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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C75DCF it is the complementary color #38A230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C75DCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C75DCF shade: #CC5DCA, #DD6FDD, #EE81F0, #FF93FF and #FFA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C75DCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C75DCF shade: #C75DCF, #B64BBC, #A539A9, #942796 and #831583

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C75DCF shade: #C75ECF, #CF5EB8, #CF5E9A, #CF5E7B and #CF5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C75DCF shade: #C75ECF, #A95ECF, #8A5ECF, #6C5ECF and #5E5ECF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C75DCF shade matches the following richer shades: #C75ECF, #D64DE0 and #E43CF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C75DCF shade: #C75ECF, #B86FBE, #AA80AD, #9B919C and #8DA28B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C75DCF shade: #895ECF, #A75ECF, #C55ECF, #CF5EBA and #CF5E9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C75DCF shade: #A032A8, #BC3EC5, #C75ECF, #D27ED8 and #DD9EE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C75DCF shade: #C75DCF, #CF6B5E and #5ECF98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C75DCF shade: #C75DCF, #CFC55E and #5ECFC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C75DCF shade: #C75DCF, #CF6B5E, #67CF5E and #5EC2CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C75DCF shade: #C75DCF, #CF8D5E, #67CF5E and #5EA0CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 55 / 0 / 19

HEX #C75DCF

RGB 199 93 207

HSL 295.79, 0.54%, 0.59%

LAB 56.56, 57.92, -40.41

 

Complementary color

CMYK 65 / 0 / 70 / 36

HEX #38A230

RGB 56 162 48

HSL 115.79, 0.54%, 0.41%

LAB 58.88, -52.04, 48.25

 

CMYK 0 / 54 / 1 / 20

HEX #CC5DCA

RGB 204 93 202

HSL 301.08, 0.52%, 0.58%

LAB 57.01, 58.37, -36.82

 

CMYK 0 / 50 / 0 / 13

HEX #DD6FDD

RGB 221 111 221

HSL 300, 0.62%, 0.65%

LAB 63.31, 57.84, -37.51

 

CMYK 1 / 46 / 0 / 6

HEX #EE81F0

RGB 238 129 240

HSL 298.92, 0.79%, 0.72%

LAB 69.59, 57.21, -38.08

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 4 / 55 / 0 / 19

HEX #C75DCF

RGB 199 93 207

HSL 295.79, 0.54%, 0.59%

LAB 56.56, 57.92, -40.41

 

CMYK 3 / 60 / 0 / 26

HEX #B64BBC

RGB 182 75 188

HSL 296.81, 0.46%, 0.52%

LAB 50.23, 58.29, -39.64

 

CMYK 2 / 66 / 0 / 34

HEX #A539A9

RGB 165 57 169

HSL 297.86, 0.5%, 0.44%

LAB 43.93, 58.33, -38.62

 

CMYK 1 / 74 / 0 / 41

HEX #942796

RGB 148 39 150

HSL 298.92, 0.59%, 0.37%

LAB 37.75, 57.79, -37.18

 

CMYK 0 / 84 / 0 / 49

HEX #831583

RGB 131 21 131

HSL 300, 0.72%, 0.3%

LAB 31.81, 56.25, -35.11

 

CMYK 4 / 55 / 0 / 19

HEX #C75ECF

RGB 199 94 207

HSL 295.75, 0.54%, 0.59%

LAB 56.74, 57.45, -40.14

 

CMYK 0 / 55 / 11 / 19

HEX #CF5EB8

RGB 207 94 184

HSL 312.21, 0.54%, 0.59%

LAB 56.81, 55.74, -26.78

 

CMYK 0 / 55 / 26 / 19

HEX #CF5E9A

RGB 207 94 154

HSL 328.14, 0.54%, 0.59%

LAB 55.69, 51.3, -11.08

 

