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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C75300 it is the complementary color #38ACFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C75300. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C75300 shade: #CC5300, #DD650E, #EE7721, #FF8934 and #FF9B47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C75300. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C75300 shade: #C75300, #B64100, #A52F00, #941D00 and #830B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C75300 shade: #C75300, #C71D00 and #C70000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C75300 shade: #C75300, #C78900, #C7BE00, #9AC700 and #64C700

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C75300 shade matches the following richer shades: #C75300

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C75300 shade: #C75300, #B75610, #A75820, #975B30 and #875E40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C75300 shade: #C70017, #C71E00, #C75300, #C78800 and #C7BD00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C75300 shade: #743100, #9E4200, #C75300, #F06400 and #FF7A1A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C75300 shade: #C75300, #4CC700 and #0300C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C75300 shade: #C75300, #00C753 and #5300C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C75300 shade: #C75300, #4CC700, #0074C7 and #7B00C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C75300 shade: #C75300, #11C700, #0074C7 and #B600C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 100 / 22

HEX #C75300

RGB 199 83 0

HSL 25.03, 1%, 0.39%

LAB 49.89, 43.22, 59.69

 

Complementary color

CMYK 78 / 33 / 0 / 0

HEX #38ACFF

RGB 56 172 255

HSL 205.03, 1%, 0.61%

LAB 67.7, -4.34, -50.13

 

CMYK 0 / 59 / 100 / 20

HEX #CC5300

RGB 204 83 0

HSL 24.41, 1%, 0.4%

LAB 50.72, 45.11, 60.58

 

CMYK 0 / 54 / 94 / 13

HEX #DD650E

RGB 221 101 14

HSL 25.22, 0.88%, 0.46%

LAB 56.79, 43.08, 62.75

 

CMYK 0 / 50 / 86 / 7

HEX #EE7721

RGB 238 119 33

HSL 25.17, 0.86%, 0.53%

LAB 62.91, 41.1, 63.05

 

CMYK 0 / 46 / 80 / 0

HEX #FF8934

RGB 255 137 52

HSL 25.12, 1%, 0.6%

LAB 69.04, 39.23, 62.24

 

CMYK 0 / 39 / 72 / 0

HEX #FF9B47

RGB 255 155 71

HSL 27.39, 1%, 0.64%

LAB 73, 30.77, 58.02

 

CMYK 0 / 58 / 100 / 22

HEX #C75300

RGB 199 83 0

HSL 25.03, 1%, 0.39%

LAB 49.89, 43.22, 59.69

 

CMYK 0 / 64 / 100 / 29

HEX #B64100

RGB 182 65 0

HSL 21.43, 1%, 0.36%

LAB 43.84, 45.22, 54.87

 

CMYK 0 / 72 / 100 / 35

HEX #A52F00

RGB 165 47 0

HSL 17.09, 1%, 0.32%

LAB 37.9, 46.78, 50.16

 

CMYK 0 / 80 / 100 / 42

HEX #941D00

RGB 148 29 0

HSL 11.76, 1%, 0.29%

LAB 32.2, 47.53, 45.25

 

CMYK 0 / 92 / 100 / 49

HEX #830B00

RGB 131 11 0

HSL 5.04, 1%, 0.26%

LAB 26.92, 46.88, 39.57

 

CMYK 0 / 58 / 100 / 22

HEX #C75300

RGB 199 83 0

HSL 25.03, 1%, 0.39%

LAB 49.89, 43.22, 59.69

 

CMYK 0 / 85 / 100 / 22

HEX #C71D00

RGB 199 29 0

HSL 8.74, 1%, 0.39%

LAB 42.79, 62.57, 56.27

 

CMYK 0 / 100 / 100 / 22

HEX #C70000

RGB 199 0 0

HSL 0, 1%, 0.39%

LAB 41.44, 66.47, 55.77

 

CMYK 0 / 58 / 100 / 22

HEX #C75300

RGB 199 83 0

HSL 25.03, 1%, 0.39%

LAB 49.89, 43.22, 59.69

 

CMYK 0 / 31 / 100 / 22

HEX #C78900

RGB 199 137 0

HSL 41.31, 1%, 0.39%

LAB 61.68, 14.79, 66.99

 

CMYK 0 / 5 / 100 / 22

HEX #C7BE00

RGB 199 190 0

HSL 57.29, 1%, 0.39%

LAB 75.43, -13.37, 76.62

 

CMYK 23 / 0 / 100 / 22

HEX #9AC700

RGB 154 199 0

HSL 73.57, 1%, 0.39%

LAB 74.65, -36.65, 74.55

 

CMYK 50 / 0 / 100 / 22

HEX #64C700

RGB 100 199 0

HSL 89.85, 1%, 0.39%

LAB 71.93, -55.78, 71.28

 

CMYK 0 / 58 / 100 / 22

HEX #C75300

RGB 199 83 0

HSL 25.03, 1%, 0.39%

LAB 49.89, 43.22, 59.69

 

CMYK 0 / 58 / 100 / 22

HEX #C75300

RGB 199 83 0

HSL 25.03, 1%, 0.39%

LAB 49.89, 43.22, 59.69

 

CMYK 0 / 53 / 91 / 28

HEX #B75610

RGB 183 86 16

HSL 25.15, 0.84%, 0.39%

LAB 47.96, 35.68, 53.31

 

