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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C75B0E it is the complementary color #38A4F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C75B0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C75B0E shade: #CC5B09, #DD6D1C, #EE7F2F, #FF9142 and #FFA355

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C75B0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C75B0E shade: #C75B0E, #B64900, #A53700, #942500 and #831300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C75B0E shade: #C85B0E, #C8290E and #C80E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C75B0E shade: #C85B0E, #C88E0E, #C8C00E, #9EC80E and #6CC80E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C75B0E shade matches the following richer shades: #C85B0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C75B0E shade: #C85B0E, #B75E1F, #A66131, #946442 and #836753

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C75B0E shade: #C80E27, #C8270E, #C8580E, #C88A0E and #C8BC0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C75B0E shade: #7B3809, #A24A0B, #C85B0E, #EE6D11 and #F18538

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C75B0E shade: #C75B0E, #58C80E and #0E0EC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C75B0E shade: #C75B0E, #0EC858 and #580EC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C75B0E shade: #C75B0E, #58C80E, #0E7EC8 and #7E0EC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C75B0E shade: #C75B0E, #21C80E, #0E7EC8 and #B60EC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 93 / 22

HEX #C75B0E

RGB 199 91 14

HSL 24.97, 0.87%, 0.42%

LAB 51.45, 39.48, 57.49

 

Complementary color

CMYK 77 / 32 / 0 / 5

HEX #38A4F1

RGB 56 164 241

HSL 204.97, 0.87%, 0.58%

LAB 64.76, -4.72, -47.14

 

CMYK 0 / 55 / 96 / 20

HEX #CC5B09

RGB 204 91 9

HSL 25.23, 0.92%, 0.42%

LAB 52.22, 41.37, 59.5

 

CMYK 0 / 51 / 87 / 13

HEX #DD6D1C

RGB 221 109 28

HSL 25.18, 0.78%, 0.49%

LAB 58.41, 39.34, 60.07

 

CMYK 0 / 47 / 80 / 7

HEX #EE7F2F

RGB 238 127 47

HSL 25.13, 0.85%, 0.56%

LAB 64.61, 37.44, 59.32

 

CMYK 0 / 43 / 74 / 0

HEX #FF9142

RGB 255 145 66

HSL 25.08, 1%, 0.63%

LAB 70.8, 35.69, 58

 

CMYK 0 / 36 / 67 / 0

HEX #FFA355

RGB 255 163 85

HSL 27.53, 1%, 0.67%

LAB 74.89, 27.32, 53.58

 

CMYK 0 / 54 / 93 / 22

HEX #C75B0E

RGB 199 91 14

HSL 24.97, 0.87%, 0.42%

LAB 51.45, 39.48, 57.49

 

CMYK 0 / 60 / 100 / 29

HEX #B64900

RGB 182 73 0

HSL 24.07, 1%, 0.36%

LAB 45.23, 41.53, 55.62

 

CMYK 0 / 67 / 100 / 35

HEX #A53700

RGB 165 55 0

HSL 20, 1%, 0.32%

LAB 39.12, 43.46, 50.76

 

CMYK 0 / 75 / 100 / 42

HEX #942500

RGB 148 37 0

HSL 15, 1%, 0.29%

LAB 33.18, 44.81, 45.87

 

CMYK 0 / 85 / 100 / 49

HEX #831300

RGB 131 19 0

HSL 8.7, 1%, 0.26%

LAB 27.55, 45.09, 40.12

 

CMYK 0 / 55 / 93 / 22

HEX #C85B0E

RGB 200 91 14

HSL 24.84, 0.87%, 0.42%

LAB 51.6, 39.87, 57.67

 

CMYK 0 / 80 / 93 / 22

HEX #C8290E

RGB 200 41 14

HSL 8.71, 0.87%, 0.42%

LAB 44.08, 60.05, 52.68

 

CMYK 0 / 93 / 93 / 22

HEX #C80E0E

RGB 200 14 14

HSL 0, 0.87%, 0.42%

LAB 42.19, 65.44, 51.5

 

CMYK 0 / 55 / 93 / 22

HEX #C85B0E

RGB 200 91 14

HSL 24.84, 0.87%, 0.42%

LAB 51.6, 39.87, 57.67

 

CMYK 0 / 29 / 93 / 22

HEX #C88E0E

RGB 200 142 14

HSL 41.29, 0.87%, 0.42%

LAB 63.06, 12.67, 65.87

 

CMYK 0 / 4 / 93 / 22

HEX #C8C00E

RGB 200 192 14

HSL 57.42, 0.87%, 0.42%

LAB 76.08, -13.79, 75.63

 

CMYK 21 / 0 / 93 / 22

HEX #9EC80E

RGB 158 200 14

HSL 73.55, 0.87%, 0.42%

LAB 75.21, -35.32, 73.62

 

CMYK 46 / 0 / 93 / 22

HEX #6CC80E

RGB 108 200 14

HSL 89.68, 0.87%, 0.42%

LAB 72.58, -53.46, 70.41

 

CMYK 0 / 55 / 93 / 22

HEX #C85B0E

RGB 200 91 14

HSL 24.84, 0.87%, 0.42%

LAB 51.6, 39.87, 57.67

 

CMYK 0 / 55 / 93 / 22

HEX #C85B0E

RGB 200 91 14

HSL 24.84, 0.87%, 0.42%

LAB 51.6, 39.87, 57.67

 

CMYK 0 / 49 / 83 / 28

HEX #B75E1F

RGB 183 94 31

HSL 24.87, 0.71%, 0.42%

LAB 49.7, 31.85, 49.39

 

