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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C73922 it is the complementary color #38C6DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C73922. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C73922 shade: #CC391D, #DD4B30, #EE5D43, #FF6F56 and #FF8169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C73922. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C73922 shade: #C73922, #B6270F, #A51500, #940300 and #830000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C73922 shade: #C93922 and #C92222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C73922 shade: #C93922, #C96622, #C99322, #C9C022 and #A4C922

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C73922 shade matches the following richer shades: #C93922 and #DC2C0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C73922 shade: #C93922, #B64735, #A35548, #90625B and #7D706E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C73922 shade: #C92265, #C92238, #C93822, #C96522 and #C99122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C73922 shade: #822516, #A52F1C, #C93922, #DD4E37 and #E36D5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C73922 shade: #C73922, #91C922 and #224EC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C73922 shade: #C73922, #22C938 and #3822C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C73922 shade: #C73922, #91C922, #22B2C9 and #5A22C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C73922 shade: #C73922, #5FC922, #22B2C9 and #8C22C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 83 / 22

HEX #C73922

RGB 199 57 34

HSL 8.36, 0.71%, 0.46%

LAB 45.89, 54.91, 45.56

 

Complementary color

CMYK 75 / 10 / 0 / 13

HEX #38C6DD

RGB 56 198 221

HSL 188.36, 0.71%, 0.54%

LAB 73.84, -29.27, -22.16

 

CMYK 0 / 72 / 86 / 20

HEX #CC391D

RGB 204 57 29

HSL 9.6, 0.75%, 0.46%

LAB 46.78, 56.39, 49.06

 

CMYK 0 / 66 / 78 / 13

HEX #DD4B30

RGB 221 75 48

HSL 9.36, 0.72%, 0.53%

LAB 52.53, 55.57, 46.33

 

CMYK 0 / 61 / 72 / 7

HEX #EE5D43

RGB 238 93 67

HSL 9.12, 0.83%, 0.6%

LAB 58.43, 54.48, 43.55

 

CMYK 0 / 56 / 66 / 0

HEX #FF6F56

RGB 255 111 86

HSL 8.88, 1%, 0.67%

LAB 64.4, 53.27, 40.99

 

CMYK 0 / 49 / 59 / 0

HEX #FF8169

RGB 255 129 105

HSL 9.6, 1%, 0.71%

LAB 68.01, 45.9, 35.13

 

CMYK 0 / 71 / 83 / 22

HEX #C73922

RGB 199 57 34

HSL 8.36, 0.71%, 0.46%

LAB 45.89, 54.91, 45.56

 

CMYK 0 / 79 / 92 / 29

HEX #B6270F

RGB 182 39 15

HSL 8.62, 0.85%, 0.39%

LAB 40.3, 55.25, 48.09

 

CMYK 0 / 87 / 100 / 35

HEX #A51500

RGB 165 21 0

HSL 7.64, 1%, 0.32%

LAB 35.07, 54.69, 48.81

 

CMYK 0 / 98 / 100 / 42

HEX #940300

RGB 148 3 0

HSL 1.22, 1%, 0.29%

LAB 30.31, 52.94, 43.92

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

 

CMYK 0 / 72 / 83 / 21

HEX #C93922

RGB 201 57 34

HSL 8.26, 0.71%, 0.46%

LAB 46.26, 55.56, 46.04

 

CMYK 0 / 83 / 83 / 21

HEX #C92222

RGB 201 34 34

HSL 0, 0.71%, 0.46%

LAB 43.77, 62.52, 43.74

 

CMYK 0 / 72 / 83 / 21

HEX #C93922

RGB 201 57 34

HSL 8.26, 0.71%, 0.46%

LAB 46.26, 55.56, 46.04

 

CMYK 0 / 49 / 83 / 21

HEX #C96622

RGB 201 102 34

HSL 24.43, 0.71%, 0.46%

LAB 54.06, 35.1, 53.06

 

CMYK 0 / 27 / 83 / 21

HEX #C99322

RGB 201 147 34

HSL 40.6, 0.71%, 0.46%

LAB 64.48, 10.82, 62.13

 

CMYK 0 / 4 / 83 / 21

HEX #C9C022

RGB 201 192 34

HSL 56.77, 0.71%, 0.46%

LAB 76.21, -12.96, 72.09

 

CMYK 18 / 0 / 83 / 21

HEX #A4C922

RGB 164 201 34

HSL 73.29, 0.71%, 0.46%

LAB 75.93, -32.89, 70.75

 

CMYK 0 / 72 / 83 / 21

HEX #C93922

RGB 201 57 34

HSL 8.26, 0.71%, 0.46%

LAB 46.26, 55.56, 46.04

 

CMYK 0 / 80 / 93 / 14

HEX #DC2C0F

RGB 220 44 15

HSL 8.49, 0.87%, 0.46%

LAB 48.32, 65.06, 56.97

 

CMYK 0 / 72 / 83 / 21

HEX #C93922

RGB 201 57 34

HSL 8.26, 0.71%, 0.46%

LAB 46.26, 55.56, 46.04

 

CMYK 0 / 61 / 71 / 29

HEX #B64735

RGB 182 71 53

HSL 8.37, 0.55%, 0.46%

LAB 45.23, 43.93, 33.77

 

