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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7614A it is the complementary color #389EB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7614A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7614A shade: #CC6145, #DD7358, #EE856B, #FF977E and #FFA991

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7614A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7614A shade: #C7614A, #B64F37, #A53D24, #942B11 and #831900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7614A shade: #C8624C and #C84C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7614A shade: #C8624C, #C8844C, #C8A54C, #C8C74C and #A7C84C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7614A shade matches the following richer shades: #C8624C, #DB5639 and #EE4A26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7614A shade: #C8624C, #B56E5F, #A27A71, #8F8684 and #7C9297

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7614A shade: #C84C77, #C84C56, #C8624C, #C8834C and #C8A54C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7614A shade: #94402D, #B34E37, #C8624C, #D27E6B and #DB998B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7614A shade: #C7614A, #98C84C and #4C66C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7614A shade: #C7614A, #4CC862 and #624CC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7614A shade: #C7614A, #98C84C, #4CB1C8 and #7B4CC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7614A shade: #C7614A, #73C84C, #4CB1C8 and #A04CC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 63 / 22

HEX #C7614A

RGB 199 97 74

HSL 11.04, 0.53%, 0.54%

LAB 53.15, 38.78, 31.99

 

Complementary color

CMYK 69 / 13 / 0 / 29

HEX #389EB5

RGB 56 158 181

HSL 191.04, 0.53%, 0.46%

LAB 60.45, -21.63, -20.47

 

CMYK 0 / 52 / 66 / 20

HEX #CC6145

RGB 204 97 69

HSL 12.44, 0.57%, 0.54%

LAB 53.83, 40.38, 35.78

 

CMYK 0 / 48 / 60 / 13

HEX #DD7358

RGB 221 115 88

HSL 12.18, 0.66%, 0.61%

LAB 60.19, 38.99, 33.61

 

CMYK 0 / 44 / 55 / 7

HEX #EE856B

RGB 238 133 107

HSL 11.91, 0.79%, 0.68%

LAB 66.53, 37.68, 31.68

 

CMYK 0 / 41 / 51 / 0

HEX #FF977E

RGB 255 151 126

HSL 11.63, 1%, 0.75%

LAB 72.83, 36.48, 29.95

 

CMYK 0 / 34 / 43 / 0

HEX #FFA991

RGB 255 169 145

HSL 13.09, 1%, 0.78%

LAB 77.09, 28.95, 25.38

 

CMYK 0 / 51 / 63 / 22

HEX #C7614A

RGB 199 97 74

HSL 11.04, 0.53%, 0.54%

LAB 53.15, 38.78, 31.99

 

CMYK 0 / 57 / 70 / 29

HEX #B64F37

RGB 182 79 55

HSL 11.34, 0.54%, 0.46%

LAB 46.73, 40.19, 34.37

 

CMYK 0 / 63 / 78 / 35

HEX #A53D24

RGB 165 61 36

HSL 11.63, 0.64%, 0.39%

LAB 40.35, 41.58, 37.03

 

CMYK 0 / 71 / 89 / 42

HEX #942B11

RGB 148 43 17

HSL 11.91, 0.79%, 0.32%

LAB 34.12, 42.77, 39.64

 

CMYK 0 / 81 / 100 / 49

HEX #831900

RGB 131 25 0

HSL 11.45, 1%, 0.26%

LAB 28.17, 43.34, 40.64

 

CMYK 0 / 51 / 62 / 22

HEX #C8624C

RGB 200 98 76

HSL 10.65, 0.53%, 0.54%

LAB 53.53, 38.79, 31.36

 

CMYK 0 / 62 / 62 / 22

HEX #C84C4C

RGB 200 76 76

HSL 0, 0.53%, 0.54%

LAB 49.46, 49.38, 26.24

 

CMYK 0 / 51 / 62 / 22

HEX #C8624C

RGB 200 98 76

HSL 10.65, 0.53%, 0.54%

LAB 53.53, 38.79, 31.36

 

CMYK 0 / 34 / 62 / 22

HEX #C8844C

RGB 200 132 76

HSL 27.1, 0.53%, 0.54%

LAB 61.05, 20.64, 40.45

 

CMYK 0 / 18 / 62 / 22

HEX #C8A54C

RGB 200 165 76

HSL 43.06, 0.53%, 0.54%

LAB 69.26, 2.69, 49.88

 

CMYK 0 / 0 / 62 / 22

HEX #C8C74C

RGB 200 199 76

HSL 59.52, 0.53%, 0.54%

LAB 78.26, -15, 59.7

 

CMYK 17 / 0 / 62 / 22

HEX #A7C84C

RGB 167 200 76

HSL 75.97, 0.53%, 0.54%

LAB 76.1, -28.97, 56.66

 

CMYK 0 / 51 / 62 / 22

HEX #C8624C

RGB 200 98 76

HSL 10.65, 0.53%, 0.54%

LAB 53.53, 38.79, 31.36

 

CMYK 0 / 61 / 74 / 14

HEX #DB5639

RGB 219 86 57

HSL 10.74, 0.69%, 0.54%

LAB 54.04, 50.52, 43.13

 

CMYK 0 / 69 / 84 / 7

HEX #EE4A26

RGB 238 74 38

HSL 10.8, 0.85%, 0.54%

LAB 55.29, 61.24, 54.76

 

CMYK 0 / 51 / 62 / 22

HEX #C8624C

RGB 200 98 76

HSL 10.65, 0.53%, 0.54%

LAB 53.53, 38.79, 31.36

 

