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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C763D1 it is the complementary color #389C2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C763D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C763D1 shade: #CC63CC, #DD75DF, #EE87F2, #FF99FF and #FFABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C763D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C763D1 shade: #C763D1, #B651BE, #A53FAB, #942D98 and #831B85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C763D1 shade: #C662D0, #D062BC, #D0629F, #D06281 and #D06263

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C763D1 shade: #C662D0, #A862D0, #8B62D0, #6D62D0 and #6262D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C763D1 shade matches the following richer shades: #C662D0, #D451E1 and #E141F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C763D1 shade: #C662D0, #B972C0, #AB83AF, #9E939F and #90A48E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C763D1 shade: #8A62D0, #A862D0, #C562D0, #D062BE and #D062A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C763D1 shade: #A133AC, #BB42C7, #C662D0, #D282DA and #DDA1E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C763D1 shade: #C763D1, #D06D62 and #62D099

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C763D1 shade: #C763D1, #D0C562 and #62D0C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C763D1 shade: #C763D1, #D06D62, #6DD062 and #62C5D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C763D1 shade: #C763D1, #D08E62, #6DD062 and #62A4D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 53 / 0 / 18

HEX #C763D1

RGB 199 99 209

HSL 294.55, 0.54%, 0.6%

LAB 57.72, 55.43, -39.72

 

Complementary color

CMYK 64 / 0 / 71 / 39

HEX #389C2E

RGB 56 156 46

HSL 114.55, 0.54%, 0.4%

LAB 56.89, -50.06, 46.97

 

CMYK 0 / 51 / 0 / 20

HEX #CC63CC

RGB 204 99 204

HSL 300, 0.51%, 0.59%

LAB 58.15, 55.89, -36.16

 

CMYK 1 / 48 / 0 / 13

HEX #DD75DF

RGB 221 117 223

HSL 298.87, 0.62%, 0.67%

LAB 64.5, 55.29, -36.77

 

CMYK 2 / 44 / 0 / 5

HEX #EE87F2

RGB 238 135 242

HSL 297.76, 0.8%, 0.74%

LAB 70.81, 54.61, -37.28

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 5 / 53 / 0 / 18

HEX #C763D1

RGB 199 99 209

HSL 294.55, 0.54%, 0.6%

LAB 57.72, 55.43, -39.72

 

CMYK 4 / 57 / 0 / 25

HEX #B651BE

RGB 182 81 190

HSL 295.6, 0.46%, 0.53%

LAB 51.32, 55.94, -39.07

 

CMYK 4 / 63 / 0 / 33

HEX #A53FAB

RGB 165 63 171

HSL 296.67, 0.46%, 0.46%

LAB 44.93, 56.19, -38.21

 

CMYK 3 / 70 / 0 / 40

HEX #942D98

RGB 148 45 152

HSL 297.76, 0.54%, 0.39%

LAB 38.62, 55.99, -37.01

 

CMYK 2 / 80 / 0 / 48

HEX #831B85

RGB 131 27 133

HSL 298.87, 0.66%, 0.31%

LAB 32.49, 54.98, -35.28

 

CMYK 5 / 53 / 0 / 18

HEX #C662D0

RGB 198 98 208

HSL 294.55, 0.54%, 0.6%

LAB 57.36, 55.46, -39.73

 

CMYK 0 / 53 / 10 / 18

HEX #D062BC

RGB 208 98 188

HSL 310.91, 0.54%, 0.6%

LAB 57.82, 54.79, -27.5

 

CMYK 0 / 53 / 24 / 18

HEX #D0629F

RGB 208 98 159

HSL 326.73, 0.54%, 0.6%

LAB 56.73, 50.39, -12.42

 

CMYK 0 / 53 / 38 / 18

HEX #D06281

RGB 208 98 129

HSL 343.09, 0.54%, 0.6%

LAB 55.82, 46.57, 3.79

 

CMYK 0 / 53 / 52 / 18

HEX #D06263

RGB 208 98 99

HSL 359.45, 0.54%, 0.6%

LAB 55.12, 43.56, 20.41

 

CMYK 5 / 53 / 0 / 18

HEX #C662D0

RGB 198 98 208

HSL 294.55, 0.54%, 0.6%

LAB 57.36, 55.46, -39.73

 

CMYK 19 / 53 / 0 / 18

HEX #A862D0

RGB 168 98 208

HSL 278.18, 0.54%, 0.6%

LAB 53.62, 47.41, -45.89

 

CMYK 33 / 53 / 0 / 18

HEX #8B62D0

RGB 139 98 208

HSL 262.36, 0.54%, 0.6%

LAB 50.43, 39.91, -51.16

 

CMYK 48 / 53 / 0 / 18

HEX #6D62D0

RGB 109 98 208

HSL 246, 0.54%, 0.6%

LAB 47.68, 32.81, -55.72

 

CMYK 53 / 53 / 0 / 18

HEX #6262D0

RGB 98 98 208

HSL 240, 0.54%, 0.6%

LAB 46.82, 30.46, -57.14

 

CMYK 5 / 53 / 0 / 18

HEX #C662D0

RGB 198 98 208

HSL 294.55, 0.54%, 0.6%

LAB 57.36, 55.46, -39.73

 

CMYK 6 / 64 / 0 / 12

HEX #D451E1

RGB 212 81 225

HSL 294.58, 0.71%, 0.6%

LAB 57.38, 69.55, -49.17

 

CMYK 7 / 73 / 0 / 5

HEX #E141F1

RGB 225 65 241

HSL 294.55, 0.86%, 0.6%

LAB 58.17, 80.73, -56.78

 

