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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7457D it is the complementary color #38BA82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7457D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7457D shade: #CC4578, #DD578B, #EE699E, #FF7BB1 and #FF8DC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7457D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7457D shade: #C7457D, #B6336A, #A52157, #940F44 and #830031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7457D shade: #C8467E, #C8465B and #C84646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7457D shade: #C8467E, #C846A1, #C846C4, #A946C8 and #8646C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7457D shade matches the following richer shades: #C8467E, #DB337C and #EF2079

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7457D shade: #C8467E, #B45A81, #A16D84, #8E8186 and #7A9489

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7457D shade: #C846C4, #C846A1, #C8467F, #C8465C and #C85346

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7457D shade: #912B57, #B0356A, #C8467E, #D16694 and #DB86AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7457D shade: #C7457D, #C8AA46 and #46B2C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7457D shade: #C7457D, #7FC846 and #467FC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7457D shade: #C7457D, #C8AA46, #46C890 and #4665C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7457D shade: #C7457D, #BFC846, #46C890 and #4F46C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 37 / 22

HEX #C7457D

RGB 199 69 125

HSL 334.15, 0.54%, 0.53%

LAB 49.35, 56.41, -3.44

 

Complementary color

CMYK 70 / 0 / 30 / 27

HEX #38BA82

RGB 56 186 130

HSL 154.15, 0.54%, 0.47%

LAB 67.7, -48.22, 18.44

 

CMYK 0 / 66 / 41 / 20

HEX #CC4578

RGB 204 69 120

HSL 337.33, 0.57%, 0.54%

LAB 50.04, 57.37, 0.69

 

CMYK 0 / 61 / 37 / 13

HEX #DD578B

RGB 221 87 139

HSL 336.72, 0.66%, 0.6%

LAB 56.14, 57.03, -1.38

 

CMYK 0 / 56 / 34 / 7

HEX #EE699E

RGB 238 105 158

HSL 336.09, 0.8%, 0.67%

LAB 62.3, 56.45, -3.09

 

CMYK 0 / 52 / 31 / 0

HEX #FF7BB1

RGB 255 123 177

HSL 335.45, 1%, 0.74%

LAB 68.46, 55.76, -4.54

 

CMYK 0 / 45 / 23 / 0

HEX #FF8DC4

RGB 255 141 196

HSL 331.05, 1%, 0.78%

LAB 72.43, 49.5, -9.27

 

CMYK 0 / 65 / 37 / 22

HEX #C7457D

RGB 199 69 125

HSL 334.15, 0.54%, 0.53%

LAB 49.35, 56.41, -3.44

 

CMYK 0 / 72 / 42 / 29

HEX #B6336A

RGB 182 51 106

HSL 334.81, 0.56%, 0.46%

LAB 43.29, 56.36, -1.06

 

CMYK 0 / 80 / 47 / 35

HEX #A52157

RGB 165 33 87

HSL 335.45, 0.67%, 0.39%

LAB 37.44, 55.64, 2

 

CMYK 0 / 90 / 54 / 42

HEX #940F44

RGB 148 15 68

HSL 336.09, 0.82%, 0.32%

LAB 31.93, 53.8, 6.02

 

CMYK 0 / 100 / 63 / 49

HEX #830031

RGB 131 0 49

HSL 337.56, 1%, 0.26%

LAB 26.87, 50.59, 11.2

 

CMYK 0 / 65 / 37 / 22

HEX #C8467E

RGB 200 70 126

HSL 334.15, 0.54%, 0.53%

LAB 49.7, 56.4, -3.51

 

CMYK 0 / 65 / 55 / 22

HEX #C8465B

RGB 200 70 91

HSL 350.31, 0.54%, 0.53%

LAB 48.78, 53.07, 16.36

 

CMYK 0 / 65 / 65 / 22

HEX #C84646

RGB 200 70 70

HSL 0, 0.54%, 0.53%

LAB 48.39, 51.62, 28.43

 

CMYK 0 / 65 / 37 / 22

HEX #C8467E

RGB 200 70 126

HSL 334.15, 0.54%, 0.53%

LAB 49.7, 56.4, -3.51

 

CMYK 0 / 65 / 20 / 22

HEX #C846A1

RGB 200 70 161

HSL 318, 0.54%, 0.53%

LAB 50.96, 60.82, -22.49

 

CMYK 0 / 65 / 2 / 22

HEX #C846C4

RGB 200 70 196

HSL 301.85, 0.54%, 0.53%

LAB 52.56, 66.16, -40.41

 

CMYK 16 / 65 / 0 / 22

HEX #A946C8

RGB 169 70 200

HSL 285.69, 0.54%, 0.53%

LAB 48.24, 59.62, -49.85

 

CMYK 33 / 65 / 0 / 22

HEX #8646C8

RGB 134 70 200

HSL 269.54, 0.54%, 0.53%

LAB 43.68, 51.81, -57.43

 

CMYK 0 / 65 / 37 / 22

HEX #C8467E

RGB 200 70 126

HSL 334.15, 0.54%, 0.53%

LAB 49.7, 56.4, -3.51

 

CMYK 0 / 77 / 43 / 14

HEX #DB337C

RGB 219 51 124

HSL 333.93, 0.7%, 0.53%

LAB 50.55, 68.21, -0.66

 

CMYK 0 / 87 / 49 / 6

HEX #EF2079

RGB 239 32 121

HSL 334.2, 0.87%, 0.53%

LAB 52.69, 77.25, 4.72

 

CMYK 0 / 65 / 37 / 22

HEX #C8467E

RGB 200 70 126

HSL 334.15, 0.54%, 0.53%

LAB 49.7, 56.4, -3.51

 

