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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C756D3 it is the complementary color #38A92C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C756D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C756D3 shade: #CC56CE, #DD68E1, #EE7AF4, #FF8CFF and #FF9EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C756D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C756D3 shade: #C756D3, #B644C0, #A532AD, #94209A and #830E87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C756D3 shade: #C755D3, #D355BD, #D3559B, #D35579 and #D35557

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C756D3 shade: #C755D3, #A555D3, #8355D3, #6155D3 and #5555D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C756D3 shade matches the following richer shades: #C755D3, #D543E4 and #E332F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C756D3 shade: #C755D3, #B966C2, #AB77B0, #9D899F and #8F9A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C756D3 shade: #8355D3, #A555D3, #C655D3, #D355BE and #D3559C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C756D3 shade: #9D2CAA, #BC34CA, #C755D3, #D276DC and #DD96E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C756D3 shade: #C756D3, #D36155 and #55D394

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C756D3 shade: #C756D3, #D3C655 and #55D3C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C756D3 shade: #C756D3, #D36155, #61D355 and #55C6D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C756D3 shade: #C756D3, #D38755, #61D355 and #55A1D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 59 / 0 / 17

HEX #C756D3

RGB 199 86 211

HSL 294.24, 0.59%, 0.58%

LAB 55.58, 61.84, -44.22

 

Complementary color

CMYK 67 / 0 / 74 / 34

HEX #38A92C

RGB 56 169 44

HSL 114.24, 0.59%, 0.42%

LAB 61.13, -54.82, 52.11

 

CMYK 1 / 58 / 0 / 19

HEX #CC56CE

RGB 204 86 206

HSL 299, 0.55%, 0.57%

LAB 56.04, 62.21, -40.62

 

CMYK 2 / 54 / 0 / 12

HEX #DD68E1

RGB 221 104 225

HSL 298.02, 0.67%, 0.65%

LAB 62.26, 61.83, -41.39

 

CMYK 2 / 50 / 0 / 4

HEX #EE7AF4

RGB 238 122 244

HSL 297.05, 0.85%, 0.72%

LAB 68.48, 61.29, -42.01

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 6 / 59 / 0 / 17

HEX #C756D3

RGB 199 86 211

HSL 294.24, 0.59%, 0.58%

LAB 55.58, 61.84, -44.22

 

CMYK 5 / 65 / 0 / 25

HEX #B644C0

RGB 182 68 192

HSL 295.16, 0.5%, 0.51%

LAB 49.36, 61.99, -43.34

 

CMYK 5 / 71 / 0 / 32

HEX #A532AD

RGB 165 50 173

HSL 296.1, 0.55%, 0.44%

LAB 43.21, 61.7, -42.14

 

CMYK 4 / 79 / 0 / 40

HEX #94209A

RGB 148 32 154

HSL 297.05, 0.66%, 0.36%

LAB 37.23, 60.65, -40.44

 

CMYK 3 / 90 / 0 / 47

HEX #830E87

RGB 131 14 135

HSL 298.02, 0.81%, 0.29%

LAB 31.55, 58.4, -38.01

 

CMYK 6 / 60 / 0 / 17

HEX #C755D3

RGB 199 85 211

HSL 294.29, 0.59%, 0.58%

LAB 55.42, 62.28, -44.48

 

CMYK 0 / 60 / 10 / 17

HEX #D355BD

RGB 211 85 189

HSL 310.48, 0.59%, 0.58%

LAB 56.11, 61.68, -30.7

 

CMYK 0 / 60 / 27 / 17

HEX #D3559B

RGB 211 85 155

HSL 326.67, 0.59%, 0.58%

LAB 54.77, 56.8, -12.99

 

CMYK 0 / 60 / 43 / 17

HEX #D35579

RGB 211 85 121

HSL 342.86, 0.59%, 0.58%

LAB 53.74, 52.83, 5.58

 

CMYK 0 / 60 / 59 / 17

HEX #D35557

RGB 211 85 87

HSL 359.05, 0.59%, 0.58%

LAB 52.99, 49.87, 24.68

 

CMYK 6 / 60 / 0 / 17

HEX #C755D3

RGB 199 85 211

HSL 294.29, 0.59%, 0.58%

LAB 55.42, 62.28, -44.48

 

CMYK 22 / 60 / 0 / 17

HEX #A555D3

RGB 165 85 211

HSL 278.1, 0.59%, 0.58%

LAB 50.92, 53.95, -51.92

 

CMYK 38 / 60 / 0 / 17

HEX #8355D3

RGB 131 85 211

HSL 261.9, 0.59%, 0.58%

LAB 47.01, 46.04, -58.41

 

CMYK 54 / 60 / 0 / 17

HEX #6155D3

RGB 97 85 211

HSL 245.71, 0.59%, 0.58%

LAB 43.86, 39.06, -63.65

 

CMYK 60 / 60 / 0 / 17

HEX #5555D3

RGB 85 85 211

HSL 240, 0.59%, 0.58%

LAB 42.96, 36.94, -65.15

 

CMYK 6 / 60 / 0 / 17

HEX #C755D3

RGB 199 85 211

HSL 294.29, 0.59%, 0.58%

LAB 55.42, 62.28, -44.48

 

CMYK 7 / 71 / 0 / 11

HEX #D543E4

RGB 213 67 228

HSL 294.41, 0.75%, 0.58%

LAB 55.85, 75.48, -53.3

 

CMYK 8 / 80 / 0 / 4

HEX #E332F6

RGB 227 50 246

HSL 294.18, 0.92%, 0.58%

LAB 57.33, 86.06, -60.88

 

