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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C76C30 it is the complementary color #3893CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C76C30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C76C30 shade: #CC6C2B, #DD7E3E, #EE9051, #FFA264 and #FFB477

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C76C30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C76C30 shade: #C76C30, #B65A1D, #A5480A, #943600 and #832400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C76C30 shade: #C56B30, #C54330 and #C53030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C76C30 shade: #C56B30, #C59330, #C5BC30, #A6C530 and #7EC530

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C76C30 shade matches the following richer shades: #C56B30, #D9671C and #ED6308

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C76C30 shade: #C56B30, #B16F44, #9D7357, #8A776B and #767B7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C76C30 shade: #C53046, #C54130, #C56930, #C59130 and #C5B930

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C76C30 shade: #834720, #A45928, #C56B30, #D3814B and #DB986C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C76C30 shade: #C76C30, #6EC530 and #3032C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C76C30 shade: #C76C30, #30C569 and #6930C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C76C30 shade: #C76C30, #6EC530, #308CC5 and #8730C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C76C30 shade: #C76C30, #41C530, #308CC5 and #B430C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 76 / 22

HEX #C76C30

RGB 199 108 48

HSL 23.84, 0.61%, 0.48%

LAB 55.16, 31.63, 47.87

 

Complementary color

CMYK 73 / 29 / 0 / 19

HEX #3893CF

RGB 56 147 207

HSL 203.84, 0.61%, 0.52%

LAB 58.24, -6.95, -38.54

 

CMYK 0 / 47 / 79 / 20

HEX #CC6C2B

RGB 204 108 43

HSL 24.22, 0.65%, 0.48%

LAB 55.82, 33.48, 51.04

 

CMYK 0 / 43 / 72 / 13

HEX #DD7E3E

RGB 221 126 62

HSL 24.15, 0.7%, 0.55%

LAB 62.2, 31.74, 49.49

 

CMYK 0 / 39 / 66 / 7

HEX #EE9051

RGB 238 144 81

HSL 24.08, 0.82%, 0.63%

LAB 68.55, 30.17, 47.81

 

CMYK 0 / 36 / 61 / 0

HEX #FFA264

RGB 255 162 100

HSL 24, 1%, 0.7%

LAB 74.84, 28.77, 46.15

 

CMYK 0 / 29 / 53 / 0

HEX #FFB477

RGB 255 180 119

HSL 26.91, 1%, 0.73%

LAB 79.18, 20.79, 41.78

 

CMYK 0 / 46 / 76 / 22

HEX #C76C30

RGB 199 108 48

HSL 23.84, 0.61%, 0.48%

LAB 55.16, 31.63, 47.87

 

CMYK 0 / 51 / 84 / 29

HEX #B65A1D

RGB 182 90 29

HSL 23.92, 0.73%, 0.41%

LAB 48.69, 33.49, 49.25

 

CMYK 0 / 56 / 94 / 35

HEX #A5480A

RGB 165 72 10

HSL 24, 0.89%, 0.34%

LAB 42.24, 35.51, 49.59

 

CMYK 0 / 64 / 100 / 42

HEX #943600

RGB 148 54 0

HSL 21.89, 1%, 0.29%

LAB 35.86, 37.56, 47.37

 

CMYK 0 / 73 / 100 / 49

HEX #832400

RGB 131 36 0

HSL 16.49, 1%, 0.26%

LAB 29.63, 39.29, 41.81

 

CMYK 0 / 46 / 76 / 23

HEX #C56B30

RGB 197 107 48

HSL 23.76, 0.61%, 0.48%

LAB 54.66, 31.34, 47.27

 

CMYK 0 / 66 / 76 / 23

HEX #C54330

RGB 197 67 48

HSL 7.65, 0.61%, 0.48%

LAB 47.1, 50.77, 39.36

 

CMYK 0 / 76 / 76 / 23

HEX #C53030

RGB 197 48 48

HSL 0, 0.61%, 0.48%

LAB 44.52, 57.87, 36.55

 

CMYK 0 / 46 / 76 / 23

HEX #C56B30

RGB 197 107 48

HSL 23.76, 0.61%, 0.48%

LAB 54.66, 31.34, 47.27

 

CMYK 0 / 25 / 76 / 23

HEX #C59330

RGB 197 147 48

HSL 39.87, 0.61%, 0.48%

LAB 64.12, 9.56, 56.65

 

CMYK 0 / 5 / 76 / 23

HEX #C5BC30

RGB 197 188 48

HSL 56.38, 0.61%, 0.48%

LAB 74.86, -12.17, 66.77

 

CMYK 16 / 0 / 76 / 23

HEX #A6C530

RGB 166 197 48

HSL 72.48, 0.61%, 0.48%

LAB 74.98, -29.66, 66.03

 

CMYK 36 / 0 / 76 / 23

HEX #7EC530

RGB 126 197 48

HSL 88.59, 0.61%, 0.48%

LAB 72.62, -44.95, 62.95

 

CMYK 0 / 46 / 76 / 23

HEX #C56B30

RGB 197 107 48

HSL 23.76, 0.61%, 0.48%

LAB 54.66, 31.34, 47.27

 

CMYK 0 / 53 / 87 / 15

HEX #D9671C

RGB 217 103 28

HSL 23.81, 0.77%, 0.48%

LAB 56.62, 40.78, 58.39

 

CMYK 0 / 58 / 97 / 7

HEX #ED6308

RGB 237 99 8

HSL 23.84, 0.93%, 0.48%

LAB 58.92, 49.96, 66.49

 

CMYK 0 / 46 / 76 / 23

HEX #C56B30

RGB 197 107 48

HSL 23.76, 0.61%, 0.48%

LAB 54.66, 31.34, 47.27

 