CMYK 5 / 53 / 0 / 18

HEX #C662D0

RGB 198 98 208

HSL 294.55, 0.54%, 0.6%

LAB 57.36, 55.46, -39.73

 

CMYK 4 / 41 / 0 / 25

HEX #B972C0

RGB 185 114 192

HSL 294.62, 0.38%, 0.6%

LAB 58.18, 40.46, -29.47

 

CMYK 2 / 25 / 0 / 31

HEX #AB83AF

RGB 171 131 175

HSL 294.55, 0.22%, 0.6%

LAB 59.88, 23.12, -17.31

 

CMYK 1 / 8 / 0 / 38

HEX #9E939F

RGB 158 147 159

HSL 295, 0.06%, 0.6%

LAB 62.2, 6.32, -4.85

 

CMYK 12 / 0 / 13 / 36

HEX #90A48E

RGB 144 164 142

HSL 114.55, 0.11%, 0.6%

LAB 65.3, -11.31, 9.07

 

CMYK 34 / 53 / 0 / 18

HEX #8A62D0

RGB 138 98 208

HSL 261.82, 0.54%, 0.6%

LAB 50.33, 39.66, -51.33

 

CMYK 19 / 53 / 0 / 18

HEX #A862D0

RGB 168 98 208

HSL 278.18, 0.54%, 0.6%

LAB 53.62, 47.41, -45.89

 

CMYK 5 / 53 / 0 / 18

HEX #C562D0

RGB 197 98 208

HSL 294, 0.54%, 0.6%

LAB 57.23, 55.19, -39.94

 

CMYK 0 / 53 / 9 / 18

HEX #D062BE

RGB 208 98 190

HSL 309.82, 0.54%, 0.6%

LAB 57.91, 55.11, -28.52

 

CMYK 0 / 53 / 23 / 18

HEX #D062A0

RGB 208 98 160

HSL 326.18, 0.54%, 0.6%

LAB 56.77, 50.53, -12.95

 

CMYK 6 / 70 / 0 / 33

HEX #A133AC

RGB 161 51 172

HSL 294.55, 0.54%, 0.44%

LAB 42.65, 60.26, -42.47

 

CMYK 6 / 67 / 0 / 22

HEX #BB42C7

RGB 187 66 199

HSL 294.59, 0.54%, 0.52%

LAB 50.2, 65.2, -46.01

 

CMYK 5 / 53 / 0 / 18

HEX #C662D0

RGB 198 98 208

HSL 294.55, 0.54%, 0.6%

LAB 57.36, 55.46, -39.73

 

CMYK 4 / 40 / 0 / 15

HEX #D282DA

RGB 210 130 218

HSL 294.55, 0.54%, 0.68%

LAB 65.54, 44.54, -32.48

 

CMYK 3 / 29 / 0 / 11

HEX #DDA1E3

RGB 221 161 227

HSL 294.55, 0.54%, 0.76%

LAB 73.81, 33.12, -24.61

 

CMYK 5 / 53 / 0 / 18

HEX #C763D1

RGB 199 99 209

HSL 294.55, 0.54%, 0.6%

LAB 57.72, 55.43, -39.72

 

CMYK 0 / 48 / 53 / 18

HEX #D06D62

RGB 208 109 98

HSL 6, 0.54%, 0.6%

LAB 57.3, 37.9, 23.89

 

CMYK 53 / 0 / 26 / 18

HEX #62D099

RGB 98 208 153

HSL 150, 0.54%, 0.6%

LAB 76.07, -44.24, 17.9

 

CMYK 5 / 53 / 0 / 18

HEX #C763D1

RGB 199 99 209

HSL 294.55, 0.54%, 0.6%

LAB 57.72, 55.43, -39.72

 

CMYK 0 / 5 / 53 / 18

HEX #D0C562

RGB 208 197 98

HSL 54, 0.54%, 0.6%

LAB 78.59, -9.05, 50.39

 

CMYK 53 / 0 / 5 / 18

HEX #62D0C5

RGB 98 208 197

HSL 174, 0.54%, 0.6%

LAB 77.12, -34.12, -4.16

 

CMYK 5 / 53 / 0 / 18

HEX #C763D1

RGB 199 99 209

HSL 294.55, 0.54%, 0.6%

LAB 57.72, 55.43, -39.72

 

CMYK 0 / 48 / 53 / 18

HEX #D06D62

RGB 208 109 98

HSL 6, 0.54%, 0.6%

LAB 57.3, 37.9, 23.89

 

CMYK 48 / 0 / 53 / 18

HEX #6DD062

RGB 109 208 98

HSL 114, 0.54%, 0.6%

LAB 75.6, -50.42, 45.35

 

CMYK 53 / 5 / 0 / 18

HEX #62C5D0

RGB 98 197 208

HSL 186, 0.54%, 0.6%

LAB 74.24, -25.92, -14.39

 

CMYK 5 / 53 / 0 / 18

HEX #C763D1

RGB 199 99 209

HSL 294.55, 0.54%, 0.6%

LAB 57.72, 55.43, -39.72

 

CMYK 0 / 32 / 53 / 18

HEX #D08E62

RGB 208 142 98

HSL 24, 0.54%, 0.6%

LAB 64.67, 20.25, 33.44

 

CMYK 48 / 0 / 53 / 18

HEX #6DD062

RGB 109 208 98

HSL 114, 0.54%, 0.6%

LAB 75.6, -50.42, 45.35

 

CMYK 53 / 21 / 0 / 18

HEX #62A4D0

RGB 98 164 208

HSL 204, 0.54%, 0.6%

LAB 64.73, -8.67, -28.89

 

Description

Color code: HEX #C763D1 | qconv.com Color code: HEX #C763D1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 99 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 99 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 53 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 53% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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