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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C755AA it is the complementary color #38AA55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C755AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C755AA shade: #CC55A5, #DD67B8, #EE79CB, #FF8BDE and #FF9DF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C755AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C755AA shade: #C755AA, #B64397, #A53184, #941F71 and #830D5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C755AA shade: #C757AA, #C7578C, #C7576E and #C75757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C755AA shade: #C757AA, #C557C7, #A757C7, #8957C7 and #6A57C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C755AA shade matches the following richer shades: #C757AA, #D945B3, #EB32BC and #FD20C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C755AA shade: #C757AA, #B569A1, #A37B99, #908D90 and #7E9F87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C755AA shade: #A757C7, #C557C7, #C757AB, #C7578D and #C7576F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C755AA shade: #98337E, #B73D98, #C757AA, #D176BA and #DC95C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C755AA shade: #C755AA, #C78957 and #57C7B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C755AA shade: #C755AA, #ABC757 and #57ABC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C755AA shade: #C755AA, #C78957, #57C773 and #5794C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C755AA shade: #C755AA, #C7AB57, #57C773 and #5773C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 15 / 22

HEX #C755AA

RGB 199 85 170

HSL 315.26, 0.5%, 0.56%

LAB 53.54, 55.41, -23.82

 

Complementary color

CMYK 67 / 0 / 50 / 33

HEX #38AA55

RGB 56 170 85

HSL 135.26, 0.5%, 0.44%

LAB 61.87, -50.4, 34.52

 

CMYK 0 / 58 / 19 / 20

HEX #CC55A5

RGB 204 85 165

HSL 319.66, 0.54%, 0.57%

LAB 54.08, 56.11, -20

 

CMYK 0 / 53 / 17 / 13

HEX #DD67B8

RGB 221 103 184

HSL 318.81, 0.63%, 0.64%

LAB 60.37, 55.62, -21.15

 

CMYK 0 / 49 / 15 / 7

HEX #EE79CB

RGB 238 121 203

HSL 317.95, 0.77%, 0.7%

LAB 66.64, 55, -22.11

 

CMYK 0 / 45 / 13 / 0

HEX #FF8BDE

RGB 255 139 222

HSL 317.07, 1%, 0.77%

LAB 72.89, 54.31, -22.93

 

CMYK 0 / 38 / 5 / 0

HEX #FF9DF1

RGB 255 157 241

HSL 308.57, 1%, 0.81%

LAB 77.12, 48.39, -26.84

 

CMYK 0 / 57 / 15 / 22

HEX #C755AA

RGB 199 85 170

HSL 315.26, 0.5%, 0.56%

LAB 53.54, 55.41, -23.82

 

CMYK 0 / 63 / 17 / 29

HEX #B64397

RGB 182 67 151

HSL 316.17, 0.46%, 0.49%

LAB 47.23, 55.68, -22.54

 

CMYK 0 / 70 / 20 / 35

HEX #A53184

RGB 165 49 132

HSL 317.07, 0.54%, 0.42%

LAB 41, 55.54, -20.88

 

CMYK 0 / 79 / 24 / 42

HEX #941F71

RGB 148 31 113

HSL 317.95, 0.65%, 0.35%

LAB 34.94, 54.68, -18.65

 

CMYK 0 / 90 / 28 / 49

HEX #830D5E

RGB 131 13 94

HSL 318.81, 0.82%, 0.28%

LAB 29.21, 52.59, -15.55

 

CMYK 0 / 56 / 15 / 22

HEX #C757AA

RGB 199 87 170

HSL 315.54, 0.5%, 0.56%

LAB 53.88, 54.49, -23.29

 

CMYK 0 / 56 / 30 / 22

HEX #C7578C

RGB 199 87 140

HSL 331.61, 0.5%, 0.56%

LAB 52.79, 50.23, -7.31

 

CMYK 0 / 56 / 45 / 22

HEX #C7576E

RGB 199 87 110

HSL 347.68, 0.5%, 0.56%

LAB 51.93, 46.77, 9.31

 

