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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C72F39 it is the complementary color #38D0C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C72F39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C72F39 shade: #CC2F34, #DD4147, #EE535A, #FF656D and #FF7780

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C72F39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C72F39 shade: #C72F39, #B61D26, #A50B13, #940000 and #830000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C72F39 shade: #C62F39 and #C62F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C72F39 shade: #C62F39, #C62F61, #C62F8A, #C62FB3 and #B02FC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C72F39 shade matches the following richer shades: #C62F39, #DA1B27 and #EE0716

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C72F39 shade: #C62F39, #B2424A, #9F565B, #8B6A6C and #777E7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C72F39 shade: #C62F8A, #C62F61, #C62F39, #C64D2F and #C6752F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C72F39 shade: #831F25, #A5272F, #C62F39, #D44A53 and #DC6B72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C72F39 shade: #C72F39, #B2C62F and #2F75C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C72F39 shade: #C72F39, #39C62F and #2F39C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C72F39 shade: #C72F39, #B2C62F, #2FC6BC and #432FC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C72F39 shade: #C72F39, #85C62F, #2FC6BC and #702FC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 71 / 22

HEX #C72F39

RGB 199 47 57

HSL 356.05, 0.62%, 0.48%

LAB 44.9, 59.17, 31.84

 

Complementary color

CMYK 73 / 0 / 5 / 18

HEX #38D0C6

RGB 56 208 198

HSL 176.05, 0.62%, 0.52%

LAB 76.09, -40.68, -6.35

 

CMYK 0 / 77 / 75 / 20

HEX #CC2F34

RGB 204 47 52

HSL 358.09, 0.63%, 0.49%

LAB 45.8, 60.44, 36.05

 

CMYK 0 / 71 / 68 / 13

HEX #DD4147

RGB 221 65 71

HSL 357.69, 0.7%, 0.56%

LAB 51.39, 60.4, 32.37

 

CMYK 0 / 65 / 62 / 7

HEX #EE535A

RGB 238 83 90

HSL 357.29, 0.82%, 0.63%

LAB 57.17, 59.91, 29.22

 

CMYK 0 / 60 / 57 / 0

HEX #FF656D

RGB 255 101 109

HSL 356.88, 1%, 0.7%

LAB 63.07, 59.15, 26.53

 

CMYK 0 / 53 / 50 / 0

HEX #FF7780

RGB 255 119 128

HSL 356.03, 1%, 0.73%

LAB 66.53, 52.51, 20.4

 

CMYK 0 / 76 / 71 / 22

HEX #C72F39

RGB 199 47 57

HSL 356.05, 0.62%, 0.48%

LAB 44.9, 59.17, 31.84

 

CMYK 0 / 84 / 79 / 29

HEX #B61D26

RGB 182 29 38

HSL 356.47, 0.73%, 0.41%

LAB 39.52, 58.49, 36.05

 

CMYK 0 / 93 / 88 / 35

HEX #A50B13

RGB 165 11 19

HSL 356.88, 0.88%, 0.35%

LAB 34.57, 56.68, 40.5

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

HEX #830000

CMYK 0 / 76 / 71 / 22

HEX #C62F39

RGB 198 47 57

HSL 356.03, 0.62%, 0.48%

LAB 44.71, 58.87, 31.56

 

CMYK 0 / 76 / 76 / 22

HEX #C62F2F

RGB 198 47 47

HSL 0, 0.62%, 0.48%

LAB 44.58, 58.46, 37.25

 

CMYK 0 / 76 / 71 / 22

HEX #C62F39

RGB 198 47 57

HSL 356.03, 0.62%, 0.48%

LAB 44.71, 58.87, 31.56

 

CMYK 0 / 76 / 51 / 22

HEX #C62F61

RGB 198 47 97

HSL 340.13, 0.62%, 0.48%

LAB 45.5, 61.41, 8.08

 

CMYK 0 / 76 / 30 / 22

HEX #C62F8A

RGB 198 47 138

HSL 323.84, 0.62%, 0.48%

LAB 46.81, 65.47, -15.13

 

CMYK 0 / 76 / 10 / 22

HEX #C62FB3

RGB 198 47 179

HSL 307.55, 0.62%, 0.48%

LAB 48.63, 70.86, -36.74

 

CMYK 11 / 76 / 0 / 22

HEX #B02FC6

RGB 176 47 198

HSL 291.26, 0.62%, 0.48%

LAB 46.1, 69.39, -52.08

 

CMYK 0 / 76 / 71 / 22

HEX #C62F39

RGB 198 47 57

HSL 356.03, 0.62%, 0.48%

LAB 44.71, 58.87, 31.56

 

CMYK 0 / 88 / 82 / 15

HEX #DA1B27

RGB 218 27 39

HSL 356.23, 0.78%, 0.48%

LAB 46.76, 68.68, 45.15

 

CMYK 0 / 97 / 91 / 7

HEX #EE0716

RGB 238 7 22

HSL 356.1, 0.94%, 0.48%

LAB 49.96, 75.7, 57.36

 

CMYK 0 / 76 / 71 / 22

HEX #C62F39

RGB 198 47 57

HSL 356.03, 0.62%, 0.48%

LAB 44.71, 58.87, 31.56

 

CMYK 0 / 63 / 58 / 30

HEX #B2424A

RGB 178 66 74

HSL 355.71, 0.46%, 0.48%

LAB 44.03, 46.13, 19.66

 

