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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C74837 it is the complementary color #38B7C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C74837. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C74837 shade: #CC4832, #DD5A45, #EE6C58, #FF7E6B and #FF907E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C74837. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C74837 shade: #C74837, #B63624, #A52411, #941200 and #830000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C74837 shade: #C84837 and #C83737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C74837 shade: #C84837, #C86F37, #C89637, #C8BE37 and #ACC837

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C74837 shade matches the following richer shades: #C84837, #DD3822 and #F1280E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C74837 shade: #C84837, #B4584B, #9F6760, #8A7775 and #768789

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C74837 shade: #C83773, #C8374D, #C84837, #C86F37 and #C89537

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C74837 shade: #873125, #A83C2E, #C84837, #D16657 and #DA8378

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C74837 shade: #C74837, #9AC837 and #3760C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C74837 shade: #C74837, #37C848 and #4837C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C74837 shade: #C74837, #9AC837, #37B7C8 and #6537C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C74837 shade: #C74837, #6FC837, #37B7C8 and #9037C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 72 / 22

HEX #C74837

RGB 199 72 55

HSL 7.08, 0.57%, 0.5%

LAB 48.33, 49.62, 36.95

 

Complementary color

CMYK 72 / 9 / 0 / 22

HEX #38B7C8

RGB 56 183 200

HSL 187.08, 0.57%, 0.5%

LAB 68.66, -28.36, -18.56

 

CMYK 0 / 65 / 75 / 20

HEX #CC4832

RGB 204 72 50

HSL 8.57, 0.61%, 0.5%

LAB 49.13, 51.13, 40.82

 

CMYK 0 / 59 / 69 / 13

HEX #DD5A45

RGB 221 90 69

HSL 8.29, 0.69%, 0.57%

LAB 55.19, 49.98, 38.04

 

CMYK 0 / 55 / 63 / 7

HEX #EE6C58

RGB 238 108 88

HSL 8, 0.82%, 0.64%

LAB 61.31, 48.75, 35.55

 

CMYK 0 / 51 / 58 / 0

HEX #FF7E6B

RGB 255 126 107

HSL 7.7, 1%, 0.71%

LAB 67.46, 47.5, 33.34

 

CMYK 0 / 44 / 51 / 0

HEX #FF907E

RGB 255 144 126

HSL 8.37, 1%, 0.75%

LAB 71.36, 40.05, 28.01

 

CMYK 0 / 64 / 72 / 22

HEX #C74837

RGB 199 72 55

HSL 7.08, 0.57%, 0.5%

LAB 48.33, 49.62, 36.95

 

CMYK 0 / 70 / 80 / 29

HEX #B63624

RGB 182 54 36

HSL 7.4, 0.67%, 0.43%

LAB 42.32, 50.53, 40.02

 

CMYK 0 / 78 / 90 / 35

HEX #A52411

RGB 165 36 17

HSL 7.7, 0.81%, 0.36%

LAB 36.56, 50.96, 43

 

CMYK 0 / 88 / 100 / 42

HEX #941200

RGB 148 18 0

HSL 7.3, 1%, 0.29%

LAB 31.18, 50.42, 44.55

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

 

CMYK 0 / 64 / 73 / 22

HEX #C84837

RGB 200 72 55

HSL 7.03, 0.57%, 0.5%

LAB 48.5, 49.97, 37.19

 

CMYK 0 / 73 / 73 / 22

HEX #C83737

RGB 200 55 55

HSL 0, 0.57%, 0.5%

LAB 46.03, 56.7, 34.37

 

CMYK 0 / 64 / 73 / 22

HEX #C84837

RGB 200 72 55

HSL 7.03, 0.57%, 0.5%

LAB 48.5, 49.97, 37.19

 

CMYK 0 / 45 / 73 / 22

HEX #C86F37

RGB 200 111 55

HSL 23.17, 0.57%, 0.5%

LAB 56.01, 30.77, 45.43

 

CMYK 0 / 25 / 73 / 22

HEX #C89637

RGB 200 150 55

HSL 39.31, 0.57%, 0.5%

LAB 65.25, 9.56, 55.01

 

CMYK 0 / 5 / 73 / 22

HEX #C8BE37

RGB 200 190 55

HSL 55.86, 0.57%, 0.5%

LAB 75.69, -11.6, 65.26

 

CMYK 14 / 0 / 73 / 22

HEX #ACC837

RGB 172 200 55

HSL 71.59, 0.57%, 0.5%

LAB 76.29, -28.29, 65.09

 

CMYK 0 / 64 / 73 / 22

HEX #C84837

RGB 200 72 55

HSL 7.03, 0.57%, 0.5%

LAB 48.5, 49.97, 37.19

 

CMYK 0 / 75 / 85 / 13

HEX #DD3822

RGB 221 56 34

HSL 7.06, 0.73%, 0.5%

LAB 49.88, 62.14, 50.68

 

CMYK 0 / 83 / 94 / 5

HEX #F1280E

RGB 241 40 14

HSL 6.87, 0.89%, 0.5%

LAB 52.12, 71.84, 61.62

 

CMYK 0 / 64 / 73 / 22

HEX #C84837

RGB 200 72 55

HSL 7.03, 0.57%, 0.5%

LAB 48.5, 49.97, 37.19

 

CMYK 0 / 51 / 58 / 29

HEX #B4584B

RGB 180 88 75

HSL 7.43, 0.41%, 0.5%

LAB 48.5, 36.17, 24.96

 

