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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C758194C it is the complementary color #38A7E64C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C758194C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C758194C shade: #CC58144C, #DD6A274C, #EE7C3A4C, #FF8E4D4C and #FFA0604C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C758194C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C758194C shade: #C758194C, #B646064C, #A534004C, #9422004C and #8310004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C758194C shade: #C85819, #C82919 and #C81919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C758194C shade: #C85819, #C88719, #C8B619, #AAC819 and #7BC819

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C758194C shade matches the following richer shades: #C85819 and #DA5307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C758194C shade: #C85819, #B65D2B, #A3623D, #91674F and #7F6C61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C758194C shade: #C81939, #C82719, #C85619, #C88519 and #C8B319

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C758194C shade: #7E3810, #A34814, #C85819, #E46B26 and #E9844A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C758194C shade: #C75819, #67C819 and #1921C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C758194C shade: #C75819, #19C856 and #5619C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C758194C shade: #C75819, #67C819, #198AC8 and #7919C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C758194C shade: #C75819, #33C819, #198AC8 and #AD19C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 26 / 7

HEX #C758194C

RGBA 199 88 25 0.3

HSLA 21.72, 0.78%, 0.44%, 0.3

LABA 50.91, 41.16, 53.71, 0.3

 

Complementary color

CMYK 23 / 8 / 0 / 3

HEX #38A7E64C

RGBA 56 167 230 0.3

HSLA 201.72, 0.78%, 0.56%, 0.3

LABA 65.11, -10.21, -40.54, 0.3

 

CMYK 0 / 17 / 27 / 6

HEX #CC58144C

RGBA 204 88 20 0.3

HSLA 22.17, 0.82%, 0.44%, 0.3

LABA 51.69, 42.98, 56.34, 0.3

 

CMYK 0 / 16 / 25 / 4

HEX #DD6A274C

RGBA 221 106 39 0.3

HSLA 22.09, 0.73%, 0.51%, 0.3

LABA 57.87, 41.12, 55.55, 0.3

 

CMYK 0 / 14 / 23 / 2

HEX #EE7C3A4C

RGBA 238 124 58 0.3

HSLA 22, 0.84%, 0.58%, 0.3

LABA 64.08, 39.36, 54.04, 0.3

 

CMYK 0 / 13 / 21 / 0

HEX #FF8E4D4C

RGBA 255 142 77 0.3

HSLA 21.91, 1%, 0.65%, 0.3

LABA 70.28, 37.72, 52.31, 0.3

 

CMYK 0 / 11 / 19 / 0

HEX #FFA0604C

RGBA 255 160 96 0.3

HSLA 24.15, 1%, 0.69%, 0.3

LABA 74.35, 29.55, 47.58, 0.3

 

CMYK 0 / 17 / 26 / 7

HEX #C758194C

RGBA 199 88 25 0.3

HSLA 21.72, 0.78%, 0.44%, 0.3

LABA 50.91, 41.16, 53.71, 0.3

 

CMYK 0 / 18 / 29 / 9

HEX #B646064C

RGBA 182 70 6 0.3

HSLA 21.82, 0.94%, 0.37%, 0.3

LABA 44.71, 43.02, 53.68, 0.3

 

CMYK 0 / 21 / 30 / 11

HEX #A534004C

RGBA 165 52 0 0.3

HSLA 18.91, 1%, 0.32%, 0.3

LABA 38.65, 44.75, 50.52, 0.3

 

CMYK 0 / 23 / 30 / 13

HEX #9422004C

RGBA 148 34 0 0.3

HSLA 13.78, 1%, 0.29%, 0.3

LABA 32.79, 45.89, 45.63, 0.3

 

CMYK 0 / 26 / 30 / 15

HEX #8310004C

RGBA 131 16 0 0.3

HSLA 7.33, 1%, 0.26%, 0.3

LABA 27.29, 45.83, 39.9, 0.3

 

