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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C725CF it is the complementary color #38DA30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C725CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C725CF shade: #CC25CA, #DD37DD, #EE49F0, #FF5BFF and #FF6DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C725CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C725CF shade: #C725CF, #B613BC, #A501A9, #940096 and #830083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C725CF shade: #C825D0, #D025AA, #D0257C, #D0254E and #D02525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C725CF shade: #C825D0, #9A25D0, #6C25D0, #3D25D0 and #2525D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C725CF shade matches the following richer shades: #C825D0 and #DA11E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C725CF shade: #C825D0, #B639BC, #A44CA8, #926095 and #807481

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C725CF shade: #6C25D0, #9A25D0, #C825D0, #D025AB and #D0257D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C725CF shade: #85188A, #A61FAD, #C825D0, #D641DD and #DE64E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C725CF shade: #C725CF, #D03E25 and #25D083

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C725CF shade: #C725CF, #D0C825 and #25D0C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C725CF shade: #C725CF, #D03E25, #2DD025 and #25B6D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C725CF shade: #C725CF, #D07225, #2DD025 and #2583D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 82 / 0 / 19

HEX #C725CF

RGB 199 37 207

HSL 297.18, 0.7%, 0.48%

LAB 49.46, 77.85, -51.68

 

Complementary color

CMYK 74 / 0 / 78 / 15

HEX #38DA30

RGB 56 218 48

HSL 117.18, 0.7%, 0.52%

LAB 76.8, -70.35, 66.17

 

CMYK 0 / 82 / 1 / 20

HEX #CC25CA

RGB 204 37 202

HSL 300.72, 0.69%, 0.47%

LAB 50.01, 78, -47.88

 

CMYK 0 / 75 / 0 / 13

HEX #DD37DD

RGB 221 55 221

HSL 300, 0.71%, 0.54%

LAB 55.41, 79.7, -49.97

 

CMYK 1 / 70 / 0 / 6

HEX #EE49F0

RGB 238 73 240

HSL 299.28, 0.85%, 0.61%

LAB 60.99, 80.66, -51.61

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 4 / 82 / 0 / 19

HEX #C725CF

RGB 199 37 207

HSL 297.18, 0.7%, 0.48%

LAB 49.46, 77.85, -51.68

 

CMYK 3 / 90 / 0 / 26

HEX #B613BC

RGB 182 19 188

HSL 297.87, 0.82%, 0.41%

LAB 44.29, 75.18, -49.08

 

CMYK 2 / 99 / 0 / 34

HEX #A501A9

RGB 165 1 169

HSL 298.57, 0.99%, 0.33%

LAB 39.39, 71.43, -45.86

 

CMYK 1 / 100 / 0 / 41

HEX #940096

RGB 148 0 150

HSL 299.2, 1%, 0.29%

LAB 35, 65.8, -41.57

 

CMYK 0 / 100 / 0 / 49

HEX #830083

RGB 131 0 131

HSL 300, 1%, 0.26%

LAB 30.55, 59.93, -37.11

 

CMYK 4 / 82 / 0 / 18

HEX #C825D0

RGB 200 37 208

HSL 297.19, 0.7%, 0.48%

LAB 49.69, 78.19, -51.88

 

CMYK 0 / 82 / 18 / 18

HEX #D025AA

RGB 208 37 170

HSL 313.33, 0.7%, 0.48%

LAB 49.05, 74.3, -30.66

 

CMYK 0 / 82 / 40 / 18

HEX #D0257C

RGB 208 37 124

HSL 329.47, 0.7%, 0.48%

LAB 47.22, 69.11, -5.81

 

CMYK 0 / 82 / 63 / 18

HEX #D0254E

RGB 208 37 78

HSL 345.61, 0.7%, 0.48%

LAB 46.02, 65.56, 20.86

 

CMYK 0 / 82 / 82 / 18

HEX #D02525

RGB 208 37 37

HSL 0, 0.7%, 0.48%

LAB 45.45, 63.84, 44.25

 

CMYK 4 / 82 / 0 / 18

HEX #C825D0

RGB 200 37 208

HSL 297.19, 0.7%, 0.48%

LAB 49.69, 78.19, -51.88

 

CMYK 26 / 82 / 0 / 18

HEX #9A25D0

RGB 154 37 208

HSL 281.05, 0.7%, 0.48%

LAB 42.38, 70.31, -64.04

 

CMYK 48 / 82 / 0 / 18

HEX #6C25D0

RGB 108 37 208

HSL 264.91, 0.7%, 0.48%

LAB 36.11, 63.74, -74.55

 

CMYK 71 / 82 / 0 / 18

HEX #3D25D0

RGB 61 37 208

HSL 248.42, 0.7%, 0.48%

LAB 31.51, 59.1, -82.3

 

CMYK 82 / 82 / 0 / 18

HEX #2525D0

RGB 37 37 208

HSL 240, 0.7%, 0.48%

LAB 30.08, 57.71, -84.7

 

CMYK 4 / 82 / 0 / 18

HEX #C825D0

RGB 200 37 208

HSL 297.19, 0.7%, 0.48%

LAB 49.69, 78.19, -51.88

 

CMYK 4 / 93 / 0 / 11

HEX #DA11E4

RGB 218 17 228

HSL 297.16, 0.86%, 0.48%

LAB 52.85, 87.43, -58.05

 

CMYK 4 / 82 / 0 / 18

HEX #C825D0

RGB 200 37 208

HSL 297.19, 0.7%, 0.48%

LAB 49.69, 78.19, -51.88

 