CMYK 0 / 35 / 40 / 38

HEX #9F6760

RGB 159 103 96

HSL 6.67, 0.25%, 0.5%

LAB 49.39, 21.64, 13.26

 

CMYK 0 / 14 / 15 / 46

HEX #8A7775

RGB 138 119 117

HSL 5.71, 0.08%, 0.5%

LAB 51.7, 7, 3.81

 

CMYK 14 / 1 / 0 / 46

HEX #768789

RGB 118 135 137

HSL 186.32, 0.07%, 0.5%

LAB 55.06, -5.7, -3.16

 

CMYK 0 / 73 / 43 / 22

HEX #C83773

RGB 200 55 115

HSL 335.17, 0.57%, 0.5%

LAB 47.3, 60.95, -0.35

 

CMYK 0 / 73 / 62 / 22

HEX #C8374D

RGB 200 55 77

HSL 350.9, 0.57%, 0.5%

LAB 46.38, 57.89, 21.65

 

CMYK 0 / 64 / 73 / 22

HEX #C84837

RGB 200 72 55

HSL 7.03, 0.57%, 0.5%

LAB 48.5, 49.97, 37.19

 

CMYK 0 / 45 / 73 / 22

HEX #C86F37

RGB 200 111 55

HSL 23.17, 0.57%, 0.5%

LAB 56.01, 30.77, 45.43

 

CMYK 0 / 26 / 73 / 22

HEX #C89537

RGB 200 149 55

HSL 38.9, 0.57%, 0.5%

LAB 65, 10.11, 54.76

 

CMYK 0 / 64 / 73 / 47

HEX #873125

RGB 135 49 37

HSL 7.35, 0.57%, 0.34%

LAB 32.88, 36.07, 26.74

 

CMYK 0 / 64 / 73 / 34

HEX #A83C2E

RGB 168 60 46

HSL 6.89, 0.57%, 0.42%

LAB 40.82, 43.57, 32.09

 

CMYK 0 / 64 / 73 / 22

HEX #C84837

RGB 200 72 55

HSL 7.03, 0.57%, 0.5%

LAB 48.5, 49.97, 37.19

 

CMYK 0 / 51 / 58 / 18

HEX #D16657

RGB 209 102 87

HSL 7.38, 0.57%, 0.58%

LAB 55.83, 40.97, 28.3

 

CMYK 0 / 40 / 45 / 15

HEX #DA8378

RGB 218 131 120

HSL 6.73, 0.57%, 0.66%

LAB 63.75, 32.25, 20.3

 

CMYK 0 / 64 / 72 / 22

HEX #C74837

RGB 199 72 55

HSL 7.08, 0.57%, 0.5%

LAB 48.33, 49.62, 36.95

 

CMYK 23 / 0 / 73 / 22

HEX #9AC837

RGB 154 200 55

HSL 79.03, 0.57%, 0.5%

LAB 75.11, -35.46, 63.55

 

CMYK 73 / 52 / 0 / 22

HEX #3760C8

RGB 55 96 200

HSL 223.03, 0.57%, 0.5%

LAB 43.28, 21.6, -58.38

 

CMYK 0 / 64 / 72 / 22

HEX #C74837

RGB 199 72 55

HSL 7.08, 0.57%, 0.5%

LAB 48.33, 49.62, 36.95

 

CMYK 73 / 0 / 64 / 22

HEX #37C848

RGB 55 200 72

HSL 127.03, 0.57%, 0.5%

LAB 71.27, -62.81, 51.69

 

CMYK 64 / 73 / 0 / 22

HEX #4837C8

RGB 72 55 200

HSL 247.03, 0.57%, 0.5%

LAB 34.56, 49.01, -72.57

 

CMYK 0 / 64 / 72 / 22

HEX #C74837

RGB 199 72 55

HSL 7.08, 0.57%, 0.5%

LAB 48.33, 49.62, 36.95

 

CMYK 23 / 0 / 73 / 22

HEX #9AC837

RGB 154 200 55

HSL 79.03, 0.57%, 0.5%

LAB 75.11, -35.46, 63.55

 

CMYK 73 / 9 / 0 / 22

HEX #37B7C8

RGB 55 183 200

HSL 187.03, 0.57%, 0.5%

LAB 68.64, -28.48, -18.59

 

CMYK 50 / 73 / 0 / 22

HEX #6537C8

RGB 101 55 200

HSL 259.03, 0.57%, 0.5%

LAB 37.24, 53.09, -68.07

 

CMYK 0 / 64 / 72 / 22

HEX #C74837

RGB 199 72 55

HSL 7.08, 0.57%, 0.5%

LAB 48.33, 49.62, 36.95

 

CMYK 45 / 0 / 73 / 22

HEX #6FC837

RGB 111 200 55

HSL 96.83, 0.57%, 0.5%

LAB 72.87, -50.76, 60.58

 

CMYK 73 / 9 / 0 / 22

HEX #37B7C8

RGB 55 183 200

HSL 187.03, 0.57%, 0.5%

LAB 68.64, -28.48, -18.59

 

CMYK 28 / 73 / 0 / 22

HEX #9037C8

RGB 144 55 200

HSL 276.83, 0.57%, 0.5%

LAB 42.51, 60.7, -59.26

 

Description

Color code: HEX #C74837 | qconv.com Color code: HEX #C74837 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 72 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 72 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 72 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 72% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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