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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C76136 it is the complementary color #389EC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C76136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C76136 shade: #CC6131, #DD7344, #EE8557, #FF976A and #FFA97D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C76136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C76136 shade: #C76136, #B64F23, #A53D10, #942B00 and #831900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C76136 shade: #C86237, #C83B37 and #C83737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C76136 shade: #C86237, #C88937, #C8B037, #B9C837 and #92C837

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C76136 shade matches the following richer shades: #C86237, #DD5A22 and #F1510E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C76136 shade: #C86237, #B46A4B, #9F7360, #8A7B75 and #768489

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C76136 shade: #C8375B, #C83937, #C86037, #C88737 and #C8AE37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C76136 shade: #874225, #A8522E, #C86237, #D17B57 and #DA9578

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C76136 shade: #C76136, #82C837 and #3748C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C76136 shade: #C76136, #37C860 and #6037C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C76136 shade: #C76136, #82C837, #379FC8 and #7D37C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C76136 shade: #C76136, #56C837, #379FC8 and #A937C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 73 / 22

HEX #C76136

RGB 199 97 54

HSL 17.79, 0.57%, 0.5%

LAB 52.9, 37.64, 42.55

 

Complementary color

CMYK 72 / 21 / 0 / 21

HEX #389EC9

RGB 56 158 201

HSL 197.79, 0.57%, 0.5%

LAB 61.23, -15.11, -30.51

 

CMYK 0 / 52 / 76 / 20

HEX #CC6131

RGB 204 97 49

HSL 18.58, 0.61%, 0.5%

LAB 53.61, 39.37, 46.04

 

CMYK 0 / 48 / 69 / 13

HEX #DD7344

RGB 221 115 68

HSL 18.43, 0.69%, 0.57%

LAB 59.93, 37.75, 44.02

 

CMYK 0 / 44 / 63 / 7

HEX #EE8557

RGB 238 133 87

HSL 18.28, 0.82%, 0.64%

LAB 66.24, 36.26, 42.06

 

CMYK 0 / 41 / 58 / 0

HEX #FF976A

RGB 255 151 106

HSL 18.12, 1%, 0.71%

LAB 72.52, 34.88, 40.23

 

CMYK 0 / 34 / 51 / 0

HEX #FFA97D

RGB 255 169 125

HSL 20.31, 1%, 0.75%

LAB 76.75, 27.05, 35.59

 

CMYK 0 / 51 / 73 / 22

HEX #C76136

RGB 199 97 54

HSL 17.79, 0.57%, 0.5%

LAB 52.9, 37.64, 42.55

 

CMYK 0 / 57 / 81 / 29

HEX #B64F23

RGB 182 79 35

HSL 17.96, 0.68%, 0.43%

LAB 46.52, 39.31, 44.62

 

CMYK 0 / 63 / 90 / 35

HEX #A53D10

RGB 165 61 16

HSL 18.12, 0.82%, 0.35%

LAB 40.2, 40.99, 46.19

 

CMYK 0 / 71 / 100 / 42

HEX #942B00

RGB 148 43 0

HSL 17.43, 1%, 0.29%

LAB 34.03, 42.46, 46.38

 

CMYK 0 / 81 / 100 / 49

HEX #831900

RGB 131 25 0

HSL 11.45, 1%, 0.26%

LAB 28.17, 43.34, 40.64

 

CMYK 0 / 51 / 73 / 22

HEX #C86237

RGB 200 98 55

HSL 17.79, 0.57%, 0.5%

LAB 53.27, 37.57, 42.47

 

CMYK 0 / 71 / 73 / 22

HEX #C83B37

RGB 200 59 55

HSL 1.66, 0.57%, 0.5%

LAB 46.56, 55.24, 34.98

 

CMYK 0 / 73 / 73 / 22

HEX #C83737

RGB 200 55 55

HSL 0, 0.57%, 0.5%

LAB 46.03, 56.7, 34.37

 

CMYK 0 / 51 / 73 / 22

HEX #C86237

RGB 200 98 55

HSL 17.79, 0.57%, 0.5%

LAB 53.27, 37.57, 42.47

 

CMYK 0 / 32 / 73 / 22

HEX #C88937

RGB 200 137 55

HSL 33.93, 0.57%, 0.5%

LAB 62.04, 16.66, 51.74

 

CMYK 0 / 12 / 73 / 22

HEX #C8B037

RGB 200 176 55

HSL 50.07, 0.57%, 0.5%

LAB 71.96, -4.35, 61.66

 

CMYK 8 / 0 / 73 / 22

HEX #B9C837

RGB 185 200 55

HSL 66.21, 0.57%, 0.5%

LAB 77.22, -22.94, 66.32

 

CMYK 27 / 0 / 73 / 22

HEX #92C837

RGB 146 200 55

HSL 82.34, 0.57%, 0.5%

LAB 74.63, -38.53, 62.92

 

CMYK 0 / 51 / 73 / 22

HEX #C86237

RGB 200 98 55

HSL 17.79, 0.57%, 0.5%

LAB 53.27, 37.57, 42.47

 

CMYK 0 / 59 / 85 / 13

HEX #DD5A22

RGB 221 90 34

HSL 17.97, 0.73%, 0.5%

LAB 54.87, 48.66, 54.96

 

CMYK 0 / 66 / 94 / 5

HEX #F1510E

RGB 241 81 14

HSL 17.71, 0.89%, 0.5%

LAB 56.7, 59.12, 64.3

 

CMYK 0 / 51 / 73 / 22

HEX #C86237

RGB 200 98 55

HSL 17.79, 0.57%, 0.5%

LAB 53.27, 37.57, 42.47

 

