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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C740BC it is the complementary color #38BF43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C740BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C740BC shade: #CC40B7, #DD52CA, #EE64DD, #FF76F0 and #FF88FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C740BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C740BC shade: #C740BC, #B62EA9, #A51C96, #940A83 and #830070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C740BC shade: #C841BD, #C84199, #C84174, #C84150 and #C84141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C740BC shade: #C841BD, #AF41C8, #8A41C8, #6641C8 and #4241C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C740BC shade matches the following richer shades: #C841BD, #DC2DCE and #F01ADE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C740BC shade: #C841BD, #B455AC, #A0699C, #8D7D8B and #79907B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C740BC shade: #8941C8, #AD41C8, #C841BF, #C8419B and #C84177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C740BC shade: #8E2985, #AE32A4, #C841BD, #D161C8 and #DA81D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C740BC shade: #C740BC, #C86541 and #41C89B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C740BC shade: #C740BC, #BFC841 and #41BFC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C740BC shade: #C740BC, #C86541, #41C84A and #41A4C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C740BC shade: #C740BC, #C88E41, #41C84A and #417CC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 6 / 22

HEX #C740BC

RGB 199 64 188

HSL 304.89, 0.55%, 0.52%

LAB 51.2, 66.9, -37.94

 

Complementary color

CMYK 71 / 0 / 65 / 25

HEX #38BF43

RGB 56 191 67

HSL 124.89, 0.55%, 0.48%

LAB 68.39, -60.18, 50.63

 

CMYK 0 / 69 / 10 / 20

HEX #CC40B7

RGB 204 64 183

HSL 309, 0.58%, 0.53%

LAB 51.75, 67.32, -34.11

 

CMYK 0 / 63 / 9 / 13

HEX #DD52CA

RGB 221 82 202

HSL 308.2, 0.67%, 0.59%

LAB 57.72, 67.54, -35.52

 

CMYK 0 / 58 / 7 / 7

HEX #EE64DD

RGB 238 100 221

HSL 307.39, 0.8%, 0.66%

LAB 63.76, 67.39, -36.63

 

CMYK 0 / 54 / 6 / 0

HEX #FF76F0

RGB 255 118 240

HSL 306.57, 1%, 0.73%

LAB 69.83, 67.02, -37.54

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 68 / 6 / 22

HEX #C740BC

RGB 199 64 188

HSL 304.89, 0.55%, 0.52%

LAB 51.2, 66.9, -37.94

 

CMYK 0 / 75 / 7 / 29

HEX #B62EA9

RGB 182 46 169

HSL 305.74, 0.6%, 0.45%

LAB 45.31, 66.16, -36.26

 

CMYK 0 / 83 / 9 / 35

HEX #A51C96

RGB 165 28 150

HSL 306.57, 0.71%, 0.38%

LAB 39.63, 64.55, -34.01

 

CMYK 0 / 93 / 11 / 42

HEX #940A83

RGB 148 10 131

HSL 307.39, 0.87%, 0.31%

LAB 34.3, 61.66, -30.96

 

CMYK 0 / 100 / 15 / 49

HEX #830070

RGB 131 0 112

HSL 308.7, 1%, 0.26%

LAB 29.4, 57.11, -26.91

 

CMYK 0 / 68 / 5 / 22

HEX #C841BD

RGB 200 65 189

HSL 304.89, 0.55%, 0.52%

LAB 51.54, 66.92, -37.98

 

CMYK 0 / 68 / 24 / 22

HEX #C84199

RGB 200 65 153

HSL 320.89, 0.55%, 0.52%

LAB 49.93, 61.69, -19.33

 

CMYK 0 / 68 / 42 / 22

HEX #C84174

RGB 200 65 116

HSL 337.33, 0.55%, 0.52%

LAB 48.66, 57.36, 1.02

 

CMYK 0 / 68 / 60 / 22

HEX #C84150

RGB 200 65 80

HSL 353.33, 0.55%, 0.52%

LAB 47.8, 54.31, 21.71

 

CMYK 0 / 68 / 68 / 22

HEX #C84141

RGB 200 65 65

HSL 0, 0.55%, 0.52%

LAB 47.55, 53.4, 30.34

 

CMYK 0 / 68 / 5 / 22

HEX #C841BD

RGB 200 65 189

HSL 304.89, 0.55%, 0.52%

LAB 51.54, 66.92, -37.98

 

CMYK 13 / 68 / 0 / 22

HEX #AF41C8

RGB 175 65 200

HSL 288.89, 0.55%, 0.52%

LAB 48.34, 63.08, -49.65

 

CMYK 31 / 68 / 0 / 22

HEX #8A41C8

RGB 138 65 200

HSL 272.44, 0.55%, 0.52%

LAB 43.29, 55.09, -58.03

 

CMYK 49 / 68 / 0 / 22

HEX #6641C8

RGB 102 65 200

HSL 256.44, 0.55%, 0.52%

LAB 39.2, 48.11, -64.86

 

CMYK 67 / 68 / 0 / 22

HEX #4241C8

RGB 66 65 200

HSL 240.44, 0.55%, 0.52%

LAB 36.19, 42.58, -69.9

 

CMYK 0 / 68 / 5 / 22

HEX #C841BD

RGB 200 65 189

HSL 304.89, 0.55%, 0.52%

LAB 51.54, 66.92, -37.98

 

CMYK 0 / 80 / 6 / 14

HEX #DC2DCE

RGB 220 45 206

HSL 304.8, 0.71%, 0.52%

LAB 53.54, 79.85, -44.39

 

CMYK 0 / 89 / 8 / 6

HEX #F01ADE

RGB 240 26 222

HSL 305.05, 0.88%, 0.52%

LAB 56.62, 89.22, -48.41

 

