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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C75122 it is the complementary color #38AEDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C75122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C75122 shade: #CC511D, #DD6330, #EE7543, #FF8756 and #FF9969

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C75122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C75122 shade: #C75122, #B63F0F, #A52D00, #941B00 and #830900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C75122 shade: #C95122, #C92522 and #C92222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C75122 shade: #C95122, #C97E22, #C9AB22, #B9C922 and #8CC922

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C75122 shade matches the following richer shades: #C95122 and #DC490F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C75122 shade: #C95122, #B65A35, #A36248, #906A5B and #7D726E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C75122 shade: #C9224C, #C92522, #C95122, #C97E22 and #C9AA22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C75122 shade: #823516, #A5431C, #C95122, #DD6637 and #E3815A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C75122 shade: #C75122, #78C922 and #2235C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C75122 shade: #C75122, #22C951 and #5122C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C75122 shade: #C75122, #78C922, #2299C9 and #7322C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C75122 shade: #C75122, #46C922, #2299C9 and #A422C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 83 / 22

HEX #C75122

RGB 199 81 34

HSL 17.09, 0.71%, 0.46%

LAB 49.67, 44.75, 49.01

 

Complementary color

CMYK 75 / 21 / 0 / 13

HEX #38AEDD

RGB 56 174 221

HSL 197.09, 0.71%, 0.54%

LAB 66.77, -17.04, -33.01

 

CMYK 0 / 60 / 86 / 20

HEX #CC511D

RGB 204 81 29

HSL 17.83, 0.75%, 0.46%

LAB 50.47, 46.47, 52.15

 

CMYK 0 / 55 / 78 / 13

HEX #DD6330

RGB 221 99 48

HSL 17.69, 0.72%, 0.53%

LAB 56.59, 44.84, 50.38

 

CMYK 0 / 51 / 72 / 7

HEX #EE7543

RGB 238 117 67

HSL 17.54, 0.83%, 0.6%

LAB 62.76, 43.24, 48.34

 

CMYK 0 / 47 / 66 / 0

HEX #FF8756

RGB 255 135 86

HSL 17.4, 1%, 0.67%

LAB 68.94, 41.73, 46.32

 

CMYK 0 / 40 / 59 / 0

HEX #FF9969

RGB 255 153 105

HSL 19.2, 1%, 0.71%

LAB 72.93, 33.78, 41.27

 

CMYK 0 / 59 / 83 / 22

HEX #C75122

RGB 199 81 34

HSL 17.09, 0.71%, 0.46%

LAB 49.67, 44.75, 49.01

 

CMYK 0 / 65 / 92 / 29

HEX #B63F0F

RGB 182 63 15

HSL 17.25, 0.85%, 0.39%

LAB 43.56, 46.3, 50.37

 

CMYK 0 / 73 / 100 / 35

HEX #A52D00

RGB 165 45 0

HSL 16.36, 1%, 0.32%

LAB 37.62, 47.56, 50.03

 

CMYK 0 / 82 / 100 / 42

HEX #941B00

RGB 148 27 0

HSL 10.95, 1%, 0.29%

LAB 31.99, 48.13, 45.11

 

CMYK 0 / 93 / 100 / 49

HEX #830900

RGB 131 9 0

HSL 4.12, 1%, 0.26%

LAB 26.79, 47.24, 39.46

 

CMYK 0 / 60 / 83 / 21

HEX #C95122

RGB 201 81 34

HSL 16.89, 0.71%, 0.46%

LAB 50, 45.49, 49.43

 

CMYK 0 / 82 / 83 / 21

HEX #C92522

RGB 201 37 34

HSL 1.08, 0.71%, 0.46%

LAB 44.03, 61.79, 43.98

 

CMYK 0 / 83 / 83 / 21

HEX #C92222

RGB 201 34 34

HSL 0, 0.71%, 0.46%

LAB 43.77, 62.52, 43.74

 

CMYK 0 / 60 / 83 / 21

HEX #C95122

RGB 201 81 34

HSL 16.89, 0.71%, 0.46%

LAB 50, 45.49, 49.43

 

CMYK 0 / 37 / 83 / 21

HEX #C97E22

RGB 201 126 34

HSL 33.05, 0.71%, 0.46%

LAB 59.39, 22.27, 57.73

 

CMYK 0 / 15 / 83 / 21

HEX #C9AB22

RGB 201 171 34

HSL 49.22, 0.71%, 0.46%

LAB 70.64, -2.08, 67.38

 

CMYK 8 / 0 / 83 / 21

HEX #B9C922

RGB 185 201 34

HSL 65.75, 0.71%, 0.46%

LAB 77.4, -24.24, 72.59

 

CMYK 30 / 0 / 83 / 21

HEX #8CC922

RGB 140 201 34

HSL 81.92, 0.71%, 0.46%

LAB 74.49, -42.22, 68.92

 

CMYK 0 / 60 / 83 / 21

HEX #C95122

RGB 201 81 34

HSL 16.89, 0.71%, 0.46%

LAB 50, 45.49, 49.43

 

CMYK 0 / 67 / 93 / 14

HEX #DC490F

RGB 220 73 15

HSL 16.98, 0.87%, 0.46%

LAB 51.85, 55.3, 59.18

 

CMYK 0 / 60 / 83 / 21

HEX #C95122

RGB 201 81 34

HSL 16.89, 0.71%, 0.46%

LAB 50, 45.49, 49.43

 

