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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C75690 it is the complementary color #38A96F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C75690. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C75690 shade: #CC568B, #DD689E, #EE7AB1, #FF8CC4 and #FF9ED7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C75690. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C75690 shade: #C75690, #B6447D, #A5326A, #942057 and #830E44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C75690 shade: #C75790, #C75772 and #C75757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C75690 shade: #C75790, #C757AF, #C157C7, #A357C7 and #8457C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C75690 shade matches the following richer shades: #C75790, #D94591, #EB3291 and #FD2092

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C75690 shade: #C75790, #B56990, #A37B8F, #908D8F and #7E9F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C75690 shade: #C157C7, #C757AF, #C75791, #C75773 and #C75957

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C75690 shade: #983367, #B73D7C, #C75790, #D176A5 and #DC95B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C75690 shade: #C75690, #C7A357 and #57BEC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C75690 shade: #C75690, #91C757 and #5791C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C75690 shade: #C75690, #C7A357, #57C78D and #577AC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C75690 shade: #C75690, #C7C557, #57C78D and #5759C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 28 / 22

HEX #C75690

RGB 199 86 144

HSL 329.2, 0.5%, 0.56%

LAB 52.74, 51.22, -9.74

 

Complementary color

CMYK 67 / 0 / 34 / 34

HEX #38A96F

RGB 56 169 111

HSL 149.2, 0.5%, 0.44%

LAB 61.97, -45.32, 20.9

 

CMYK 0 / 58 / 32 / 20

HEX #CC568B

RGB 204 86 139

HSL 333.05, 0.54%, 0.57%

LAB 53.34, 52.16, -5.81

 

CMYK 0 / 53 / 29 / 13

HEX #DD689E

RGB 221 104 158

HSL 332.31, 0.63%, 0.64%

LAB 59.65, 51.51, -7.27

 

CMYK 0 / 49 / 26 / 7

HEX #EE7AB1

RGB 238 122 177

HSL 331.55, 0.77%, 0.71%

LAB 65.96, 50.77, -8.5

 

CMYK 0 / 45 / 23 / 0

HEX #FF8CC4

RGB 255 140 196

HSL 330.78, 1%, 0.77%

LAB 72.23, 50, -9.56

 

CMYK 0 / 38 / 16 / 0

HEX #FF9ED7

RGB 255 158 215

HSL 324.74, 1%, 0.81%

LAB 76.45, 43.68, -13.71

 

CMYK 0 / 57 / 28 / 22

HEX #C75690

RGB 199 86 144

HSL 329.2, 0.5%, 0.56%

LAB 52.74, 51.22, -9.74

 

CMYK 0 / 63 / 31 / 29

HEX #B6447D

RGB 182 68 125

HSL 330, 0.46%, 0.49%

LAB 46.39, 51.69, -8.14

 

CMYK 0 / 70 / 36 / 35

HEX #A5326A

RGB 165 50 106

HSL 330.78, 0.53%, 0.42%

LAB 40.12, 51.8, -6.09

 

CMYK 0 / 78 / 41 / 42

HEX #942057

RGB 148 32 87

HSL 331.55, 0.64%, 0.35%

LAB 34.02, 51.26, -3.4

 

CMYK 0 / 89 / 48 / 49

HEX #830E44

RGB 131 14 68

HSL 332.31, 0.81%, 0.28%

LAB 28.27, 49.57, 0.28

 

CMYK 0 / 56 / 28 / 22

HEX #C75790

RGB 199 87 144

HSL 329.46, 0.5%, 0.56%

LAB 52.92, 50.75, -9.48

 

CMYK 0 / 56 / 43 / 22

HEX #C75772

RGB 199 87 114

HSL 345.54, 0.5%, 0.56%

LAB 52.03, 47.18, 7.06

 

CMYK 0 / 56 / 56 / 22

HEX #C75757

RGB 199 87 87

HSL 0, 0.5%, 0.56%

LAB 51.44, 44.7, 22.29

 

CMYK 0 / 56 / 28 / 22

HEX #C75790

RGB 199 87 144

HSL 329.46, 0.5%, 0.56%

LAB 52.92, 50.75, -9.48

 

CMYK 0 / 56 / 12 / 22

HEX #C757AF

RGB 199 87 175

HSL 312.86, 0.5%, 0.56%

LAB 54.08, 55.27, -25.88

 

CMYK 3 / 56 / 0 / 22

HEX #C157C7

RGB 193 87 199

HSL 296.79, 0.5%, 0.56%

LAB 54.32, 57.68, -39.43

 

CMYK 18 / 56 / 0 / 22

HEX #A357C7

RGB 163 87 199

HSL 280.71, 0.5%, 0.56%

LAB 50.37, 49.86, -45.94

 

CMYK 34 / 56 / 0 / 22

HEX #8457C7

RGB 132 87 199

HSL 264.11, 0.5%, 0.56%

LAB 46.77, 42.06, -51.89

 

CMYK 0 / 56 / 28 / 22

HEX #C75790

RGB 199 87 144

HSL 329.46, 0.5%, 0.56%

LAB 52.92, 50.75, -9.48

 

CMYK 0 / 68 / 33 / 15

HEX #D94591

RGB 217 69 145

HSL 329.19, 0.66%, 0.56%

LAB 53.01, 63.83, -9.65

 

CMYK 0 / 79 / 38 / 8

HEX #EB3291

RGB 235 50 145

HSL 329.19, 0.82%, 0.56%

LAB 54.01, 74.5, -7.81

 

CMYK 0 / 87 / 42 / 1

HEX #FD2092

RGB 253 32 146

HSL 329.05, 0.98%, 0.56%

LAB 56.08, 82.48, -4.98

 

