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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C73241 it is the complementary color #38CDBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C73241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C73241 shade: #CC323C, #DD444F, #EE5662, #FF6875 and #FF7A88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C73241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C73241 shade: #C73241, #B6202E, #A50E1B, #940008 and #830000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C73241 shade: #C83241 and #C83232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C73241 shade: #C83241, #C8326A, #C83292, #C832BA and #AD32C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C73241 shade matches the following richer shades: #C83241, #DC1E31 and #F00A21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C73241 shade: #C83241, #B44651, #9F5A61, #8B6F72 and #778382

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C73241 shade: #C83293, #C8326B, #C83243, #C84832 and #C87032

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C73241 shade: #86212C, #A72A36, #C83241, #D3505D and #DB717C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C73241 shade: #C73241, #BBC832 and #327FC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C73241 shade: #C73241, #43C832 and #3243C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C73241 shade: #C73241, #BBC832, #32C8B6 and #3E32C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C73241 shade: #C73241, #8EC832, #32C8B6 and #6B32C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 67 / 22

HEX #C73241

RGB 199 50 65

HSL 353.96, 0.6%, 0.49%

LAB 45.37, 58.59, 27.61

 

Complementary color

CMYK 73 / 0 / 7 / 20

HEX #38CDBE

RGB 56 205 190

HSL 173.96, 0.6%, 0.51%

LAB 74.96, -41.53, -3.69

 

CMYK 0 / 75 / 71 / 20

HEX #CC323C

RGB 204 50 60

HSL 356.1, 0.61%, 0.5%

LAB 46.24, 59.84, 31.88

 

CMYK 0 / 69 / 64 / 13

HEX #DD444F

RGB 221 68 79

HSL 355.69, 0.69%, 0.57%

LAB 51.92, 59.73, 28.34

 

CMYK 0 / 64 / 59 / 7

HEX #EE5662

RGB 238 86 98

HSL 355.26, 0.82%, 0.64%

LAB 57.77, 59.2, 25.36

 

CMYK 0 / 59 / 54 / 0

HEX #FF6875

RGB 255 104 117

HSL 354.83, 1%, 0.7%

LAB 63.71, 58.44, 22.82

 

CMYK 0 / 52 / 47 / 0

HEX #FF7A88

RGB 255 122 136

HSL 353.68, 1%, 0.74%

LAB 67.24, 51.81, 16.87

 

CMYK 0 / 75 / 67 / 22

HEX #C73241

RGB 199 50 65

HSL 353.96, 0.6%, 0.49%

LAB 45.37, 58.59, 27.61

 

CMYK 0 / 82 / 75 / 29

HEX #B6202E

RGB 182 32 46

HSL 354.4, 0.7%, 0.42%

LAB 39.87, 58.04, 31.72

 

CMYK 0 / 92 / 84 / 35

HEX #A50E1B

RGB 165 14 27

HSL 354.83, 0.84%, 0.35%

LAB 34.79, 56.43, 36.42

 

CMYK 0 / 100 / 95 / 42

HEX #940008

RGB 148 0 8

HSL 356.76, 1%, 0.29%

LAB 30.19, 53.51, 40.58

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

 

CMYK 0 / 75 / 68 / 22

HEX #C83241

RGB 200 50 65

HSL 354, 0.6%, 0.49%

LAB 45.55, 58.89, 27.89

 

CMYK 0 / 75 / 75 / 22

HEX #C83232

RGB 200 50 50

HSL 0, 0.6%, 0.49%

LAB 45.35, 58.21, 36.49

 

CMYK 0 / 75 / 68 / 22

HEX #C83241

RGB 200 50 65

HSL 354, 0.6%, 0.49%

LAB 45.55, 58.89, 27.89

 

CMYK 0 / 75 / 47 / 22

HEX #C8326A

RGB 200 50 106

HSL 337.6, 0.6%, 0.49%

LAB 46.45, 61.78, 3.93

 

CMYK 0 / 75 / 27 / 22

HEX #C83292

RGB 200 50 146

HSL 321.6, 0.6%, 0.49%

LAB 47.8, 66, -18.41

 

CMYK 0 / 75 / 7 / 22

HEX #C832BA

RGB 200 50 186

HSL 305.6, 0.6%, 0.49%

LAB 49.62, 71.46, -39.25

 

CMYK 14 / 75 / 0 / 22

HEX #AD32C8

RGB 173 50 200

HSL 289.2, 0.6%, 0.49%

LAB 46.09, 68.2, -53.27

 

CMYK 0 / 75 / 68 / 22

HEX #C83241

RGB 200 50 65

HSL 354, 0.6%, 0.49%

LAB 45.55, 58.89, 27.89

 

CMYK 0 / 86 / 78 / 14

HEX #DC1E31

RGB 220 30 49

HSL 354, 0.76%, 0.49%

LAB 47.45, 68.94, 40.48

 

CMYK 0 / 96 / 86 / 6

HEX #F00A21

RGB 240 10 33

HSL 354, 0.92%, 0.49%

LAB 50.51, 76.13, 53.19

 

CMYK 0 / 75 / 68 / 22

HEX #C83241

RGB 200 50 65

HSL 354, 0.6%, 0.49%

LAB 45.55, 58.89, 27.89

 

CMYK 0 / 61 / 55 / 29

HEX #B44651

RGB 180 70 81

HSL 354, 0.44%, 0.49%

LAB 45.19, 45.55, 17.01

 

