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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C74B4ACE it is the complementary color #38B4B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C74B4ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C74B4ACE shade: #CC4B45CE, #DD5D58CE, #EE6F6BCE, #FF817ECE and #FF9391CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C74B4ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C74B4ACE shade: #C74B4ACE, #B63937CE, #A52724CE, #941511CE and #830300CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C74B4ACE shade: #C84D4C and #C84C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C74B4ACE shade: #C84D4C, #C86E4C, #C8904C, #C8B14C and #BDC84C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C74B4ACE shade matches the following richer shades: #C84D4C, #DB3A39 and #EE2726

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C74B4ACE shade: #C84D4C, #B55F5F, #A27271, #8F8584 and #7C9797

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C74B4ACE shade: #C84C8E, #C84C6D, #C84C4C, #C86D4C and #C88E4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C74B4ACE shade: #942E2D, #B33837, #C84D4C, #D26C6B and #DB8B8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C74B4ACE shade: #C74B4A, #AFC84C and #4C7DC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C74B4ACE shade: #C74B4A, #4CC84C and #4C4CC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C74B4ACE shade: #C74B4A, #AFC84C, #4CC8C8 and #644CC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C74B4ACE shade: #C74B4A, #8AC84C, #4CC8C8 and #8A4CC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 51 / 18

HEX #C74B4ACE

RGBA 199 75 74 0.81

HSLA 0.48, 0.53%, 0.54%, 0.81

LABA 49.09, 49.35, 26.92, 0.81

 

Complementary color

CMYK 56 / 0 / 0 / 24

HEX #38B4B5CE

RGBA 56 180 181 0.81

HSLA 180.48, 0.53%, 0.46%, 0.81

LABA 67.14, -32.58, -10.37, 0.81

 

CMYK 0 / 51 / 54 / 16

HEX #CC4B45CE

RGBA 204 75 69 0.81

HSLA 2.67, 0.57%, 0.54%, 0.81

LABA 49.86, 50.76, 30.98, 0.81

 

CMYK 0 / 47 / 49 / 11

HEX #DD5D58CE

RGBA 221 93 88 0.81

HSLA 2.26, 0.66%, 0.61%, 0.81

LABA 55.99, 49.75, 28.3, 0.81

 

CMYK 0 / 43 / 45 / 5

HEX #EE6F6BCE

RGBA 238 111 107 0.81

HSLA 1.83, 0.79%, 0.68%, 0.81

LABA 62.17, 48.65, 26, 0.81

 

CMYK 0 / 40 / 41 / 0

HEX #FF817ECE

RGBA 255 129 126 0.81

HSLA 1.4, 1%, 0.75%, 0.81

LABA 68.36, 47.54, 24.01, 0.81

 

CMYK 0 / 34 / 35 / 0

HEX #FF9391CE

RGBA 255 147 145 0.81

HSLA 1.09, 1%, 0.78%, 0.81

LABA 72.34, 40.33, 18.9, 0.81

 

CMYK 0 / 50 / 51 / 18

HEX #C74B4ACE

RGBA 199 75 74 0.81

HSLA 0.48, 0.53%, 0.54%, 0.81

LABA 49.09, 49.35, 26.92, 0.81

 

CMYK 0 / 56 / 57 / 23

HEX #B63937CE

RGBA 182 57 55 0.81

HSLA 0.94, 0.54%, 0.46%, 0.81

LABA 42.98, 50.15, 29.97, 0.81

 

CMYK 0 / 62 / 63 / 29

HEX #A52724CE

RGBA 165 39 36 0.81

HSLA 1.4, 0.64%, 0.39%, 0.81

LABA 37.07, 50.5, 33.58, 0.81

 

CMYK 0 / 70 / 72 / 34

HEX #941511CE

RGBA 148 21 17 0.81

HSLA 1.83, 0.79%, 0.32%, 0.81

LABA 31.52, 50.02, 37.49, 0.81

 