CMYK 0 / 56 / 28 / 22

HEX #C75790

RGB 199 87 144

HSL 329.46, 0.5%, 0.56%

LAB 52.92, 50.75, -9.48

 

CMYK 0 / 42 / 20 / 29

HEX #B56990

RGB 181 105 144

HSL 329.21, 0.34%, 0.56%

LAB 53.96, 35.59, -8.18

 

CMYK 0 / 25 / 12 / 36

HEX #A37B8F

RGB 163 123 143

HSL 330, 0.18%, 0.56%

LAB 56.02, 18.83, -4.76

 

CMYK 0 / 2 / 1 / 44

HEX #908D8F

RGB 144 141 143

HSL 320, 0.01%, 0.56%

LAB 58.94, 1.5, -0.68

 

CMYK 21 / 0 / 11 / 38

HEX #7E9F8E

RGB 126 159 142

HSL 149.09, 0.15%, 0.56%

LAB 62.66, -14.97, 5.13

 

CMYK 3 / 56 / 0 / 22

HEX #C157C7

RGB 193 87 199

HSL 296.79, 0.5%, 0.56%

LAB 54.32, 57.68, -39.43

 

CMYK 0 / 56 / 12 / 22

HEX #C757AF

RGB 199 87 175

HSL 312.86, 0.5%, 0.56%

LAB 54.08, 55.27, -25.88

 

CMYK 0 / 56 / 27 / 22

HEX #C75791

RGB 199 87 145

HSL 328.93, 0.5%, 0.56%

LAB 52.95, 50.89, -10.02

 

CMYK 0 / 56 / 42 / 22

HEX #C75773

RGB 199 87 115

HSL 345, 0.5%, 0.56%

LAB 52.06, 47.29, 6.5

 

CMYK 0 / 55 / 56 / 22

HEX #C75957

RGB 199 89 87

HSL 1.07, 0.5%, 0.56%

LAB 51.81, 43.73, 22.78

 

CMYK 0 / 66 / 32 / 40

HEX #983367

RGB 152 51 103

HSL 329.11, 0.5%, 0.4%

LAB 37.88, 47.13, -7.79

 

CMYK 0 / 67 / 32 / 28

HEX #B73D7C

RGB 183 61 124

HSL 329.02, 0.5%, 0.48%

LAB 45.44, 54.82, -8.93

 

CMYK 0 / 56 / 28 / 22

HEX #C75790

RGB 199 87 144

HSL 329.46, 0.5%, 0.56%

LAB 52.92, 50.75, -9.48

 

CMYK 0 / 44 / 21 / 18

HEX #D176A5

RGB 209 118 165

HSL 329.01, 0.5%, 0.64%

LAB 60.98, 41.51, -9.49

 

CMYK 0 / 32 / 16 / 14

HEX #DC95B9

RGB 220 149 185

HSL 329.58, 0.5%, 0.72%

LAB 69.62, 31.91, -7.78

 

CMYK 0 / 57 / 28 / 22

HEX #C75690

RGB 199 86 144

HSL 329.2, 0.5%, 0.56%

LAB 52.74, 51.22, -9.74

 

CMYK 0 / 18 / 56 / 22

HEX #C7A357

RGB 199 163 87

HSL 40.71, 0.5%, 0.56%

LAB 68.77, 4.15, 43.96

 

CMYK 56 / 5 / 0 / 22

HEX #57BEC7

RGB 87 190 199

HSL 184.82, 0.5%, 0.56%

LAB 71.54, -27.14, -13.59

 

CMYK 0 / 57 / 28 / 22

HEX #C75690

RGB 199 86 144

HSL 329.2, 0.5%, 0.56%

LAB 52.74, 51.22, -9.74

 

CMYK 27 / 0 / 56 / 22

HEX #91C757

RGB 145 199 87

HSL 88.93, 0.5%, 0.56%

LAB 74.54, -35.96, 49.67

 

CMYK 56 / 27 / 0 / 22

HEX #5791C7

RGB 87 145 199

HSL 208.93, 0.5%, 0.56%

LAB 58.42, -3.13, -33.68

 

CMYK 0 / 57 / 28 / 22

HEX #C75690

RGB 199 86 144

HSL 329.2, 0.5%, 0.56%

LAB 52.74, 51.22, -9.74

 

CMYK 0 / 18 / 56 / 22

HEX #C7A357

RGB 199 163 87

HSL 40.71, 0.5%, 0.56%

LAB 68.77, 4.15, 43.96

 

CMYK 56 / 0 / 29 / 22

HEX #57C78D

RGB 87 199 141

HSL 148.93, 0.5%, 0.56%

LAB 72.76, -45.34, 19.63

 

CMYK 56 / 39 / 0 / 22

HEX #577AC7

RGB 87 122 199

HSL 221.25, 0.5%, 0.56%

LAB 51.91, 10.49, -43.9

 

CMYK 0 / 57 / 28 / 22

HEX #C75690

RGB 199 86 144

HSL 329.2, 0.5%, 0.56%

LAB 52.74, 51.22, -9.74

 

CMYK 0 / 1 / 56 / 22

HEX #C7C557

RGB 199 197 87

HSL 58.93, 0.5%, 0.56%

LAB 77.73, -13.64, 54.31

 

CMYK 56 / 0 / 29 / 22

HEX #57C78D

RGB 87 199 141

HSL 148.93, 0.5%, 0.56%

LAB 72.76, -45.34, 19.63

 

CMYK 56 / 55 / 0 / 22

HEX #5759C7

RGB 87 89 199

HSL 238.93, 0.5%, 0.56%

LAB 43.2, 30.94, -57.84

 

Description

Color code: HEX #C75690 | qconv.com Color code: HEX #C75690 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 86 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 86 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 28 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 28% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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