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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C72F21 it is the complementary color #38D0DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C72F21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C72F21: #CC2F1C, #DD412F, #EE5342, #FF6555 and #FF7768

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C72F21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C72F21: #C72F21, #B61D0E, #A50B00, #940000 and #830000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 83 / 22

HEX #C72F21

RGB 199 47 33

HSL 5.06, 0.72%, 0.45%

LAB 44.64, 58.32, 44.91

 

Complementary color

CMYK 75 / 6 / 0 / 13

HEX #38D0DE

RGB 56 208 222

HSL 185.06, 0.72%, 0.55%

LAB 76.82, -33.77, -18.18

 

CMYK 0 / 77 / 86 / 20

HEX #CC2F1C

RGB 204 47 28

HSL 6.48, 0.76%, 0.45%

LAB 45.57, 59.71, 48.51

 

CMYK 0 / 71 / 79 / 13

HEX #DD412F

RGB 221 65 47

HSL 6.21, 0.72%, 0.53%

LAB 51.1, 59.4, 45.4

 

CMYK 0 / 65 / 72 / 7

HEX #EE5342

RGB 238 83 66

HSL 5.93, 0.83%, 0.6%

LAB 56.84, 58.65, 42.31

 

CMYK 0 / 60 / 67 / 0

HEX #FF6555

RGB 255 101 85

HSL 5.65, 1%, 0.67%

LAB 62.7, 57.67, 39.49

 

CMYK 0 / 53 / 59 / 0

HEX #FF7768

RGB 255 119 104

HSL 5.96, 1%, 0.7%

LAB 66.1, 50.65, 33.25

 

CMYK 0 / 76 / 83 / 22

HEX #C72F21

RGB 199 47 33

HSL 5.06, 0.72%, 0.45%

LAB 44.64, 58.32, 44.91

 

CMYK 0 / 84 / 92 / 29

HEX #B61D0E

RGB 182 29 14

HSL 5.36, 0.86%, 0.38%

LAB 39.34, 57.93, 47.82

 

CMYK 0 / 93 / 100 / 35

HEX #A50B00

RGB 165 11 0

HSL 4, 1%, 0.32%

LAB 34.48, 56.41, 48.48

 

CMYK 0 / 100 / 100 / 42

HEX #940000

RGB 148 0 0

HSL 0, 1%, 0.29%

LAB 30.15, 53.4, 43.8

SW® 2911

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

 

CMYK 0 / 76 / 83 / 22

HEX #C72F21

RGB 199 47 33

HSL 5.06, 0.72%, 0.45%

LAB 44.64, 58.32, 44.91

 

CMYK 0 / 63 / 84 / 23

HEX #C54920

RGB 197 73 32

HSL 14.91, 0.72%, 0.45%

LAB 47.93, 47.63, 48.22

 

CMYK 0 / 49 / 84 / 23

HEX #C56420

RGB 197 100 32

HSL 24.73, 0.72%, 0.45%

LAB 53.05, 34.46, 52.73

 

CMYK 0 / 35 / 84 / 23

HEX #C58020

RGB 197 128 32

HSL 34.91, 0.72%, 0.45%

LAB 59.35, 19.39, 58.19

 

CMYK 0 / 21 / 84 / 23

HEX #C59C20

RGB 197 156 32

HSL 45.09, 0.72%, 0.45%

LAB 66.33, 4.11, 64.13

 

CMYK 0 / 76 / 83 / 22

HEX #C72F21

RGB 199 47 33

HSL 5.06, 0.72%, 0.45%

LAB 44.64, 58.32, 44.91

 

CMYK 0 / 76 / 84 / 2

HEX #FA3B29

RGB 250 59 41

HSL 5.17, 0.95%, 0.57%

LAB 55.7, 69.94, 54.6

 

CMYK 0 / 76 / 83 / 82

HEX #2E0B08

RGB 46 11 8

HSL 4.74, 0.7%, 0.11%

LAB 7.57, 17.69, 8.42

 

CMYK 0 / 76 / 84 / 62

HEX #611710

RGB 97 23 16

HSL 5.19, 0.72%, 0.22%

LAB 20.8, 32.78, 24.05

 

CMYK 0 / 76 / 83 / 42

HEX #942319

RGB 148 35 25

HSL 4.88, 0.71%, 0.34%

LAB 33.07, 46.05, 34.65

 

CMYK 0 / 76 / 83 / 22

HEX #C72F21

RGB 199 47 33

HSL 5.06, 0.72%, 0.45%

LAB 44.64, 58.32, 44.91

 

CMYK 24 / 0 / 84 / 23

HEX #96C520

RGB 150 197 32

HSL 77.09, 0.72%, 0.45%

LAB 73.88, -36.7, 69.1

 

CMYK 84 / 57 / 0 / 23

HEX #2054C5

RGB 32 84 197

HSL 221.09, 0.72%, 0.45%

LAB 39.03, 25.86, -63.57

 

CMYK 0 / 76 / 83 / 22

HEX #C72F21

RGB 199 47 33

HSL 5.06, 0.72%, 0.45%

LAB 44.64, 58.32, 44.91

 

CMYK 84 / 0 / 77 / 23

HEX #20C52D

RGB 32 197 45

HSL 124.73, 0.72%, 0.45%

LAB 69.77, -67.27, 60.2

 

CMYK 77 / 84 / 0 / 23

HEX #2D20C5

RGB 45 32 197

HSL 244.73, 0.72%, 0.45%

LAB 28.44, 57.02, -81

 

CMYK 0 / 76 / 83 / 22

HEX #C72F21

RGB 199 47 33

HSL 5.06, 0.72%, 0.45%

LAB 44.64, 58.32, 44.91

 

CMYK 24 / 0 / 84 / 23

HEX #96C520

RGB 150 197 32

HSL 77.09, 0.72%, 0.45%

LAB 73.88, -36.7, 69.1

 

CMYK 84 / 7 / 0 / 23

HEX #20B7C5

RGB 32 183 197

HSL 185.09, 0.72%, 0.45%

LAB 68.17, -31.68, -17.69

 

CMYK 60 / 84 / 0 / 23

HEX #4E20C5

RGB 78 32 197

HSL 256.73, 0.72%, 0.45%

LAB 31.08, 59.48, -76.54

 

CMYK 0 / 76 / 83 / 22

HEX #C72F21

RGB 199 47 33

HSL 5.06, 0.72%, 0.45%

LAB 44.64, 58.32, 44.91

 

CMYK 49 / 0 / 84 / 23

HEX #64C520

RGB 100 197 32

HSL 95.27, 0.72%, 0.45%

LAB 71.38, -54.24, 65.95

 

CMYK 84 / 7 / 0 / 23

HEX #20B7C5

RGB 32 183 197

HSL 185.09, 0.72%, 0.45%

LAB 68.17, -31.68, -17.69

 

CMYK 35 / 84 / 0 / 23

HEX #8020C5

RGB 128 32 197

HSL 274.91, 0.72%, 0.45%

LAB 37.21, 65.51, -66.23

 

Description

Color code: HEX #C72F21 | qconv.com Color code: HEX #C72F21 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 47 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 47 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 83 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 83% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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