CMYK 0 / 41 / 58 / 29

HEX #B46A4B

RGB 180 106 75

HSL 17.71, 0.41%, 0.5%

LAB 52.42, 26.5, 29.93

 

CMYK 0 / 28 / 40 / 38

HEX #9F7360

RGB 159 115 96

HSL 18.1, 0.25%, 0.5%

LAB 52.37, 14.78, 17.35

 

CMYK 0 / 11 / 15 / 46

HEX #8A7B75

RGB 138 123 117

HSL 17.14, 0.08%, 0.5%

LAB 52.79, 4.68, 5.37

 

CMYK 14 / 4 / 0 / 46

HEX #768489

RGB 118 132 137

HSL 195.79, 0.07%, 0.5%

LAB 54.2, -4, -4.43

 

CMYK 0 / 73 / 55 / 22

HEX #C8375B

RGB 200 55 91

HSL 345.1, 0.57%, 0.5%

LAB 46.67, 58.87, 13.47

 

CMYK 0 / 72 / 73 / 22

HEX #C83937

RGB 200 57 55

HSL 0.83, 0.57%, 0.5%

LAB 46.29, 55.98, 34.67

 

CMYK 0 / 52 / 73 / 22

HEX #C86037

RGB 200 96 55

HSL 16.97, 0.57%, 0.5%

LAB 52.86, 38.59, 42.03

 

CMYK 0 / 33 / 73 / 22

HEX #C88737

RGB 200 135 55

HSL 33.1, 0.57%, 0.5%

LAB 61.55, 17.75, 51.24

 

CMYK 0 / 13 / 73 / 22

HEX #C8AE37

RGB 200 174 55

HSL 49.24, 0.57%, 0.5%

LAB 71.44, -3.3, 61.15

 

CMYK 0 / 51 / 73 / 47

HEX #874225

RGB 135 66 37

HSL 17.76, 0.57%, 0.34%

LAB 36.33, 27.16, 30.67

 

CMYK 0 / 51 / 73 / 34

HEX #A8522E

RGB 168 82 46

HSL 17.7, 0.57%, 0.42%

LAB 45.02, 32.67, 36.79

 

CMYK 0 / 51 / 73 / 22

HEX #C86237

RGB 200 98 55

HSL 17.79, 0.57%, 0.5%

LAB 53.27, 37.57, 42.47

 

CMYK 0 / 41 / 58 / 18

HEX #D17B57

RGB 209 123 87

HSL 17.7, 0.57%, 0.58%

LAB 60.26, 30.02, 33.89

 

CMYK 0 / 32 / 45 / 15

HEX #DA9578

RGB 218 149 120

HSL 17.76, 0.57%, 0.66%

LAB 67.84, 22.61, 25.81

 

CMYK 0 / 51 / 73 / 22

HEX #C76136

RGB 199 97 54

HSL 17.79, 0.57%, 0.5%

LAB 52.9, 37.64, 42.55

 

CMYK 35 / 0 / 73 / 22

HEX #82C837

RGB 130 200 55

HSL 88.97, 0.57%, 0.5%

LAB 73.76, -44.39, 61.76

 

CMYK 73 / 64 / 0 / 22

HEX #3748C8

RGB 55 72 200

HSL 232.97, 0.57%, 0.5%

LAB 37.15, 36.97, -68.37

 

CMYK 0 / 51 / 73 / 22

HEX #C76136

RGB 199 97 54

HSL 17.79, 0.57%, 0.5%

LAB 52.9, 37.64, 42.55

 

CMYK 73 / 0 / 52 / 22

HEX #37C860

RGB 55 200 96

HSL 136.97, 0.57%, 0.5%

LAB 71.53, -59.77, 40.99

 

CMYK 52 / 73 / 0 / 22

HEX #6037C8

RGB 96 55 200

HSL 256.97, 0.57%, 0.5%

LAB 36.72, 52.32, -68.94

 

CMYK 0 / 51 / 73 / 22

HEX #C76136

RGB 199 97 54

HSL 17.79, 0.57%, 0.5%

LAB 52.9, 37.64, 42.55

 

CMYK 35 / 0 / 73 / 22

HEX #82C837

RGB 130 200 55

HSL 88.97, 0.57%, 0.5%

LAB 73.76, -44.39, 61.76

 

CMYK 73 / 21 / 0 / 22

HEX #379FC8

RGB 55 159 200

HSL 196.97, 0.57%, 0.5%

LAB 61.46, -16.12, -29.59

 

CMYK 38 / 73 / 0 / 22

HEX #7D37C8

RGB 125 55 200

HSL 268.97, 0.57%, 0.5%

LAB 40.02, 57.16, -63.42

 

CMYK 0 / 51 / 73 / 22

HEX #C76136

RGB 199 97 54

HSL 17.79, 0.57%, 0.5%

LAB 52.9, 37.64, 42.55

 

CMYK 57 / 0 / 73 / 22

HEX #56C837

RGB 86 200 55

HSL 107.17, 0.57%, 0.5%

LAB 71.94, -57.9, 59.33

 

CMYK 73 / 21 / 0 / 22

HEX #379FC8

RGB 55 159 200

HSL 196.97, 0.57%, 0.5%

LAB 61.46, -16.12, -29.59

 

CMYK 16 / 73 / 0 / 22

HEX #A937C8

RGB 169 55 200

HSL 287.17, 0.57%, 0.5%

LAB 46.09, 65.66, -53.3

 

Description

Color code: HEX #C76136 | qconv.com Color code: HEX #C76136 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 97 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 97 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 73 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 73% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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