CMYK 0 / 39 / 48 / 29

HEX #B56E5F

RGB 181 110 95

HSL 10.47, 0.37%, 0.54%

LAB 53.82, 26.52, 20.33

 

CMYK 0 / 25 / 30 / 36

HEX #A27A71

RGB 162 122 113

HSL 11.02, 0.21%, 0.54%

LAB 54.86, 14.25, 10.97

 

CMYK 0 / 6 / 8 / 44

HEX #8F8684

RGB 143 134 132

HSL 10.91, 0.05%, 0.54%

LAB 56.64, 3, 2.28

 

CMYK 18 / 3 / 0 / 41

HEX #7C9297

RGB 124 146 151

HSL 191.11, 0.11%, 0.54%

LAB 59.05, -6.67, -5.27

 

CMYK 0 / 62 / 41 / 22

HEX #C84C77

RGB 200 76 119

HSL 339.19, 0.53%, 0.54%

LAB 50.43, 53.09, 1.78

 

CMYK 0 / 62 / 57 / 22

HEX #C84C56

RGB 200 76 86

HSL 355.16, 0.53%, 0.54%

LAB 49.64, 50.09, 20.53

 

CMYK 0 / 51 / 62 / 22

HEX #C8624C

RGB 200 98 76

HSL 10.65, 0.53%, 0.54%

LAB 53.53, 38.79, 31.36

 

CMYK 0 / 35 / 62 / 22

HEX #C8834C

RGB 200 131 76

HSL 26.61, 0.53%, 0.54%

LAB 60.81, 21.19, 40.17

 

CMYK 0 / 18 / 62 / 22

HEX #C8A54C

RGB 200 165 76

HSL 43.06, 0.53%, 0.54%

LAB 69.26, 2.69, 49.88

 

CMYK 0 / 57 / 70 / 42

HEX #94402D

RGB 148 64 45

HSL 11.07, 0.53%, 0.38%

LAB 38.11, 34.04, 28.65

 

CMYK 0 / 56 / 69 / 30

HEX #B34E37

RGB 179 78 55

HSL 11.13, 0.53%, 0.46%

LAB 46.05, 39.54, 33.47

 

CMYK 0 / 51 / 62 / 22

HEX #C8624C

RGB 200 98 76

HSL 10.65, 0.53%, 0.54%

LAB 53.53, 38.79, 31.36

 

CMYK 0 / 40 / 49 / 18

HEX #D27E6B

RGB 210 126 107

HSL 11.07, 0.53%, 0.62%

LAB 61.38, 30.53, 24.25

 

CMYK 0 / 30 / 37 / 14

HEX #DB998B

RGB 219 153 139

HSL 10.5, 0.53%, 0.7%

LAB 69.26, 22.96, 17.29

 

CMYK 0 / 51 / 63 / 22

HEX #C7614A

RGB 199 97 74

HSL 11.04, 0.53%, 0.54%

LAB 53.15, 38.78, 31.99

 

CMYK 24 / 0 / 62 / 22

HEX #98C84C

RGB 152 200 76

HSL 83.23, 0.53%, 0.54%

LAB 75.14, -34.79, 55.34

 

CMYK 62 / 49 / 0 / 22

HEX #4C66C8

RGB 76 102 200

HSL 227.42, 0.53%, 0.54%

LAB 45.92, 21.07, -54.07

 

CMYK 0 / 51 / 63 / 22

HEX #C7614A

RGB 199 97 74

HSL 11.04, 0.53%, 0.54%

LAB 53.15, 38.78, 31.99

 

CMYK 62 / 0 / 51 / 22

HEX #4CC862

RGB 76 200 98

HSL 130.65, 0.53%, 0.54%

LAB 72.05, -55.6, 40.76

 

CMYK 51 / 62 / 0 / 22

HEX #624CC8

RGB 98 76 200

HSL 250.65, 0.53%, 0.54%

LAB 41.11, 41.2, -61.77

 

CMYK 0 / 51 / 63 / 22

HEX #C7614A

RGB 199 97 74

HSL 11.04, 0.53%, 0.54%

LAB 53.15, 38.78, 31.99

 

CMYK 24 / 0 / 62 / 22

HEX #98C84C

RGB 152 200 76

HSL 83.23, 0.53%, 0.54%

LAB 75.14, -34.79, 55.34

 

CMYK 62 / 12 / 0 / 22

HEX #4CB1C8

RGB 76 177 200

HSL 191.13, 0.53%, 0.54%

LAB 67.39, -22.34, -20.45

 

CMYK 39 / 62 / 0 / 22

HEX #7B4CC8

RGB 123 76 200

HSL 262.74, 0.53%, 0.54%

LAB 43.58, 46.31, -57.65

 

CMYK 0 / 51 / 63 / 22

HEX #C7614A

RGB 199 97 74

HSL 11.04, 0.53%, 0.54%

LAB 53.15, 38.78, 31.99

 

CMYK 43 / 0 / 62 / 22

HEX #73C84C

RGB 115 200 76

HSL 101.13, 0.53%, 0.54%

LAB 73.2, -47.78, 52.65

 

CMYK 62 / 12 / 0 / 22

HEX #4CB1C8

RGB 76 177 200

HSL 191.13, 0.53%, 0.54%

LAB 67.39, -22.34, -20.45

 

CMYK 20 / 62 / 0 / 22

HEX #A04CC8

RGB 160 76 200

HSL 280.65, 0.53%, 0.54%

LAB 48.02, 54.77, -50.27

 

Description

Color code: HEX #C7614A | qconv.com Color code: HEX #C7614A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 97 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 97 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 63 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 63% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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