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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C72BF0 it is the complementary color #38D40F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C72BF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C72BF0 shade: #CC2BEB, #DD3DFE, #EE4FFF, #FF61FF and #FF73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C72BF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C72BF0 shade: #C72BF0, #B619DD, #A507CA, #9400B7 and #8300A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C72BF0 shade: #C728F0, #F028E4, #F028AE, #F02878 and #F02842

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C72BF0 shade: #C728F0, #9128F0, #5B28F0 and #2828F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C72BF0 shade matches the following richer shades: #C728F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C72BF0 shade: #C728F0, #BC3BDE, #B14ECB, #A660B8 and #9B73A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C72BF0 shade: #5A28F0, #9028F0, #C528F0, #F028E6 and #F028B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C72BF0 shade: #950DB9, #B410E0, #C728F0, #D14FF3 and #DB76F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C72BF0 shade: #C72BF0, #F0282C and #28F075

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C72BF0 shade: #C72BF0, #F0C528 and #28F0C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C72BF0 shade: #C72BF0, #F0282C, #54F028 and #28F0ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C72BF0 shade: #C72BF0, #F06128, #54F028 and #28B8F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 82 / 0 / 6

HEX #C72BF0

RGB 199 43 240

HSL 287.51, 0.87%, 0.55%

LAB 52.02, 81.96, -66.31

 

Complementary color

CMYK 74 / 0 / 93 / 17

HEX #38D40F

RGB 56 212 15

HSL 107.51, 0.87%, 0.45%

LAB 74.8, -69.92, 71.49

 

CMYK 13 / 82 / 0 / 8

HEX #CC2BEB

RGB 204 43 235

HSL 290.31, 0.83%, 0.55%

LAB 52.47, 81.93, -62.74

 

CMYK 13 / 76 / 0 / 0

HEX #DD3DFE

RGB 221 61 254

HSL 289.74, 0.99%, 0.62%

LAB 57.91, 83.37, -64.45

 

CMYK 7 / 69 / 0 / 0

HEX #EE4FFF

RGB 238 79 255

HSL 294.2, 1%, 0.65%

LAB 62.5, 81.08, -57.52

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 17 / 82 / 0 / 6

HEX #C72BF0

RGB 199 43 240

HSL 287.51, 0.87%, 0.55%

LAB 52.02, 81.96, -66.31

 

CMYK 18 / 89 / 0 / 13

HEX #B619DD

RGB 182 25 221

HSL 288.06, 0.8%, 0.48%

LAB 46.79, 79.67, -64.14

 

CMYK 18 / 97 / 0 / 21

HEX #A507CA

RGB 165 7 202

HSL 288.62, 0.93%, 0.41%

LAB 41.87, 76.19, -61.31

 

CMYK 19 / 100 / 0 / 28

HEX #9400B7

RGB 148 0 183

HSL 288.52, 1%, 0.36%

LAB 37.33, 71.26, -57.67

 

CMYK 20 / 100 / 0 / 36

HEX #8300A4

RGB 131 0 164

HSL 287.93, 1%, 0.32%

LAB 32.93, 65.52, -53.58

 

CMYK 17 / 83 / 0 / 6

HEX #C728F0

RGB 199 40 240

HSL 287.7, 0.87%, 0.55%

LAB 51.78, 82.66, -66.69

 

CMYK 0 / 83 / 5 / 6

HEX #F028E4

RGB 240 40 228

HSL 303.6, 0.87%, 0.55%

LAB 57.7, 87.83, -50.09

 

CMYK 0 / 83 / 28 / 6

HEX #F028AE

RGB 240 40 174

HSL 319.8, 0.87%, 0.55%

LAB 55.17, 80.98, -23.07

 

CMYK 0 / 83 / 50 / 6

HEX #F02878

RGB 240 40 120

HSL 336, 0.87%, 0.55%

LAB 53.38, 75.89, 6.34

 

CMYK 0 / 83 / 73 / 6

HEX #F02842

RGB 240 40 66

HSL 352.2, 0.87%, 0.55%

LAB 52.33, 72.78, 37.26

 

CMYK 17 / 83 / 0 / 6

HEX #C728F0

RGB 199 40 240

HSL 287.7, 0.87%, 0.55%

LAB 51.78, 82.66, -66.69

 

CMYK 40 / 83 / 0 / 6

HEX #9128F0

RGB 145 40 240

HSL 271.5, 0.87%, 0.55%

LAB 43.99, 74.78, -79.73

 

CMYK 62 / 83 / 0 / 6

HEX #5B28F0

RGB 91 40 240

HSL 255.3, 0.87%, 0.55%

LAB 37.9, 68.98, -89.97

 

CMYK 83 / 83 / 0 / 6

HEX #2828F0

RGB 40 40 240

HSL 240, 0.87%, 0.55%

LAB 34.52, 65.95, -95.68

 

CMYK 17 / 83 / 0 / 6

HEX #C728F0

RGB 199 40 240

HSL 287.7, 0.87%, 0.55%

LAB 51.78, 82.66, -66.69

 

CMYK 17 / 83 / 0 / 6

HEX #C728F0

RGB 199 40 240

HSL 287.7, 0.87%, 0.55%

LAB 51.78, 82.66, -66.69

 

CMYK 15 / 73 / 0 / 13

HEX #BC3BDE

RGB 188 59 222

HSL 287.48, 0.71%, 0.55%

LAB 50.8, 72.13, -58.2

 

