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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C75F56 it is the complementary color #38A0A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C75F56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C75F56 shade: #CC5F51, #DD7164, #EE8377, #FF958A and #FFA79D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C75F56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C75F56 shade: #C75F56, #B64D43, #A53B30, #94291D and #83170A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C75F56 shade: #C76057 and #C75757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C75F56 shade: #C76057, #C77E57, #C79C57, #C7BA57 and #B5C757

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C75F56 shade matches the following richer shades: #C76057, #D95045, #EB4132 and #FD3220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C75F56 shade: #C76057, #B56F69, #A37E7B, #908D8D and #7E9D9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C75F56 shade: #C7578B, #C7576D, #C75E57, #C77C57 and #C79A57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C75F56 shade: #983B33, #B7473D, #C76057, #D17D76 and #DC9A95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C75F56 shade: #C75F56, #A9C757 and #577CC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C75F56 shade: #C75F56, #57C75E and #5E57C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C75F56 shade: #C75F56, #A9C757, #57BFC7 and #7557C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C75F56 shade: #C75F56, #87C757, #57BFC7 and #9657C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 57 / 22

HEX #C75F56

RGB 199 95 86

HSL 4.78, 0.5%, 0.56%

LAB 52.95, 40.67, 24.86

 

Complementary color

CMYK 67 / 5 / 0 / 34

HEX #38A0A9

RGB 56 160 169

HSL 184.78, 0.5%, 0.44%

LAB 60.65, -26.37, -13.41

 

CMYK 0 / 53 / 60 / 20

HEX #CC5F51

RGB 204 95 81

HSL 6.83, 0.55%, 0.56%

LAB 53.62, 42.16, 28.75

 

CMYK 0 / 49 / 55 / 13

HEX #DD7164

RGB 221 113 100

HSL 6.45, 0.64%, 0.63%

LAB 59.98, 40.92, 26.63

 

CMYK 0 / 45 / 50 / 7

HEX #EE8377

RGB 238 131 119

HSL 6.05, 0.78%, 0.7%

LAB 66.32, 39.73, 24.77

 

CMYK 0 / 42 / 46 / 0

HEX #FF958A

RGB 255 149 138

HSL 5.64, 1%, 0.77%

LAB 72.62, 38.61, 23.13

 

CMYK 0 / 35 / 38 / 0

HEX #FFA79D

RGB 255 167 157

HSL 6.12, 1%, 0.81%

LAB 76.88, 31.29, 18.61

 

CMYK 0 / 52 / 57 / 22

HEX #C75F56

RGB 199 95 86

HSL 4.78, 0.5%, 0.56%

LAB 52.95, 40.67, 24.86

 

CMYK 0 / 58 / 63 / 29

HEX #B64D43

RGB 182 77 67

HSL 5.22, 0.46%, 0.49%

LAB 46.52, 41.9, 27.21

 

CMYK 0 / 64 / 71 / 35

HEX #A53B30

RGB 165 59 48

HSL 5.64, 0.55%, 0.42%

LAB 40.15, 43.05, 30.01

 

CMYK 0 / 72 / 80 / 42

HEX #94291D

RGB 148 41 29

HSL 6.05, 0.67%, 0.35%

LAB 33.92, 43.93, 33.27

 

CMYK 0 / 82 / 92 / 49

HEX #83170A

RGB 131 23 10

HSL 6.45, 0.86%, 0.28%

LAB 28.01, 44.14, 36.44

 

CMYK 0 / 52 / 56 / 22

HEX #C76057

RGB 199 96 87

HSL 4.82, 0.5%, 0.56%

LAB 53.16, 40.25, 24.56

 

CMYK 0 / 56 / 56 / 22

HEX #C75757

RGB 199 87 87

HSL 0, 0.5%, 0.56%

LAB 51.44, 44.7, 22.29

 

CMYK 0 / 52 / 56 / 22

HEX #C76057

RGB 199 96 87

HSL 4.82, 0.5%, 0.56%

LAB 53.16, 40.25, 24.56

 

CMYK 0 / 37 / 56 / 22

HEX #C77E57

RGB 199 126 87

HSL 20.89, 0.5%, 0.56%

LAB 59.66, 24.34, 32.87

 

CMYK 0 / 22 / 56 / 22

HEX #C79C57

RGB 199 156 87

HSL 36.96, 0.5%, 0.56%

LAB 66.98, 7.94, 41.83

 

CMYK 0 / 7 / 56 / 22

HEX #C7BA57

RGB 199 186 87

HSL 53.04, 0.5%, 0.56%

LAB 74.79, -8.01, 50.97

 

CMYK 9 / 0 / 56 / 22

HEX #B5C757

RGB 181 199 87

HSL 69.64, 0.5%, 0.56%

LAB 76.9, -22.01, 52.98

 

CMYK 0 / 52 / 56 / 22

HEX #C76057

RGB 199 96 87

HSL 4.82, 0.5%, 0.56%

LAB 53.16, 40.25, 24.56

 

CMYK 0 / 63 / 68 / 15

HEX #D95045

RGB 217 80 69

HSL 4.46, 0.66%, 0.56%

LAB 52.86, 53.03, 35.13

 

CMYK 0 / 72 / 79 / 8

HEX #EB4132

RGB 235 65 50

HSL 4.86, 0.82%, 0.56%

LAB 53.68, 63.84, 47.27

 

CMYK 0 / 80 / 87 / 1

HEX #FD3220

RGB 253 50 32

HSL 4.89, 0.98%, 0.56%

LAB 55.35, 73.03, 58.53

 

CMYK 0 / 52 / 56 / 22

HEX #C76057

RGB 199 96 87

HSL 4.82, 0.5%, 0.56%

LAB 53.16, 40.25, 24.56

 

