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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C752AC it is the complementary color #38AD53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C752AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C752AC shade: #CC52A7, #DD64BA, #EE76CD, #FF88E0 and #FF9AF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C752AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C752AC shade: #C752AC, #B64099, #A52E86, #941C73 and #830A60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C752AC shade: #C752AC, #C7528C, #C7526D and #C75252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C752AC shade: #C752AC, #C252C7, #A352C7, #8352C7 and #6452C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C752AC shade matches the following richer shades: #C752AC, #D93FB6, #EC2DC0 and #FE1ACA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C752AC shade: #C752AC, #B464A2, #A27798, #8F898E and #7D9C84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C752AC shade: #A252C7, #C152C7, #C752AD, #C7528E and #C7526F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C752AC shade: #95317E, #B53B98, #C752AC, #D171BB and #DB90CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C752AC shade: #C752AC, #C78252 and #52C7B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C752AC shade: #C752AC, #ADC752 and #52ADC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C752AC shade: #C752AC, #C78252, #52C76B and #5296C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C752AC shade: #C752AC, #C7A652, #52C76B and #5273C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 14 / 22

HEX #C752AC

RGB 199 82 172

HSL 313.85, 0.51%, 0.55%

LAB 53.12, 57.07, -25.63

 

Complementary color

CMYK 68 / 0 / 52 / 32

HEX #38AD53

RGB 56 173 83

HSL 133.85, 0.51%, 0.45%

LAB 62.8, -51.82, 36.69

 

CMYK 0 / 60 / 18 / 20

HEX #CC52A7

RGB 204 82 167

HSL 318.2, 0.54%, 0.56%

LAB 53.67, 57.73, -21.8

 

CMYK 0 / 55 / 16 / 13

HEX #DD64BA

RGB 221 100 186

HSL 317.36, 0.64%, 0.63%

LAB 59.92, 57.32, -22.98

 

CMYK 0 / 50 / 14 / 7

HEX #EE76CD

RGB 238 118 205

HSL 316.5, 0.78%, 0.7%

LAB 66.17, 56.74, -23.96

 

CMYK 0 / 47 / 12 / 0

HEX #FF88E0

RGB 255 136 224

HSL 315.63, 1%, 0.77%

LAB 72.4, 56.08, -24.78

 

CMYK 0 / 40 / 5 / 0

HEX #FF9AF3

RGB 255 154 243

HSL 307.13, 1%, 0.8%

LAB 76.58, 50.25, -28.74

 

CMYK 0 / 59 / 14 / 22

HEX #C752AC

RGB 199 82 172

HSL 313.85, 0.51%, 0.55%

LAB 53.12, 57.07, -25.63

 

CMYK 0 / 65 / 16 / 29

HEX #B64099

RGB 182 64 153

HSL 314.75, 0.48%, 0.48%

LAB 46.86, 57.23, -24.31

 

CMYK 0 / 72 / 19 / 35

HEX #A52E86

RGB 165 46 134

HSL 315.63, 0.56%, 0.41%

LAB 40.69, 56.92, -22.58

 

CMYK 0 / 81 / 22 / 42

HEX #941C73

RGB 148 28 115

HSL 316.5, 0.68%, 0.35%

LAB 34.73, 55.81, -20.24

 

CMYK 0 / 92 / 27 / 49

HEX #830A60

RGB 131 10 96

HSL 317.36, 0.86%, 0.28%

LAB 29.13, 53.37, -16.99

 

CMYK 0 / 59 / 14 / 22

HEX #C752AC

RGB 199 82 172

HSL 313.85, 0.51%, 0.55%

LAB 53.12, 57.07, -25.63

 

CMYK 0 / 59 / 30 / 22

HEX #C7528C

RGB 199 82 140

HSL 330.26, 0.51%, 0.55%

LAB 51.92, 52.55, -8.61

 

CMYK 0 / 59 / 45 / 22

HEX #C7526D

RGB 199 82 109

HSL 346.15, 0.51%, 0.55%

LAB 51.01, 49.03, 8.61

 