CMYK 0 / 79 / 81 / 39

HEX #830300CE

RGBA 131 3 0 0.81

HSLA 1.37, 1%, 0.26%, 0.81

LABA 26.42, 48.32, 39.13, 0.81

 

CMYK 0 / 62 / 62 / 22

HEX #C84D4C

RGB 200 77 76

HSL 0.48, 0.53%, 0.54%

LAB 49.63, 48.93, 26.46

 

CMYK 0 / 62 / 62 / 22

HEX #C84C4C

RGB 200 76 76

HSL 0, 0.53%, 0.54%

LAB 49.46, 49.38, 26.24

 

CMYK 0 / 62 / 62 / 22

HEX #C84D4C

RGB 200 77 76

HSL 0.48, 0.53%, 0.54%

LAB 49.63, 48.93, 26.46

 

CMYK 0 / 45 / 62 / 22

HEX #C86E4C

RGB 200 110 76

HSL 16.45, 0.53%, 0.54%

LAB 56.04, 32.54, 34.45

 

CMYK 0 / 28 / 62 / 22

HEX #C8904C

RGB 200 144 76

HSL 32.9, 0.53%, 0.54%

LAB 63.96, 14.08, 43.84

 

CMYK 0 / 12 / 62 / 22

HEX #C8B14C

RGB 200 177 76

HSL 48.87, 0.53%, 0.54%

LAB 72.39, -3.68, 53.35

 

CMYK 5 / 0 / 62 / 22

HEX #BDC84C

RGB 189 200 76

HSL 65.32, 0.53%, 0.54%

LAB 77.67, -20.07, 58.81

 

CMYK 0 / 62 / 62 / 22

HEX #C84D4C

RGB 200 77 76

HSL 0.48, 0.53%, 0.54%

LAB 49.63, 48.93, 26.46

 

CMYK 0 / 74 / 74 / 14

HEX #DB3A39

RGB 219 58 57

HSL 0.37, 0.69%, 0.54%

LAB 49.96, 61.59, 38.64

 

CMYK 0 / 84 / 84 / 7

HEX #EE2726

RGB 238 39 38

HSL 0.3, 0.85%, 0.54%

LAB 51.57, 71.62, 51.53

 

CMYK 0 / 62 / 62 / 22

HEX #C84D4C

RGB 200 77 76

HSL 0.48, 0.53%, 0.54%

LAB 49.63, 48.93, 26.46

 

CMYK 0 / 48 / 48 / 29

HEX #B55F5F

RGB 181 95 95

HSL 0, 0.37%, 0.54%

LAB 50.49, 34.66, 15.83

 

CMYK 0 / 30 / 30 / 36

HEX #A27271

RGB 162 114 113

HSL 1.22, 0.21%, 0.54%

LAB 52.85, 18.82, 8.13

 

CMYK 0 / 7 / 8 / 44

HEX #8F8584

RGB 143 133 132

HSL 5.45, 0.05%, 0.54%

LAB 56.37, 3.57, 1.88

 

CMYK 18 / 0 / 0 / 41

HEX #7C9797

RGB 124 151 151

HSL 180, 0.11%, 0.54%

LAB 60.47, -9.42, -3.16

 

CMYK 0 / 62 / 29 / 22

HEX #C84C8E

RGB 200 76 142

HSL 328.06, 0.53%, 0.54%

LAB 51.15, 55.78, -10.93

 

CMYK 0 / 62 / 46 / 22

HEX #C84C6D

RGB 200 76 109

HSL 344.03, 0.53%, 0.54%

LAB 50.16, 52.07, 7.41

 

CMYK 0 / 62 / 62 / 22

HEX #C84C4C

RGB 200 76 76

HSL 0, 0.53%, 0.54%

LAB 49.46, 49.38, 26.24

 

CMYK 0 / 46 / 62 / 22

HEX #C86D4C

RGB 200 109 76

HSL 15.97, 0.53%, 0.54%

LAB 55.82, 33.07, 34.18

 