CMYK 0 / 39 / 42 / 29

HEX #B56F69

RGB 181 111 105

HSL 4.74, 0.34%, 0.56%

LAB 54.25, 27.05, 15.12

 

CMYK 0 / 23 / 25 / 36

HEX #A37E7B

RGB 163 126 123

HSL 4.5, 0.18%, 0.56%

LAB 56.23, 13.84, 7.13

 

CMYK 0 / 2 / 2 / 44

HEX #908D8D

RGB 144 141 141

HSL 0, 0.01%, 0.56%

LAB 58.88, 1.11, 0.39

 

CMYK 21 / 1 / 0 / 38

HEX #7E9D9F

RGB 126 157 159

HSL 183.64, 0.15%, 0.56%

LAB 62.55, -10.23, -4.6

 

CMYK 0 / 56 / 30 / 22

HEX #C7578B

RGB 199 87 139

HSL 332.14, 0.5%, 0.56%

LAB 52.75, 50.1, -6.76

 

CMYK 0 / 56 / 45 / 22

HEX #C7576D

RGB 199 87 109

HSL 348.21, 0.5%, 0.56%

LAB 51.91, 46.67, 9.87

 

CMYK 0 / 53 / 56 / 22

HEX #C75E57

RGB 199 94 87

HSL 3.75, 0.5%, 0.56%

LAB 52.77, 41.25, 24.04

 

CMYK 0 / 38 / 56 / 22

HEX #C77C57

RGB 199 124 87

HSL 19.82, 0.5%, 0.56%

LAB 59.2, 25.43, 32.29

 

CMYK 0 / 23 / 56 / 22

HEX #C79A57

RGB 199 154 87

HSL 35.89, 0.5%, 0.56%

LAB 66.48, 9.02, 41.22

 

CMYK 0 / 61 / 66 / 40

HEX #983B33

RGB 152 59 51

HSL 4.75, 0.5%, 0.4%

LAB 37.92, 38.46, 24.99

 

CMYK 0 / 61 / 67 / 28

HEX #B7473D

RGB 183 71 61

HSL 4.92, 0.5%, 0.48%

LAB 45.51, 44.73, 29.52

 

CMYK 0 / 52 / 56 / 22

HEX #C76057

RGB 199 96 87

HSL 4.82, 0.5%, 0.56%

LAB 53.16, 40.25, 24.56

 

CMYK 0 / 40 / 44 / 18

HEX #D17D76

RGB 209 125 118

HSL 4.62, 0.5%, 0.64%

LAB 61.25, 31.79, 17.82

 

CMYK 0 / 30 / 32 / 14

HEX #DC9A95

RGB 220 154 149

HSL 4.23, 0.5%, 0.72%

LAB 69.82, 24.05, 12.55

 

CMYK 0 / 52 / 57 / 22

HEX #C75F56

RGB 199 95 86

HSL 4.78, 0.5%, 0.56%

LAB 52.95, 40.67, 24.86

 

CMYK 15 / 0 / 56 / 22

HEX #A9C757

RGB 169 199 87

HSL 76.07, 0.5%, 0.56%

LAB 76.05, -26.8, 51.8

 

CMYK 56 / 38 / 0 / 22

HEX #577CC7

RGB 87 124 199

HSL 220.18, 0.5%, 0.56%

LAB 52.47, 9.27, -43.02

 

CMYK 0 / 52 / 57 / 22

HEX #C75F56

RGB 199 95 86

HSL 4.78, 0.5%, 0.56%

LAB 52.95, 40.67, 24.86

 

CMYK 56 / 0 / 53 / 22

HEX #57C75E

RGB 87 199 94

HSL 123.75, 0.5%, 0.56%

LAB 72.01, -53.25, 42.74

 

CMYK 53 / 56 / 0 / 22

HEX #5E57C7

RGB 94 87 199

HSL 243.75, 0.5%, 0.56%

LAB 43.24, 33.54, -57.75

 

CMYK 0 / 52 / 57 / 22

HEX #C75F56

RGB 199 95 86

HSL 4.78, 0.5%, 0.56%

LAB 52.95, 40.67, 24.86

 

CMYK 15 / 0 / 56 / 22

HEX #A9C757

RGB 169 199 87

HSL 76.07, 0.5%, 0.56%

LAB 76.05, -26.8, 51.8

 

CMYK 56 / 4 / 0 / 22

HEX #57BFC7

RGB 87 191 199

HSL 184.29, 0.5%, 0.56%

LAB 71.83, -27.63, -13.15

 

CMYK 41 / 56 / 0 / 22

HEX #7557C7

RGB 117 87 199

HSL 256.07, 0.5%, 0.56%

LAB 45.25, 38.51, -54.41

 

CMYK 0 / 52 / 57 / 22

HEX #C75F56

RGB 199 95 86

HSL 4.78, 0.5%, 0.56%

LAB 52.95, 40.67, 24.86

 

CMYK 32 / 0 / 56 / 22

HEX #87C757

RGB 135 199 87

HSL 94.29, 0.5%, 0.56%

LAB 73.99, -39.56, 48.88

 

CMYK 56 / 4 / 0 / 22

HEX #57BFC7

RGB 87 191 199

HSL 184.29, 0.5%, 0.56%

LAB 71.83, -27.63, -13.15

 

CMYK 25 / 56 / 0 / 22

HEX #9657C7

RGB 150 87 199

HSL 273.75, 0.5%, 0.56%

LAB 48.79, 46.53, -48.54

 

Description

Color code: HEX #C75F56 | qconv.com Color code: HEX #C75F56 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 95 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 95 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 57 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 57% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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