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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C757CD it is the complementary color #38A832. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C757CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C757CD shade: #CC57C8, #DD69DB, #EE7BEE, #FF8DFF and #FF9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C757CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C757CD shade: #C757CD, #B645BA, #A533A7, #942194 and #830F81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C757CD shade: #C756CD, #CD56B3, #CD5693, #CD5673 and #CD5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C757CD shade: #C756CD, #A756CD, #8756CD, #6756CD and #5656CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C757CD shade matches the following richer shades: #C756CD, #D644DE and #E633F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C757CD shade: #C756CD, #B768BB, #A77AA9, #978B97 and #879D86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C757CD shade: #8656CD, #A556CD, #C556CD, #CD56B5 and #CD5695

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C757CD shade: #9B30A0, #B939C0, #C756CD, #D176D6 and #DC96E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C757CD shade: #C757CD, #CD6656 and #56CD95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C757CD shade: #C757CD, #CDC556 and #56CDC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C757CD shade: #C757CD, #CD6656, #5ECD56 and #56BDCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C757CD shade: #C757CD, #CD8956, #5ECD56 and #5699CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 58 / 0 / 20

HEX #C757CD

RGB 199 87 205

HSL 296.95, 0.54%, 0.57%

LAB 55.45, 60.32, -41.02

 

Complementary color

CMYK 67 / 0 / 70 / 34

HEX #38A832

RGB 56 168 50

HSL 116.95, 0.54%, 0.43%

LAB 60.85, -53.97, 49.52

 

CMYK 0 / 57 / 2 / 20

HEX #CC57C8

RGB 204 87 200

HSL 302.05, 0.53%, 0.57%

LAB 55.91, 60.74, -37.39

 

CMYK 0 / 52 / 1 / 13

HEX #DD69DB

RGB 221 105 219

HSL 301.03, 0.63%, 0.64%

LAB 62.16, 60.32, -38.19

 

CMYK 0 / 48 / 0 / 7

HEX #EE7BEE

RGB 238 123 238

HSL 300, 0.77%, 0.71%

LAB 68.4, 59.76, -38.84

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 3 / 58 / 0 / 20

HEX #C757CD

RGB 199 87 205

HSL 296.95, 0.54%, 0.57%

LAB 55.45, 60.32, -41.02

 

CMYK 2 / 63 / 0 / 27

HEX #B645BA

RGB 182 69 186

HSL 297.95, 0.46%, 0.5%

LAB 49.19, 60.52, -40.12

 

CMYK 1 / 69 / 0 / 35

HEX #A533A7

RGB 165 51 167

HSL 298.97, 0.53%, 0.43%

LAB 43, 60.3, -38.9

 

CMYK 0 / 78 / 0 / 42

HEX #942194

RGB 148 33 148

HSL 300, 0.64%, 0.35%

LAB 36.97, 59.35, -37.2

 

CMYK 0 / 89 / 2 / 49

HEX #830F81

RGB 131 15 129

HSL 301.03, 0.79%, 0.29%

LAB 31.24, 57.23, -34.77

 

CMYK 3 / 58 / 0 / 20

HEX #C756CD

RGB 199 86 205

HSL 296.97, 0.54%, 0.57%

LAB 55.28, 60.76, -41.28

 

CMYK 0 / 58 / 13 / 20

HEX #CD56B3

RGB 205 86 179

HSL 313.11, 0.54%, 0.57%

LAB 54.96, 58.04, -26.78

 

CMYK 0 / 58 / 28 / 20

HEX #CD5693

RGB 205 86 147

HSL 329.24, 0.54%, 0.57%

LAB 53.75, 53.49, -9.91

 

CMYK 0 / 58 / 44 / 20

HEX #CD5673

RGB 205 86 115

HSL 345.38, 0.54%, 0.57%

LAB 52.81, 49.78, 7.7

 

CMYK 0 / 58 / 58 / 20

HEX #CD5656

RGB 205 86 86

HSL 0, 0.54%, 0.57%

LAB 52.18, 47.24, 24.03

 

CMYK 3 / 58 / 0 / 20

HEX #C756CD

RGB 199 86 205

HSL 296.97, 0.54%, 0.57%

LAB 55.28, 60.76, -41.28

 

CMYK 19 / 58 / 0 / 20

HEX #A756CD

RGB 167 86 205

HSL 280.84, 0.54%, 0.57%

LAB 51.01, 52.66, -48.32

 

CMYK 34 / 58 / 0 / 20

HEX #8756CD

RGB 135 86 205

HSL 264.71, 0.54%, 0.57%

LAB 47.25, 44.86, -54.55

 

CMYK 50 / 58 / 0 / 20

HEX #6756CD

RGB 103 86 205

HSL 248.57, 0.54%, 0.57%

LAB 44.16, 37.81, -59.7

 

CMYK 58 / 58 / 0 / 20

HEX #5656CD

RGB 86 86 205

HSL 240, 0.54%, 0.57%

LAB 42.83, 34.55, -61.92

 

CMYK 3 / 58 / 0 / 20

HEX #C756CD

RGB 199 86 205

HSL 296.97, 0.54%, 0.57%

LAB 55.28, 60.76, -41.28

 

CMYK 4 / 69 / 0 / 13

HEX #D644DE

RGB 214 68 222

HSL 296.88, 0.7%, 0.57%

LAB 55.79, 74.35, -49.99

 

CMYK 4 / 79 / 0 / 6

HEX #E633F0

RGB 230 51 240

HSL 296.83, 0.86%, 0.57%

LAB 57.54, 85.41, -57.17

 

CMYK 3 / 58 / 0 / 20

HEX #C756CD

RGB 199 86 205

HSL 296.97, 0.54%, 0.57%

LAB 55.28, 60.76, -41.28

 