CMYK 0 / 50 / 28 / 29

HEX #B45A81

RGB 180 90 129

HSL 334, 0.38%, 0.53%

LAB 50.22, 40.98, -4.89

 

CMYK 0 / 32 / 18 / 37

HEX #A16D84

RGB 161 109 132

HSL 333.46, 0.22%, 0.53%

LAB 52.04, 24.2, -4.24

 

CMYK 0 / 9 / 6 / 44

HEX #8E8186

RGB 142 129 134

HSL 336.92, 0.05%, 0.53%

LAB 55.25, 5.86, -0.91

 

CMYK 18 / 0 / 7 / 42

HEX #7A9489

RGB 122 148 137

HSL 154.62, 0.11%, 0.53%

LAB 59.09, -11.49, 2.76

 

CMYK 0 / 65 / 2 / 22

HEX #C846C4

RGB 200 70 196

HSL 301.85, 0.54%, 0.53%

LAB 52.56, 66.16, -40.41

 

CMYK 0 / 65 / 20 / 22

HEX #C846A1

RGB 200 70 161

HSL 318, 0.54%, 0.53%

LAB 50.96, 60.82, -22.49

 

CMYK 0 / 65 / 37 / 22

HEX #C8467F

RGB 200 70 127

HSL 333.69, 0.54%, 0.53%

LAB 49.73, 56.52, -4.07

 

CMYK 0 / 65 / 54 / 22

HEX #C8465C

RGB 200 70 92

HSL 349.85, 0.54%, 0.53%

LAB 48.8, 53.15, 15.79

 

CMYK 0 / 59 / 65 / 22

HEX #C85346

RGB 200 83 70

HSL 6, 0.54%, 0.53%

LAB 50.58, 45.78, 31.14

 

CMYK 0 / 70 / 40 / 43

HEX #912B57

RGB 145 43 87

HSL 334.12, 0.54%, 0.37%

LAB 34.87, 46.41, -2.2

 

CMYK 0 / 70 / 40 / 31

HEX #B0356A

RGB 176 53 106

HSL 334.15, 0.54%, 0.45%

LAB 42.49, 53.87, -2.37

 

CMYK 0 / 65 / 37 / 22

HEX #C8467E

RGB 200 70 126

HSL 334.15, 0.54%, 0.53%

LAB 49.7, 56.4, -3.51

 

CMYK 0 / 51 / 29 / 18

HEX #D16694

RGB 209 102 148

HSL 334.21, 0.54%, 0.61%

LAB 57.27, 47.27, -5.2

 

CMYK 0 / 39 / 22 / 14

HEX #DB86AB

RGB 219 134 171

HSL 333.88, 0.54%, 0.69%

LAB 65.79, 37.42, -5.63

 

CMYK 0 / 65 / 37 / 22

HEX #C7457D

RGB 199 69 125

HSL 334.15, 0.54%, 0.53%

LAB 49.35, 56.41, -3.44

 

CMYK 0 / 15 / 65 / 22

HEX #C8AA46

RGB 200 170 70

HSL 46.15, 0.54%, 0.53%

LAB 70.5, -0.37, 53.99

 

CMYK 65 / 11 / 0 / 22

HEX #46B2C8

RGB 70 178 200

HSL 190.15, 0.54%, 0.53%

LAB 67.51, -23.85, -20.28

 

CMYK 0 / 65 / 37 / 22

HEX #C7457D

RGB 199 69 125

HSL 334.15, 0.54%, 0.53%

LAB 49.35, 56.41, -3.44

 

CMYK 37 / 0 / 65 / 22

HEX #7FC846

RGB 127 200 70

HSL 93.69, 0.54%, 0.53%

LAB 73.72, -44.35, 55.91

 

CMYK 65 / 37 / 0 / 22

HEX #467FC8

RGB 70 127 200

HSL 213.69, 0.54%, 0.53%

LAB 52.57, 4.51, -43.49

 

CMYK 0 / 65 / 37 / 22

HEX #C7457D

RGB 199 69 125

HSL 334.15, 0.54%, 0.53%

LAB 49.35, 56.41, -3.44

 

CMYK 0 / 15 / 65 / 22

HEX #C8AA46

RGB 200 170 70

HSL 46.15, 0.54%, 0.53%

LAB 70.5, -0.37, 53.99

 

CMYK 65 / 0 / 28 / 22

HEX #46C890

RGB 70 200 144

HSL 154.15, 0.54%, 0.53%

LAB 72.64, -48.55, 17.8

 

CMYK 65 / 50 / 0 / 22

HEX #4665C8

RGB 70 101 200

HSL 225.69, 0.54%, 0.53%

LAB 45.33, 20.66, -55.04

 

CMYK 0 / 65 / 37 / 22

HEX #C7457D

RGB 199 69 125

HSL 334.15, 0.54%, 0.53%

LAB 49.35, 56.41, -3.44

 

CMYK 5 / 0 / 65 / 22

HEX #BFC846

RGB 191 200 70

HSL 64.15, 0.54%, 0.53%

LAB 77.77, -19.63, 61.43

 

CMYK 65 / 0 / 28 / 22

HEX #46C890

RGB 70 200 144

HSL 154.15, 0.54%, 0.53%

LAB 72.64, -48.55, 17.8

 

CMYK 61 / 65 / 0 / 22

HEX #4F46C8

RGB 79 70 200

HSL 244.15, 0.54%, 0.53%

LAB 38.22, 41.44, -66.55

 

Description

Color code: HEX #C7457D | qconv.com Color code: HEX #C7457D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 69 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 69 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 37 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 37% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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