CMYK 0 / 56 / 56 / 22

HEX #C75757

RGB 199 87 87

HSL 0, 0.5%, 0.56%

LAB 51.44, 44.7, 22.29

 

CMYK 0 / 56 / 15 / 22

HEX #C757AA

RGB 199 87 170

HSL 315.54, 0.5%, 0.56%

LAB 53.88, 54.49, -23.29

 

CMYK 1 / 56 / 0 / 22

HEX #C557C7

RGB 197 87 199

HSL 298.93, 0.5%, 0.56%

LAB 54.88, 58.73, -38.51

 

CMYK 16 / 56 / 0 / 22

HEX #A757C7

RGB 167 87 199

HSL 282.86, 0.5%, 0.56%

LAB 50.87, 50.89, -45.11

 

CMYK 31 / 56 / 0 / 22

HEX #8957C7

RGB 137 87 199

HSL 266.79, 0.5%, 0.56%

LAB 47.31, 43.28, -50.99

 

CMYK 47 / 56 / 0 / 22

HEX #6A57C7

RGB 106 87 199

HSL 250.18, 0.5%, 0.56%

LAB 44.24, 36.05, -56.09

 

CMYK 0 / 56 / 15 / 22

HEX #C757AA

RGB 199 87 170

HSL 315.54, 0.5%, 0.56%

LAB 53.88, 54.49, -23.29

 

CMYK 0 / 68 / 18 / 15

HEX #D945B3

RGB 217 69 179

HSL 315.41, 0.66%, 0.56%

LAB 54.3, 68.13, -27.65

 

CMYK 0 / 79 / 20 / 8

HEX #EB32BC

RGB 235 50 188

HSL 315.24, 0.82%, 0.56%

LAB 55.66, 79.31, -30.53

 

CMYK 0 / 87 / 22 / 1

HEX #FD20C5

RGB 253 32 197

HSL 315.2, 0.98%, 0.56%

LAB 57.99, 87.66, -31.85

 

CMYK 0 / 56 / 15 / 22

HEX #C757AA

RGB 199 87 170

HSL 315.54, 0.5%, 0.56%

LAB 53.88, 54.49, -23.29

 

CMYK 0 / 42 / 11 / 29

HEX #B569A1

RGB 181 105 161

HSL 315.79, 0.34%, 0.56%

LAB 54.55, 38.35, -17.23

 

CMYK 0 / 25 / 6 / 36

HEX #A37B99

RGB 163 123 153

HSL 315, 0.18%, 0.56%

LAB 56.34, 20.63, -10.09

 

CMYK 0 / 2 / 0 / 44

HEX #908D90

RGB 144 141 144

HSL 300, 0.01%, 0.56%

LAB 58.97, 1.69, -1.21

 

CMYK 21 / 0 / 15 / 38

HEX #7E9F87

RGB 126 159 135

HSL 136.36, 0.15%, 0.56%

LAB 62.49, -16.37, 8.81

 

CMYK 16 / 56 / 0 / 22

HEX #A757C7

RGB 167 87 199

HSL 282.86, 0.5%, 0.56%

LAB 50.87, 50.89, -45.11

 

CMYK 1 / 56 / 0 / 22

HEX #C557C7

RGB 197 87 199

HSL 298.93, 0.5%, 0.56%

LAB 54.88, 58.73, -38.51

 

CMYK 0 / 56 / 14 / 22

HEX #C757AB

RGB 199 87 171

HSL 315, 0.5%, 0.56%

LAB 53.92, 54.64, -23.81

 

CMYK 0 / 56 / 29 / 22

HEX #C7578D

RGB 199 87 141

HSL 331.07, 0.5%, 0.56%

LAB 52.82, 50.36, -7.85

 

CMYK 0 / 56 / 44 / 22

HEX #C7576F

RGB 199 87 111

HSL 347.14, 0.5%, 0.56%

LAB 51.96, 46.87, 8.74

 

