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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C731CC it is the complementary color #38CE33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C731CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C731CC shade: #CC31C7, #DD43DA, #EE55ED, #FF67FF and #FF79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C731CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C731CC shade: #C731CC, #B61FB9, #A50DA6, #940093 and #830080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C731CC shade: #C832CD, #CD32A8, #CD327E, #CD3254 and #CD3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C731CC shade: #C832CD, #9E32CD, #7432CD, #4A32CD and #3232CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C731CC shade matches the following richer shades: #C832CD, #DC1DE2 and #EF08F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C731CC shade: #C832CD, #B546B9, #A25BA4, #8E708F and #7B847B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C731CC shade: #7532CD, #9F32CD, #C832CD, #CD32A9 and #CD3280

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C731CC shade: #87228B, #A82AAC, #C832CD, #D153D5 and #DA74DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C731CC shade: #C731CC, #CD4C32 and #32CD8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C731CC shade: #C731CC, #CDC832 and #32CDC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C731CC shade: #C731CC, #CD4C32, #37CD32 and #32B3CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C731CC shade: #C731CC, #CD7A32, #37CD32 and #3285CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 76 / 0 / 20

HEX #C731CC

RGB 199 49 204

HSL 298.06, 0.61%, 0.5%

LAB 50.33, 74.34, -48.56

 

Complementary color

CMYK 73 / 0 / 75 / 19

HEX #38CE33

RGB 56 206 51

HSL 118.06, 0.61%, 0.5%

LAB 73.04, -66.45, 61.57

 

CMYK 0 / 76 / 2 / 20

HEX #CC31C7

RGB 204 49 199

HSL 301.94, 0.61%, 0.5%

LAB 50.87, 74.56, -44.77

 

CMYK 0 / 70 / 1 / 13

HEX #DD43DA

RGB 221 67 218

HSL 301.17, 0.69%, 0.56%

LAB 56.53, 75.55, -46.48

 

CMYK 0 / 64 / 0 / 7

HEX #EE55ED

RGB 238 85 237

HSL 300.39, 0.82%, 0.63%

LAB 62.33, 75.97, -47.82

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 2 / 76 / 0 / 20

HEX #C731CC

RGB 199 49 204

HSL 298.06, 0.61%, 0.5%

LAB 50.33, 74.34, -48.56

 

CMYK 2 / 83 / 0 / 27

HEX #B61FB9

RGB 182 31 185

HSL 298.83, 0.71%, 0.42%

LAB 44.84, 72.57, -46.45

 

CMYK 1 / 92 / 0 / 35

HEX #A50DA6

RGB 165 13 166

HSL 299.61, 0.85%, 0.35%

LAB 39.65, 69.64, -43.64

 

CMYK 0 / 100 / 1 / 42

HEX #940093

RGB 148 0 147

HSL 300.41, 1%, 0.29%

LAB 34.81, 65.34, -40.04

 

CMYK 0 / 100 / 2 / 49

HEX #830080

RGB 131 0 128

HSL 301.37, 1%, 0.26%

LAB 30.36, 59.47, -35.54

 

CMYK 2 / 76 / 0 / 20

HEX #C832CD

RGB 200 50 205

HSL 298.06, 0.61%, 0.5%

LAB 50.65, 74.41, -48.62

 

CMYK 0 / 76 / 18 / 20

HEX #CD32A8

RGB 205 50 168

HSL 314.32, 0.61%, 0.5%

LAB 49.6, 70.02, -28.66

 

CMYK 0 / 76 / 39 / 20

HEX #CD327E

RGB 205 50 126

HSL 330.58, 0.61%, 0.5%

LAB 47.96, 65.04, -5.98

 

CMYK 0 / 76 / 59 / 20

HEX #CD3254

RGB 205 50 84

HSL 346.84, 0.61%, 0.5%

LAB 46.84, 61.49, 18.16

 

CMYK 0 / 76 / 76 / 20

HEX #CD3232

RGB 205 50 50

HSL 0, 0.61%, 0.5%

LAB 46.3, 59.72, 37.81

 

CMYK 2 / 76 / 0 / 20

HEX #C832CD

RGB 200 50 205

HSL 298.06, 0.61%, 0.5%

LAB 50.65, 74.41, -48.62

 

CMYK 23 / 76 / 0 / 20

HEX #9E32CD

RGB 158 50 205

HSL 281.81, 0.61%, 0.5%

LAB 44.17, 66.29, -59.37

 

CMYK 43 / 76 / 0 / 20

HEX #7432CD

RGB 116 50 205

HSL 265.55, 0.61%, 0.5%

LAB 38.55, 59.05, -68.76

 

CMYK 64 / 76 / 0 / 20

HEX #4A32CD

RGB 74 50 205

HSL 249.29, 0.61%, 0.5%

LAB 34.28, 53.37, -75.93

 

CMYK 76 / 76 / 0 / 20

HEX #3232CD

RGB 50 50 205

HSL 240, 0.61%, 0.5%

LAB 32.63, 51.11, -78.72

 

CMYK 2 / 76 / 0 / 20

HEX #C832CD

RGB 200 50 205

HSL 298.06, 0.61%, 0.5%

LAB 50.65, 74.41, -48.62

 

CMYK 3 / 87 / 0 / 11

HEX #DC1DE2

RGB 220 29 226

HSL 298.17, 0.77%, 0.5%

LAB 53.58, 85.92, -55.72

 

CMYK 3 / 97 / 0 / 3

HEX #EF08F7

RGB 239 8 247

HSL 297.99, 0.94%, 0.5%

LAB 57.31, 94.19, -61.37

 

CMYK 2 / 76 / 0 / 20

HEX #C832CD

RGB 200 50 205

HSL 298.06, 0.61%, 0.5%

LAB 50.65, 74.41, -48.62

 

