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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C722CB it is the complementary color #38DD34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C722CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C722CB shade: #CC22C6, #DD34D9, #EE46EC, #FF58FF and #FF6AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C722CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C722CB shade: #C722CB, #B610B8, #A500A5, #940092 and #83007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C722CB shade: #C522C9, #C922A0, #C92273, #C92246 and #C92222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C722CB shade: #C522C9, #9822C9, #6B22C9, #3E22C9 and #2222C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C722CB shade matches the following richer shades: #C522C9 and #D70FDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C722CB shade: #C522C9, #B335B6, #A048A3, #8E5B90 and #7C6E7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C722CB shade: #6A22C9, #9722C9, #C322C9, #C922A2 and #C92275

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C722CB shade: #7F1682, #A21CA5, #C522C9, #D937DD and #E05AE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C722CB shade: #C722CB, #C93E22 and #22C980

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C722CB shade: #C722CB, #C9C322 and #22C9C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C722CB shade: #C722CB, #C93E22, #28C922 and #22ADC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C722CB shade: #C722CB, #C97022, #28C922 and #227BC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 83 / 0 / 20

HEX #C722CB

RGB 199 34 203

HSL 298.58, 0.71%, 0.46%

LAB 49, 77.86, -50.1

 

Complementary color

CMYK 75 / 0 / 76 / 13

HEX #38DD34

RGB 56 221 52

HSL 118.58, 0.71%, 0.54%

LAB 77.76, -71.01, 65.87

 

CMYK 0 / 83 / 3 / 20

HEX #CC22C6

RGB 204 34 198

HSL 302.12, 0.71%, 0.47%

LAB 49.57, 78.03, -46.27

 

CMYK 0 / 76 / 2 / 13

HEX #DD34D9

RGB 221 52 217

HSL 301.42, 0.71%, 0.54%

LAB 54.9, 79.9, -48.5

 

CMYK 0 / 71 / 1 / 7

HEX #EE46EC

RGB 238 70 236

HSL 300.71, 0.83%, 0.6%

LAB 60.44, 81, -50.25

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 2 / 83 / 0 / 20

HEX #C722CB

RGB 199 34 203

HSL 298.58, 0.71%, 0.46%

LAB 49, 77.86, -50.1

 

CMYK 1 / 91 / 0 / 28

HEX #B610B8

RGB 182 16 184

HSL 299.29, 0.84%, 0.39%

LAB 43.91, 74.97, -47.34

 

CMYK 0 / 100 / 0 / 35

HEX #A500A5

RGB 165 0 165

HSL 300, 1%, 0.32%

LAB 39.1, 70.93, -43.92

 

CMYK 0 / 100 / 1 / 42

HEX #940092

RGB 148 0 146

HSL 300.81, 1%, 0.29%

LAB 34.74, 65.19, -39.53

 

CMYK 0 / 100 / 3 / 49

HEX #83007F

RGB 131 0 127

HSL 301.83, 1%, 0.26%

LAB 30.3, 59.31, -35.01

 

CMYK 2 / 83 / 0 / 21

HEX #C522C9

RGB 197 34 201

HSL 298.56, 0.71%, 0.46%

LAB 48.55, 77.19, -49.69

 

CMYK 0 / 83 / 20 / 21

HEX #C922A0

RGB 201 34 160

HSL 314.73, 0.71%, 0.46%

LAB 47.1, 72.19, -27.85

 

CMYK 0 / 83 / 43 / 21

HEX #C92273

RGB 201 34 115

HSL 330.9, 0.71%, 0.46%

LAB 45.36, 67.24, -3.18

 

CMYK 0 / 83 / 65 / 21

HEX #C92246

RGB 201 34 70

HSL 347.07, 0.71%, 0.46%

LAB 44.24, 63.95, 23.21

 

CMYK 0 / 83 / 83 / 21

HEX #C92222

RGB 201 34 34

HSL 0, 0.71%, 0.46%

LAB 43.77, 62.52, 43.74

 

CMYK 2 / 83 / 0 / 21

HEX #C522C9

RGB 197 34 201

HSL 298.56, 0.71%, 0.46%

LAB 48.55, 77.19, -49.69

 

CMYK 24 / 83 / 0 / 21

HEX #9822C9

RGB 152 34 201

HSL 282.4, 0.71%, 0.46%

LAB 41.27, 69.44, -61.79

 

CMYK 47 / 83 / 0 / 21

HEX #6B22C9

RGB 107 34 201

HSL 266.23, 0.71%, 0.46%

LAB 34.98, 62.96, -72.34

 

CMYK 69 / 83 / 0 / 21

HEX #3E22C9

RGB 62 34 201

HSL 250.06, 0.71%, 0.46%

LAB 30.36, 58.44, -80.11

 

CMYK 83 / 83 / 0 / 21

HEX #2222C9

RGB 34 34 201

HSL 240, 0.71%, 0.46%

LAB 28.65, 56.81, -83.02

 

CMYK 2 / 83 / 0 / 21

HEX #C522C9

RGB 197 34 201

HSL 298.56, 0.71%, 0.46%

LAB 48.55, 77.19, -49.69

 

CMYK 2 / 93 / 0 / 14

HEX #D70FDC

RGB 215 15 220

HSL 298.54, 0.87%, 0.46%

LAB 51.79, 85.95, -55.24

 

CMYK 2 / 83 / 0 / 21

HEX #C522C9

RGB 197 34 201

HSL 298.56, 0.71%, 0.46%

LAB 48.55, 77.19, -49.69

 