CMYK 6 / 60 / 0 / 17

HEX #C755D3

RGB 199 85 211

HSL 294.29, 0.59%, 0.58%

LAB 55.42, 62.28, -44.48

 

CMYK 5 / 47 / 0 / 24

HEX #B966C2

RGB 185 102 194

HSL 294.13, 0.43%, 0.58%

LAB 55.8, 47.18, -34.32

 

CMYK 3 / 32 / 0 / 31

HEX #AB77B0

RGB 171 119 176

HSL 294.74, 0.27%, 0.58%

LAB 57.06, 30.09, -22.18

 

CMYK 1 / 14 / 0 / 38

HEX #9D899F

RGB 157 137 159

HSL 294.55, 0.1%, 0.58%

LAB 59.49, 11.63, -8.89

 

CMYK 7 / 0 / 8 / 40

HEX #8F9A8E

RGB 143 154 142

HSL 115, 0.06%, 0.58%

LAB 62.43, -6.28, 4.94

 

CMYK 38 / 60 / 0 / 17

HEX #8355D3

RGB 131 85 211

HSL 261.9, 0.59%, 0.58%

LAB 47.01, 46.04, -58.41

 

CMYK 22 / 60 / 0 / 17

HEX #A555D3

RGB 165 85 211

HSL 278.1, 0.59%, 0.58%

LAB 50.92, 53.95, -51.92

 

CMYK 6 / 60 / 0 / 17

HEX #C655D3

RGB 198 85 211

HSL 293.81, 0.59%, 0.58%

LAB 55.28, 62.04, -44.71

 

CMYK 0 / 60 / 10 / 17

HEX #D355BE

RGB 211 85 190

HSL 310, 0.59%, 0.58%

LAB 56.15, 61.84, -31.21

 

CMYK 0 / 60 / 26 / 17

HEX #D3559C

RGB 211 85 156

HSL 326.19, 0.59%, 0.58%

LAB 54.81, 56.93, -13.52

 

CMYK 8 / 74 / 0 / 33

HEX #9D2CAA

RGB 157 44 170

HSL 293.81, 0.59%, 0.42%

LAB 41.01, 61.54, -43.93

 

CMYK 7 / 74 / 0 / 21

HEX #BC34CA

RGB 188 52 202

HSL 294.4, 0.59%, 0.5%

LAB 48.77, 70.89, -50

 

CMYK 6 / 60 / 0 / 17

HEX #C755D3

RGB 199 85 211

HSL 294.29, 0.59%, 0.58%

LAB 55.42, 62.28, -44.48

 

CMYK 5 / 46 / 0 / 14

HEX #D276DC

RGB 210 118 220

HSL 294.12, 0.59%, 0.66%

LAB 63.2, 51.12, -37.23

 

CMYK 3 / 34 / 0 / 11

HEX #DD96E4

RGB 221 150 228

HSL 294.62, 0.59%, 0.74%

LAB 71.41, 39.2, -28.84

 

CMYK 6 / 59 / 0 / 17

HEX #C756D3

RGB 199 86 211

HSL 294.24, 0.59%, 0.58%

LAB 55.58, 61.84, -44.22

 

CMYK 0 / 54 / 60 / 17

HEX #D36155

RGB 211 97 85

HSL 5.71, 0.59%, 0.58%

LAB 55.13, 44.05, 28.6

 

CMYK 60 / 0 / 30 / 17

HEX #55D394

RGB 85 211 148

HSL 150, 0.59%, 0.58%

LAB 76.47, -49.36, 21.02

 

CMYK 6 / 59 / 0 / 17

HEX #C756D3

RGB 199 86 211

HSL 294.24, 0.59%, 0.58%

LAB 55.58, 61.84, -44.22

 

CMYK 0 / 6 / 60 / 17

HEX #D3C655

RGB 211 198 85

HSL 53.81, 0.59%, 0.58%

LAB 78.98, -9.3, 56.87

 

CMYK 60 / 0 / 6 / 17

HEX #55D3C6

RGB 85 211 198

HSL 173.81, 0.59%, 0.58%

LAB 77.64, -37.76, -3.99

 

CMYK 6 / 59 / 0 / 17

HEX #C756D3

RGB 199 86 211

HSL 294.24, 0.59%, 0.58%

LAB 55.58, 61.84, -44.22

 

CMYK 0 / 54 / 60 / 17

HEX #D36155

RGB 211 97 85

HSL 5.71, 0.59%, 0.58%

LAB 55.13, 44.05, 28.6

 

CMYK 54 / 0 / 60 / 17

HEX #61D355

RGB 97 211 85

HSL 114.29, 0.59%, 0.58%

LAB 75.94, -56.37, 51.61

 

CMYK 60 / 6 / 0 / 17

HEX #55C6D3

RGB 85 198 211

HSL 186.19, 0.59%, 0.58%

LAB 74.2, -28.06, -16.12

 

CMYK 6 / 59 / 0 / 17

HEX #C756D3

RGB 199 86 211

HSL 294.24, 0.59%, 0.58%

LAB 55.58, 61.84, -44.22

 

CMYK 0 / 36 / 60 / 17

HEX #D38755

RGB 211 135 85

HSL 23.81, 0.59%, 0.58%

LAB 63.2, 24.23, 38.64

 

CMYK 54 / 0 / 60 / 17

HEX #61D355

RGB 97 211 85

HSL 114.29, 0.59%, 0.58%

LAB 75.94, -56.37, 51.61

 

CMYK 60 / 24 / 0 / 17

HEX #55A1D3

RGB 85 161 211

HSL 203.81, 0.59%, 0.58%

LAB 63.45, -8.76, -32.58

 

Description

Color code: HEX #C756D3 | qconv.com Color code: HEX #C756D3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 86 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 86 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 59 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 59% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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