 0.53%

LAB 72.04, -55.15, 35.26

 

CMYK 46 / 65 / 0 / 22

HEX #6D46C8

RGB 109 70 200

HSL 258, 0.54%, 0.53%

LAB 40.9, 46.7, -62.07

 

CMYK 0 / 46 / 65 / 22

HEX #C76C45

RGB 199 108 69

HSL 18, 0.54%, 0.53%

LAB 55.38, 32.74, 37.43

 

CMYK 33 / 0 / 65 / 22

HEX #87C846

RGB 135 200 70

HSL 90, 0.54%, 0.53%

LAB 74.13, -41.55, 56.47

 

CMYK 65 / 20 / 0 / 22

HEX #46A1C8

RGB 70 161 200

HSL 198, 0.54%, 0.53%

LAB 62.48, -14.95, -27.99

 

CMYK 33 / 65 / 0 / 22

HEX #8746C8

RGB 135 70 200

HSL 270, 0.54%, 0.53%

LAB 43.8, 52.03, -57.23

 

CMYK 0 / 46 / 65 / 22

HEX #C76C45

RGB 199 108 69

HSL 18, 0.54%, 0.53%

LAB 55.38, 32.74, 37.43

 

CMYK 52 / 0 / 65 / 22

HEX #60C846

RGB 96 200 70

HSL 108, 0.54%, 0.53%

LAB 72.39, -53.99, 54.08

 

CMYK 65 / 20 / 0 / 22

HEX #46A1C8

RGB 70 161 200

HSL 198, 0.54%, 0.53%

LAB 62.48, -14.95, -27.99

 

CMYK 13 / 65 / 0 / 22

HEX #AE46C8

RGB 174 70 200

HSL 288, 0.54%, 0.53%

LAB 48.94, 60.77, -48.69

 

Description

Color code: HEX #C76C4500 | qconv.com Color code: HEX #C76C4500 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 108 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 108 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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