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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C76C1ACE it is the complementary color #3893E5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C76C1ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C76C1ACE shade: #CC6C15CE, #DD7E28CE, #EE903BCE, #FFA24ECE and #FFB461CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C76C1ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C76C1ACE shade: #C76C1ACE, #B65A07CE, #A54800CE, #943600CE and #832400CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C76C1ACE shade: #C76C1A, #C73D1A and #C71A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C76C1ACE shade: #C76C1A, #C79A1A, #C4C71A, #96C71A and #67C71A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C76C1ACE shade matches the following richer shades: #C76C1A and #D96B08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C76C1ACE shade: #C76C1A, #B46D2C, #A26E3E, #906F50 and #7E6F62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C76C1ACE shade: #C71A25, #C73C1A, #C76A1A, #C7991A and #C7C71A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C76C1ACE shade: #7E4410, #A25815, #C76C1A, #E38027 and #E8954B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C76C1ACE shade: #C76C1A, #53C71A and #251AC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C76C1ACE shade: #C76C1A, #1AC76A and #6A1AC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C76C1ACE shade: #C76C1A, #53C71A, #1A76C7 and #8D1AC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C76C1ACE shade: #C76C1A, #20C71A, #1A76C7 and #C11AC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 70 / 18

HEX #C76C1ACE

RGBA 199 108 26 0.81

HSLA 28.44, 0.77%, 0.44%, 0.81

LABA 55.01, 30.91, 56.67, 0.81

 

Complementary color

CMYK 61 / 29 / 0 / 8

HEX #3893E5CE

RGBA 56 147 229 0.81

HSLA 208.44, 0.77%, 0.56%, 0.81

LABA 59.31, 0.82, -49.13, 0.81

 

CMYK 0 / 38 / 73 / 16

HEX #CC6C15CE

RGBA 204 108 21 0.81

HSLA 28.52, 0.81%, 0.44%, 0.81

LABA 55.7, 32.88, 59.04, 0.81

 

CMYK 0 / 35 / 66 / 11

HEX #DD7E28CE

RGBA 221 126 40 0.81

HSLA 28.51, 0.73%, 0.51%, 0.81

LABA 62.04, 30.88, 58.87, 0.81

 

CMYK 0 / 32 / 61 / 5

HEX #EE903BCE

RGBA 238 144 59 0.81

HSLA 28.49, 0.84%, 0.58%, 0.81

LABA 68.34, 29.08, 57.88, 0.81

 

CMYK 0 / 30 / 56 / 0

HEX #FFA24ECE

RGBA 255 162 78 0.81

HSLA 28.47, 1%, 0.65%, 0.81

LABA 74.6, 27.47, 56.54, 0.81

 

CMYK 0 / 24 / 50 / 0

HEX #FFB461CE

RGBA 255 180 97 0.81

HSLA 31.52, 1%, 0.69%, 0.81

LABA 78.91, 19.17, 52.4, 0.81

 

CMYK 0 / 37 / 70 / 18

HEX #C76C1ACE

RGBA 199 108 26 0.81

HSLA 28.44, 0.77%, 0.44%, 0.81

LABA 55.01, 30.91, 56.67, 0.81

 

CMYK 0 / 41 / 78 / 23

HEX #B65A07CE

RGBA 182 90 7 0.81

HSLA 28.46, 0.93%, 0.37%, 0.81

LABA 48.6, 33.06, 55.91, 0.81

 

CMYK 0 / 46 / 81 / 29

HEX #A54800CE

RGBA 165 72 0 0.81

HSLA 26.18, 1%, 0.32%, 0.81

LABA 42.21, 35.36, 52.43, 0.81

 

CMYK 0 / 51 / 81 / 34

HEX #943600CE

RGBA 148 54 0 0.81

HSLA 21.89, 1%, 0.29%, 0.81

LABA 35.86, 37.56, 47.37, 0.81

 

