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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7688C it is the complementary color #389773. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7688C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7688C shade: #CC6887, #DD7A9A, #EE8CAD, #FF9EC0 and #FFB0D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7688C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7688C shade: #C7688C, #B65679, #A54466, #943253 and #832040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7688C shade: #C7668B, #C76671 and #C76666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7688C shade: #C7668B, #C766A5, #C766BF, #B466C7 and #9B66C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7688C shade matches the following richer shades: #C7668B, #D75587, #E84583 and #F9347F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7688C shade: #C7668B, #B6778F, #A58893, #949997 and #83AA9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7688C shade: #C766BF, #C766A5, #C7668B, #C76672 and #C77566

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7688C shade: #9F3B61, #BB4874, #C7668B, #D284A2 and #DDA3B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7688C shade: #C7688C, #C7B566 and #66B2C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7688C shade: #C7688C, #8BC766 and #668BC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7688C shade: #C7688C, #C7B566, #66C7A2 and #6678C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7688C shade: #C7688C, #BBC766, #66C7A2 and #7266C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 30 / 22

HEX #C7688C

RGB 199 104 140

HSL 337.26, 0.46%, 0.59%

LAB 56.02, 41.81, -2.52

 

Complementary color

CMYK 63 / 0 / 24 / 41

HEX #389773

RGB 56 151 115

HSL 157.26, 0.46%, 0.41%

LAB 56.3, -36.76, 10.85

 

CMYK 0 / 49 / 34 / 20

HEX #CC6887

RGB 204 104 135

HSL 341.4, 0.5%, 0.6%

LAB 56.57, 42.91, 1.29

 

CMYK 0 / 45 / 30 / 13

HEX #DD7A9A

RGB 221 122 154

HSL 340.61, 0.59%, 0.67%

LAB 63.03, 42.02, 0

 

CMYK 0 / 41 / 27 / 7

HEX #EE8CAD

RGB 238 140 173

HSL 339.8, 0.74%, 0.74%

LAB 69.43, 41.16, -1.12

 

CMYK 0 / 38 / 25 / 0

HEX #FF9EC0

RGB 255 158 192

HSL 338.97, 1%, 0.81%

LAB 75.77, 40.33, -2.11

 

CMYK 0 / 31 / 17 / 0

HEX #FFB0D3

RGB 255 176 211

HSL 333.42, 1%, 0.85%

LAB 80.19, 33.73, -5.97

 

CMYK 0 / 48 / 30 / 22

HEX #C7688C

RGB 199 104 140

HSL 337.26, 0.46%, 0.59%

LAB 56.02, 41.81, -2.52

 

CMYK 0 / 53 / 34 / 29

HEX #B65679

RGB 182 86 121

HSL 338.13, 0.4%, 0.53%

LAB 49.47, 42.66, -1.16

 

CMYK 0 / 59 / 38 / 35

HEX #A54466

RGB 165 68 102

HSL 338.97, 0.42%, 0.46%

LAB 42.9, 43.42, 0.5

 

CMYK 0 / 66 / 44 / 42

HEX #943253

RGB 148 50 83

HSL 339.8, 0.49%, 0.39%

LAB 36.37, 43.96, 2.61

 

CMYK 0 / 76 / 51 / 49

HEX #832040

RGB 131 32 64

HSL 340.61, 0.61%, 0.32%

LAB 29.98, 43.99, 5.42

 

CMYK 0 / 49 / 30 / 22

HEX #C7668B

RGB 199 102 139

HSL 337.11, 0.46%, 0.59%

LAB 55.59, 42.71, -2.56

 

CMYK 0 / 49 / 43 / 22

HEX #C76671

RGB 199 102 113

HSL 353.2, 0.46%, 0.59%

LAB 54.9, 39.6, 11.71

 

CMYK 0 / 49 / 49 / 22

HEX #C76666

RGB 199 102 102

HSL 0, 0.46%, 0.59%

LAB 54.66, 38.49, 17.82

 

CMYK 0 / 49 / 30 / 22

HEX #C7668B

RGB 199 102 139

HSL 337.11, 0.46%, 0.59%

LAB 55.59, 42.71, -2.56

 

CMYK 0 / 49 / 17 / 22

HEX #C766A5

RGB 199 102 165

HSL 321.03, 0.46%, 0.59%

LAB 56.45, 46.43, -16.45

 

CMYK 0 / 49 / 4 / 22

HEX #C766BF

RGB 199 102 191

HSL 304.95, 0.46%, 0.59%

LAB 57.47, 50.72, -29.87

 

CMYK 10 / 49 / 0 / 22

HEX #B466C7

RGB 180 102 199

HSL 288.25, 0.46%, 0.59%

LAB 55.41, 46.72, -37.83

 

CMYK 22 / 49 / 0 / 22

HEX #9B66C7

RGB 155 102 199

HSL 272.78, 0.46%, 0.59%

LAB 52.5, 39.69, -42.61

 

CMYK 0 / 49 / 30 / 22

HEX #C7668B

RGB 199 102 139

HSL 337.11, 0.46%, 0.59%

LAB 55.59, 42.71, -2.56

 

CMYK 0 / 60 / 37 / 16

HEX #D75587

RGB 215 85 135

HSL 336.92, 0.62%, 0.59%

LAB 54.76, 55.6, -1.16

 

CMYK 0 / 70 / 44 / 9

HEX #E84583

RGB 232 69 131

HSL 337.18, 0.78%, 0.59%

LAB 55.12, 66.57, 2.08

 

CMYK 0 / 79 / 49 / 2

HEX #F9347F

RGB 249 52 127

HSL 337.16, 0.94%, 0.59%

LAB 56.22, 75.88, 6.43

 

