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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C75707 it is the complementary color #38A8F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C75707. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C75707 shade: #CC5702, #DD6915, #EE7B28, #FF8D3B and #FF9F4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C75707. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C75707 shade: #C75707, #B64500, #A53300, #942100 and #830F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C75707 shade: #C55607, #C52307 and #C50707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C75707 shade: #C55607, #C58907, #C5BD07, #9AC507 and #67C507

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C75707 shade matches the following richer shades: #C55607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C75707 shade: #C55607, #B45918, #A45C28, #935E39 and #836149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C75707 shade: #C5071D, #C52407, #C55607, #C58907 and #C5BB07

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C75707 shade: #753304, #9D4506, #C55607, #ED6809 and #F77E27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C75707 shade: #C75707, #50C507 and #0A07C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C75707 shade: #C75707, #07C556 and #5607C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C75707 shade: #C75707, #50C507, #0776C5 and #7C07C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C75707 shade: #C75707, #17C507, #0776C5 and #B507C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 96 / 22

HEX #C75707

RGB 199 87 7

HSL 25, 0.93%, 0.4%

LAB 50.66, 41.37, 58.54

 

Complementary color

CMYK 77 / 32 / 0 / 3

HEX #38A8F8

RGB 56 168 248

HSL 205, 0.93%, 0.6%

LAB 66.23, -4.53, -48.64

 

CMYK 0 / 57 / 99 / 20

HEX #CC5702

RGB 204 87 2

HSL 25.25, 0.98%, 0.4%

LAB 51.45, 43.23, 60.53

 

CMYK 0 / 52 / 90 / 13

HEX #DD6915

RGB 221 105 21

HSL 25.2, 0.83%, 0.47%

LAB 57.59, 41.21, 61.56

 

CMYK 0 / 48 / 83 / 7

HEX #EE7B28

RGB 238 123 40

HSL 25.15, 0.85%, 0.55%

LAB 63.75, 39.27, 61.28

 

CMYK 0 / 45 / 77 / 0

HEX #FF8D3B

RGB 255 141 59

HSL 25.1, 1%, 0.62%

LAB 69.91, 37.45, 60.17

 

CMYK 0 / 38 / 69 / 0

HEX #FF9F4E

RGB 255 159 78

HSL 27.46, 1%, 0.65%

LAB 73.94, 29.03, 55.82

 

CMYK 0 / 56 / 96 / 22

HEX #C75707

RGB 199 87 7

HSL 25, 0.93%, 0.4%

LAB 50.66, 41.37, 58.54

 

CMYK 0 / 62 / 100 / 29

HEX #B64500

RGB 182 69 0

HSL 22.75, 1%, 0.36%

LAB 44.52, 43.41, 55.23

 

CMYK 0 / 69 / 100 / 35

HEX #A53300

RGB 165 51 0

HSL 18.55, 1%, 0.32%

LAB 38.49, 45.17, 50.45

 

CMYK 0 / 78 / 100 / 42

HEX #942100

RGB 148 33 0

HSL 13.38, 1%, 0.29%

LAB 32.66, 46.24, 45.55

 

CMYK 0 / 89 / 100 / 49

HEX #830F00

RGB 131 15 0

HSL 6.87, 1%, 0.26%

LAB 27.21, 46.06, 39.83

 

CMYK 0 / 56 / 96 / 23

HEX #C55607

RGB 197 86 7

HSL 24.95, 0.93%, 0.4%

LAB 50.15, 41.09, 58.06

 

CMYK 0 / 82 / 96 / 23

HEX #C52307

RGB 197 35 7

HSL 8.84, 0.93%, 0.4%

LAB 42.9, 60.7, 53.81

 

CMYK 0 / 96 / 96 / 23

HEX #C50707

RGB 197 7 7

HSL 0, 0.93%, 0.4%

LAB 41.28, 65.33, 52.98

 

CMYK 0 / 56 / 96 / 23

HEX #C55607

RGB 197 86 7

HSL 24.95, 0.93%, 0.4%

LAB 50.15, 41.09, 58.06

 

CMYK 0 / 30 / 96 / 23

HEX #C58907

RGB 197 137 7

HSL 41.05, 0.93%, 0.4%

LAB 61.46, 13.99, 65.65

 

CMYK 0 / 4 / 96 / 23

HEX #C5BD07

RGB 197 189 7

HSL 57.47, 0.93%, 0.4%

LAB 75, -13.65, 75.48

 

CMYK 22 / 0 / 96 / 23

HEX #9AC507

RGB 154 197 7

HSL 73.58, 0.93%, 0.4%

LAB 74.07, -35.65, 73.38

 

CMYK 48 / 0 / 96 / 23

HEX #67C507

RGB 103 197 7

HSL 89.68, 0.93%, 0.4%

LAB 71.44, -54, 70.19

 

CMYK 0 / 56 / 96 / 23

HEX #C55607

RGB 197 86 7

HSL 24.95, 0.93%, 0.4%

LAB 50.15, 41.09, 58.06

 

CMYK 0 / 56 / 96 / 23

HEX #C55607

RGB 197 86 7

HSL 24.95, 0.93%, 0.4%

LAB 50.15, 41.09, 58.06

 

CMYK 0 / 51 / 87 / 29

HEX #B45918

RGB 180 89 24

HSL 25, 0.76%, 0.4%

LAB 48.15, 33.06, 50.61

 

