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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C72867 it is the complementary color #38D798. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C72867. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C72867 shade: #CC2862, #DD3A75, #EE4C88, #FF5E9B and #FF70AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C72867. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C72867 shade: #C72867, #B61654, #A50441, #94002E and #83001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C72867 shade: #C82867, #C8283C and #C82828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C72867 shade: #C82867, #C82892, #C828BE, #A728C8 and #7C28C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C72867 shade matches the following richer shades: #C82867, #DC1463 and #EF015F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C72867 shade: #C82867, #B53B6B, #A14E6F, #8E6273 and #7B7577

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C72867 shade: #C828BD, #C82893, #C82868, #C8283D and #C83D28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C72867 shade: #831A44, #A62155, #C82867, #D9407D and #E06294

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C72867 shade: #C72867, #C8A828 and #28A8C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C72867 shade: #C72867, #68C828 and #2868C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C72867 shade: #C72867, #C8A828, #28C888 and #2848C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C72867 shade: #C72867, #B8C828, #28C888 and #3828C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 48 / 22

HEX #C72867

RGB 199 40 103

HSL 336.23, 0.67%, 0.47%

LAB 45.14, 64.19, 3.87

 

Complementary color

CMYK 74 / 0 / 29 / 16

HEX #38D798

RGB 56 215 152

HSL 156.23, 0.67%, 0.53%

LAB 77.11, -54.94, 19.69

 

CMYK 0 / 80 / 52 / 20

HEX #CC2862

RGB 204 40 98

HSL 338.78, 0.67%, 0.48%

LAB 45.96, 65.1, 8.27

 

CMYK 0 / 74 / 47 / 13

HEX #DD3A75

RGB 221 58 117

HSL 338.28, 0.71%, 0.55%

LAB 51.48, 65.97, 4.95

 

CMYK 0 / 68 / 43 / 7

HEX #EE4C88

RGB 238 76 136

HSL 337.78, 0.83%, 0.62%

LAB 57.2, 66.21, 2.26

 

CMYK 0 / 63 / 39 / 0

HEX #FF5E9B

RGB 255 94 155

HSL 337.27, 1%, 0.68%

LAB 63.04, 66.04, 0.03

 

CMYK 0 / 56 / 32 / 0

HEX #FF70AE

RGB 255 112 174

HSL 333.99, 1%, 0.72%

LAB 66.45, 60.46, -5.82

 

CMYK 0 / 80 / 48 / 22

HEX #C72867

RGB 199 40 103

HSL 336.23, 0.67%, 0.47%

LAB 45.14, 64.19, 3.87

 

CMYK 0 / 88 / 54 / 29

HEX #B61654

RGB 182 22 84

HSL 336.75, 0.78%, 0.4%

LAB 39.85, 62.41, 7.82

 

CMYK 0 / 98 / 61 / 35

HEX #A50441

RGB 165 4 65

HSL 337.27, 0.95%, 0.33%

LAB 34.94, 59.44, 12.72

 

CMYK 0 / 100 / 69 / 42

HEX #94002E

RGB 148 0 46

HSL 341.35, 1%, 0.29%

LAB 30.62, 54.69, 18.87

 

CMYK 0 / 100 / 79 / 49

HEX #83001B

RGB 131 0 27

HSL 347.63, 1%, 0.26%

LAB 26.46, 49.49, 25.48

 

CMYK 0 / 80 / 49 / 22

HEX #C82867

RGB 200 40 103

HSL 336.38, 0.67%, 0.47%

LAB 45.33, 64.45, 4.17

 

CMYK 0 / 80 / 70 / 22

HEX #C8283C

RGB 200 40 60

HSL 352.5, 0.67%, 0.47%

LAB 44.41, 61.65, 29.5

 

CMYK 0 / 80 / 80 / 22

HEX #C82828

RGB 200 40 40

HSL 0, 0.67%, 0.47%

LAB 44.16, 60.88, 40.84

 

CMYK 0 / 80 / 49 / 22

HEX #C82867

RGB 200 40 103

HSL 336.38, 0.67%, 0.47%

LAB 45.33, 64.45, 4.17

 

CMYK 0 / 80 / 27 / 22

HEX #C82892

RGB 200 40 146

HSL 320.25, 0.67%, 0.47%

LAB 46.81, 68.83, -19.93

 

CMYK 0 / 80 / 5 / 22

HEX #C828BE

RGB 200 40 190

HSL 303.75, 0.67%, 0.47%

LAB 48.9, 74.74, -42.72

 

CMYK 17 / 80 / 0 / 22

HEX #A728C8

RGB 167 40 200

HSL 287.63, 0.67%, 0.47%

LAB 44.09, 70.15, -56.53

 

CMYK 38 / 80 / 0 / 22

HEX #7C28C8

RGB 124 40 200

HSL 271.5, 0.67%, 0.47%

LAB 37.79, 63.01, -67.05

 

CMYK 0 / 80 / 49 / 22

HEX #C82867

RGB 200 40 103

HSL 336.38, 0.67%, 0.47%

LAB 45.33, 64.45, 4.17

 

CMYK 0 / 91 / 55 / 14

HEX #DC1463

RGB 220 20 99

HSL 336.3, 0.83%, 0.47%

LAB 47.77, 73.01, 10.66

 

CMYK 0 / 100 / 60 / 6

HEX #EF015F

RGB 239 1 95

HSL 336.3, 0.99%, 0.47%

LAB 50.92, 78.84, 18.05

 

CMYK 0 / 80 / 49 / 22

HEX #C82867

RGB 200 40 103

HSL 336.38, 0.67%, 0.47%

LAB 45.33, 64.45, 4.17

 