CMYK 0 / 29 / 62 / 22

HEX #C88E4C

RGB 200 142 76

HSL 31.94, 0.53%, 0.54%

LAB 63.46, 15.17, 43.27

 

CMYK 0 / 69 / 70 / 42

HEX #942E2D

RGB 148 46 45

HSL 0.58, 0.53%, 0.38%

LAB 34.88, 42.61, 24.8

 

CMYK 0 / 69 / 69 / 30

HEX #B33837

RGB 179 56 55

HSL 0.48, 0.53%, 0.46%

LAB 42.29, 49.55, 29.01

 

CMYK 0 / 62 / 62 / 22

HEX #C84D4C

RGB 200 77 76

HSL 0.48, 0.53%, 0.54%

LAB 49.63, 48.93, 26.46

 

CMYK 0 / 49 / 49 / 18

HEX #D26C6B

RGB 210 108 107

HSL 0.58, 0.53%, 0.62%

LAB 57.55, 39.98, 19.1

 

CMYK 0 / 37 / 37 / 14

HEX #DB8B8B

RGB 219 139 139

HSL 0, 0.53%, 0.7%

LAB 66.05, 30.49, 12.81

 

CMYK 0 / 62 / 63 / 22

HEX #C74B4A

RGB 199 75 74

HSL 0.48, 0.53%, 0.54%

LAB 49.09, 49.35, 26.92

 

CMYK 13 / 0 / 62 / 22

HEX #AFC84C

RGB 175 200 76

HSL 72.1, 0.53%, 0.54%

LAB 76.65, -25.77, 57.41

 

CMYK 62 / 38 / 0 / 22

HEX #4C7DC8

RGB 76 125 200

HSL 216.29, 0.53%, 0.54%

LAB 52.26, 6.8, -43.96

 

CMYK 0 / 62 / 63 / 22

HEX #C74B4A

RGB 199 75 74

HSL 0.48, 0.53%, 0.54%

LAB 49.09, 49.35, 26.92

 

CMYK 62 / 0 / 62 / 22

HEX #4CC84C

RGB 76 200 76

HSL 120, 0.53%, 0.54%

LAB 71.8, -58.36, 50.7

 

CMYK 62 / 62 / 0 / 22

HEX #4C4CC8

RGB 76 76 200

HSL 240, 0.53%, 0.54%

LAB 39.37, 37.36, -64.68

 

CMYK 0 / 62 / 63 / 22

HEX #C74B4A

RGB 199 75 74

HSL 0.48, 0.53%, 0.54%

LAB 49.09, 49.35, 26.92

 

CMYK 13 / 0 / 62 / 22

HEX #AFC84C

RGB 175 200 76

HSL 72.1, 0.53%, 0.54%

LAB 76.65, -25.77, 57.41

 

CMYK 62 / 0 / 0 / 22

HEX #4CC8C8

RGB 76 200 200

HSL 180, 0.53%, 0.54%

LAB 74.2, -33.65, -10.19

 

CMYK 50 / 62 / 0 / 22

HEX #644CC8

RGB 100 76 200

HSL 251.61, 0.53%, 0.54%

LAB 41.29, 41.58, -61.47

 

CMYK 0 / 62 / 63 / 22

HEX #C74B4A

RGB 199 75 74

HSL 0.48, 0.53%, 0.54%

LAB 49.09, 49.35, 26.92

 

CMYK 31 / 0 / 62 / 22

HEX #8AC84C

RGB 138 200 76

HSL 90, 0.53%, 0.54%

LAB 74.34, -39.97, 54.23

 

CMYK 62 / 0 / 0 / 22

HEX #4CC8C8

RGB 76 200 200

HSL 180, 0.53%, 0.54%

LAB 74.2, -33.65, -10.19

 

CMYK 31 / 62 / 0 / 22

HEX #8A4CC8

RGB 138 76 200

HSL 270, 0.53%, 0.54%

LAB 45.28, 49.64, -54.83

 

Description

Color code: HEX #C74B4ACE | qconv.com Color code: HEX #C74B4ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 75 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 75 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 51 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 51% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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