CMYK 2 / 44 / 0 / 27

HEX #B768BB

RGB 183 104 187

HSL 297.11, 0.38%, 0.57%

LAB 55.64, 44.21, -30.57

 

CMYK 1 / 28 / 0 / 34

HEX #A77AA9

RGB 167 122 169

HSL 297.45, 0.21%, 0.57%

LAB 57.07, 25.67, -18.17

 

CMYK 0 / 8 / 0 / 41

HEX #978B97

RGB 151 139 151

HSL 300, 0.05%, 0.57%

LAB 59.23, 6.75, -4.75

 

CMYK 14 / 0 / 15 / 38

HEX #879D86

RGB 135 157 134

HSL 117.39, 0.11%, 0.57%

LAB 62.5, -12.31, 9.46

 

CMYK 35 / 58 / 0 / 20

HEX #8656CD

RGB 134 86 205

HSL 264.2, 0.54%, 0.57%

LAB 47.15, 44.63, -54.73

 

CMYK 20 / 58 / 0 / 20

HEX #A556CD

RGB 165 86 205

HSL 279.83, 0.54%, 0.57%

LAB 50.76, 52.16, -48.74

 

CMYK 4 / 58 / 0 / 20

HEX #C556CD

RGB 197 86 205

HSL 295.97, 0.54%, 0.57%

LAB 55, 60.25, -41.74

 

CMYK 0 / 58 / 12 / 20

HEX #CD56B5

RGB 205 86 181

HSL 312.1, 0.54%, 0.57%

LAB 55.04, 58.36, -27.81

 

CMYK 0 / 58 / 27 / 20

HEX #CD5695

RGB 205 86 149

HSL 328.24, 0.54%, 0.57%

LAB 53.82, 53.75, -10.99

 

CMYK 3 / 70 / 0 / 37

HEX #9B30A0

RGB 155 48 160

HSL 297.32, 0.54%, 0.41%

LAB 40.61, 57.89, -38.62

 

CMYK 4 / 70 / 0 / 25

HEX #B939C0

RGB 185 57 192

HSL 296.89, 0.54%, 0.49%

LAB 48.32, 66.88, -44.96

 

CMYK 3 / 58 / 0 / 20

HEX #C756CD

RGB 199 86 205

HSL 296.97, 0.54%, 0.57%

LAB 55.28, 60.76, -41.28

 

CMYK 2 / 45 / 0 / 16

HEX #D176D6

RGB 209 118 214

HSL 296.88, 0.54%, 0.65%

LAB 62.82, 49.71, -34.48

 

CMYK 2 / 33 / 0 / 12

HEX #DC96E0

RGB 220 150 224

HSL 296.76, 0.54%, 0.73%

LAB 71.15, 38.14, -27.04

 

CMYK 3 / 58 / 0 / 20

HEX #C757CD

RGB 199 87 205

HSL 296.95, 0.54%, 0.57%

LAB 55.45, 60.32, -41.02

 

CMYK 0 / 50 / 58 / 20

HEX #CD6656

RGB 205 102 86

HSL 8.07, 0.54%, 0.57%

LAB 55.23, 39.38, 27.98

 

CMYK 58 / 0 / 27 / 20

HEX #56CD95

RGB 86 205 149

HSL 151.76, 0.54%, 0.57%

LAB 74.71, -46.45, 18.06

 

CMYK 3 / 58 / 0 / 20

HEX #C757CD

RGB 199 87 205

HSL 296.95, 0.54%, 0.57%

LAB 55.45, 60.32, -41.02

 

CMYK 0 / 4 / 58 / 20

HEX #CDC556

RGB 205 197 86

HSL 55.97, 0.54%, 0.57%

LAB 78.22, -11.22, 55.43

 

CMYK 58 / 0 / 4 / 20

HEX #56CDC5

RGB 86 205 197

HSL 175.97, 0.54%, 0.57%

LAB 75.87, -35.07, -6.05

 

CMYK 3 / 58 / 0 / 20

HEX #C757CD

RGB 199 87 205

HSL 296.95, 0.54%, 0.57%

LAB 55.45, 60.32, -41.02

 

CMYK 0 / 50 / 58 / 20

HEX #CD6656

RGB 205 102 86

HSL 8.07, 0.54%, 0.57%

LAB 55.23, 39.38, 27.98

 

CMYK 54 / 0 / 58 / 20

HEX #5ECD56

RGB 94 205 86

HSL 115.97, 0.54%, 0.57%

LAB 74.01, -54.76, 48.91

 

CMYK 58 / 8 / 0 / 20

HEX #56BDCD

RGB 86 189 205

HSL 188.07, 0.54%, 0.57%

LAB 71.41, -25.14, -17.07

 

CMYK 3 / 58 / 0 / 20

HEX #C757CD

RGB 199 87 205

HSL 296.95, 0.54%, 0.57%

LAB 55.45, 60.32, -41.02

 

CMYK 0 / 33 / 58 / 20

HEX #CD8956

RGB 205 137 86

HSL 25.71, 0.54%, 0.57%

LAB 62.96, 20.74, 37.65

 

CMYK 54 / 0 / 58 / 20

HEX #5ECD56

RGB 94 205 86

HSL 115.97, 0.54%, 0.57%

LAB 74.01, -54.76, 48.91

 

CMYK 58 / 25 / 0 / 20

HEX #5699CD

RGB 86 153 205

HSL 206.22, 0.54%, 0.57%

LAB 60.93, -5.99, -33.14

 

Description

Color code: HEX #C757CD | qconv.com Color code: HEX #C757CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 87 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 87 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 58 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 58% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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