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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7585E it is the complementary color #38A7A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7585E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7585E shade: #CC5859, #DD6A6C, #EE7C7F, #FF8E92 and #FFA0A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7585E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7585E shade: #C7585E, #B6464B, #A53438, #942225 and #831012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7585E shade: #C7575D and #C75757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7585E shade: #C7575D, #C7577B, #C75799, #C757B8 and #B857C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7585E shade matches the following richer shades: #C7575D, #D9454D, #EB323C and #FD202C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7585E shade: #C7575D, #B5696D, #A37B7D, #908D8D and #7E9F9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7585E shade: #C7579A, #C7577C, #C7575E, #C76D57 and #C78B57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7585E shade: #983338, #B73D44, #C7575D, #D1767B and #DC9598

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7585E shade: #C7585E, #B8C757 and #578BC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7585E shade: #C7585E, #5EC757 and #575EC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7585E shade: #C7585E, #B8C757, #57C7BF and #6657C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7585E shade: #C7585E, #96C757, #57C7BF and #8757C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 53 / 22

HEX #C7585E

RGB 199 88 94

HSL 356.76, 0.5%, 0.56%

LAB 51.76, 44.79, 18.58

 

Complementary color

CMYK 66 / 0 / 4 / 35

HEX #38A7A1

RGB 56 167 161

HSL 176.76, 0.5%, 0.44%

LAB 62.55, -32.13, -6.07

 

CMYK 0 / 57 / 56 / 20

HEX #CC5859

RGB 204 88 89

HSL 359.48, 0.53%, 0.57%

LAB 52.44, 46.17, 22.58

 

CMYK 0 / 52 / 51 / 13

HEX #DD6A6C

RGB 221 106 108

HSL 358.96, 0.63%, 0.64%

LAB 58.75, 45.09, 20.42

 

CMYK 0 / 48 / 47 / 7

HEX #EE7C7F

RGB 238 124 127

HSL 358.42, 0.77%, 0.71%

LAB 65.06, 44.01, 18.57

 

CMYK 0 / 44 / 43 / 0

HEX #FF8E92

RGB 255 142 146

HSL 357.88, 1%, 0.78%

LAB 71.34, 42.96, 16.96

 

CMYK 0 / 37 / 35 / 0

HEX #FFA0A5

RGB 255 160 165

HSL 356.84, 1%, 0.81%

LAB 75.52, 35.85, 12.35

 

CMYK 0 / 56 / 53 / 22

HEX #C7585E

RGB 199 88 94

HSL 356.76, 0.5%, 0.56%

LAB 51.76, 44.79, 18.58

 

CMYK 0 / 62 / 59 / 29

HEX #B6464B

RGB 182 70 75

HSL 357.32, 0.44%, 0.49%

LAB 45.41, 45.77, 21

 

CMYK 0 / 68 / 66 / 35

HEX #A53438

RGB 165 52 56

HSL 357.88, 0.52%, 0.43%

LAB 39.14, 46.55, 23.96

 

CMYK 0 / 77 / 75 / 42

HEX #942225

RGB 148 34 37

HSL 358.42, 0.63%, 0.36%

LAB 33.08, 46.85, 27.62

 

CMYK 0 / 88 / 86 / 49

HEX #831012

RGB 131 16 18

HSL 358.96, 0.78%, 0.29%

LAB 27.41, 46.2, 31.94

 

CMYK 0 / 56 / 53 / 22

HEX #C7575D

RGB 199 87 93

HSL 356.79, 0.5%, 0.56%

LAB 51.55, 45.19, 18.9

 

CMYK 0 / 56 / 56 / 22

HEX #C75757

RGB 199 87 87

HSL 0, 0.5%, 0.56%

LAB 51.44, 44.7, 22.29

 

CMYK 0 / 56 / 53 / 22

HEX #C7575D

RGB 199 87 93

HSL 356.79, 0.5%, 0.56%

LAB 51.55, 45.19, 18.9

 

CMYK 0 / 56 / 38 / 22

HEX #C7577B

RGB 199 87 123

HSL 340.71, 0.5%, 0.56%

LAB 52.27, 48.17, 2.04

 

CMYK 0 / 56 / 23 / 22

HEX #C75799

RGB 199 87 153

HSL 324.64, 0.5%, 0.56%

LAB 53.23, 51.98, -14.32

 

CMYK 0 / 56 / 8 / 22

HEX #C757B8

RGB 199 87 184

HSL 308.04, 0.5%, 0.56%

LAB 54.47, 56.72, -30.5

 

CMYK 8 / 56 / 0 / 22

HEX #B857C7

RGB 184 87 199

HSL 291.96, 0.5%, 0.56%

LAB 53.09, 55.32, -41.45

 

CMYK 0 / 56 / 53 / 22

HEX #C7575D

RGB 199 87 93

HSL 356.79, 0.5%, 0.56%

LAB 51.55, 45.19, 18.9

 

CMYK 0 / 68 / 65 / 15

HEX #D9454D

RGB 217 69 77

HSL 356.76, 0.66%, 0.56%

LAB 51.32, 57.97, 28.61

 

CMYK 0 / 79 / 74 / 8

HEX #EB323C

RGB 235 50 60

HSL 356.76, 0.82%, 0.56%

LAB 52.14, 68.78, 40.22

 

CMYK 0 / 87 / 83 / 1

HEX #FD202C

RGB 253 32 44

HSL 356.74, 0.98%, 0.56%

LAB 54.13, 76.97, 51.96

 

CMYK 0 / 56 / 53 / 22

HEX #C7575D

RGB 199 87 93

HSL 356.79, 0.5%, 0.56%

LAB 51.55, 45.19, 18.9

 

