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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C73732 it is the complementary color #38C8CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C73732. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C73732 shade: #CC372D, #DD4940, #EE5B53, #FF6D66 and #FF7F79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C73732. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C73732 shade: #C73732, #B6251F, #A5130C, #940100 and #830000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C73732 shade: #C83732 and #C83232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C73732 shade: #C83732, #C85F32, #C88832, #C8B032 and #B7C832

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C73732 shade matches the following richer shades: #C83732, #DC241E and #F0110A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C73732 shade: #C83732, #B44A46, #9F5D5A, #8B706F and #778283

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C73732 shade: #C8327D, #C83255, #C83732, #C85F32 and #C88732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C73732 shade: #862521, #A72E2A, #C83732, #D35450 and #DB7571

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C73732 shade: #C73732, #A5C832 and #3269C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C73732 shade: #C73732, #32C837 and #3732C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C73732 shade: #C73732, #A5C832, #32C3C8 and #5532C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C73732 shade: #C73732, #78C832, #32C3C8 and #8232C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 75 / 22

HEX #C73732

RGB 199 55 50

HSL 2.01, 0.6%, 0.49%

LAB 45.78, 56.18, 36.91

 

Complementary color

CMYK 73 / 2 / 0 / 20

HEX #38C8CD

RGB 56 200 205

HSL 182.01, 0.6%, 0.51%

LAB 73.91, -35.02, -13.38

 

CMYK 0 / 73 / 78 / 20

HEX #CC372D

RGB 204 55 45

HSL 3.77, 0.64%, 0.49%

LAB 46.66, 57.56, 40.91

 

CMYK 0 / 67 / 71 / 13

HEX #DD4940

RGB 221 73 64

HSL 3.44, 0.7%, 0.56%

LAB 52.41, 57.02, 37.58

 

CMYK 0 / 62 / 65 / 7

HEX #EE5B53

RGB 238 91 83

HSL 3.1, 0.82%, 0.63%

LAB 58.31, 56.16, 34.63

 

CMYK 0 / 57 / 60 / 0

HEX #FF6D66

RGB 255 109 102

HSL 2.75, 1%, 0.7%

LAB 64.29, 55.14, 32.05

 

CMYK 0 / 50 / 53 / 0

HEX #FF7F79

RGB 255 127 121

HSL 2.69, 1%, 0.74%

LAB 67.89, 48.09, 26.16

 

CMYK 0 / 72 / 75 / 22

HEX #C73732

RGB 199 55 50

HSL 2.01, 0.6%, 0.49%

LAB 45.78, 56.18, 36.91

 

CMYK 0 / 80 / 83 / 29

HEX #B6251F

RGB 182 37 31

HSL 2.38, 0.71%, 0.42%

LAB 40.19, 56.18, 40.61

 

CMYK 0 / 88 / 93 / 35

HEX #A5130C

RGB 165 19 12

HSL 2.75, 0.86%, 0.35%

LAB 34.99, 55.25, 43.99

 

CMYK 0 / 99 / 100 / 42

HEX #940100

RGB 148 1 0

HSL 0.41, 1%, 0.29%

LAB 30.2, 53.24, 43.84

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

 

CMYK 0 / 73 / 75 / 22

HEX #C83732

RGB 200 55 50

HSL 2, 0.6%, 0.49%

LAB 45.96, 56.49, 37.17

 

CMYK 0 / 75 / 75 / 22

HEX #C83232

RGB 200 50 50

HSL 0, 0.6%, 0.49%

LAB 45.35, 58.21, 36.49

 

CMYK 0 / 73 / 75 / 22

HEX #C83732

RGB 200 55 50

HSL 2, 0.6%, 0.49%

LAB 45.96, 56.49, 37.17

 

CMYK 0 / 53 / 75 / 22

HEX #C85F32

RGB 200 95 50

HSL 18, 0.6%, 0.49%

LAB 52.61, 38.87, 44.32

 

CMYK 0 / 32 / 75 / 22

HEX #C88832

RGB 200 136 50

HSL 34.4, 0.6%, 0.49%

LAB 61.76, 16.97, 53.63

 

CMYK 0 / 12 / 75 / 22

HEX #C8B032

RGB 200 176 50

HSL 50.4, 0.6%, 0.49%

LAB 71.93, -4.58, 63.46

 

CMYK 9 / 0 / 75 / 22

HEX #B7C832

RGB 183 200 50

HSL 66.8, 0.6%, 0.49%

LAB 77.04, -24.01, 67.76

 

CMYK 0 / 73 / 75 / 22

HEX #C83732

RGB 200 55 50

HSL 2, 0.6%, 0.49%

LAB 45.96, 56.49, 37.17

 

CMYK 0 / 84 / 86 / 14

HEX #DC241E

RGB 220 36 30

HSL 1.89, 0.76%, 0.49%

LAB 47.72, 67.23, 50.64

 

CMYK 0 / 93 / 96 / 6

HEX #F0110A

RGB 240 17 10

HSL 1.83, 0.92%, 0.49%

LAB 50.63, 75.22, 61.78

 

CMYK 0 / 73 / 75 / 22

HEX #C83732

RGB 200 55 50

HSL 2, 0.6%, 0.49%

LAB 45.96, 56.49, 37.17

 

CMYK 0 / 59 / 61 / 29

HEX #B44A46

RGB 180 74 70

HSL 2.18, 0.44%, 0.49%

LAB 45.69, 42.82, 24.32

 