CMYK 0 / 56 / 88 / 22

HEX #C85819

RGB 200 88 25

HSL 21.6, 0.78%, 0.44%

LAB 51.07, 41.54, 53.9

 

CMYK 0 / 80 / 88 / 22

HEX #C82919

RGB 200 41 25

HSL 5.49, 0.78%, 0.44%

LAB 44.14, 60.23, 48.38

 

CMYK 0 / 88 / 88 / 22

HEX #C81919

RGB 200 25 25

HSL 0, 0.78%, 0.44%

LAB 42.83, 63.95, 47.34

 

CMYK 0 / 56 / 88 / 22

HEX #C85819

RGB 200 88 25

HSL 21.6, 0.78%, 0.44%

LAB 51.07, 41.54, 53.9

 

CMYK 0 / 33 / 88 / 22

HEX #C88719

RGB 200 135 25

HSL 37.71, 0.78%, 0.44%

LAB 61.37, 16.69, 62.14

 

CMYK 0 / 9 / 88 / 22

HEX #C8B619

RGB 200 182 25

HSL 53.83, 0.78%, 0.44%

LAB 73.42, -8.49, 71.77

 

CMYK 15 / 0 / 88 / 22

HEX #AAC819

RGB 170 200 25

HSL 70.29, 0.78%, 0.44%

LAB 76.02, -30.23, 72.9

 

CMYK 39 / 0 / 88 / 22

HEX #7BC819

RGB 123 200 25

HSL 86.4, 0.78%, 0.44%

LAB 73.28, -48.22, 69.5

 

CMYK 0 / 56 / 88 / 22

HEX #C85819

RGB 200 88 25

HSL 21.6, 0.78%, 0.44%

LAB 51.07, 41.54, 53.9

 

CMYK 0 / 62 / 97 / 15

HEX #DA5307

RGB 218 83 7

HSL 21.61, 0.94%, 0.44%

LAB 53.07, 50.3, 61.59

 

CMYK 0 / 56 / 88 / 22

HEX #C85819

RGB 200 88 25

HSL 21.6, 0.78%, 0.44%

LAB 51.07, 41.54, 53.9

 

CMYK 0 / 49 / 76 / 29

HEX #B65D2B

RGB 182 93 43

HSL 21.58, 0.62%, 0.44%

LAB 49.43, 32.41, 43.65

 

CMYK 0 / 40 / 63 / 36

HEX #A3623D

RGB 163 98 61

HSL 21.76, 0.46%, 0.44%

LAB 48.08, 22.73, 31.93

 

CMYK 0 / 29 / 46 / 43

HEX #91674F

RGB 145 103 79

HSL 21.82, 0.29%, 0.44%

LAB 47.35, 13.76, 20.22

 

CMYK 0 / 15 / 24 / 50

HEX #7F6C61

RGB 127 108 97

HSL 22, 0.13%, 0.44%

LAB 47.11, 5.63, 8.93

 

CMYK 0 / 88 / 72 / 22

HEX #C81939

RGB 200 25 57

HSL 349.03, 0.78%, 0.44%

LAB 43.17, 64.92, 29.83

 

CMYK 0 / 81 / 88 / 22

HEX #C82719

RGB 200 39 25

HSL 4.8, 0.78%, 0.44%

LAB 43.95, 60.77, 48.22

 

CMYK 0 / 57 / 88 / 22

HEX #C85619

RGB 200 86 25

HSL 20.91, 0.78%, 0.44%

LAB 50.69, 42.52, 53.6

 

CMYK 0 / 34 / 88 / 22

HEX #C88519

RGB 200 133 25

HSL 37.03, 0.78%, 0.44%

LAB 60.89, 17.79, 61.75

 

CMYK 0 / 11 / 88 / 22

HEX #C8B319

RGB 200 179 25

HSL 52.8, 0.78%, 0.44%

LAB 72.62, -6.93, 71.13

 

