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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C73F30 it is the complementary color #38C0CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C73F30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C73F30 shade: #CC3F2B, #DD513E, #EE6351, #FF7564 and #FF8777

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C73F30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C73F30 shade: #C73F30, #B62D1D, #A51B0A, #940900 and #830000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C73F30 shade: #C53F30 and #C53030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C73F30 shade: #C53F30, #C56730, #C58F30, #C5B730 and #AAC530

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C73F30 shade matches the following richer shades: #C53F30, #D92F1C and #ED1F08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C73F30 shade: #C53F30, #B14E44, #9D5E57, #8A6E6B and #767E7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C73F30 shade: #C53073, #C5304B, #C53C30, #C56430 and #C58C30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C73F30 shade: #832920, #A43428, #C53F30, #D3584B and #DB776C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C73F30 shade: #C73F30, #9BC530 and #305FC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C73F30 shade: #C73F30, #30C53C and #3C30C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C73F30 shade: #C73F30, #9BC530, #30B9C5 and #5A30C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C73F30 shade: #C73F30, #6EC530, #30B9C5 and #8730C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 76 / 22

HEX #C73F30

RGB 199 63 48

HSL 5.96, 0.61%, 0.48%

LAB 46.86, 53.07, 39.2

 

Complementary color

CMYK 73 / 7 / 0 / 19

HEX #38C0CF

RGB 56 192 207

HSL 185.96, 0.61%, 0.52%

LAB 71.59, -30.62, -17.97

 

CMYK 0 / 69 / 79 / 20

HEX #CC3F2B

RGB 204 63 43

HSL 7.45, 0.65%, 0.48%

LAB 47.71, 54.54, 43.06

 

CMYK 0 / 63 / 72 / 13

HEX #DD513E

RGB 221 81 62

HSL 7.17, 0.7%, 0.55%

LAB 53.61, 53.62, 40.06

 

CMYK 0 / 58 / 66 / 7

HEX #EE6351

RGB 238 99 81

HSL 6.88, 0.82%, 0.63%

LAB 59.61, 52.51, 37.34

 

CMYK 0 / 54 / 61 / 0

HEX #FF7564

RGB 255 117 100

HSL 6.58, 1%, 0.7%

LAB 65.67, 51.32, 34.92

 

CMYK 0 / 47 / 53 / 0

HEX #FF8777

RGB 255 135 119

HSL 7.06, 1%, 0.73%

LAB 69.41, 43.99, 29.28

 

CMYK 0 / 68 / 76 / 22

HEX #C73F30

RGB 199 63 48

HSL 5.96, 0.61%, 0.48%

LAB 46.86, 53.07, 39.2

 

CMYK 0 / 75 / 84 / 29

HEX #B62D1D

RGB 182 45 29

HSL 6.27, 0.73%, 0.41%

LAB 41.07, 53.61, 42.46

 

CMYK 0 / 84 / 94 / 35

HEX #A51B0A

RGB 165 27 10

HSL 6.58, 0.89%, 0.34%

LAB 35.61, 53.43, 45.15

 

CMYK 0 / 94 / 100 / 42

HEX #940900

RGB 148 9 0

HSL 3.65, 1%, 0.29%

LAB 30.62, 52.03, 44.15

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

 

CMYK 0 / 68 / 76 / 23

HEX #C53F30

RGB 197 63 48

HSL 6.04, 0.61%, 0.48%

LAB 46.5, 52.41, 38.71

 

CMYK 0 / 76 / 76 / 23

HEX #C53030

RGB 197 48 48

HSL 0, 0.61%, 0.48%

LAB 44.52, 57.87, 36.55

 

CMYK 0 / 68 / 76 / 23

HEX #C53F30

RGB 197 63 48

HSL 6.04, 0.61%, 0.48%

LAB 46.5, 52.41, 38.71

 

CMYK 0 / 48 / 76 / 23

HEX #C56730

RGB 197 103 48

HSL 22.15, 0.61%, 0.48%

LAB 53.8, 33.46, 46.39

 

CMYK 0 / 27 / 76 / 23

HEX #C58F30

RGB 197 143 48

HSL 38.26, 0.61%, 0.48%

LAB 63.12, 11.75, 55.68

 

CMYK 0 / 7 / 76 / 23

HEX #C5B730

RGB 197 183 48

HSL 54.36, 0.61%, 0.48%

LAB 73.51, -9.61, 65.53

 

CMYK 14 / 0 / 76 / 23

HEX #AAC530

RGB 170 197 48

HSL 70.87, 0.61%, 0.48%

LAB 75.26, -28.02, 66.39

 

CMYK 0 / 68 / 76 / 23

HEX #C53F30

RGB 197 63 48

HSL 6.04, 0.61%, 0.48%

LAB 46.5, 52.41, 38.71

 

CMYK 0 / 78 / 87 / 15

HEX #D92F1C

RGB 217 47 28

HSL 6.03, 0.77%, 0.48%

LAB 48.09, 63.56, 51.6

 

CMYK 0 / 87 / 97 / 7

HEX #ED1F08

RGB 237 31 8

HSL 6.03, 0.93%, 0.48%

LAB 50.69, 72.49, 61.96

 

CMYK 0 / 68 / 76 / 23

HEX #C53F30

RGB 197 63 48

HSL 6.04, 0.61%, 0.48%

LAB 46.5, 52.41, 38.71

 

CMYK 0 / 56 / 62 / 31

HEX #B14E44

RGB 177 78 68

HSL 5.5, 0.44%, 0.48%

LAB 45.92, 39.61, 25.7

 