CMYK 0 / 68 / 5 / 22

HEX #C841BD

RGB 200 65 189

HSL 304.89, 0.55%, 0.52%

LAB 51.54, 66.92, -37.98

 

CMYK 0 / 53 / 4 / 29

HEX #B455AC

RGB 180 85 172

HSL 305.05, 0.39%, 0.52%

LAB 50.9, 50.25, -29.29

 

CMYK 0 / 34 / 2 / 37

HEX #A0699C

RGB 160 105 156

HSL 304.36, 0.22%, 0.52%

LAB 51.81, 30.4, -18.72

 

CMYK 0 / 11 / 1 / 45

HEX #8D7D8B

RGB 141 125 139

HSL 307.5, 0.07%, 0.52%

LAB 54.23, 8.75, -5.33

 

CMYK 16 / 0 / 15 / 44

HEX #79907B

RGB 121 144 123

HSL 125.22, 0.09%, 0.52%

LAB 57.5, -12.49, 8.45

 

CMYK 32 / 68 / 0 / 22

HEX #8941C8

RGB 137 65 200

HSL 272, 0.55%, 0.52%

LAB 43.17, 54.88, -58.24

 

CMYK 14 / 68 / 0 / 22

HEX #AD41C8

RGB 173 65 200

HSL 288, 0.55%, 0.52%

LAB 48.05, 62.64, -50.13

 

CMYK 0 / 68 / 5 / 22

HEX #C841BF

RGB 200 65 191

HSL 304, 0.55%, 0.52%

LAB 51.63, 67.24, -38.98

 

CMYK 0 / 68 / 23 / 22

HEX #C8419B

RGB 200 65 155

HSL 320, 0.55%, 0.52%

LAB 50.01, 61.95, -20.4

 

CMYK 0 / 68 / 41 / 22

HEX #C84177

RGB 200 65 119

HSL 336, 0.55%, 0.52%

LAB 48.75, 57.66, -0.67

 

CMYK 0 / 71 / 6 / 44

HEX #8E2985

RGB 142 41 133

HSL 305.35, 0.55%, 0.36%

LAB 36.04, 52.8, -29.52

 

CMYK 0 / 71 / 6 / 32

HEX #AE32A4

RGB 174 50 164

HSL 304.84, 0.55%, 0.44%

LAB 44.18, 62.24, -35.16

 

CMYK 0 / 68 / 5 / 22

HEX #C841BD

RGB 200 65 189

HSL 304.89, 0.55%, 0.52%

LAB 51.54, 66.92, -37.98

 

CMYK 0 / 54 / 4 / 18

HEX #D161C8

RGB 209 97 200

HSL 304.82, 0.55%, 0.6%

LAB 58.3, 57.53, -33.61

 

CMYK 0 / 41 / 3 / 15

HEX #DA81D3

RGB 218 129 211

HSL 304.72, 0.55%, 0.68%

LAB 65.99, 46.21, -27.8

 

CMYK 0 / 68 / 6 / 22

HEX #C740BC

RGB 199 64 188

HSL 304.89, 0.55%, 0.52%

LAB 51.2, 66.9, -37.94

 

CMYK 0 / 50 / 68 / 22

HEX #C86541

RGB 200 101 65

HSL 16, 0.55%, 0.52%

LAB 53.99, 36.56, 38.01

 

CMYK 68 / 0 / 23 / 22

HEX #41C89B

RGB 65 200 155

HSL 160, 0.55%, 0.52%

LAB 72.76, -46.94, 12.05

 

CMYK 0 / 68 / 6 / 22

HEX #C740BC

RGB 199 64 188

HSL 304.89, 0.55%, 0.52%

LAB 51.2, 66.9, -37.94

 

CMYK 5 / 0 / 68 / 22

HEX #BFC841

RGB 191 200 65

HSL 64, 0.55%, 0.52%

LAB 77.74, -19.92, 63.35

 

CMYK 68 / 5 / 0 / 22

HEX #41BFC8

RGB 65 191 200

HSL 184, 0.55%, 0.52%

LAB 71.25, -31.04, -14.63

 

CMYK 0 / 68 / 6 / 22

HEX #C740BC

RGB 199 64 188

HSL 304.89, 0.55%, 0.52%

LAB 51.2, 66.9, -37.94

 

CMYK 0 / 50 / 68 / 22

HEX #C86541

RGB 200 101 65

HSL 16, 0.55%, 0.52%

LAB 53.99, 36.56, 38.01

 

CMYK 68 / 0 / 63 / 22

HEX #41C84A

RGB 65 200 74

HSL 124, 0.55%, 0.52%

LAB 71.51, -60.84, 51.15

 

CMYK 68 / 18 / 0 / 22

HEX #41A4C8

RGB 65 164 200

HSL 196, 0.55%, 0.52%

LAB 63.21, -17.36, -26.87

 

CMYK 0 / 68 / 6 / 22

HEX #C740BC

RGB 199 64 188

HSL 304.89, 0.55%, 0.52%

LAB 51.2, 66.9, -37.94

 

CMYK 0 / 29 / 68 / 22

HEX #C88E41

RGB 200 142 65

HSL 34.22, 0.55%, 0.52%

LAB 63.35, 14.46, 48.53

 

CMYK 68 / 0 / 63 / 22

HEX #41C84A

RGB 65 200 74

HSL 124, 0.55%, 0.52%

LAB 71.51, -60.84, 51.15

 

CMYK 68 / 38 / 0 / 22

HEX #417CC8

RGB 65 124 200

HSL 213.78, 0.55%, 0.52%

LAB 51.51, 5.49, -45.18

 

Description

Color code: HEX #C740BC | qconv.com Color code: HEX #C740BC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 64 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 64 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 6 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 6% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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