CMYK 0 / 46 / 43 / 38

HEX #9F565B

RGB 159 86 91

HSL 355.89, 0.3%, 0.48%

LAB 45.33, 30.6, 10.6

 

CMYK 0 / 24 / 22 / 45

HEX #8B6A6C

RGB 139 106 108

HSL 356.36, 0.13%, 0.48%

LAB 48.11, 13.48, 3.97

 

CMYK 6 / 0 / 1 / 51

HEX #777E7D

RGB 119 126 125

HSL 171.43, 0.03%, 0.48%

LAB 52.2, -2.8, -0.36

 

CMYK 0 / 76 / 30 / 22

HEX #C62F8A

RGB 198 47 138

HSL 323.84, 0.62%, 0.48%

LAB 46.81, 65.47, -15.13

 

CMYK 0 / 76 / 51 / 22

HEX #C62F61

RGB 198 47 97

HSL 340.13, 0.62%, 0.48%

LAB 45.5, 61.41, 8.08

 

CMYK 0 / 76 / 71 / 22

HEX #C62F39

RGB 198 47 57

HSL 356.03, 0.62%, 0.48%

LAB 44.71, 58.87, 31.56

 

CMYK 0 / 61 / 76 / 22

HEX #C64D2F

RGB 198 77 47

HSL 11.92, 0.62%, 0.48%

LAB 48.91, 46.69, 41.87

 

CMYK 0 / 41 / 76 / 22

HEX #C6752F

RGB 198 117 47

HSL 27.81, 0.62%, 0.48%

LAB 57.01, 26.35, 50.15

 

CMYK 0 / 76 / 72 / 49

HEX #831F25

RGB 131 31 37

HSL 356.4, 0.62%, 0.32%

LAB 29.26, 42.41, 22.27

 

CMYK 0 / 76 / 72 / 35

HEX #A5272F

RGB 165 39 47

HSL 356.19, 0.62%, 0.4%

LAB 37.22, 50.97, 27.15

 

CMYK 0 / 76 / 71 / 22

HEX #C62F39

RGB 198 47 57

HSL 356.03, 0.62%, 0.48%

LAB 44.71, 58.87, 31.56

 

CMYK 0 / 65 / 61 / 17

HEX #D44A53

RGB 212 74 83

HSL 356.09, 0.62%, 0.56%

LAB 51.29, 54.73, 24.86

 

CMYK 0 / 51 / 48 / 14

HEX #DC6B72

RGB 220 107 114

HSL 356.28, 0.62%, 0.64%

LAB 58.92, 44.78, 17.17

 

CMYK 0 / 76 / 71 / 22

HEX #C72F39

RGB 199 47 57

HSL 356.05, 0.62%, 0.48%

LAB 44.9, 59.17, 31.84

 

CMYK 10 / 0 / 76 / 22

HEX #B2C62F

RGB 178 198 47

HSL 67.95, 0.62%, 0.48%

LAB 76.11, -25.25, 67.7

 

CMYK 76 / 41 / 0 / 22

HEX #2F75C6

RGB 47 117 198

HSL 212.19, 0.62%, 0.48%

LAB 48.77, 6.51, -48.43

 

CMYK 0 / 76 / 71 / 22

HEX #C72F39

RGB 199 47 57

HSL 356.05, 0.62%, 0.48%

LAB 44.9, 59.17, 31.84

 

CMYK 71 / 0 / 76 / 22

HEX #39C62F

RGB 57 198 47

HSL 116.03, 0.62%, 0.48%

LAB 70.5, -64.02, 60.39

 

CMYK 76 / 71 / 0 / 22

HEX #2F39C6

RGB 47 57 198

HSL 236.03, 0.62%, 0.48%

LAB 33.15, 44.61, -73.78

 

CMYK 0 / 76 / 71 / 22

HEX #C72F39

RGB 199 47 57

HSL 356.05, 0.62%, 0.48%

LAB 44.9, 59.17, 31.84

 

CMYK 10 / 0 / 76 / 22

HEX #B2C62F

RGB 178 198 47

HSL 67.95, 0.62%, 0.48%

LAB 76.11, -25.25, 67.7

 

CMYK 76 / 0 / 5 / 22

HEX #2FC6BC

RGB 47 198 188

HSL 176.03, 0.62%, 0.48%

LAB 72.64, -39.98, -6.05

 

CMYK 66 / 76 / 0 / 22

HEX #432FC6

RGB 67 47 198

HSL 247.95, 0.62%, 0.48%

LAB 32.49, 52.03, -74.83

 

CMYK 0 / 76 / 71 / 22

HEX #C72F39

RGB 199 47 57

HSL 356.05, 0.62%, 0.48%

LAB 44.9, 59.17, 31.84

 

CMYK 33 / 0 / 76 / 22

HEX #85C62F

RGB 133 198 47

HSL 85.83, 0.62%, 0.48%

LAB 73.27, -42.93, 64.03

 

CMYK 76 / 0 / 5 / 22

HEX #2FC6BC

RGB 47 198 188

HSL 176.03, 0.62%, 0.48%

LAB 72.64, -39.98, -6.05

 

CMYK 43 / 76 / 0 / 22

HEX #702FC6

RGB 112 47 198

HSL 265.83, 0.62%, 0.48%

LAB 37.03, 57.97, -67.2

 

Description

Color code: HEX #C72F39 | qconv.com Color code: HEX #C72F39 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 47 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 47 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 71 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 71% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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