CMYK 0 / 55 / 41 / 19

HEX #CF5E7B

RGB 207 94 123

HSL 344.6, 0.54%, 0.59%

LAB 54.76, 47.51, 5.79

 

CMYK 0 / 55 / 55 / 19

HEX #CF5E5E

RGB 207 94 94

HSL 0, 0.54%, 0.59%

LAB 54.11, 44.75, 21.95

 

CMYK 4 / 55 / 0 / 19

HEX #C75ECF

RGB 199 94 207

HSL 295.75, 0.54%, 0.59%

LAB 56.74, 57.45, -40.14

 

CMYK 18 / 55 / 0 / 19

HEX #A95ECF

RGB 169 94 207

HSL 279.82, 0.54%, 0.59%

LAB 52.89, 49.54, -46.47

 

CMYK 33 / 55 / 0 / 19

HEX #8A5ECF

RGB 138 94 207

HSL 263.36, 0.54%, 0.59%

LAB 49.39, 41.66, -52.25

 

CMYK 48 / 55 / 0 / 19

HEX #6C5ECF

RGB 108 94 207

HSL 247.43, 0.54%, 0.59%

LAB 46.58, 34.69, -56.92

 

CMYK 55 / 55 / 0 / 19

HEX #5E5ECF

RGB 94 94 207

HSL 240, 0.54%, 0.59%

LAB 45.48, 31.79, -58.74

 

CMYK 4 / 55 / 0 / 19

HEX #C75ECF

RGB 199 94 207

HSL 295.75, 0.54%, 0.59%

LAB 56.74, 57.45, -40.14

 

CMYK 4 / 66 / 0 / 12

HEX #D64DE0

RGB 214 77 224

HSL 295.92, 0.7%, 0.59%

LAB 57.06, 71.4, -49.1

 

CMYK 5 / 75 / 0 / 5

HEX #E43CF1

RGB 228 60 241

HSL 295.69, 0.87%, 0.59%

LAB 58.11, 82.81, -56.84

 

CMYK 4 / 55 / 0 / 19

HEX #C75ECF

RGB 199 94 207

HSL 295.75, 0.54%, 0.59%

LAB 56.74, 57.45, -40.14

 

CMYK 3 / 42 / 0 / 25

HEX #B86FBE

RGB 184 111 190

HSL 295.44, 0.38%, 0.59%

LAB 57.34, 41.37, -29.64

 

CMYK 2 / 26 / 0 / 32

HEX #AA80AD

RGB 170 128 173

HSL 296, 0.22%, 0.59%

LAB 58.98, 24.08, -17.54

 

CMYK 1 / 7 / 0 / 39

HEX #9B919C

RGB 155 145 156

HSL 294.55, 0.05%, 0.59%

LAB 61.32, 5.78, -4.47

 

CMYK 13 / 0 / 14 / 36

HEX #8DA28B

RGB 141 162 139

HSL 114.78, 0.11%, 0.59%

LAB 64.46, -11.88, 9.51

 

CMYK 34 / 55 / 0 / 19

HEX #895ECF

RGB 137 94 207

HSL 262.83, 0.54%, 0.59%

LAB 49.29, 41.41, -52.42

 

CMYK 19 / 55 / 0 / 19

HEX #A75ECF

RGB 167 94 207

HSL 278.76, 0.54%, 0.59%

LAB 52.65, 49.02, -46.86

 

CMYK 5 / 55 / 0 / 19

HEX #C55ECF

RGB 197 94 207

HSL 294.69, 0.54%, 0.59%

LAB 56.47, 56.92, -40.58

 

CMYK 0 / 55 / 10 / 19

HEX #CF5EBA

RGB 207 94 186

HSL 311.15, 0.54%, 0.59%

LAB 56.9, 56.06, -27.8

 

CMYK 0 / 55 / 25 / 19

HEX #CF5E9C

RGB 207 94 156

HSL 327.08, 0.54%, 0.59%

LAB 55.76, 51.58, -12.15

 