CMYK 0 / 66 / 17 / 40

HEX #98337E

RGB 152 51 126

HSL 315.45, 0.5%, 0.4%

LAB 38.81, 50.34, -20.74

 

CMYK 0 / 67 / 17 / 28

HEX #B73D98

RGB 183 61 152

HSL 315.25, 0.5%, 0.48%

LAB 46.54, 58.56, -24.19

 

CMYK 0 / 56 / 15 / 22

HEX #C757AA

RGB 199 87 170

HSL 315.54, 0.5%, 0.56%

LAB 53.88, 54.49, -23.29

 

CMYK 0 / 44 / 11 / 18

HEX #D176BA

RGB 209 118 186

HSL 315.16, 0.5%, 0.64%

LAB 61.7, 44.8, -20.39

 

CMYK 0 / 32 / 9 / 14

HEX #DC95C9

RGB 220 149 201

HSL 316.06, 0.5%, 0.72%

LAB 70.13, 34.55, -15.91

 

CMYK 0 / 57 / 15 / 22

HEX #C755AA

RGB 199 85 170

HSL 315.26, 0.5%, 0.56%

LAB 53.54, 55.41, -23.82

 

CMYK 0 / 31 / 56 / 22

HEX #C78957

RGB 199 137 87

HSL 26.79, 0.5%, 0.56%

LAB 62.27, 18.32, 36.11

 

CMYK 56 / 0 / 9 / 22

HEX #57C7B6

RGB 87 199 182

HSL 170.89, 0.5%, 0.56%

LAB 73.71, -35.97, -1.11

 

CMYK 0 / 57 / 15 / 22

HEX #C755AA

RGB 199 85 170

HSL 315.26, 0.5%, 0.56%

LAB 53.54, 55.41, -23.82

 

CMYK 14 / 0 / 56 / 22

HEX #ABC757

RGB 171 199 87

HSL 75, 0.5%, 0.56%

LAB 76.19, -26.01, 51.99

 

CMYK 56 / 14 / 0 / 22

HEX #57ABC7

RGB 87 171 199

HSL 195, 0.5%, 0.56%

LAB 65.96, -17.45, -22.04

 

CMYK 0 / 57 / 15 / 22

HEX #C755AA

RGB 199 85 170

HSL 315.26, 0.5%, 0.56%

LAB 53.54, 55.41, -23.82

 

CMYK 0 / 31 / 56 / 22

HEX #C78957

RGB 199 137 87

HSL 26.79, 0.5%, 0.56%

LAB 62.27, 18.32, 36.11

 

CMYK 56 / 0 / 42 / 22

HEX #57C773

RGB 87 199 115

HSL 135, 0.5%, 0.56%

LAB 72.3, -50.12, 32.64

 

CMYK 56 / 26 / 0 / 22

HEX #5794C7

RGB 87 148 199

HSL 207.32, 0.5%, 0.56%

LAB 59.28, -4.85, -32.34

 

CMYK 0 / 57 / 15 / 22

HEX #C755AA

RGB 199 85 170

HSL 315.26, 0.5%, 0.56%

LAB 53.54, 55.41, -23.82

 

CMYK 0 / 14 / 56 / 22

HEX #C7AB57

RGB 199 171 87

HSL 45, 0.5%, 0.56%

LAB 70.84, -0.13, 46.4

 

CMYK 56 / 0 / 42 / 22

HEX #57C773

RGB 87 199 115

HSL 135, 0.5%, 0.56%

LAB 72.3, -50.12, 32.64

 

CMYK 56 / 42 / 0 / 22

HEX #5773C7

RGB 87 115 199

HSL 225, 0.5%, 0.56%

LAB 49.99, 14.77, -46.95

 

Description

Color code: HEX #C755AA | qconv.com Color code: HEX #C755AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 85 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 85 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 15 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 15% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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