CMYK 2 / 71 / 0 / 29

HEX #B335B6

RGB 179 53 182

HSL 298.6, 0.55%, 0.46%

LAB 46.32, 65.28, -42.36

 

CMYK 2 / 56 / 0 / 36

HEX #A048A3

RGB 160 72 163

HSL 298.02, 0.39%, 0.46%

LAB 45.29, 49.29, -32.95

 

CMYK 1 / 37 / 0 / 44

HEX #8E5B90

RGB 142 91 144

HSL 297.74, 0.23%, 0.46%

LAB 45.97, 29.94, -20.76

 

CMYK 1 / 12 / 0 / 51

HEX #7C6E7D

RGB 124 110 125

HSL 296, 0.06%, 0.46%

LAB 48.16, 8.4, -6.28

 

CMYK 47 / 83 / 0 / 21

HEX #6A22C9

RGB 106 34 201

HSL 265.87, 0.71%, 0.46%

LAB 34.85, 62.84, -72.55

 

CMYK 25 / 83 / 0 / 21

HEX #9722C9

RGB 151 34 201

HSL 282.04, 0.71%, 0.46%

LAB 41.12, 69.28, -62.05

 

CMYK 3 / 83 / 0 / 21

HEX #C322C9

RGB 195 34 201

HSL 297.84, 0.71%, 0.46%

LAB 48.21, 76.83, -50.25

 

CMYK 0 / 83 / 19 / 21

HEX #C922A2

RGB 201 34 162

HSL 314.01, 0.71%, 0.46%

LAB 47.2, 72.44, -28.9

 

CMYK 0 / 83 / 42 / 21

HEX #C92275

RGB 201 34 117

HSL 330.18, 0.71%, 0.46%

LAB 45.42, 67.43, -4.32

 

CMYK 2 / 83 / 0 / 49

HEX #7F1682

RGB 127 22 130

HSL 298.33, 0.71%, 0.3%

LAB 31.11, 55.01, -35.64

 

CMYK 2 / 83 / 0 / 35

HEX #A21CA5

RGB 162 28 165

HSL 298.69, 0.71%, 0.38%

LAB 39.96, 66.27, -42.57

 

CMYK 2 / 83 / 0 / 21

HEX #C522C9

RGB 197 34 201

HSL 298.56, 0.71%, 0.46%

LAB 48.55, 77.19, -49.69

 

CMYK 2 / 75 / 0 / 13

HEX #D937DD

RGB 217 55 221

HSL 298.55, 0.71%, 0.54%

LAB 54.77, 78.9, -51.03

 

CMYK 1 / 60 / 0 / 11

HEX #E05AE3

RGB 224 90 227

HSL 298.69, 0.71%, 0.62%

LAB 60.52, 69.06, -45.22

 

CMYK 2 / 83 / 0 / 20

HEX #C722CB

RGB 199 34 203

HSL 298.58, 0.71%, 0.46%

LAB 49, 77.86, -50.1

 

CMYK 0 / 69 / 83 / 21

HEX #C93E22

RGB 201 62 34

HSL 10.06, 0.71%, 0.46%

LAB 46.95, 53.67, 46.67

 

CMYK 83 / 0 / 36 / 21

HEX #22C980

RGB 34 201 128

HSL 153.77, 0.71%, 0.46%

LAB 72.01, -57.11, 25.3

 

CMYK 2 / 83 / 0 / 20

HEX #C722CB

RGB 199 34 203

HSL 298.58, 0.71%, 0.46%

LAB 49, 77.86, -50.1

 

CMYK 0 / 3 / 83 / 21

HEX #C9C322

RGB 201 195 34

HSL 57.84, 0.71%, 0.46%

LAB 77.02, -14.47, 72.77

 

CMYK 83 / 0 / 3 / 21

HEX #22C9C3

RGB 34 201 195

HSL 177.84, 0.71%, 0.46%

LAB 73.58, -40.49, -8.48

 

CMYK 2 / 83 / 0 / 20

HEX #C722CB

RGB 199 34 203

HSL 298.58, 0.71%, 0.46%

LAB 49, 77.86, -50.1

 

CMYK 0 / 69 / 83 / 21

HEX #C93E22

RGB 201 62 34

HSL 10.06, 0.71%, 0.46%

LAB 46.95, 53.67, 46.67

 

CMYK 80 / 0 / 83 / 21

HEX #28C922

RGB 40 201 34

HSL 117.84, 0.71%, 0.46%

LAB 71.1, -68.22, 64.62

 

CMYK 83 / 14 / 0 / 21

HEX #22ADC9

RGB 34 173 201

HSL 190.06, 0.71%, 0.46%

LAB 65.31, -25.31, -24.25

 

CMYK 2 / 83 / 0 / 20

HEX #C722CB

RGB 199 34 203

HSL 298.58, 0.71%, 0.46%

LAB 49, 77.86, -50.1

 

CMYK 0 / 44 / 83 / 21

HEX #C97022

RGB 201 112 34

HSL 28.02, 0.71%, 0.46%

LAB 56.21, 29.83, 54.95

 

CMYK 80 / 0 / 83 / 21

HEX #28C922

RGB 40 201 34

HSL 117.84, 0.71%, 0.46%

LAB 71.1, -68.22, 64.62

 

CMYK 83 / 39 / 0 / 21

HEX #227BC9

RGB 34 123 201

HSL 208.02, 0.71%, 0.46%

LAB 50.36, 2.6, -47.62

 

Description

Color code: HEX #C722CB | qconv.com Color code: HEX #C722CB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 34 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 34 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 83 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 83% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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