CMYK 0 / 56 / 87 / 51

HEX #7E3810

RGB 126 56 16

HSL 21.82, 0.77%, 0.28%

LAB 32.48, 27.94, 37.11

 

CMYK 0 / 56 / 88 / 36

HEX #A34814

RGB 163 72 20

HSL 21.82, 0.78%, 0.36%

LAB 41.96, 34.9, 45.92

 

CMYK 0 / 56 / 88 / 22

HEX #C85819

RGB 200 88 25

HSL 21.6, 0.78%, 0.44%

LAB 51.07, 41.54, 53.9

 

CMYK 0 / 53 / 83 / 11

HEX #E46B26

RGB 228 107 38

HSL 21.79, 0.78%, 0.52%

LAB 59.11, 43.29, 57.45

 

CMYK 0 / 43 / 68 / 9

HEX #E9844A

RGB 233 132 74

HSL 21.89, 0.78%, 0.6%

LAB 65.22, 34.04, 47.36

 

CMYK 0 / 56 / 87 / 22

HEX #C75819

RGB 199 88 25

HSL 21.72, 0.78%, 0.44%

LAB 50.91, 41.16, 53.71

 

CMYK 49 / 0 / 88 / 22

HEX #67C819

RGB 103 200 25

HSL 93.26, 0.78%, 0.44%

LAB 72.4, -54.72, 68.41

 

CMYK 88 / 84 / 0 / 22

HEX #1921C8

RGB 25 33 200

HSL 237.26, 0.78%, 0.44%

LAB 28.02, 56.63, -83.48

 

CMYK 0 / 56 / 87 / 22

HEX #C75819

RGB 199 88 25

HSL 21.72, 0.78%, 0.44%

LAB 50.91, 41.16, 53.71

 

CMYK 88 / 0 / 57 / 22

HEX #19C856

RGB 25 200 86

HSL 140.91, 0.78%, 0.44%

LAB 71, -64.62, 45.01

 

CMYK 57 / 88 / 0 / 22

HEX #5619C8

RGB 86 25 200

HSL 260.91, 0.78%, 0.44%

LAB 31.45, 63.32, -77.66

 

CMYK 0 / 56 / 87 / 22

HEX #C75819

RGB 199 88 25

HSL 21.72, 0.78%, 0.44%

LAB 50.91, 41.16, 53.71

 

CMYK 49 / 0 / 88 / 22

HEX #67C819

RGB 103 200 25

HSL 93.26, 0.78%, 0.44%

LAB 72.4, -54.72, 68.41

 

CMYK 88 / 31 / 0 / 22

HEX #198AC8

RGB 25 138 200

HSL 201.26, 0.78%, 0.44%

LAB 54.61, -7.38, -40.34

 

CMYK 40 / 88 / 0 / 22

HEX #7919C8

RGB 121 25 200

HSL 272.91, 0.78%, 0.44%

LAB 35.85, 67.1, -70.25

 

CMYK 0 / 56 / 87 / 22

HEX #C75819

RGB 199 88 25

HSL 21.72, 0.78%, 0.44%

LAB 50.91, 41.16, 53.71

 

CMYK 75 / 0 / 88 / 22

HEX #33C819

RGB 51 200 25

HSL 111.09, 0.78%, 0.44%

LAB 70.93, -66.79, 66.56

 

CMYK 88 / 31 / 0 / 22

HEX #198AC8

RGB 25 138 200

HSL 201.26, 0.78%, 0.44%

LAB 54.61, -7.38, -40.34

 

CMYK 14 / 88 / 0 / 22

HEX #AD19C8

RGB 173 25 200

HSL 290.74, 0.78%, 0.44%

LAB 43.87, 74.65, -56.84

 

Description

Color code: HEX #C758194C | qconv.com Color code: HEX #C758194C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 88 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 88 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 26 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 26% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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