CMYK 0 / 59 / 81 / 39

HEX #832400CE

RGBA 131 36 0 0.81

HSLA 16.49, 1%, 0.26%, 0.81

LABA 29.63, 39.29, 41.81, 0.81

 

CMYK 0 / 46 / 87 / 22

HEX #C76C1A

RGB 199 108 26

HSL 28.44, 0.77%, 0.44%

LAB 55.01, 30.91, 56.67

 

CMYK 0 / 69 / 87 / 22

HEX #C73D1A

RGB 199 61 26

HSL 12.14, 0.77%, 0.44%

LAB 46.38, 53.2, 49.67

 

CMYK 0 / 87 / 87 / 22

HEX #C71A1A

RGB 199 26 26

HSL 0, 0.77%, 0.44%

LAB 42.7, 63.51, 46.67

 

CMYK 0 / 46 / 87 / 22

HEX #C76C1A

RGB 199 108 26

HSL 28.44, 0.77%, 0.44%

LAB 55.01, 30.91, 56.67

 

CMYK 0 / 23 / 87 / 22

HEX #C79A1A

RGB 199 154 26

HSL 44.39, 0.77%, 0.44%

LAB 66, 5.93, 65.55

 

CMYK 2 / 0 / 87 / 22

HEX #C4C71A

RGB 196 199 26

HSL 61.04, 0.77%, 0.44%

LAB 77.67, -18.81, 74.85

 

CMYK 25 / 0 / 87 / 22

HEX #96C71A

RGB 150 199 26

HSL 76.99, 0.77%, 0.44%

LAB 74.45, -37.78, 70.88

 

CMYK 48 / 0 / 87 / 22

HEX #67C71A

RGB 103 199 26

HSL 93.29, 0.77%, 0.44%

LAB 72.1, -54.31, 67.95

 

CMYK 0 / 46 / 87 / 22

HEX #C76C1A

RGB 199 108 26

HSL 28.44, 0.77%, 0.44%

LAB 55.01, 30.91, 56.67

 

CMYK 0 / 51 / 96 / 15

HEX #D96B08

RGB 217 107 8

HSL 28.42, 0.93%, 0.44%

LAB 57.35, 38.48, 63.97

 

CMYK 0 / 46 / 87 / 22

HEX #C76C1A

RGB 199 108 26

HSL 28.44, 0.77%, 0.44%

LAB 55.01, 30.91, 56.67

 

CMYK 0 / 39 / 76 / 29

HEX #B46D2C

RGB 180 109 44

HSL 28.68, 0.61%, 0.44%

LAB 52.75, 22.91, 46.46

 

CMYK 0 / 32 / 62 / 36

HEX #A26E3E

RGB 162 110 62

HSL 28.8, 0.45%, 0.44%

LAB 50.9, 15.57, 34.71

 

CMYK 0 / 23 / 44 / 44

HEX #906F50

RGB 144 111 80

HSL 29.06, 0.29%, 0.44%

LAB 49.35, 8.8, 22.26

 

CMYK 0 / 12 / 22 / 51

HEX #7E6F62

RGB 126 111 98

HSL 27.86, 0.13%, 0.44%

LAB 47.86, 3.62, 9.39

 

CMYK 0 / 87 / 81 / 22

HEX #C71A25

RGB 199 26 37

HSL 356.18, 0.77%, 0.44%

LAB 42.79, 63.77, 41.06

 

CMYK 0 / 70 / 87 / 22

HEX #C73C1A

RGB 199 60 26

HSL 11.79, 0.77%, 0.44%

LAB 46.24, 53.58, 49.55

 

CMYK 0 / 47 / 87 / 22

HEX #C76A1A

RGB 199 106 26

HSL 27.75, 0.77%, 0.44%

LAB 54.58, 31.97, 56.32

 

CMYK 0 / 23 / 87 / 22

HEX #C7991A

RGB 199 153 26

HSL 44.05, 0.77%, 0.44%

LAB 65.75, 6.47, 65.34

 

CMYK 0 / 0 / 87 / 22

HEX #C7C71A

RGB 199 199 26

HSL 60, 0.77%, 0.44%

LAB 77.91, -17.53, 75.15

 