CMYK 0 / 43 / 39 / 38

HEX #9F5A61

RGB 159 90 97

HSL 353.91, 0.28%, 0.49%

LAB 46.37, 29.1, 8.43

 

CMYK 0 / 20 / 18 / 45

HEX #8B6F72

RGB 139 111 114

HSL 353.57, 0.11%, 0.49%

LAB 49.58, 11.54, 2.53

 

CMYK 9 / 0 / 1 / 49

HEX #778382

RGB 119 131 130

HSL 175, 0.05%, 0.49%

LAB 53.78, -4.6, -0.97

 

CMYK 0 / 75 / 27 / 22

HEX #C83293

RGB 200 50 147

HSL 321.2, 0.6%, 0.49%

LAB 47.84, 66.12, -18.95

 

CMYK 0 / 75 / 47 / 22

HEX #C8326B

RGB 200 50 107

HSL 337.2, 0.6%, 0.49%

LAB 46.47, 61.87, 3.35

 

CMYK 0 / 75 / 67 / 22

HEX #C83243

RGB 200 50 67

HSL 353.2, 0.6%, 0.49%

LAB 45.59, 59, 26.72

 

CMYK 0 / 64 / 75 / 22

HEX #C84832

RGB 200 72 50

HSL 8.8, 0.6%, 0.49%

LAB 48.44, 49.75, 39.88

 

CMYK 0 / 44 / 75 / 22

HEX #C87032

RGB 200 112 50

HSL 24.8, 0.6%, 0.49%

LAB 56.19, 30, 48.02

 

CMYK 0 / 75 / 67 / 47

HEX #86212C

RGB 134 33 44

HSL 353.47, 0.6%, 0.33%

LAB 30.25, 43.05, 19.1

 

CMYK 0 / 75 / 68 / 35

HEX #A72A36

RGB 167 42 54

HSL 354.24, 0.6%, 0.41%

LAB 38.09, 50.93, 23.96

 

CMYK 0 / 75 / 68 / 22

HEX #C83241

RGB 200 50 65

HSL 354, 0.6%, 0.49%

LAB 45.55, 58.89, 27.89

 

CMYK 0 / 62 / 56 / 17

HEX #D3505D

RGB 211 80 93

HSL 354.05, 0.6%, 0.57%

LAB 52.26, 52.55, 20.18

 

CMYK 0 / 48 / 43 / 14

HEX #DB717C

RGB 219 113 124

HSL 353.77, 0.6%, 0.65%

LAB 60.18, 42.4, 13.12

 

CMYK 0 / 75 / 67 / 22

HEX #C73241

RGB 199 50 65

HSL 353.96, 0.6%, 0.49%

LAB 45.37, 58.59, 27.61

 

CMYK 7 / 0 / 75 / 22

HEX #BBC832

RGB 187 200 50

HSL 65.2, 0.6%, 0.49%

LAB 77.34, -22.34, 68.14

 

CMYK 75 / 37 / 0 / 22

HEX #327FC8

RGB 50 127 200

HSL 209.2, 0.6%, 0.49%

LAB 51.87, 1.5, -44.64

 

CMYK 0 / 75 / 67 / 22

HEX #C73241

RGB 199 50 65

HSL 353.96, 0.6%, 0.49%

LAB 45.37, 58.59, 27.61

 

CMYK 67 / 0 / 75 / 22

HEX #43C832

RGB 67 200 50

HSL 113.2, 0.6%, 0.49%

LAB 71.37, -62.59, 60.33

 

CMYK 75 / 67 / 0 / 22

HEX #3243C8

RGB 50 67 200

HSL 233.2, 0.6%, 0.49%

LAB 35.72, 39.54, -70.72

 

CMYK 0 / 75 / 67 / 22

HEX #C73241

RGB 199 50 65

HSL 353.96, 0.6%, 0.49%

LAB 45.37, 58.59, 27.61

 

CMYK 7 / 0 / 75 / 22

HEX #BBC832

RGB 187 200 50

HSL 65.2, 0.6%, 0.49%

LAB 77.34, -22.34, 68.14

 

CMYK 75 / 0 / 9 / 22

HEX #32C8B6

RGB 50 200 182

HSL 172.8, 0.6%, 0.49%

LAB 73.13, -42.2, -2.06

 

CMYK 69 / 75 / 0 / 22

HEX #3E32C8

RGB 62 50 200

HSL 244.8, 0.6%, 0.49%

LAB 32.87, 50.59, -75.39

 

CMYK 0 / 75 / 67 / 22

HEX #C73241

RGB 199 50 65

HSL 353.96, 0.6%, 0.49%

LAB 45.37, 58.59, 27.61

 

CMYK 29 / 0 / 75 / 22

HEX #8EC832

RGB 142 200 50

HSL 83.2, 0.6%, 0.49%

LAB 74.37, -40.32, 64.28

 

CMYK 75 / 0 / 9 / 22

HEX #32C8B6

RGB 50 200 182

HSL 172.8, 0.6%, 0.49%

LAB 73.13, -42.2, -2.06

 

CMYK 47 / 75 / 0 / 22

HEX #6B32C8

RGB 107 50 200

HSL 262.8, 0.6%, 0.49%

LAB 37.07, 56.39, -68.32

 

Description

Color code: HEX #C73241 | qconv.com Color code: HEX #C73241 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 50 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 50 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 67 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 67% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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