CMYK 0 / 42 / 40 / 29

HEX #B5696D

RGB 181 105 109

HSL 356.84, 0.34%, 0.56%

LAB 52.98, 30.8, 11.01

 

CMYK 0 / 25 / 23 / 36

HEX #A37B7D

RGB 163 123 125

HSL 357, 0.18%, 0.56%

LAB 55.52, 15.85, 4.96

 

CMYK 0 / 2 / 2 / 44

HEX #908D8D

RGB 144 141 141

HSL 0, 0.01%, 0.56%

LAB 58.88, 1.11, 0.39

 

CMYK 21 / 0 / 1 / 38

HEX #7E9F9E

RGB 126 159 158

HSL 178.18, 0.15%, 0.56%

LAB 63.09, -11.54, -3.24

 

CMYK 0 / 56 / 23 / 22

HEX #C7579A

RGB 199 87 154

HSL 324.11, 0.5%, 0.56%

LAB 53.27, 52.12, -14.85

 

CMYK 0 / 56 / 38 / 22

HEX #C7577C

RGB 199 87 124

HSL 340.18, 0.5%, 0.56%

LAB 52.3, 48.28, 1.49

 

CMYK 0 / 56 / 53 / 22

HEX #C7575E

RGB 199 87 94

HSL 356.25, 0.5%, 0.56%

LAB 51.57, 45.28, 18.33

 

CMYK 0 / 45 / 56 / 22

HEX #C76D57

RGB 199 109 87

HSL 11.79, 0.5%, 0.56%

LAB 55.85, 33.5, 28.04

 

CMYK 0 / 30 / 56 / 22

HEX #C78B57

RGB 199 139 87

HSL 27.86, 0.5%, 0.56%

LAB 62.76, 17.22, 36.71

 

CMYK 0 / 66 / 63 / 40

HEX #983338

RGB 152 51 56

HSL 357.03, 0.5%, 0.4%

LAB 36.61, 42.51, 20.25

 

CMYK 0 / 67 / 63 / 28

HEX #B73D44

RGB 183 61 68

HSL 356.56, 0.5%, 0.48%

LAB 43.98, 49.59, 23.42

 

CMYK 0 / 56 / 53 / 22

HEX #C7575D

RGB 199 87 93

HSL 356.79, 0.5%, 0.56%

LAB 51.55, 45.19, 18.9

 

CMYK 0 / 44 / 41 / 18

HEX #D1767B

RGB 209 118 123

HSL 356.7, 0.5%, 0.64%

LAB 59.84, 36.04, 13.01

 

CMYK 0 / 32 / 31 / 14

HEX #DC9598

RGB 220 149 152

HSL 357.46, 0.5%, 0.72%

LAB 68.73, 27.13, 9.34

 

CMYK 0 / 56 / 53 / 22

HEX #C7585E

RGB 199 88 94

HSL 356.76, 0.5%, 0.56%

LAB 51.76, 44.79, 18.58

 

CMYK 8 / 0 / 56 / 22

HEX #B8C757

RGB 184 199 87

HSL 68.04, 0.5%, 0.56%

LAB 77.12, -20.79, 53.29

 

CMYK 56 / 30 / 0 / 22

HEX #578BC7

RGB 87 139 199

HSL 212.14, 0.5%, 0.56%

LAB 56.7, 0.34, -36.36

 

CMYK 0 / 56 / 53 / 22

HEX #C7585E

RGB 199 88 94

HSL 356.76, 0.5%, 0.56%

LAB 51.76, 44.79, 18.58

 

CMYK 53 / 0 / 56 / 22

HEX #5EC757

RGB 94 199 87

HSL 116.25, 0.5%, 0.56%

LAB 72.17, -52.34, 46.3

 

CMYK 56 / 53 / 0 / 22

HEX #575EC7

RGB 87 94 199

HSL 236.25, 0.5%, 0.56%

LAB 44.45, 27.83, -55.82

 

CMYK 0 / 56 / 53 / 22

HEX #C7585E

RGB 199 88 94

HSL 356.76, 0.5%, 0.56%

LAB 51.76, 44.79, 18.58

 

CMYK 8 / 0 / 56 / 22

HEX #B8C757

RGB 184 199 87

HSL 68.04, 0.5%, 0.56%

LAB 77.12, -20.79, 53.29

 

CMYK 56 / 0 / 4 / 22

HEX #57C7BF

RGB 87 199 191

HSL 175.71, 0.5%, 0.56%

LAB 73.96, -33.65, -5.63

 

CMYK 49 / 56 / 0 / 22

HEX #6657C7

RGB 102 87 199

HSL 248.04, 0.5%, 0.56%

LAB 43.89, 35.2, -56.67

 

CMYK 0 / 56 / 53 / 22

HEX #C7585E

RGB 199 88 94

HSL 356.76, 0.5%, 0.56%

LAB 51.76, 44.79, 18.58

 

CMYK 25 / 0 / 56 / 22

HEX #96C757

RGB 150 199 87

HSL 86.25, 0.5%, 0.56%

LAB 74.84, -34.11, 50.08

 

CMYK 56 / 0 / 4 / 22

HEX #57C7BF

RGB 87 199 191

HSL 175.71, 0.5%, 0.56%

LAB 73.96, -33.65, -5.63

 

CMYK 32 / 56 / 0 / 22

HEX #8757C7

RGB 135 87 199

HSL 265.71, 0.5%, 0.56%

LAB 47.09, 42.79, -51.35

 

Description

Color code: HEX #C7585E | qconv.com Color code: HEX #C7585E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 88 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 88 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 53 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 53% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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