CMYK 13 / 62 / 0 / 20

HEX #B14ECB

RGB 177 78 203

HSL 287.52, 0.55%, 0.55%

LAB 50.81, 58.52, -47.41

 

CMYK 10 / 48 / 0 / 28

HEX #A660B8

RGB 166 96 184

HSL 287.73, 0.38%, 0.55%

LAB 51.76, 42.82, -35.06

 

CMYK 7 / 31 / 0 / 35

HEX #9B73A6

RGB 155 115 166

HSL 287.06, 0.22%, 0.55%

LAB 54.01, 25.01, -21.23

 

CMYK 63 / 83 / 0 / 6

HEX #5A28F0

RGB 90 40 240

HSL 255, 0.87%, 0.55%

LAB 37.81, 68.9, -90.12

 

CMYK 40 / 83 / 0 / 6

HEX #9028F0

RGB 144 40 240

HSL 271.2, 0.87%, 0.55%

LAB 43.86, 74.65, -79.95

 

CMYK 18 / 83 / 0 / 6

HEX #C528F0

RGB 197 40 240

HSL 287.1, 0.87%, 0.55%

LAB 51.47, 82.34, -67.21

 

CMYK 0 / 83 / 4 / 6

HEX #F028E6

RGB 240 40 230

HSL 303, 0.87%, 0.55%

LAB 57.8, 88.12, -51.05

 

CMYK 0 / 83 / 26 / 6

HEX #F028B1

RGB 240 40 177

HSL 318.9, 0.87%, 0.55%

LAB 55.3, 81.32, -24.63

 

CMYK 19 / 93 / 0 / 27

HEX #950DB9

RGB 149 13 185

HSL 287.44, 0.87%, 0.39%

LAB 38.16, 70.22, -57.49

 

CMYK 20 / 93 / 0 / 12

HEX #B410E0

RGB 180 16 224

HSL 287.31, 0.87%, 0.47%

LAB 46.25, 81.17, -66.74

 

CMYK 17 / 83 / 0 / 6

HEX #C728F0

RGB 199 40 240

HSL 287.7, 0.87%, 0.55%

LAB 51.78, 82.66, -66.69

 

CMYK 14 / 67 / 0 / 5

HEX #D14FF3

RGB 209 79 243

HSL 287.56, 0.87%, 0.63%

LAB 57.67, 72.91, -58.82

 

CMYK 11 / 52 / 0 / 4

HEX #DB76F5

RGB 219 118 245

HSL 287.72, 0.86%, 0.71%

LAB 65.44, 58.34, -47.5

 

CMYK 17 / 82 / 0 / 6

HEX #C72BF0

RGB 199 43 240

HSL 287.51, 0.87%, 0.55%

LAB 52.02, 81.96, -66.31

 

CMYK 0 / 83 / 82 / 6

HEX #F0282C

RGB 240 40 44

HSL 358.8, 0.87%, 0.55%

LAB 52.09, 72.08, 49.14

 

CMYK 83 / 0 / 51 / 6

HEX #28F075

RGB 40 240 117

HSL 143.1, 0.87%, 0.55%

LAB 83.99, -71.79, 46.24

 

CMYK 17 / 82 / 0 / 6

HEX #C72BF0

RGB 199 43 240

HSL 287.51, 0.87%, 0.55%

LAB 52.02, 81.96, -66.31

 

CMYK 0 / 18 / 83 / 6

HEX #F0C528

RGB 240 197 40

HSL 47.1, 0.87%, 0.55%

LAB 81.08, 1.44, 76.09

 

CMYK 83 / 0 / 18 / 6

HEX #28F0C5

RGB 40 240 197

HSL 167.1, 0.87%, 0.55%

LAB 85.4, -55.91, 7.74

 

CMYK 17 / 82 / 0 / 6

HEX #C72BF0

RGB 199 43 240

HSL 287.51, 0.87%, 0.55%

LAB 52.02, 81.96, -66.31

 

CMYK 0 / 83 / 82 / 6

HEX #F0282C

RGB 240 40 44

HSL 358.8, 0.87%, 0.55%

LAB 52.09, 72.08, 49.14

 

CMYK 65 / 0 / 83 / 6

HEX #54F028

RGB 84 240 40

HSL 106.8, 0.87%, 0.55%

LAB 84.15, -72.63, 75.28

 

CMYK 83 / 0 / 1 / 6

HEX #28F0ED

RGB 40 240 237

HSL 179.1, 0.87%, 0.55%

LAB 86.45, -45.3, -11.7

 

CMYK 17 / 82 / 0 / 6

HEX #C72BF0

RGB 199 43 240

HSL 287.51, 0.87%, 0.55%

LAB 52.02, 81.96, -66.31

 

CMYK 0 / 60 / 83 / 6

HEX #F06128

RGB 240 97 40

HSL 17.1, 0.87%, 0.55%

LAB 59.18, 52.46, 57.42

 

CMYK 65 / 0 / 83 / 6

HEX #54F028

RGB 84 240 40

HSL 106.8, 0.87%, 0.55%

LAB 84.15, -72.63, 75.28

 

CMYK 83 / 23 / 0 / 6

HEX #28B8F0

RGB 40 184 240

HSL 196.8, 0.87%, 0.55%

LAB 70.19, -17.48, -38.1

 

Description

Color code: HEX #C72BF0 | qconv.com Color code: HEX #C72BF0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 43 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 43 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 82 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 82% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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