CMYK 0 / 42 / 70 / 35

HEX #A66131

RGB 166 97 49

HSL 24.62, 0.54%, 0.42%

LAB 48.11, 23.8, 38.53

 

CMYK 0 / 32 / 55 / 42

HEX #946442

RGB 148 100 66

HSL 24.88, 0.38%, 0.42%

LAB 46.72, 15.49, 27

 

CMYK 0 / 21 / 37 / 49

HEX #836753

RGB 131 103 83

HSL 25, 0.22%, 0.42%

LAB 45.84, 8.21, 15.56

 

CMYK 0 / 93 / 81 / 22

HEX #C80E27

RGB 200 14 39

HSL 351.94, 0.87%, 0.42%

LAB 42.37, 65.94, 39.59

 

CMYK 0 / 81 / 93 / 22

HEX #C8270E

RGB 200 39 14

HSL 8.06, 0.87%, 0.42%

LAB 43.89, 60.6, 52.56

 

CMYK 0 / 56 / 93 / 22

HEX #C8580E

RGB 200 88 14

HSL 23.87, 0.87%, 0.42%

LAB 51.03, 41.35, 57.27

 

CMYK 0 / 31 / 93 / 22

HEX #C88A0E

RGB 200 138 14

HSL 40, 0.87%, 0.42%

LAB 62.07, 14.85, 65.15

 

CMYK 0 / 6 / 93 / 22

HEX #C8BC0E

RGB 200 188 14

HSL 56.13, 0.87%, 0.42%

LAB 75, -11.76, 74.82

 

CMYK 0 / 54 / 93 / 52

HEX #7B3809

RGB 123 56 9

HSL 24.74, 0.86%, 0.26%

LAB 31.94, 26.47, 39.25

 

CMYK 0 / 54 / 93 / 36

HEX #A24A0B

RGB 162 74 11

HSL 25.03, 0.87%, 0.34%

LAB 42.16, 33.27, 49.03

 

CMYK 0 / 55 / 93 / 22

HEX #C85B0E

RGB 200 91 14

HSL 24.84, 0.87%, 0.42%

LAB 51.6, 39.87, 57.67

 

CMYK 0 / 54 / 93 / 7

HEX #EE6D11

RGB 238 109 17

HSL 24.98, 0.87%, 0.5%

LAB 60.92, 45.72, 66.1

 

CMYK 0 / 45 / 77 / 5

HEX #F18538

RGB 241 133 56

HSL 24.97, 0.87%, 0.58%

LAB 66.34, 35.88, 57.32

 

CMYK 0 / 54 / 93 / 22

HEX #C75B0E

RGB 199 91 14

HSL 24.97, 0.87%, 0.42%

LAB 51.45, 39.48, 57.49

 

CMYK 56 / 0 / 93 / 22

HEX #58C80E

RGB 88 200 14

HSL 96.13, 0.87%, 0.42%

LAB 71.84, -59.28, 69.49

 

CMYK 93 / 93 / 0 / 22

HEX #0E0EC8

RGB 14 14 200

HSL 240, 0.87%, 0.42%

LAB 25.5, 63.04, -87.7

 

CMYK 0 / 54 / 93 / 22

HEX #C75B0E

RGB 199 91 14

HSL 24.97, 0.87%, 0.42%

LAB 51.45, 39.48, 57.49

 

CMYK 93 / 0 / 56 / 22

HEX #0EC858

RGB 14 200 88

HSL 143.87, 0.87%, 0.42%

LAB 70.94, -65.01, 43.99

 

CMYK 56 / 93 / 0 / 22

HEX #580EC8

RGB 88 14 200

HSL 263.87, 0.87%, 0.42%

LAB 30.78, 66.18, -78.76

 

CMYK 0 / 54 / 93 / 22

HEX #C75B0E

RGB 199 91 14

HSL 24.97, 0.87%, 0.42%

LAB 51.45, 39.48, 57.49

 

CMYK 56 / 0 / 93 / 22

HEX #58C80E

RGB 88 200 14

HSL 96.13, 0.87%, 0.42%

LAB 71.84, -59.28, 69.49

 

CMYK 93 / 37 / 0 / 22

HEX #0E7EC8

RGB 14 126 200

HSL 203.87, 0.87%, 0.42%

LAB 50.9, -0.89, -46.21

 

CMYK 37 / 93 / 0 / 22

HEX #7E0EC8

RGB 126 14 200

HSL 276.13, 0.87%, 0.42%

LAB 35.83, 69.9, -70.26

 

CMYK 0 / 54 / 93 / 22

HEX #C75B0E

RGB 199 91 14

HSL 24.97, 0.87%, 0.42%

LAB 51.45, 39.48, 57.49

 

CMYK 84 / 0 / 93 / 22

HEX #21C80E

RGB 33 200 14

HSL 113.87, 0.87%, 0.42%

LAB 70.64, -69.45, 68.01

 

CMYK 93 / 37 / 0 / 22

HEX #0E7EC8

RGB 14 126 200

HSL 203.87, 0.87%, 0.42%

LAB 50.9, -0.89, -46.21

 

CMYK 9 / 93 / 0 / 22

HEX #B60EC8

RGB 182 14 200

HSL 294.19, 0.87%, 0.42%

LAB 44.84, 77.7, -55.2

 

Description

Color code: HEX #C75B0E | qconv.com Color code: HEX #C75B0E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 91 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 91 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 93 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 93% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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