CMYK 0 / 49 / 30 / 22

HEX #C7668B

RGB 199 102 139

HSL 337.11, 0.46%, 0.59%

LAB 55.59, 42.71, -2.56

 

CMYK 0 / 35 / 21 / 29

HEX #B6778F

RGB 182 119 143

HSL 337.14, 0.3%, 0.59%

LAB 57.19, 28.11, -2.79

 

CMYK 0 / 18 / 11 / 35

HEX #A58893

RGB 165 136 147

HSL 337.24, 0.14%, 0.59%

LAB 59.63, 12.88, -1.73

 

CMYK 3 / 0 / 1 / 40

HEX #949997

RGB 148 153 151

HSL 156, 0.02%, 0.59%

LAB 62.77, -2.19, 0.41

 

CMYK 23 / 0 / 9 / 33

HEX #83AA9B

RGB 131 170 155

HSL 156.92, 0.19%, 0.59%

LAB 66.48, -16.39, 3.41

 

CMYK 0 / 49 / 4 / 22

HEX #C766BF

RGB 199 102 191

HSL 304.95, 0.46%, 0.59%

LAB 57.47, 50.72, -29.87

 

CMYK 0 / 49 / 17 / 22

HEX #C766A5

RGB 199 102 165

HSL 321.03, 0.46%, 0.59%

LAB 56.45, 46.43, -16.45

 

CMYK 0 / 49 / 30 / 22

HEX #C7668B

RGB 199 102 139

HSL 337.11, 0.46%, 0.59%

LAB 55.59, 42.71, -2.56

 

CMYK 0 / 49 / 43 / 22

HEX #C76672

RGB 199 102 114

HSL 352.58, 0.46%, 0.59%

LAB 54.93, 39.71, 11.16

 

CMYK 0 / 41 / 49 / 22

HEX #C77566

RGB 199 117 102

HSL 9.28, 0.46%, 0.59%

LAB 57.87, 30.56, 22.15

 

CMYK 0 / 63 / 39 / 38

HEX #9F3B61

RGB 159 59 97

HSL 337.2, 0.46%, 0.43%

LAB 40.18, 45.07, -0.47

 

CMYK 0 / 61 / 38 / 27

HEX #BB4874

RGB 187 72 116

HSL 337.04, 0.46%, 0.51%

LAB 47.57, 50.4, -0.83

 

CMYK 0 / 49 / 30 / 22

HEX #C7668B

RGB 199 102 139

HSL 337.11, 0.46%, 0.59%

LAB 55.59, 42.71, -2.56

 

CMYK 0 / 37 / 23 / 18

HEX #D284A2

RGB 210 132 162

HSL 336.92, 0.46%, 0.67%

LAB 64.01, 34, -3.28

 

CMYK 0 / 26 / 16 / 13

HEX #DDA3B9

RGB 221 163 185

HSL 337.24, 0.46%, 0.75%

LAB 72.94, 24.73, -2.86

 

CMYK 0 / 48 / 30 / 22

HEX #C7688C

RGB 199 104 140

HSL 337.26, 0.46%, 0.59%

LAB 56.02, 41.81, -2.52

 

CMYK 0 / 9 / 49 / 22

HEX #C7B566

RGB 199 181 102

HSL 48.87, 0.46%, 0.59%

LAB 73.64, -4.12, 42.33

 

CMYK 49 / 11 / 0 / 22

HEX #66B2C7

RGB 102 178 199

HSL 192.99, 0.46%, 0.59%

LAB 68.6, -17.87, -17.97

 

CMYK 0 / 48 / 30 / 22

HEX #C7688C

RGB 199 104 140

HSL 337.26, 0.46%, 0.59%

LAB 56.02, 41.81, -2.52

 

CMYK 30 / 0 / 49 / 22

HEX #8BC766

RGB 139 199 102

HSL 97.11, 0.46%, 0.59%

LAB 74.38, -36.48, 42.26

 

CMYK 49 / 30 / 0 / 22

HEX #668BC7

RGB 102 139 199

HSL 217.11, 0.46%, 0.59%

LAB 57.48, 3.74, -35.09

 

CMYK 0 / 48 / 30 / 22

HEX #C7688C

RGB 199 104 140

HSL 337.26, 0.46%, 0.59%

LAB 56.02, 41.81, -2.52

 

CMYK 0 / 9 / 49 / 22

HEX #C7B566

RGB 199 181 102

HSL 48.87, 0.46%, 0.59%

LAB 73.64, -4.12, 42.33

 

CMYK 49 / 0 / 19 / 22

HEX #66C7A2

RGB 102 199 162

HSL 157.11, 0.46%, 0.59%

LAB 73.73, -37.39, 9.8

 

CMYK 49 / 40 / 0 / 22

HEX #6678C7

RGB 102 120 199

HSL 228.87, 0.46%, 0.59%

LAB 52.27, 15.08, -43.28

 

CMYK 0 / 48 / 30 / 22

HEX #C7688C

RGB 199 104 140

HSL 337.26, 0.46%, 0.59%

LAB 56.02, 41.81, -2.52

 

CMYK 6 / 0 / 49 / 22

HEX #BBC766

RGB 187 199 102

HSL 67.42, 0.46%, 0.59%

LAB 77.5, -18.25, 46.78

 

CMYK 49 / 0 / 19 / 22

HEX #66C7A2

RGB 102 199 162

HSL 157.11, 0.46%, 0.59%

LAB 73.73, -37.39, 9.8

 

CMYK 43 / 49 / 0 / 22

HEX #7266C7

RGB 114 102 199

HSL 247.42, 0.46%, 0.59%

LAB 48.52, 28.91, -49.19

 

Description

Color code: HEX #C7688C | qconv.com Color code: HEX #C7688C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 104 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 104 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 30 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 30% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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