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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C768A5 it is the complementary color #38975A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C768A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C768A5 shade: #CC68A0, #DD7AB3, #EE8CC6, #FF9ED9 and #FFB0EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C768A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C768A5 shade: #C768A5, #B65692, #A5447F, #94326C and #832059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C768A5 shade: #C766A4, #C7668A, #C76670 and #C76666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C768A5 shade: #C766A4, #C766BE, #B566C7, #9B66C7 and #8166C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C768A5 shade matches the following richer shades: #C766A4, #D755A9, #E845AE and #F934B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C768A5 shade: #C766A4, #B6779F, #A5889B, #949996 and #83AA91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C768A5 shade: #B566C7, #C766BF, #C766A5, #C7668B and #C76672

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C768A5 shade: #9F3B7B, #BB4892, #C766A4, #D284B6 and #DDA3C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C768A5 shade: #C768A5, #C79B66 and #66C7C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C768A5 shade: #C768A5, #A5C766 and #66A5C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C768A5 shade: #C768A5, #C79B66, #66C788 and #6692C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C768A5 shade: #C768A5, #C7B866, #66C788 and #6675C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 17 / 22

HEX #C768A5

RGB 199 104 165

HSL 321.47, 0.46%, 0.59%

LAB 56.84, 45.42, -15.86

 

Complementary color

CMYK 63 / 0 / 40 / 41

HEX #38975A

RGB 56 151 90

HSL 141.47, 0.46%, 0.41%

LAB 55.8, -42.05, 24.1

 

CMYK 0 / 49 / 22 / 20

HEX #CC68A0

RGB 204 104 160

HSL 326.4, 0.5%, 0.6%

LAB 57.34, 46.29, -12.13

 

CMYK 0 / 45 / 19 / 13

HEX #DD7AB3

RGB 221 122 179

HSL 325.45, 0.59%, 0.67%

LAB 63.79, 45.52, -13.11

 

CMYK 0 / 41 / 17 / 7

HEX #EE8CC6

RGB 238 140 198

HSL 324.49, 0.74%, 0.74%

LAB 70.18, 44.75, -13.95

 

CMYK 0 / 38 / 15 / 0

HEX #FF9ED9

RGB 255 158 217

HSL 323.51, 1%, 0.81%

LAB 76.51, 43.99, -14.71

 

CMYK 0 / 31 / 7 / 0

HEX #FFB0EC

RGB 255 176 236

HSL 314.43, 1%, 0.85%

LAB 80.94, 37.74, -18.33

 

CMYK 0 / 48 / 17 / 22

HEX #C768A5

RGB 199 104 165

HSL 321.47, 0.46%, 0.59%

LAB 56.84, 45.42, -15.86

 

CMYK 0 / 53 / 20 / 29

HEX #B65692

RGB 182 86 146

HSL 322.5, 0.4%, 0.53%

LAB 50.31, 46.13, -14.85

 

CMYK 0 / 59 / 23 / 35

HEX #A5447F

RGB 165 68 127

HSL 323.51, 0.42%, 0.46%

LAB 43.75, 46.71, -13.6

 

CMYK 0 / 66 / 27 / 42

HEX #94326C

RGB 148 50 108

HSL 324.49, 0.49%, 0.39%

LAB 37.22, 47.01, -12

 

CMYK 0 / 76 / 32 / 49

HEX #832059

RGB 131 32 89

HSL 325.45, 0.61%, 0.32%

LAB 30.83, 46.73, -9.81

 

CMYK 0 / 49 / 18 / 22

HEX #C766A4

RGB 199 102 164

HSL 321.65, 0.46%, 0.59%

LAB 56.41, 46.28, -15.93

 

CMYK 0 / 49 / 31 / 22

HEX #C7668A

RGB 199 102 138

HSL 337.73, 0.46%, 0.59%

LAB 55.56, 42.58, -2.02

 