CMYK 0 / 42 / 43 / 38

HEX #9F5D5A

RGB 159 93 90

HSL 2.61, 0.28%, 0.49%

LAB 46.89, 26.59, 13.37

 

CMYK 0 / 19 / 20 / 45

HEX #8B706F

RGB 139 112 111

HSL 2.14, 0.11%, 0.49%

LAB 49.77, 10.46, 4.57

 

CMYK 9 / 1 / 0 / 49

HEX #778283

RGB 119 130 131

HSL 185, 0.05%, 0.49%

LAB 53.52, -3.82, -1.93

 

CMYK 0 / 75 / 38 / 22

HEX #C8327D

RGB 200 50 125

HSL 330, 0.6%, 0.49%

LAB 47.03, 63.62, -6.86

 

CMYK 0 / 75 / 58 / 22

HEX #C83255

RGB 200 50 85

HSL 346, 0.6%, 0.49%

LAB 45.93, 60.12, 16.15

 

CMYK 0 / 73 / 75 / 22

HEX #C83732

RGB 200 55 50

HSL 2, 0.6%, 0.49%

LAB 45.96, 56.49, 37.17

 

CMYK 0 / 53 / 75 / 22

HEX #C85F32

RGB 200 95 50

HSL 18, 0.6%, 0.49%

LAB 52.61, 38.87, 44.32

 

CMYK 0 / 33 / 75 / 22

HEX #C88732

RGB 200 135 50

HSL 34, 0.6%, 0.49%

LAB 61.51, 17.52, 53.39

 

CMYK 0 / 72 / 75 / 47

HEX #862521

RGB 134 37 33

HSL 2.38, 0.6%, 0.33%

LAB 30.64, 40.88, 26.56

 

CMYK 0 / 72 / 75 / 35

HEX #A72E2A

RGB 167 46 42

HSL 1.92, 0.6%, 0.41%

LAB 38.44, 48.88, 31.68

 

CMYK 0 / 73 / 75 / 22

HEX #C83732

RGB 200 55 50

HSL 2, 0.6%, 0.49%

LAB 45.96, 56.49, 37.17

 

CMYK 0 / 60 / 62 / 17

HEX #D35450

RGB 211 84 80

HSL 1.83, 0.6%, 0.57%

LAB 52.7, 49.85, 28.39

 

CMYK 0 / 47 / 48 / 14

HEX #DB7571

RGB 219 117 113

HSL 2.26, 0.6%, 0.65%

LAB 60.76, 39.27, 20.22

 

CMYK 0 / 72 / 75 / 22

HEX #C73732

RGB 199 55 50

HSL 2.01, 0.6%, 0.49%

LAB 45.78, 56.18, 36.91

 

CMYK 18 / 0 / 75 / 22

HEX #A5C832

RGB 165 200 50

HSL 74, 0.6%, 0.49%

LAB 75.78, -31.38, 66.12

 

CMYK 75 / 48 / 0 / 22

HEX #3269C8

RGB 50 105 200

HSL 218, 0.6%, 0.49%

LAB 45.57, 15.18, -54.7

 

CMYK 0 / 72 / 75 / 22

HEX #C73732

RGB 199 55 50

HSL 2.01, 0.6%, 0.49%

LAB 45.78, 56.18, 36.91

 

CMYK 75 / 0 / 73 / 22

HEX #32C837

RGB 50 200 55

HSL 122, 0.6%, 0.49%

LAB 71.05, -65.19, 58.15

 

CMYK 73 / 75 / 0 / 22

HEX #3732C8

RGB 55 50 200

HSL 242, 0.6%, 0.49%

LAB 32.4, 49.93, -76.17

 

CMYK 0 / 72 / 75 / 22

HEX #C73732

RGB 199 55 50

HSL 2.01, 0.6%, 0.49%

LAB 45.78, 56.18, 36.91

 

CMYK 18 / 0 / 75 / 22

HEX #A5C832

RGB 165 200 50

HSL 74, 0.6%, 0.49%

LAB 75.78, -31.38, 66.12

 

CMYK 75 / 3 / 0 / 22

HEX #32C3C8

RGB 50 195 200

HSL 182, 0.6%, 0.49%

LAB 72.15, -34.83, -13.31

 

CMYK 58 / 75 / 0 / 22

HEX #5532C8

RGB 85 50 200

HSL 254, 0.6%, 0.49%

LAB 34.77, 53.24, -72.19

 

CMYK 0 / 72 / 75 / 22

HEX #C73732

RGB 199 55 50

HSL 2.01, 0.6%, 0.49%

LAB 45.78, 56.18, 36.91

 

CMYK 40 / 0 / 75 / 22

HEX #78C832

RGB 120 200 50

HSL 92, 0.6%, 0.49%

LAB 73.24, -48.15, 62.8

 

CMYK 75 / 3 / 0 / 22

HEX #32C3C8

RGB 50 195 200

HSL 182, 0.6%, 0.49%

LAB 72.15, -34.83, -13.31

 

CMYK 35 / 75 / 0 / 22

HEX #8232C8

RGB 130 50 200

HSL 272, 0.6%, 0.49%

LAB 39.91, 60.18, -63.57

 

Description

Color code: HEX #C73732 | qconv.com Color code: HEX #C73732 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 55 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 55 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 75 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 75% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

33% - Universidad del Rosa...
Link: http://www.urosario.edu.co

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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