CMYK 0 / 59 / 59 / 22

HEX #C75252

RGB 199 82 82

HSL 0, 0.51%, 0.55%

LAB 50.44, 46.7, 23.93

 

CMYK 0 / 59 / 14 / 22

HEX #C752AC

RGB 199 82 172

HSL 313.85, 0.51%, 0.55%

LAB 53.12, 57.07, -25.63

 

CMYK 3 / 59 / 0 / 22

HEX #C252C7

RGB 194 82 199

HSL 297.44, 0.51%, 0.55%

LAB 53.63, 60.2, -40.51

 

CMYK 18 / 59 / 0 / 22

HEX #A352C7

RGB 163 82 199

HSL 281.54, 0.51%, 0.55%

LAB 49.43, 52.37, -47.43

 

CMYK 34 / 59 / 0 / 22

HEX #8352C7

RGB 131 82 199

HSL 265.13, 0.51%, 0.55%

LAB 45.61, 44.59, -53.76

 

CMYK 50 / 59 / 0 / 22

HEX #6452C7

RGB 100 82 199

HSL 249.23, 0.51%, 0.55%

LAB 42.56, 37.77, -58.83

 

CMYK 0 / 59 / 14 / 22

HEX #C752AC

RGB 199 82 172

HSL 313.85, 0.51%, 0.55%

LAB 53.12, 57.07, -25.63

 

CMYK 0 / 71 / 16 / 15

HEX #D93FB6

RGB 217 63 182

HSL 313.64, 0.67%, 0.55%

LAB 53.69, 70.64, -30.34

 

CMYK 0 / 81 / 19 / 7

HEX #EC2DC0

RGB 236 45 192

HSL 313.82, 0.83%, 0.55%

LAB 55.6, 81.21, -32.92

 

CMYK 0 / 90 / 20 / 0

HEX #FE1ACA

RGB 254 26 202

HSL 313.68, 0.99%, 0.55%

LAB 58.11, 89.26, -34.52

 

CMYK 0 / 59 / 14 / 22

HEX #C752AC

RGB 199 82 172

HSL 313.85, 0.51%, 0.55%

LAB 53.12, 57.07, -25.63

 

CMYK 0 / 44 / 10 / 29

HEX #B464A2

RGB 180 100 162

HSL 313.5, 0.35%, 0.55%

LAB 53.41, 40.86, -19.56

 

CMYK 0 / 27 / 6 / 36

HEX #A27798

RGB 162 119 152

HSL 313.95, 0.19%, 0.55%

LAB 55.22, 22.37, -11.2

 

CMYK 0 / 4 / 1 / 44

HEX #8F898E

RGB 143 137 142

HSL 310, 0.03%, 0.55%

LAB 57.74, 3.2, -1.88

 

CMYK 20 / 0 / 15 / 39

HEX #7D9C84

RGB 125 156 132

HSL 133.55, 0.14%, 0.55%

LAB 61.48, -15.73, 9.05

 

CMYK 19 / 59 / 0 / 22

HEX #A252C7

RGB 162 82 199

HSL 281.03, 0.51%, 0.55%

LAB 49.3, 52.12, -47.64

 

CMYK 3 / 59 / 0 / 22

HEX #C152C7

RGB 193 82 199

HSL 296.92, 0.51%, 0.55%

LAB 53.49, 59.95, -40.74

 

CMYK 0 / 59 / 13 / 22

HEX #C752AD

RGB 199 82 173

HSL 313.33, 0.51%, 0.55%

LAB 53.16, 57.22, -26.15

 

CMYK 0 / 59 / 29 / 22

HEX #C7528E

RGB 199 82 142

HSL 329.23, 0.51%, 0.55%

LAB 51.98, 52.81, -9.7

 

CMYK 0 / 59 / 44 / 22

HEX #C7526F

RGB 199 82 111

HSL 345.13, 0.51%, 0.55%

LAB 51.06, 49.23, 7.48

 