CMYK 0 / 46 / 87 / 51

HEX #7E4410

RGB 126 68 16

HSL 28.36, 0.77%, 0.28%

LAB 35.22, 21.15, 39.48

 

CMYK 0 / 46 / 87 / 36

HEX #A25815

RGB 162 88 21

HSL 28.51, 0.77%, 0.36%

LAB 45.24, 25.93, 48.19

 

CMYK 0 / 46 / 87 / 22

HEX #C76C1A

RGB 199 108 26

HSL 28.44, 0.77%, 0.44%

LAB 55.01, 30.91, 56.67

 

CMYK 0 / 44 / 83 / 11

HEX #E38027

RGB 227 128 39

HSL 28.4, 0.77%, 0.52%

LAB 63.27, 32.26, 60.64

 

CMYK 0 / 36 / 68 / 9

HEX #E8954B

RGB 232 149 75

HSL 28.28, 0.77%, 0.6%

LAB 68.87, 24.75, 50.89

 

CMYK 0 / 46 / 87 / 22

HEX #C76C1A

RGB 199 108 26

HSL 28.44, 0.77%, 0.44%

LAB 55.01, 30.91, 56.67

 

CMYK 58 / 0 / 87 / 22

HEX #53C71A

RGB 83 199 26

HSL 100.23, 0.77%, 0.44%

LAB 71.39, -59.88, 67.06

 

CMYK 81 / 87 / 0 / 22

HEX #251AC7

RGB 37 26 199

HSL 243.82, 0.77%, 0.44%

LAB 27.45, 59.59, -83.83

 

CMYK 0 / 46 / 87 / 22

HEX #C76C1A

RGB 199 108 26

HSL 28.44, 0.77%, 0.44%

LAB 55.01, 30.91, 56.67

 

CMYK 87 / 0 / 47 / 22

HEX #1AC76A

RGB 26 199 106

HSL 147.75, 0.77%, 0.44%

LAB 70.94, -61.16, 35.22

 

CMYK 47 / 87 / 0 / 22

HEX #6A1AC7

RGB 106 26 199

HSL 267.75, 0.77%, 0.44%

LAB 33.83, 64.83, -73.07

 

CMYK 0 / 46 / 87 / 22

HEX #C76C1A

RGB 199 108 26

HSL 28.44, 0.77%, 0.44%

LAB 55.01, 30.91, 56.67

 

CMYK 58 / 0 / 87 / 22

HEX #53C71A

RGB 83 199 26

HSL 100.23, 0.77%, 0.44%

LAB 71.39, -59.88, 67.06

 

CMYK 87 / 41 / 0 / 22

HEX #1A76C7

RGB 26 118 199

HSL 208.09, 0.77%, 0.44%

LAB 48.64, 4.28, -49.24

 

CMYK 29 / 87 / 0 / 22

HEX #8D1AC7

RGB 141 26 199

HSL 279.88, 0.77%, 0.44%

LAB 38.77, 69.35, -64.78

 

CMYK 0 / 46 / 87 / 22

HEX #C76C1A

RGB 199 108 26

HSL 28.44, 0.77%, 0.44%

LAB 55.01, 30.91, 56.67

 

CMYK 84 / 0 / 87 / 22

HEX #20C71A

RGB 32 199 26

HSL 117.92, 0.77%, 0.44%

LAB 70.34, -68.88, 65.73

 

CMYK 87 / 41 / 0 / 22

HEX #1A76C7

RGB 26 118 199

HSL 208.09, 0.77%, 0.44%

LAB 48.64, 4.28, -49.24

 

CMYK 3 / 87 / 0 / 22

HEX #C11AC7

RGB 193 26 199

HSL 297.92, 0.77%, 0.44%

LAB 47.24, 77.68, -50.68

 

Description

Color code: HEX #C76C1ACE | qconv.com Color code: HEX #C76C1ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 108 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 108 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 70 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 70% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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