CMYK 0 / 67 / 41 / 29

HEX #B53B6B

RGB 181 59 107

HSL 336.39, 0.51%, 0.47%

LAB 44.25, 53.1, -0.29

 

CMYK 0 / 52 / 31 / 37

HEX #A14E6F

RGB 161 78 111

HSL 336.14, 0.35%, 0.47%

LAB 44.48, 38.14, -2.79

 

CMYK 0 / 31 / 19 / 44

HEX #8E6273

RGB 142 98 115

HSL 336.82, 0.18%, 0.47%

LAB 46.61, 20.51, -2.37

 

CMYK 0 / 5 / 3 / 52

HEX #7B7577

RGB 123 117 119

HSL 340, 0.03%, 0.47%

LAB 49.82, 2.69, -0.28

 

CMYK 0 / 80 / 5 / 22

HEX #C828BD

RGB 200 40 189

HSL 304.13, 0.67%, 0.47%

LAB 48.85, 74.59, -42.22

 

CMYK 0 / 80 / 27 / 22

HEX #C82893

RGB 200 40 147

HSL 319.88, 0.67%, 0.47%

LAB 46.85, 68.95, -20.47

 

CMYK 0 / 80 / 48 / 22

HEX #C82868

RGB 200 40 104

HSL 336, 0.67%, 0.47%

LAB 45.35, 64.54, 3.59

 

CMYK 0 / 80 / 70 / 22

HEX #C8283D

RGB 200 40 61

HSL 352.13, 0.67%, 0.47%

LAB 44.42, 61.7, 28.91

 

CMYK 0 / 70 / 80 / 22

HEX #C83D28

RGB 200 61 40

HSL 7.88, 0.67%, 0.47%

LAB 46.67, 53.9, 43.34

 

CMYK 0 / 80 / 48 / 49

HEX #831A44

RGB 131 26 68

HSL 336, 0.67%, 0.31%

LAB 29.37, 46.43, 1.87

 

CMYK 0 / 80 / 49 / 35

HEX #A62155

RGB 166 33 85

HSL 336.54, 0.67%, 0.39%

LAB 37.57, 55.73, 3.5

 

CMYK 0 / 80 / 49 / 22

HEX #C82867

RGB 200 40 103

HSL 336.38, 0.67%, 0.47%

LAB 45.33, 64.45, 4.17

 

CMYK 0 / 71 / 42 / 15

HEX #D9407D

RGB 217 64 125

HSL 336.08, 0.67%, 0.55%

LAB 51.72, 63.55, 0.4

 

CMYK 0 / 56 / 34 / 12

HEX #E06294

RGB 224 98 148

HSL 336.19, 0.67%, 0.63%

LAB 58.71, 54.06, -2.81

 

CMYK 0 / 80 / 48 / 22

HEX #C72867

RGB 199 40 103

HSL 336.23, 0.67%, 0.47%

LAB 45.14, 64.19, 3.87

 

CMYK 0 / 16 / 80 / 22

HEX #C8A828

RGB 200 168 40

HSL 48, 0.67%, 0.47%

LAB 69.78, -0.74, 64.84

 

CMYK 80 / 16 / 0 / 22

HEX #28A8C8

RGB 40 168 200

HSL 192, 0.67%, 0.47%

LAB 63.86, -22.56, -25.93

 

CMYK 0 / 80 / 48 / 22

HEX #C72867

RGB 199 40 103

HSL 336.23, 0.67%, 0.47%

LAB 45.14, 64.19, 3.87

 

CMYK 48 / 0 / 80 / 22

HEX #68C828

RGB 104 200 40

HSL 96, 0.67%, 0.47%

LAB 72.5, -53.81, 64.92

 

CMYK 80 / 48 / 0 / 22

HEX #2868C8

RGB 40 104 200

HSL 216, 0.67%, 0.47%

LAB 44.97, 14.7, -55.68

 

CMYK 0 / 80 / 48 / 22

HEX #C72867

RGB 199 40 103

HSL 336.23, 0.67%, 0.47%

LAB 45.14, 64.19, 3.87

 

CMYK 0 / 16 / 80 / 22

HEX #C8A828

RGB 200 168 40

HSL 48, 0.67%, 0.47%

LAB 69.78, -0.74, 64.84

 

CMYK 80 / 0 / 32 / 22

HEX #28C888

RGB 40 200 136

HSL 156, 0.67%, 0.47%

LAB 71.92, -54.49, 20.97

 

CMYK 80 / 64 / 0 / 22

HEX #2848C8

RGB 40 72 200

HSL 228, 0.67%, 0.47%

LAB 36.47, 35.46, -69.5

 

CMYK 0 / 80 / 48 / 22

HEX #C72867

RGB 199 40 103

HSL 336.23, 0.67%, 0.47%

LAB 45.14, 64.19, 3.87

 

CMYK 8 / 0 / 80 / 22

HEX #B8C828

RGB 184 200 40

HSL 66, 0.67%, 0.47%

LAB 77.07, -23.98, 70.76

 

CMYK 80 / 0 / 32 / 22

HEX #28C888

RGB 40 200 136

HSL 156, 0.67%, 0.47%

LAB 71.92, -54.49, 20.97

 

CMYK 72 / 80 / 0 / 22

HEX #3828C8

RGB 56 40 200

HSL 246, 0.67%, 0.47%

LAB 30.71, 55.06, -78.97

 

Description

Color code: HEX #C72867 | qconv.com Color code: HEX #C72867 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 40 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 40 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 48 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 48% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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