CMYK 0 / 67 / 15 / 42

HEX #95317E

RGB 149 49 126

HSL 313.8, 0.51%, 0.39%

LAB 38.01, 50.34, -22.03

 

CMYK 0 / 67 / 16 / 29

HEX #B53B98

RGB 181 59 152

HSL 314.26, 0.51%, 0.47%

LAB 45.93, 58.82, -25.16

 

CMYK 0 / 59 / 14 / 22

HEX #C752AC

RGB 199 82 172

HSL 313.85, 0.51%, 0.55%

LAB 53.12, 57.07, -25.63

 

CMYK 0 / 46 / 11 / 18

HEX #D171BB

RGB 209 113 187

HSL 313.75, 0.51%, 0.63%

LAB 60.74, 47.53, -22.43

 

CMYK 0 / 34 / 8 / 14

HEX #DB90CA

RGB 219 144 202

HSL 313.6, 0.51%, 0.71%

LAB 68.95, 37.07, -18.26

 

CMYK 0 / 59 / 14 / 22

HEX #C752AC

RGB 199 82 172

HSL 313.85, 0.51%, 0.55%

LAB 53.12, 57.07, -25.63

 

CMYK 0 / 35 / 59 / 22

HEX #C78252

RGB 199 130 82

HSL 24.62, 0.51%, 0.55%

LAB 60.53, 21.76, 36.64

 

CMYK 59 / 0 / 11 / 22

HEX #52C7B1

RGB 82 199 177

HSL 168.72, 0.51%, 0.55%

LAB 73.43, -38.2, 1.17

 

CMYK 0 / 59 / 14 / 22

HEX #C752AC

RGB 199 82 172

HSL 313.85, 0.51%, 0.55%

LAB 53.12, 57.07, -25.63

 

CMYK 13 / 0 / 59 / 22

HEX #ADC752

RGB 173 199 82

HSL 73.33, 0.51%, 0.55%

LAB 76.28, -25.63, 54.37

 

CMYK 59 / 13 / 0 / 22

HEX #52ADC7

RGB 82 173 199

HSL 193.33, 0.51%, 0.55%

LAB 66.37, -19.48, -21.43

 

CMYK 0 / 59 / 14 / 22

HEX #C752AC

RGB 199 82 172

HSL 313.85, 0.51%, 0.55%

LAB 53.12, 57.07, -25.63

 

CMYK 0 / 35 / 59 / 22

HEX #C78252

RGB 199 130 82

HSL 24.62, 0.51%, 0.55%

LAB 60.53, 21.76, 36.64

 

CMYK 59 / 0 / 46 / 22

HEX #52C76B

RGB 82 199 107

HSL 132.82, 0.51%, 0.55%

LAB 72.03, -52.56, 36.32

 

CMYK 59 / 25 / 0 / 22

HEX #5296C7

RGB 82 150 199

HSL 205.13, 0.51%, 0.55%

LAB 59.64, -7, -31.78

 

CMYK 0 / 59 / 14 / 22

HEX #C752AC

RGB 199 82 172

HSL 313.85, 0.51%, 0.55%

LAB 53.12, 57.07, -25.63

 

CMYK 0 / 17 / 59 / 22

HEX #C7A652

RGB 199 166 82

HSL 43.08, 0.51%, 0.55%

LAB 69.49, 2.15, 47.25

 

CMYK 59 / 0 / 46 / 22

HEX #52C76B

RGB 82 199 107

HSL 132.82, 0.51%, 0.55%

LAB 72.03, -52.56, 36.32

 

CMYK 59 / 42 / 0 / 22

HEX #5273C7

RGB 82 115 199

HSL 223.08, 0.51%, 0.55%

LAB 49.71, 13.75, -47.41

 

Description

Color code: HEX #C752AC | qconv.com Color code: HEX #C752AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 82 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 82 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 14 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 14% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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