CMYK 0 / 48 / 56 / 36

HEX #A35548

RGB 163 85 72

HSL 8.57, 0.39%, 0.46%

LAB 45.29, 30.82, 22.09

 

CMYK 0 / 32 / 37 / 44

HEX #90625B

RGB 144 98 91

HSL 7.92, 0.23%, 0.46%

LAB 46.2, 17.72, 11.52

 

CMYK 0 / 10 / 12 / 51

HEX #7D706E

RGB 125 112 110

HSL 8, 0.06%, 0.46%

LAB 48.35, 4.69, 2.95

 

CMYK 0 / 83 / 50 / 21

HEX #C92265

RGB 201 34 101

HSL 335.93, 0.71%, 0.46%

LAB 44.94, 66.03, 4.89

 

CMYK 0 / 83 / 72 / 21

HEX #C92238

RGB 201 34 56

HSL 352.1, 0.71%, 0.46%

LAB 44.01, 63.27, 31.49

 

CMYK 0 / 72 / 83 / 21

HEX #C93822

RGB 201 56 34

HSL 7.9, 0.71%, 0.46%

LAB 46.13, 55.92, 45.92

 

CMYK 0 / 50 / 83 / 21

HEX #C96522

RGB 201 101 34

HSL 24.07, 0.71%, 0.46%

LAB 53.86, 35.61, 52.87

 

CMYK 0 / 28 / 83 / 21

HEX #C99122

RGB 201 145 34

HSL 39.88, 0.71%, 0.46%

LAB 63.99, 11.91, 61.7

 

CMYK 0 / 72 / 83 / 49

HEX #822516

RGB 130 37 22

HSL 8.33, 0.71%, 0.3%

LAB 29.73, 39.03, 31.84

 

CMYK 0 / 72 / 83 / 35

HEX #A52F1C

RGB 165 47 28

HSL 8.32, 0.71%, 0.38%

LAB 38.05, 47.31, 38.98

 

CMYK 0 / 72 / 83 / 21

HEX #C93922

RGB 201 57 34

HSL 8.26, 0.71%, 0.46%

LAB 46.26, 55.56, 46.04

 

CMYK 0 / 65 / 75 / 13

HEX #DD4E37

RGB 221 78 55

HSL 8.31, 0.71%, 0.54%

LAB 53.06, 54.59, 43.23

 

CMYK 0 / 52 / 60 / 11

HEX #E36D5A

RGB 227 109 90

HSL 8.32, 0.71%, 0.62%

LAB 59.89, 44.39, 32.31

 

CMYK 0 / 71 / 83 / 22

HEX #C73922

RGB 199 57 34

HSL 8.36, 0.71%, 0.46%

LAB 45.89, 54.91, 45.56

 

CMYK 28 / 0 / 83 / 21

HEX #91C922

RGB 145 201 34

HSL 80.12, 0.71%, 0.46%

LAB 74.77, -40.34, 69.28

 

CMYK 83 / 61 / 0 / 21

HEX #224EC9

RGB 34 78 201

HSL 224.19, 0.71%, 0.46%

LAB 37.85, 31.47, -67.82

 

CMYK 0 / 71 / 83 / 22

HEX #C73922

RGB 199 57 34

HSL 8.36, 0.71%, 0.46%

LAB 45.89, 54.91, 45.56

 

CMYK 83 / 0 / 72 / 21

HEX #22C938

RGB 34 201 56

HSL 127.9, 0.71%, 0.46%

LAB 71.15, -67.42, 57.81

 

CMYK 72 / 83 / 0 / 21

HEX #3822C9

RGB 56 34 201

HSL 247.9, 0.71%, 0.46%

LAB 29.92, 58.01, -80.87

 

CMYK 0 / 71 / 83 / 22

HEX #C73922

RGB 199 57 34

HSL 8.36, 0.71%, 0.46%

LAB 45.89, 54.91, 45.56

 

CMYK 28 / 0 / 83 / 21

HEX #91C922

RGB 145 201 34

HSL 80.12, 0.71%, 0.46%

LAB 74.77, -40.34, 69.28

 

CMYK 83 / 11 / 0 / 21

HEX #22B2C9

RGB 34 178 201

HSL 188.26, 0.71%, 0.46%

LAB 66.82, -27.81, -21.95

 

CMYK 55 / 83 / 0 / 21

HEX #5A22C9

RGB 90 34 201

HSL 260.12, 0.71%, 0.46%

LAB 32.99, 60.99, -75.68

 

CMYK 0 / 71 / 83 / 22

HEX #C73922

RGB 199 57 34

HSL 8.36, 0.71%, 0.46%

LAB 45.89, 54.91, 45.56

 

CMYK 53 / 0 / 83 / 21

HEX #5FC922

RGB 95 201 34

HSL 98.08, 0.71%, 0.46%

LAB 72.44, -57.08, 66.33

 

CMYK 83 / 11 / 0 / 21

HEX #22B2C9

RGB 34 178 201

HSL 188.26, 0.71%, 0.46%

LAB 66.82, -27.81, -21.95

 

CMYK 30 / 83 / 0 / 21

HEX #8C22C9

RGB 140 34 201

HSL 278.08, 0.71%, 0.46%

LAB 39.47, 67.56, -64.8

 

Description

Color code: HEX #C73922 | qconv.com Color code: HEX #C73922 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 57 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 57 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 83 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 83% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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