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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C76841 it is the complementary color #3897BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C76841. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C76841 shade: #CC683C, #DD7A4F, #EE8C62, #FF9E75 and #FFB088

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C76841. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C76841 shade: #C76841, #B6562E, #A5441B, #943208 and #832000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C76841 shade: #C76943, #C74543 and #C74343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C76841 shade: #C76943, #C78D43, #C7B043, #B9C743 and #96C743

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C76841 shade matches the following richer shades: #C76943, #DB612F and #EE581B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C76841 shade: #C76943, #B37156, #9F7A6A, #8B827E and #778A92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C76841 shade: #C74364, #C74543, #C76843, #C78B43 and #C7AE43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C76841 shade: #8D472A, #AC5734, #C76943, #D08262 and #DA9C82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C76841 shade: #C76841, #87C743 and #4352C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C76841 shade: #C76841, #43C768 and #6843C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C76841 shade: #C76841, #87C743, #43A1C7 and #8243C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C76841 shade: #C76841, #5FC743, #43A1C7 and #AA43C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 67 / 22

HEX #C76841

RGB 199 104 65

HSL 17.46, 0.54%, 0.52%

LAB 54.47, 34.6, 38.53

 

Complementary color

CMYK 71 / 21 / 0 / 25

HEX #3897BE

RGB 56 151 190

HSL 197.46, 0.54%, 0.48%

LAB 58.69, -14.97, -28.27

 

CMYK 0 / 49 / 71 / 20

HEX #CC683C

RGB 204 104 60

HSL 18.33, 0.59%, 0.52%

LAB 55.14, 36.31, 42.11

 

CMYK 0 / 45 / 64 / 13

HEX #DD7A4F

RGB 221 122 79

HSL 18.17, 0.68%, 0.59%

LAB 61.53, 34.77, 40.11

 

CMYK 0 / 41 / 59 / 7

HEX #EE8C62

RGB 238 140 98

HSL 18, 0.8%, 0.66%

LAB 67.88, 33.38, 38.25

 

CMYK 0 / 38 / 54 / 0

HEX #FF9E75

RGB 255 158 117

HSL 17.83, 1%, 0.73%

LAB 74.19, 32.11, 36.54

 

CMYK 0 / 31 / 47 / 0

HEX #FFB088

RGB 255 176 136

HSL 20.17, 1%, 0.77%

LAB 78.51, 24.4, 32.08

 

CMYK 0 / 48 / 67 / 22

HEX #C76841

RGB 199 104 65

HSL 17.46, 0.54%, 0.52%

LAB 54.47, 34.6, 38.53

 

CMYK 0 / 53 / 75 / 29

HEX #B6562E

RGB 182 86 46

HSL 17.65, 0.6%, 0.45%

LAB 48, 36.2, 40.65

 

CMYK 0 / 59 / 84 / 35

HEX #A5441B

RGB 165 68 27

HSL 17.83, 0.72%, 0.38%

LAB 41.55, 37.9, 42.71

 

CMYK 0 / 66 / 95 / 42

HEX #943208

RGB 148 50 8

HSL 18, 0.9%, 0.31%

LAB 35.19, 39.56, 43.97

 

CMYK 0 / 76 / 100 / 49

HEX #832000

RGB 131 32 0

HSL 14.66, 1%, 0.26%

LAB 29.05, 40.88, 41.36

 

CMYK 0 / 47 / 66 / 22

HEX #C76943

RGB 199 105 67

HSL 17.27, 0.54%, 0.52%

LAB 54.71, 34.19, 37.73

 

CMYK 0 / 65 / 66 / 22

HEX #C74543

RGB 199 69 67

HSL 0.91, 0.54%, 0.52%

LAB 48.01, 51.53, 29.69

 

CMYK 0 / 66 / 66 / 22

HEX #C74343

RGB 199 67 67

HSL 0, 0.54%, 0.52%

LAB 47.7, 52.36, 29.31

 

CMYK 0 / 47 / 66 / 22

HEX #C76943

RGB 199 105 67

HSL 17.27, 0.54%, 0.52%

LAB 54.71, 34.19, 37.73

 

CMYK 0 / 29 / 66 / 22

HEX #C78D43

RGB 199 141 67

HSL 33.64, 0.54%, 0.52%

LAB 63.01, 14.7, 47.17

 

CMYK 0 / 12 / 66 / 22

HEX #C7B043

RGB 199 176 67

HSL 49.55, 0.54%, 0.52%

LAB 71.96, -4.15, 56.81

 

CMYK 7 / 0 / 66 / 22

HEX #B9C743

RGB 185 199 67

HSL 66.36, 0.54%, 0.52%

LAB 77.02, -21.8, 61.7

 

CMYK 25 / 0 / 66 / 22

HEX #96C743

RGB 150 199 67

HSL 82.27, 0.54%, 0.52%

LAB 74.66, -35.78, 58.51

 

CMYK 0 / 47 / 66 / 22

HEX #C76943

RGB 199 105 67

HSL 17.27, 0.54%, 0.52%

LAB 54.71, 34.19, 37.73

 

CMYK 0 / 56 / 79 / 14

HEX #DB612F

RGB 219 97 47

HSL 17.44, 0.7%, 0.52%

LAB 55.9, 45.02, 50.06

 

CMYK 0 / 63 / 89 / 7

HEX #EE581B

RGB 238 88 27

HSL 17.35, 0.86%, 0.52%

LAB 57.3, 55.41, 60.71

 

CMYK 0 / 47 / 66 / 22

HEX #C76943

RGB 199 105 67

HSL 17.27, 0.54%, 0.52%

LAB 54.71, 34.19, 37.73

 