CMYK 3 / 70 / 0 / 26

HEX #B639BC

RGB 182 57 188

HSL 297.25, 0.53%, 0.48%

LAB 47.63, 65.54, -43.76

 

CMYK 2 / 55 / 0 / 34

HEX #A44CA8

RGB 164 76 168

HSL 297.39, 0.38%, 0.48%

LAB 46.83, 49.39, -33.46

 

CMYK 2 / 36 / 0 / 42

HEX #926095

RGB 146 96 149

HSL 296.6, 0.22%, 0.48%

LAB 47.81, 29.42, -20.86

 

CMYK 1 / 10 / 0 / 49

HEX #807481

RGB 128 116 129

HSL 295.38, 0.05%, 0.48%

LAB 50.29, 7.17, -5.44

 

CMYK 48 / 82 / 0 / 18

HEX #6C25D0

RGB 108 37 208

HSL 264.91, 0.7%, 0.48%

LAB 36.11, 63.74, -74.55

 

CMYK 26 / 82 / 0 / 18

HEX #9A25D0

RGB 154 37 208

HSL 281.05, 0.7%, 0.48%

LAB 42.38, 70.31, -64.04

 

CMYK 4 / 82 / 0 / 18

HEX #C825D0

RGB 200 37 208

HSL 297.19, 0.7%, 0.48%

LAB 49.69, 78.19, -51.88

 

CMYK 0 / 82 / 18 / 18

HEX #D025AB

RGB 208 37 171

HSL 312.98, 0.7%, 0.48%

LAB 49.1, 74.43, -31.18

 

CMYK 0 / 82 / 40 / 18

HEX #D0257D

RGB 208 37 125

HSL 329.12, 0.7%, 0.48%

LAB 47.25, 69.2, -6.37

 

CMYK 4 / 83 / 0 / 46

HEX #85188A

RGB 133 24 138

HSL 297.37, 0.7%, 0.32%

LAB 32.86, 57.08, -37.76

 

CMYK 4 / 82 / 0 / 32

HEX #A61FAD

RGB 166 31 173

HSL 297.04, 0.7%, 0.4%

LAB 41.38, 67.63, -45.04

 

CMYK 4 / 82 / 0 / 18

HEX #C825D0

RGB 200 37 208

HSL 297.19, 0.7%, 0.48%

LAB 49.69, 78.19, -51.88

 

CMYK 3 / 71 / 0 / 13

HEX #D641DD

RGB 214 65 221

HSL 297.31, 0.7%, 0.56%

LAB 55.38, 75.2, -50.09

 

CMYK 3 / 56 / 0 / 11

HEX #DE64E4

RGB 222 100 228

HSL 297.19, 0.7%, 0.64%

LAB 61.87, 64.43, -43.68

 

CMYK 4 / 82 / 0 / 19

HEX #C725CF

RGB 199 37 207

HSL 297.18, 0.7%, 0.48%

LAB 49.46, 77.85, -51.68

 

CMYK 0 / 70 / 82 / 18

HEX #D03E25

RGB 208 62 37

HSL 8.77, 0.7%, 0.48%

LAB 48.25, 56.04, 46.88

 

CMYK 82 / 0 / 37 / 18

HEX #25D083

RGB 37 208 131

HSL 152.98, 0.7%, 0.48%

LAB 74.28, -58.78, 26.79

 

CMYK 4 / 82 / 0 / 19

HEX #C725CF

RGB 199 37 207

HSL 297.18, 0.7%, 0.48%

LAB 49.46, 77.85, -51.68

 

CMYK 0 / 4 / 82 / 18

HEX #D0C825

RGB 208 200 37

HSL 57.19, 0.7%, 0.48%

LAB 78.96, -13.9, 73.9

 

CMYK 82 / 0 / 4 / 18

HEX #25D0C8

RGB 37 208 200

HSL 177.19, 0.7%, 0.48%

LAB 75.87, -41.95, -7.78

 

CMYK 4 / 82 / 0 / 19

HEX #C725CF

RGB 199 37 207

HSL 297.18, 0.7%, 0.48%

LAB 49.46, 77.85, -51.68

 

CMYK 0 / 70 / 82 / 18

HEX #D03E25

RGB 208 62 37

HSL 8.77, 0.7%, 0.48%

LAB 48.25, 56.04, 46.88

 

CMYK 78 / 0 / 82 / 18

HEX #2DD025

RGB 45 208 37

HSL 117.19, 0.7%, 0.48%

LAB 73.42, -69.51, 66

 

CMYK 82 / 13 / 0 / 18

HEX #25B6D0

RGB 37 182 208

HSL 189.12, 0.7%, 0.48%

LAB 68.32, -27.31, -23.52

 

CMYK 4 / 82 / 0 / 19

HEX #C725CF

RGB 199 37 207

HSL 297.18, 0.7%, 0.48%

LAB 49.46, 77.85, -51.68

 

CMYK 0 / 45 / 82 / 18

HEX #D07225

RGB 208 114 37

HSL 27.02, 0.7%, 0.48%

LAB 57.63, 31.76, 55.42

 

CMYK 78 / 0 / 82 / 18

HEX #2DD025

RGB 45 208 37

HSL 117.19, 0.7%, 0.48%

LAB 73.42, -69.51, 66

 

CMYK 82 / 37 / 0 / 18

HEX #2583D0

RGB 37 131 208

HSL 207.02, 0.7%, 0.48%

LAB 53.15, 0.66, -47.17

 

Description

Color code: HEX #C725CF | qconv.com Color code: HEX #C725CF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 37 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 37 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 82 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 82% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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