CMYK 0 / 44 / 76 / 36

HEX #A45C28

RGB 164 92 40

HSL 25.16, 0.61%, 0.4%

LAB 46.58, 25.26, 41.36

 

CMYK 0 / 36 / 61 / 42

HEX #935E39

RGB 147 94 57

HSL 24.67, 0.44%, 0.4%

LAB 44.95, 17.76, 29.89

 

CMYK 0 / 26 / 44 / 49

HEX #836149

RGB 131 97 73

HSL 24.83, 0.28%, 0.4%

LAB 44.03, 10.49, 19.05

 

CMYK 0 / 96 / 85 / 23

HEX #C5071D

RGB 197 7 29

HSL 353.05, 0.93%, 0.4%

LAB 41.39, 65.65, 43.9

 

CMYK 0 / 82 / 96 / 23

HEX #C52407

RGB 197 36 7

HSL 9.16, 0.93%, 0.4%

LAB 42.98, 60.44, 53.86

 

CMYK 0 / 56 / 96 / 23

HEX #C55607

RGB 197 86 7

HSL 24.95, 0.93%, 0.4%

LAB 50.15, 41.09, 58.06

 

CMYK 0 / 30 / 96 / 23

HEX #C58907

RGB 197 137 7

HSL 41.05, 0.93%, 0.4%

LAB 61.46, 13.99, 65.65

 

CMYK 0 / 5 / 96 / 23

HEX #C5BB07

RGB 197 187 7

HSL 56.84, 0.93%, 0.4%

LAB 74.46, -12.64, 75.08

 

CMYK 0 / 56 / 97 / 54

HEX #753304

RGB 117 51 4

HSL 24.96, 0.93%, 0.24%

LAB 29.81, 26.51, 39.19

 

CMYK 0 / 56 / 96 / 38

HEX #9D4506

RGB 157 69 6

HSL 25.03, 0.93%, 0.32%

LAB 40.31, 33.75, 48.79

 

CMYK 0 / 56 / 96 / 23

HEX #C55607

RGB 197 86 7

HSL 24.95, 0.93%, 0.4%

LAB 50.15, 41.09, 58.06

 

CMYK 0 / 56 / 96 / 7

HEX #ED6809

RGB 237 104 9

HSL 25, 0.93%, 0.48%

LAB 59.82, 47.65, 66.87

 

CMYK 0 / 49 / 84 / 3

HEX #F77E27

RGB 247 126 39

HSL 25.1, 0.93%, 0.56%

LAB 65.63, 41.25, 63.75

 

CMYK 0 / 56 / 96 / 22

HEX #C75707

RGB 199 87 7

HSL 25, 0.93%, 0.4%

LAB 50.66, 41.37, 58.54

 

CMYK 59 / 0 / 96 / 23

HEX #50C507

RGB 80 197 7

HSL 96.95, 0.93%, 0.4%

LAB 70.63, -60.43, 69.2

 

CMYK 95 / 96 / 0 / 23

HEX #0A07C5

RGB 10 7 197

HSL 240.95, 0.93%, 0.4%

LAB 24.47, 63.76, -87.64

 

CMYK 0 / 56 / 96 / 22

HEX #C75707

RGB 199 87 7

HSL 25, 0.93%, 0.4%

LAB 50.66, 41.37, 58.54

 

CMYK 96 / 0 / 56 / 23

HEX #07C556

RGB 7 197 86

HSL 144.95, 0.93%, 0.4%

LAB 69.93, -64.64, 43.72

 

CMYK 56 / 96 / 0 / 23

HEX #5607C5

RGB 86 7 197

HSL 264.95, 0.93%, 0.4%

LAB 29.82, 66.52, -78.6

 

CMYK 0 / 56 / 96 / 22

HEX #C75707

RGB 199 87 7

HSL 25, 0.93%, 0.4%

LAB 50.66, 41.37, 58.54

 

CMYK 59 / 0 / 96 / 23

HEX #50C507

RGB 80 197 7

HSL 96.95, 0.93%, 0.4%

LAB 70.63, -60.43, 69.2

 

CMYK 96 / 40 / 0 / 23

HEX #0776C5

RGB 7 118 197

HSL 204.95, 0.93%, 0.4%

LAB 48.3, 2.57, -48.64

 

CMYK 37 / 96 / 0 / 23

HEX #7C07C5

RGB 124 7 197

HSL 276.95, 0.93%, 0.4%

LAB 34.94, 70.02, -69.98

 

CMYK 0 / 56 / 96 / 22

HEX #C75707

RGB 199 87 7

HSL 25, 0.93%, 0.4%

LAB 50.66, 41.37, 58.54

 

CMYK 88 / 0 / 96 / 23

HEX #17C507

RGB 23 197 7

HSL 114.95, 0.93%, 0.4%

LAB 69.56, -69.64, 67.88

 

CMYK 96 / 40 / 0 / 23

HEX #0776C5

RGB 7 118 197

HSL 204.95, 0.93%, 0.4%

LAB 48.3, 2.57, -48.64

 

CMYK 8 / 96 / 0 / 23

HEX #B507C5

RGB 181 7 197

HSL 294.95, 0.93%, 0.4%

LAB 44.24, 77.75, -54.43

 

Description

Color code: HEX #C75707 | qconv.com Color code: HEX #C75707 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 87 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 87 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 96 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 96% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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