CMYK 0 / 37 / 62 / 31

HEX #B16F44

RGB 177 111 68

HSL 23.67, 0.44%, 0.48%

LAB 53.1, 21.93, 34.54

 

CMYK 0 / 27 / 45 / 38

HEX #9D7357

RGB 157 115 87

HSL 24, 0.29%, 0.48%

LAB 51.97, 12.88, 21.96

 

CMYK 0 / 14 / 22 / 46

HEX #8A776B

RGB 138 119 107

HSL 23.23, 0.13%, 0.48%

LAB 51.45, 5.33, 9.31

 

CMYK 7 / 3 / 0 / 50

HEX #767B7F

RGB 118 123 127

HSL 206.67, 0.04%, 0.48%

LAB 51.32, -1.03, -2.83

 

CMYK 0 / 76 / 64 / 23

HEX #C53046

RGB 197 48 70

HSL 351.14, 0.61%, 0.48%

LAB 44.84, 58.93, 23.83

 

CMYK 0 / 67 / 76 / 23

HEX #C54130

RGB 197 65 48

HSL 6.85, 0.61%, 0.48%

LAB 46.8, 51.6, 39.03

 

CMYK 0 / 47 / 76 / 23

HEX #C56930

RGB 197 105 48

HSL 22.95, 0.61%, 0.48%

LAB 54.22, 32.4, 46.83

 

CMYK 0 / 26 / 76 / 23

HEX #C59130

RGB 197 145 48

HSL 39.06, 0.61%, 0.48%

LAB 63.62, 10.65, 56.17

 

CMYK 0 / 6 / 76 / 23

HEX #C5B930

RGB 197 185 48

HSL 55.17, 0.61%, 0.48%

LAB 74.05, -10.64, 66.03

 

CMYK 0 / 46 / 76 / 49

HEX #834720

RGB 131 71 32

HSL 23.64, 0.61%, 0.32%

LAB 36.81, 22.32, 33.74

 

CMYK 0 / 46 / 76 / 36

HEX #A45928

RGB 164 89 40

HSL 23.71, 0.61%, 0.4%

LAB 45.89, 26.92, 40.65

 

CMYK 0 / 46 / 76 / 23

HEX #C56B30

RGB 197 107 48

HSL 23.76, 0.61%, 0.48%

LAB 54.66, 31.34, 47.27

 

CMYK 0 / 39 / 64 / 17

HEX #D3814B

RGB 211 129 75

HSL 23.82, 0.61%, 0.56%

LAB 61.7, 26.78, 42.08

 

CMYK 0 / 31 / 51 / 14

HEX #DB986C

RGB 219 152 108

HSL 23.78, 0.61%, 0.64%

LAB 68.46, 20.23, 33.15

 

CMYK 0 / 46 / 76 / 22

HEX #C76C30

RGB 199 108 48

HSL 23.84, 0.61%, 0.48%

LAB 55.16, 31.63, 47.87

 

CMYK 44 / 0 / 76 / 23

HEX #6EC530

RGB 110 197 48

HSL 95.03, 0.61%, 0.48%

LAB 71.87, -50.34, 61.97

 

CMYK 76 / 75 / 0 / 23

HEX #3032C5

RGB 48 50 197

HSL 239.19, 0.61%, 0.48%

LAB 31.67, 48.36, -75.63

 

CMYK 0 / 46 / 76 / 22

HEX #C76C30

RGB 199 108 48

HSL 23.84, 0.61%, 0.48%

LAB 55.16, 31.63, 47.87

 

CMYK 76 / 0 / 47 / 23

HEX #30C569

RGB 48 197 105

HSL 142.95, 0.61%, 0.48%

LAB 70.58, -58.33, 35.32

 

CMYK 47 / 76 / 0 / 23

HEX #6930C5

RGB 105 48 197

HSL 262.95, 0.61%, 0.48%

LAB 36.27, 56.2, -67.89

 

CMYK 0 / 46 / 76 / 22

HEX #C76C30

RGB 199 108 48

HSL 23.84, 0.61%, 0.48%

LAB 55.16, 31.63, 47.87

 

CMYK 44 / 0 / 76 / 23

HEX #6EC530

RGB 110 197 48

HSL 95.03, 0.61%, 0.48%

LAB 71.87, -50.34, 61.97

 

CMYK 76 / 29 / 0 / 23

HEX #308CC5

RGB 48 140 197

HSL 202.95, 0.61%, 0.48%

LAB 55.5, -7.48, -37.21

 

CMYK 31 / 76 / 0 / 23

HEX #8730C5

RGB 135 48 197

HSL 275.03, 0.61%, 0.48%

LAB 40.07, 61.18, -61.52

 

CMYK 0 / 46 / 76 / 22

HEX #C76C30

RGB 199 108 48

HSL 23.84, 0.61%, 0.48%

LAB 55.16, 31.63, 47.87

 

CMYK 67 / 0 / 76 / 23

HEX #41C530

RGB 65 197 48

HSL 113.15, 0.61%, 0.48%

LAB 70.36, -62.14, 59.99

 

CMYK 76 / 29 / 0 / 23

HEX #308CC5

RGB 48 140 197

HSL 202.95, 0.61%, 0.48%

LAB 55.5, -7.48, -37.21

 

CMYK 9 / 76 / 0 / 23

HEX #B430C5

RGB 180 48 197

HSL 293.15, 0.61%, 0.48%

LAB 46.77, 69.69, -50.37

 

Description

Color code: HEX #C76C30 | qconv.com Color code: HEX #C76C30 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 108 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 108 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 76 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 76% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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