CMYK 0 / 51 / 71 / 29

HEX #B65A35

RGB 182 90 53

HSL 17.21, 0.55%, 0.46%

LAB 48.9, 34.47, 37.94

 

CMYK 0 / 40 / 56 / 36

HEX #A36248

RGB 163 98 72

HSL 17.14, 0.39%, 0.46%

LAB 48.25, 23.61, 25.89

 

CMYK 0 / 26 / 37 / 44

HEX #906A5B

RGB 144 106 91

HSL 16.98, 0.23%, 0.46%

LAB 48.25, 13.05, 14.36

 

CMYK 0 / 9 / 12 / 51

HEX #7D726E

RGB 125 114 110

HSL 16, 0.06%, 0.46%

LAB 48.91, 3.52, 3.75

 

CMYK 0 / 83 / 62 / 21

HEX #C9224C

RGB 201 34 76

HSL 344.91, 0.71%, 0.46%

LAB 44.35, 64.29, 19.64

 

CMYK 0 / 82 / 83 / 21

HEX #C92522

RGB 201 37 34

HSL 1.08, 0.71%, 0.46%

LAB 44.03, 61.79, 43.98

 

CMYK 0 / 60 / 83 / 21

HEX #C95122

RGB 201 81 34

HSL 16.89, 0.71%, 0.46%

LAB 50, 45.49, 49.43

 

CMYK 0 / 37 / 83 / 21

HEX #C97E22

RGB 201 126 34

HSL 33.05, 0.71%, 0.46%

LAB 59.39, 22.27, 57.73

 

CMYK 0 / 15 / 83 / 21

HEX #C9AA22

RGB 201 170 34

HSL 48.86, 0.71%, 0.46%

LAB 70.37, -1.55, 67.16

 

CMYK 0 / 59 / 83 / 49

HEX #823516

RGB 130 53 22

HSL 17.22, 0.71%, 0.3%

LAB 32.59, 31.41, 34.61

 

CMYK 0 / 59 / 83 / 35

HEX #A5431C

RGB 165 67 28

HSL 17.08, 0.71%, 0.38%

LAB 41.37, 38.42, 42.08

 

CMYK 0 / 60 / 83 / 21

HEX #C95122

RGB 201 81 34

HSL 16.89, 0.71%, 0.46%

LAB 50, 45.49, 49.43

 

CMYK 0 / 54 / 75 / 13

HEX #DD6637

RGB 221 102 55

HSL 16.99, 0.71%, 0.54%

LAB 57.22, 43.65, 47.64

 

CMYK 0 / 43 / 60 / 11

HEX #E3815A

RGB 227 129 90

HSL 17.08, 0.71%, 0.62%

LAB 63.97, 34.22, 37.38

 

CMYK 0 / 59 / 83 / 22

HEX #C75122

RGB 199 81 34

HSL 17.09, 0.71%, 0.46%

LAB 49.67, 44.75, 49.01

 

CMYK 40 / 0 / 83 / 21

HEX #78C922

RGB 120 201 34

HSL 89.1, 0.71%, 0.46%

LAB 73.47, -49.34, 67.64

 

CMYK 83 / 74 / 0 / 21

HEX #2235C9

RGB 34 53 201

HSL 233.17, 0.71%, 0.46%

LAB 32.04, 47.03, -77.38

 

CMYK 0 / 59 / 83 / 22

HEX #C75122

RGB 199 81 34

HSL 17.09, 0.71%, 0.46%

LAB 49.67, 44.75, 49.01

 

CMYK 83 / 0 / 60 / 21

HEX #22C951

RGB 34 201 81

HSL 136.89, 0.71%, 0.46%

LAB 71.36, -64.81, 47.75

 

CMYK 60 / 83 / 0 / 21

HEX #5122C9

RGB 81 34 201

HSL 256.89, 0.71%, 0.46%

LAB 32.06, 60.07, -77.26

 

CMYK 0 / 59 / 83 / 22

HEX #C75122

RGB 199 81 34

HSL 17.09, 0.71%, 0.46%

LAB 49.67, 44.75, 49.01

 

CMYK 40 / 0 / 83 / 21

HEX #78C922

RGB 120 201 34

HSL 89.1, 0.71%, 0.46%

LAB 73.47, -49.34, 67.64

 

CMYK 83 / 24 / 0 / 21

HEX #2299C9

RGB 34 153 201

HSL 197.25, 0.71%, 0.46%

LAB 59.29, -14.78, -33.56

 

CMYK 43 / 83 / 0 / 21

HEX #7322C9

RGB 115 34 201

HSL 269.1, 0.71%, 0.46%

LAB 36, 63.99, -70.63

 

CMYK 0 / 59 / 83 / 22

HEX #C75122

RGB 199 81 34

HSL 17.09, 0.71%, 0.46%

LAB 49.67, 44.75, 49.01

 

CMYK 65 / 0 / 83 / 21

HEX #46C922

RGB 70 201 34

HSL 107.07, 0.71%, 0.46%

LAB 71.68, -63.24, 65.37

 

CMYK 83 / 24 / 0 / 21

HEX #2299C9

RGB 34 153 201

HSL 197.25, 0.71%, 0.46%

LAB 59.29, -14.78, -33.56

 

CMYK 18 / 83 / 0 / 21

HEX #A422C9

RGB 164 34 201

HSL 286.71, 0.71%, 0.46%

LAB 43.14, 71.41, -58.67

 

Description

Color code: HEX #C75122 | qconv.com Color code: HEX #C75122 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 81 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 81 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 83 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 83% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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