CMYK 0 / 49 / 44 / 22

HEX #C76670

RGB 199 102 112

HSL 353.81, 0.46%, 0.59%

LAB 54.88, 39.5, 12.27

 

CMYK 0 / 49 / 49 / 22

HEX #C76666

RGB 199 102 102

HSL 0, 0.46%, 0.59%

LAB 54.66, 38.49, 17.82

 

CMYK 0 / 49 / 18 / 22

HEX #C766A4

RGB 199 102 164

HSL 321.65, 0.46%, 0.59%

LAB 56.41, 46.28, -15.93

 

CMYK 0 / 49 / 5 / 22

HEX #C766BE

RGB 199 102 190

HSL 305.57, 0.46%, 0.59%

LAB 57.43, 50.55, -29.36

 

CMYK 9 / 49 / 0 / 22

HEX #B566C7

RGB 181 102 199

HSL 288.87, 0.46%, 0.59%

LAB 55.53, 47.01, -37.63

 

CMYK 22 / 49 / 0 / 22

HEX #9B66C7

RGB 155 102 199

HSL 272.78, 0.46%, 0.59%

LAB 52.5, 39.69, -42.61

 

CMYK 35 / 49 / 0 / 22

HEX #8166C7

RGB 129 102 199

HSL 256.7, 0.46%, 0.59%

LAB 49.85, 32.69, -46.98

 

CMYK 0 / 49 / 18 / 22

HEX #C766A4

RGB 199 102 164

HSL 321.65, 0.46%, 0.59%

LAB 56.41, 46.28, -15.93

 

CMYK 0 / 60 / 21 / 16

HEX #D755A9

RGB 215 85 169

HSL 321.23, 0.62%, 0.59%

LAB 55.9, 59.85, -19.41

 

CMYK 0 / 70 / 25 / 9

HEX #E845AE

RGB 232 69 174

HSL 321.35, 0.78%, 0.59%

LAB 56.55, 71.25, -21.07

 

CMYK 0 / 79 / 28 / 2

HEX #F934B3

RGB 249 52 179

HSL 321.32, 0.94%, 0.59%

LAB 57.89, 80.85, -21.66

 

CMYK 0 / 49 / 18 / 22

HEX #C766A4

RGB 199 102 164

HSL 321.65, 0.46%, 0.59%

LAB 56.41, 46.28, -15.93

 

CMYK 0 / 35 / 13 / 29

HEX #B6779F

RGB 182 119 159

HSL 321.9, 0.3%, 0.59%

LAB 57.7, 30.71, -11.31

 

CMYK 0 / 18 / 6 / 35

HEX #A5889B

RGB 165 136 155

HSL 320.69, 0.14%, 0.59%

LAB 59.87, 14.32, -5.96

 

CMYK 3 / 0 / 2 / 40

HEX #949996

RGB 148 153 150

HSL 144, 0.02%, 0.59%

LAB 62.74, -2.38, 0.94

 

CMYK 23 / 0 / 15 / 33

HEX #83AA91

RGB 131 170 145

HSL 141.54, 0.19%, 0.59%

LAB 66.23, -18.42, 8.6

 

CMYK 9 / 49 / 0 / 22

HEX #B566C7

RGB 181 102 199

HSL 288.87, 0.46%, 0.59%

LAB 55.53, 47.01, -37.63

 

CMYK 0 / 49 / 4 / 22

HEX #C766BF

RGB 199 102 191

HSL 304.95, 0.46%, 0.59%

LAB 57.47, 50.72, -29.87

 

CMYK 0 / 49 / 17 / 22

HEX #C766A5

RGB 199 102 165

HSL 321.03, 0.46%, 0.59%

LAB 56.45, 46.43, -16.45

 

CMYK 0 / 49 / 30 / 22

HEX #C7668B

RGB 199 102 139

HSL 337.11, 0.46%, 0.59%

LAB 55.59, 42.71, -2.56

 

CMYK 0 / 49 / 43 / 22

HEX #C76672

RGB 199 102 114

HSL 352.58, 0.46%, 0.59%

LAB 54.93, 39.71, 11.16

 