CMYK 5 / 70 / 0 / 34

HEX #A032A8

RGB 160 50 168

HSL 295.93, 0.54%, 0.43%

LAB 42.13, 59.7, -40.94

 

CMYK 5 / 69 / 0 / 23

HEX #BC3EC5

RGB 188 62 197

HSL 296, 0.54%, 0.51%

LAB 49.7, 66.59, -45.63

 

CMYK 4 / 55 / 0 / 19

HEX #C75ECF

RGB 199 94 207

HSL 295.75, 0.54%, 0.59%

LAB 56.74, 57.45, -40.14

 

CMYK 3 / 42 / 0 / 15

HEX #D27ED8

RGB 210 126 216

HSL 296, 0.54%, 0.67%

LAB 64.63, 46.26, -32.77

 

CMYK 2 / 30 / 0 / 11

HEX #DD9EE2

RGB 221 158 226

HSL 295.59, 0.54%, 0.75%

LAB 73.1, 34.55, -25.15

 

CMYK 4 / 55 / 0 / 19

HEX #C75DCF

RGB 199 93 207

HSL 295.79, 0.54%, 0.59%

LAB 56.56, 57.92, -40.41

 

CMYK 0 / 48 / 55 / 19

HEX #CF6B5E

RGB 207 107 94

HSL 6.9, 0.54%, 0.59%

LAB 56.67, 38.21, 25.33

 

CMYK 55 / 0 / 27 / 19

HEX #5ECF98

RGB 94 207 152

HSL 150.8, 0.54%, 0.59%

LAB 75.62, -44.93, 17.78

 

CMYK 4 / 55 / 0 / 19

HEX #C75DCF

RGB 199 93 207

HSL 295.79, 0.54%, 0.59%

LAB 56.56, 57.92, -40.41

 

CMYK 0 / 5 / 55 / 19

HEX #CFC55E

RGB 207 197 94

HSL 54.69, 0.54%, 0.59%

LAB 78.47, -9.78, 52.1

 

CMYK 55 / 0 / 5 / 19

HEX #5ECFC5

RGB 94 207 197

HSL 174.69, 0.54%, 0.59%

LAB 76.7, -34.47, -4.8

 

CMYK 4 / 55 / 0 / 19

HEX #C75DCF

RGB 199 93 207

HSL 295.79, 0.54%, 0.59%

LAB 56.56, 57.92, -40.41

 

CMYK 0 / 48 / 55 / 19

HEX #CF6B5E

RGB 207 107 94

HSL 6.9, 0.54%, 0.59%

LAB 56.67, 38.21, 25.33

 

CMYK 50 / 0 / 55 / 19

HEX #67CF5E

RGB 103 207 94

HSL 115.22, 0.54%, 0.59%

LAB 75.02, -52.19, 46.49

 

CMYK 55 / 6 / 0 / 19

HEX #5EC2CF

RGB 94 194 207

HSL 186.9, 0.54%, 0.59%

LAB 73.2, -25.52, -15.43

 

CMYK 4 / 55 / 0 / 19

HEX #C75DCF

RGB 199 93 207

HSL 295.79, 0.54%, 0.59%

LAB 56.56, 57.92, -40.41

 

CMYK 0 / 32 / 55 / 19

HEX #CF8D5E

RGB 207 141 94

HSL 24.96, 0.54%, 0.59%

LAB 64.26, 20.04, 35.04

 

CMYK 50 / 0 / 55 / 19

HEX #67CF5E

RGB 103 207 94

HSL 115.22, 0.54%, 0.59%

LAB 75.02, -52.19, 46.49

 

CMYK 55 / 23 / 0 / 19

HEX #5EA0CF

RGB 94 160 207

HSL 204.96, 0.54%, 0.59%

LAB 63.36, -7.63, -30.45

 

Description

Color code: HEX #C75DCF | qconv.com Color code: HEX #C75DCF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 93 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 93 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 55 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 55% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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