CMYK 0 / 37 / 52 / 30

HEX #B37156

RGB 179 113 86

HSL 17.42, 0.38%, 0.52%

LAB 54.1, 23.16, 25.82

 

CMYK 0 / 23 / 33 / 38

HEX #9F7A6A

RGB 159 122 106

HSL 18.11, 0.22%, 0.52%

LAB 54.38, 12.06, 14.31

 

CMYK 0 / 6 / 9 / 45

HEX #8B827E

RGB 139 130 126

HSL 18.46, 0.05%, 0.52%

LAB 55.03, 2.65, 3.37

 

CMYK 18 / 5 / 0 / 43

HEX #778A92

RGB 119 138 146

HSL 197.78, 0.11%, 0.52%

LAB 56.26, -5.02, -6.57

 

CMYK 0 / 66 / 50 / 22

HEX #C74364

RGB 199 67 100

HSL 345, 0.54%, 0.52%

LAB 48.36, 54.74, 10.29

 

CMYK 0 / 65 / 66 / 22

HEX #C74543

RGB 199 69 67

HSL 0.91, 0.54%, 0.52%

LAB 48.01, 51.53, 29.69

 

CMYK 0 / 48 / 66 / 22

HEX #C76843

RGB 199 104 67

HSL 16.82, 0.54%, 0.52%

LAB 54.5, 34.72, 37.48

 

CMYK 0 / 30 / 66 / 22

HEX #C78B43

RGB 199 139 67

HSL 32.73, 0.54%, 0.52%

LAB 62.52, 15.79, 46.62

 

CMYK 0 / 13 / 66 / 22

HEX #C7AE43

RGB 199 174 67

HSL 48.64, 0.54%, 0.52%

LAB 71.43, -3.1, 56.25

 

CMYK 0 / 50 / 70 / 45

HEX #8D472A

RGB 141 71 42

HSL 17.58, 0.54%, 0.36%

LAB 38.44, 27.22, 30.48

 

CMYK 0 / 49 / 70 / 33

HEX #AC5734

RGB 172 87 52

HSL 17.5, 0.54%, 0.44%

LAB 46.76, 31.96, 35.66

 

CMYK 0 / 47 / 66 / 22

HEX #C76943

RGB 199 105 67

HSL 17.27, 0.54%, 0.52%

LAB 54.71, 34.19, 37.73

 

CMYK 0 / 38 / 53 / 18

HEX #D08262

RGB 208 130 98

HSL 17.45, 0.54%, 0.6%

LAB 61.88, 26.76, 29.87

 

CMYK 0 / 28 / 40 / 15

HEX #DA9C82

RGB 218 156 130

HSL 17.73, 0.54%, 0.68%

LAB 69.68, 19.91, 22.8

 

CMYK 0 / 48 / 67 / 22

HEX #C76841

RGB 199 104 65

HSL 17.46, 0.54%, 0.52%

LAB 54.47, 34.6, 38.53

 

CMYK 32 / 0 / 66 / 22

HEX #87C743

RGB 135 199 67

HSL 89.09, 0.54%, 0.52%

LAB 73.81, -41.34, 57.35

 

CMYK 66 / 59 / 0 / 22

HEX #4352C7

RGB 67 82 199

HSL 233.18, 0.54%, 0.52%

LAB 40.17, 31.9, -62.83

 

CMYK 0 / 48 / 67 / 22

HEX #C76841

RGB 199 104 65

HSL 17.46, 0.54%, 0.52%

LAB 54.47, 34.6, 38.53

 

CMYK 66 / 0 / 48 / 22

HEX #43C768

RGB 67 199 104

HSL 136.82, 0.54%, 0.52%

LAB 71.58, -56.14, 37.17

 

CMYK 48 / 66 / 0 / 22

HEX #6843C7

RGB 104 67 199

HSL 256.82, 0.54%, 0.52%

LAB 39.72, 47.11, -63.43

 

CMYK 0 / 48 / 67 / 22

HEX #C76841

RGB 199 104 65

HSL 17.46, 0.54%, 0.52%

LAB 54.47, 34.6, 38.53

 

CMYK 32 / 0 / 66 / 22

HEX #87C743

RGB 135 199 67

HSL 89.09, 0.54%, 0.52%

LAB 73.81, -41.34, 57.35

 

CMYK 66 / 19 / 0 / 22

HEX #43A1C7

RGB 67 161 199

HSL 197.27, 0.54%, 0.52%

LAB 62.34, -15.76, -27.65

 

CMYK 35 / 66 / 0 / 22

HEX #8243C7

RGB 130 67 199

HSL 268.64, 0.54%, 0.52%

LAB 42.59, 52.22, -58.64

 

CMYK 0 / 48 / 67 / 22

HEX #C76841

RGB 199 104 65

HSL 17.46, 0.54%, 0.52%

LAB 54.47, 34.6, 38.53

 

CMYK 52 / 0 / 66 / 22

HEX #5FC743

RGB 95 199 67

HSL 107.27, 0.54%, 0.52%

LAB 72.02, -54.16, 54.91

 

CMYK 66 / 19 / 0 / 22

HEX #43A1C7

RGB 67 161 199

HSL 197.27, 0.54%, 0.52%

LAB 62.34, -15.76, -27.65

 

CMYK 15 / 66 / 0 / 22

HEX #AA43C7

RGB 170 67 199

HSL 286.82, 0.54%, 0.52%

LAB 47.86, 60.94, -49.88

 

Description

Color code: HEX #C76841 | qconv.com Color code: HEX #C76841 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 104 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 104 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 67 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 67% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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