CMYK 2 / 62 / 0 / 27

HEX #B546B9

RGB 181 70 185

HSL 297.91, 0.45%, 0.5%

LAB 49.14, 59.67, -39.63

 

CMYK 1 / 45 / 0 / 36

HEX #A25BA4

RGB 162 91 164

HSL 298.36, 0.29%, 0.5%

LAB 49.31, 40.32, -27.26

 

CMYK 1 / 22 / 0 / 44

HEX #8E708F

RGB 142 112 143

HSL 298.06, 0.12%, 0.5%

LAB 51.06, 17.5, -12.4

 

CMYK 7 / 0 / 7 / 48

HEX #7B847B

RGB 123 132 123

HSL 120, 0.04%, 0.5%

LAB 54.18, -5.13, 3.71

 

CMYK 43 / 76 / 0 / 20

HEX #7532CD

RGB 117 50 205

HSL 265.94, 0.61%, 0.5%

LAB 38.67, 59.21, -68.56

 

CMYK 22 / 76 / 0 / 20

HEX #9F32CD

RGB 159 50 205

HSL 282.19, 0.61%, 0.5%

LAB 44.32, 66.48, -59.13

 

CMYK 2 / 76 / 0 / 20

HEX #C832CD

RGB 200 50 205

HSL 298.06, 0.61%, 0.5%

LAB 50.65, 74.41, -48.62

 

CMYK 0 / 76 / 18 / 20

HEX #CD32A9

RGB 205 50 169

HSL 313.94, 0.61%, 0.5%

LAB 49.65, 70.15, -29.18

 

CMYK 0 / 76 / 38 / 20

HEX #CD3280

RGB 205 50 128

HSL 329.81, 0.61%, 0.5%

LAB 48.03, 65.24, -7.1

 

CMYK 3 / 76 / 0 / 45

HEX #87228B

RGB 135 34 139

HSL 297.71, 0.61%, 0.34%

LAB 34.31, 54.68, -36.05

 

CMYK 2 / 76 / 0 / 33

HEX #A82AAC

RGB 168 42 172

HSL 298.15, 0.61%, 0.42%

LAB 42.7, 64.85, -42.32

 

CMYK 2 / 76 / 0 / 20

HEX #C832CD

RGB 200 50 205

HSL 298.06, 0.61%, 0.5%

LAB 50.65, 74.41, -48.62

 

CMYK 2 / 61 / 0 / 16

HEX #D153D5

RGB 209 83 213

HSL 298.15, 0.61%, 0.58%

LAB 56.63, 65.95, -43.61

 

CMYK 1 / 48 / 0 / 13

HEX #DA74DD

RGB 218 116 221

HSL 298.29, 0.61%, 0.66%

LAB 63.85, 54.57, -36.7

 

CMYK 2 / 76 / 0 / 20

HEX #C731CC

RGB 199 49 204

HSL 298.06, 0.61%, 0.5%

LAB 50.33, 74.34, -48.56

 

CMYK 0 / 63 / 76 / 20

HEX #CD4C32

RGB 205 76 50

HSL 10.06, 0.61%, 0.5%

LAB 49.95, 49.75, 41.75

 

CMYK 76 / 0 / 33 / 20

HEX #32CD8A

RGB 50 205 138

HSL 154.06, 0.61%, 0.5%

LAB 73.66, -54.83, 22.32

 

CMYK 2 / 76 / 0 / 20

HEX #C731CC

RGB 199 49 204

HSL 298.06, 0.61%, 0.5%

LAB 50.33, 74.34, -48.56

 

CMYK 0 / 2 / 76 / 20

HEX #CDC832

RGB 205 200 50

HSL 58.06, 0.61%, 0.5%

LAB 78.76, -14.74, 69.97

 

CMYK 76 / 0 / 2 / 20

HEX #32CDC8

RGB 50 205 200

HSL 178.06, 0.61%, 0.5%

LAB 75.15, -39.43, -8.83

 

CMYK 2 / 76 / 0 / 20

HEX #C731CC

RGB 199 49 204

HSL 298.06, 0.61%, 0.5%

LAB 50.33, 74.34, -48.56

 

CMYK 0 / 63 / 76 / 20

HEX #CD4C32

RGB 205 76 50

HSL 10.06, 0.61%, 0.5%

LAB 49.95, 49.75, 41.75

 

CMYK 73 / 0 / 76 / 20

HEX #37CD32

RGB 55 205 50

HSL 118.06, 0.61%, 0.5%

LAB 72.7, -66.36, 61.55

 

CMYK 76 / 13 / 0 / 20

HEX #32B3CD

RGB 50 179 205

HSL 190.06, 0.61%, 0.5%

LAB 67.52, -25.52, -23.06

 

CMYK 2 / 76 / 0 / 20

HEX #C731CC

RGB 199 49 204

HSL 298.06, 0.61%, 0.5%

LAB 50.33, 74.34, -48.56

 

CMYK 0 / 40 / 76 / 20

HEX #CD7A32

RGB 205 122 50

HSL 27.87, 0.61%, 0.5%

LAB 59.09, 26.72, 51.19

 

CMYK 73 / 0 / 76 / 20

HEX #37CD32

RGB 55 205 50

HSL 118.06, 0.61%, 0.5%

LAB 72.7, -66.36, 61.55

 

CMYK 76 / 35 / 0 / 20

HEX #3285CD

RGB 50 133 205

HSL 207.87, 0.61%, 0.5%

LAB 53.88, -0.27, -44.29

 

Description

Color code: HEX #C731CC | qconv.com Color code: HEX #C731CC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 49 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 49 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 76 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 76% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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