CMYK 0 / 40 / 45 / 38

HEX #9D5E57

RGB 157 94 87

HSL 6, 0.29%, 0.48%

LAB 46.79, 24.88, 14.99

 

CMYK 0 / 20 / 22 / 46

HEX #8A6E6B

RGB 138 110 107

HSL 5.81, 0.13%, 0.48%

LAB 49.03, 10.57, 5.87

 

CMYK 7 / 1 / 0 / 50

HEX #767E7F

RGB 118 126 127

HSL 186.67, 0.04%, 0.48%

LAB 52.18, -2.75, -1.57

 

CMYK 0 / 76 / 42 / 23

HEX #C53073

RGB 197 48 115

HSL 333.02, 0.61%, 0.48%

LAB 45.94, 62.43, -2.42

 

CMYK 0 / 76 / 62 / 23

HEX #C5304B

RGB 197 48 75

HSL 349.13, 0.61%, 0.48%

LAB 44.93, 59.23, 20.88

 

CMYK 0 / 70 / 76 / 23

HEX #C53C30

RGB 197 60 48

HSL 4.83, 0.61%, 0.48%

LAB 46.06, 53.59, 38.24

 

CMYK 0 / 49 / 76 / 23

HEX #C56430

RGB 197 100 48

HSL 20.94, 0.61%, 0.48%

LAB 53.17, 35.03, 45.74

 

CMYK 0 / 29 / 76 / 23

HEX #C58C30

RGB 197 140 48

HSL 37.05, 0.61%, 0.48%

LAB 62.37, 13.39, 54.95

 

CMYK 0 / 69 / 76 / 49

HEX #832920

RGB 131 41 32

HSL 5.45, 0.61%, 0.32%

LAB 30.68, 38.06, 27.05

 

CMYK 0 / 68 / 76 / 36

HEX #A43428

RGB 164 52 40

HSL 5.81, 0.61%, 0.4%

LAB 38.73, 45.38, 33.01

 

CMYK 0 / 68 / 76 / 23

HEX #C53F30

RGB 197 63 48

HSL 6.04, 0.61%, 0.48%

LAB 46.5, 52.41, 38.71

 

CMYK 0 / 58 / 64 / 17

HEX #D3584B

RGB 211 88 75

HSL 5.74, 0.61%, 0.56%

LAB 53.32, 47.69, 32.04

 

CMYK 0 / 46 / 51 / 14

HEX #DB776C

RGB 219 119 108

HSL 5.95, 0.61%, 0.64%

LAB 61.08, 37.78, 23.49

 

CMYK 0 / 68 / 76 / 22

HEX #C73F30

RGB 199 63 48

HSL 5.96, 0.61%, 0.48%

LAB 46.86, 53.07, 39.2

 

CMYK 21 / 0 / 76 / 23

HEX #9BC530

RGB 155 197 48

HSL 76.91, 0.61%, 0.48%

LAB 74.26, -34.07, 65.1

 

CMYK 76 / 52 / 0 / 23

HEX #305FC5

RGB 48 95 197

HSL 221.07, 0.61%, 0.48%

LAB 42.53, 20.25, -57.88

 

CMYK 0 / 68 / 76 / 22

HEX #C73F30

RGB 199 63 48

HSL 5.96, 0.61%, 0.48%

LAB 46.86, 53.07, 39.2

 

CMYK 76 / 0 / 70 / 23

HEX #30C53C

RGB 48 197 60

HSL 124.83, 0.61%, 0.48%

LAB 70.1, -64.11, 55.27

 

CMYK 70 / 76 / 0 / 23

HEX #3C30C5

RGB 60 48 197

HSL 244.83, 0.61%, 0.48%

LAB 32.05, 50.51, -74.99

 

CMYK 0 / 68 / 76 / 22

HEX #C73F30

RGB 199 63 48

HSL 5.96, 0.61%, 0.48%

LAB 46.86, 53.07, 39.2

 

CMYK 21 / 0 / 76 / 23

HEX #9BC530

RGB 155 197 48

HSL 76.91, 0.61%, 0.48%

LAB 74.26, -34.07, 65.1

 

CMYK 76 / 6 / 0 / 23

HEX #30B9C5

RGB 48 185 197

HSL 184.83, 0.61%, 0.48%

LAB 69.01, -31.19, -16.4

 

CMYK 54 / 76 / 0 / 23

HEX #5A30C5

RGB 90 48 197

HSL 256.91, 0.61%, 0.48%

LAB 34.64, 54.03, -70.63

 

CMYK 0 / 68 / 76 / 22

HEX #C73F30

RGB 199 63 48

HSL 5.96, 0.61%, 0.48%

LAB 46.86, 53.07, 39.2

 

CMYK 44 / 0 / 76 / 23

HEX #6EC530

RGB 110 197 48

HSL 95.03, 0.61%, 0.48%

LAB 71.87, -50.34, 61.97

 

CMYK 76 / 6 / 0 / 23

HEX #30B9C5

RGB 48 185 197

HSL 184.83, 0.61%, 0.48%

LAB 69.01, -31.19, -16.4

 

CMYK 31 / 76 / 0 / 23

HEX #8730C5

RGB 135 48 197

HSL 275.03, 0.61%, 0.48%

LAB 40.07, 61.18, -61.52

 

Description

Color code: HEX #C73F30 | qconv.com Color code: HEX #C73F30 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 63 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 63 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 76 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 76% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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