CMYK 0 / 47 / 81 / 35

HEX #A75820

RGB 167 88 32

HSL 24.89, 0.68%, 0.39%

LAB 46.04, 28.41, 44.73

 

CMYK 0 / 40 / 68 / 41

HEX #975B30

RGB 151 91 48

HSL 25.05, 0.52%, 0.39%

LAB 44.62, 20.6, 34.6

 

CMYK 0 / 30 / 53 / 47

HEX #875E40

RGB 135 94 64

HSL 25.35, 0.36%, 0.39%

LAB 43.55, 13.06, 23.8

 

CMYK 0 / 100 / 88 / 22

HEX #C70017

RGB 199 0 23

HSL 353.07, 1%, 0.39%

LAB 41.54, 66.73, 47.18

 

CMYK 0 / 85 / 100 / 22

HEX #C71E00

RGB 199 30 0

HSL 9.05, 1%, 0.39%

LAB 42.87, 62.36, 56.3

 

CMYK 0 / 58 / 100 / 22

HEX #C75300

RGB 199 83 0

HSL 25.03, 1%, 0.39%

LAB 49.89, 43.22, 59.69

 

CMYK 0 / 32 / 100 / 22

HEX #C78800

RGB 199 136 0

HSL 41.01, 1%, 0.39%

LAB 61.44, 15.34, 66.82

 

CMYK 0 / 5 / 100 / 22

HEX #C7BD00

RGB 199 189 0

HSL 56.98, 1%, 0.39%

LAB 75.16, -12.86, 76.42

 

CMYK 0 / 58 / 100 / 55

HEX #743100

RGB 116 49 0

HSL 25.34, 1%, 0.23%

LAB 29.18, 27.08, 40.26

 

CMYK 0 / 58 / 100 / 38

HEX #9E4200

RGB 158 66 0

HSL 25.06, 1%, 0.31%

LAB 39.86, 35.59, 50.49

 

CMYK 0 / 58 / 100 / 22

HEX #C75300

RGB 199 83 0

HSL 25.03, 1%, 0.39%

LAB 49.89, 43.22, 59.69

 

CMYK 0 / 58 / 100 / 6

HEX #F06400

RGB 240 100 0

HSL 25, 1%, 0.47%

LAB 59.56, 50.53, 68.55

 

CMYK 0 / 52 / 90 / 0

HEX #FF7A1A

RGB 255 122 26

HSL 25.15, 1%, 0.55%

LAB 65.95, 46.02, 68.58

 

CMYK 0 / 58 / 100 / 22

HEX #C75300

RGB 199 83 0

HSL 25.03, 1%, 0.39%

LAB 49.89, 43.22, 59.69

 

CMYK 62 / 0 / 100 / 22

HEX #4CC700

RGB 76 199 0

HSL 97.09, 1%, 0.39%

LAB 71.13, -62.19, 70.31

 

CMYK 98 / 100 / 0 / 22

HEX #0300C7

RGB 3 0 199

HSL 240.9, 1%, 0.39%

LAB 24.14, 65.73, -89.39

 

CMYK 0 / 58 / 100 / 22

HEX #C75300

RGB 199 83 0

HSL 25.03, 1%, 0.39%

LAB 49.89, 43.22, 59.69

 

CMYK 100 / 0 / 58 / 22

HEX #00C753

RGB 0 199 83

HSL 145.03, 1%, 0.39%

LAB 70.5, -65.94, 45.78

 

CMYK 58 / 100 / 0 / 22

HEX #5300C7

RGB 83 0 199

HSL 265.03, 1%, 0.39%

LAB 29.32, 67.94, -80.62

 

CMYK 0 / 58 / 100 / 22

HEX #C75300

RGB 199 83 0

HSL 25.03, 1%, 0.39%

LAB 49.89, 43.22, 59.69

 

CMYK 62 / 0 / 100 / 22

HEX #4CC700

RGB 76 199 0

HSL 97.09, 1%, 0.39%

LAB 71.13, -62.19, 70.31

 

CMYK 100 / 42 / 0 / 22

HEX #0074C7

RGB 0 116 199

HSL 205.03, 1%, 0.39%

LAB 47.77, 4.36, -50.64

 

CMYK 38 / 100 / 0 / 22

HEX #7B00C7

RGB 123 0 199

HSL 277.09, 1%, 0.39%

LAB 34.67, 71.24, -71.6

 

CMYK 0 / 58 / 100 / 22

HEX #C75300

RGB 199 83 0

HSL 25.03, 1%, 0.39%

LAB 49.89, 43.22, 59.69

 

CMYK 91 / 0 / 100 / 22

HEX #11C700

RGB 17 199 0

HSL 114.87, 1%, 0.39%

LAB 70.15, -70.74, 69.12

 

CMYK 100 / 42 / 0 / 22

HEX #0074C7

RGB 0 116 199

HSL 205.03, 1%, 0.39%

LAB 47.77, 4.36, -50.64

 

CMYK 9 / 100 / 0 / 22

HEX #B600C7

RGB 182 0 199

HSL 294.87, 1%, 0.39%

LAB 44.33, 78.87, -55.44

 

Description

Color code: HEX #C75300 | qconv.com Color code: HEX #C75300 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 83 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 83 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 100 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 100% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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