CMYK 0 / 63 / 23 / 38

HEX #9F3B7B

RGB 159 59 123

HSL 321.6, 0.46%, 0.43%

LAB 41.1, 48.45, -15.27

 

CMYK 0 / 61 / 22 / 27

HEX #BB4892

RGB 187 72 146

HSL 321.39, 0.46%, 0.51%

LAB 48.6, 54.22, -17.37

 

CMYK 0 / 49 / 18 / 22

HEX #C766A4

RGB 199 102 164

HSL 321.65, 0.46%, 0.59%

LAB 56.41, 46.28, -15.93

 

CMYK 0 / 37 / 13 / 18

HEX #D284B6

RGB 210 132 182

HSL 321.54, 0.46%, 0.67%

LAB 64.63, 37.11, -13.68

 

CMYK 0 / 26 / 10 / 13

HEX #DDA3C8

RGB 221 163 200

HSL 321.72, 0.46%, 0.75%

LAB 73.37, 27.19, -10.47

 

CMYK 0 / 48 / 17 / 22

HEX #C768A5

RGB 199 104 165

HSL 321.47, 0.46%, 0.59%

LAB 56.84, 45.42, -15.86

 

CMYK 0 / 22 / 49 / 22

HEX #C79B66

RGB 199 155 102

HSL 32.78, 0.46%, 0.59%

LAB 66.93, 9.81, 33.96

 

CMYK 49 / 0 / 3 / 22

HEX #66C7C2

RGB 102 199 194

HSL 176.91, 0.46%, 0.59%

LAB 74.55, -29.75, -6.32

 

CMYK 0 / 48 / 17 / 22

HEX #C768A5

RGB 199 104 165

HSL 321.47, 0.46%, 0.59%

LAB 56.84, 45.42, -15.86

 

CMYK 17 / 0 / 49 / 22

HEX #A5C766

RGB 165 199 102

HSL 81.03, 0.46%, 0.59%

LAB 75.95, -26.9, 44.54

 

CMYK 49 / 17 / 0 / 22

HEX #66A5C7

RGB 102 165 199

HSL 201.03, 0.46%, 0.59%

LAB 64.85, -10.95, -23.68

 

CMYK 0 / 48 / 17 / 22

HEX #C768A5

RGB 199 104 165

HSL 321.47, 0.46%, 0.59%

LAB 56.84, 45.42, -15.86

 

CMYK 0 / 22 / 49 / 22

HEX #C79B66

RGB 199 155 102

HSL 32.78, 0.46%, 0.59%

LAB 66.93, 9.81, 33.96

 

CMYK 49 / 0 / 32 / 22

HEX #66C788

RGB 102 199 136

HSL 141.03, 0.46%, 0.59%

LAB 73.19, -42.69, 22.96

 

CMYK 49 / 27 / 0 / 22

HEX #6692C7

RGB 102 146 199

HSL 212.78, 0.46%, 0.59%

LAB 59.44, -0.32, -32.03

 

CMYK 0 / 48 / 17 / 22

HEX #C768A5

RGB 199 104 165

HSL 321.47, 0.46%, 0.59%

LAB 56.84, 45.42, -15.86

 

CMYK 0 / 8 / 49 / 22

HEX #C7B866

RGB 199 184 102

HSL 50.72, 0.46%, 0.59%

LAB 74.43, -5.69, 43.29

 

CMYK 49 / 0 / 32 / 22

HEX #66C788

RGB 102 199 136

HSL 141.03, 0.46%, 0.59%

LAB 73.19, -42.69, 22.96

 

CMYK 49 / 41 / 0 / 22

HEX #6675C7

RGB 102 117 199

HSL 230.72, 0.46%, 0.59%

LAB 51.46, 16.9, -44.55

 

Description

Color code: HEX #C768A5 | qconv.com Color code: HEX #C768A5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 104 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 104 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 17 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 17% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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