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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C722BC it is the complementary color #38DD43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C722BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C722BC shade: #CC22B7, #DD34CA, #EE46DD, #FF58F0 and #FF6AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C722BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C722BC shade: #C722BC, #B610A9, #A50096, #940083 and #830070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C722BC shade: #C922BD, #C92291, #C92264, #C92237 and #C92222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C722BC shade: #C922BD, #A722C9, #7A22C9, #4D22C9 and #2222C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C722BC shade matches the following richer shades: #C922BD and #DC0FCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C722BC shade: #C922BD, #B635AD, #A3489D, #905B8C and #7D6E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C722BC shade: #7B22C9, #A722C9, #C922BD, #C92291 and #C92265

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C722BC shade: #82167B, #A51C9C, #C922BD, #DD37D2 and #E35ADA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C722BC shade: #C722BC, #C94E22 and #22C991

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C722BC shade: #C722BC, #BDC922 and #22BDC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C722BC shade: #C722BC, #C94E22, #22C92D and #229CC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C722BC shade: #C722BC, #C98022, #22C92D and #226AC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 6 / 22

HEX #C722BC

RGB 199 34 188

HSL 304, 0.71%, 0.46%

LAB 48.16, 75.61, -42.75

 

Complementary color

CMYK 75 / 0 / 70 / 13

HEX #38DD43

RGB 56 221 67

HSL 124, 0.71%, 0.54%

LAB 77.85, -69.87, 60.79

 

CMYK 0 / 83 / 10 / 20

HEX #CC22B7

RGB 204 34 183

HSL 307.41, 0.71%, 0.47%

LAB 48.76, 75.87, -38.81

 

CMYK 0 / 76 / 9 / 13

HEX #DD34CA

RGB 221 52 202

HSL 306.75, 0.71%, 0.54%

LAB 54.12, 77.69, -41.17

 

CMYK 0 / 71 / 7 / 7

HEX #EE46DD

RGB 238 70 221

HSL 306.07, 0.83%, 0.6%

LAB 59.69, 78.73, -43.02

 

CMYK 0 / 65 / 6 / 0

HEX #FF58F0

RGB 255 88 240

HSL 305.39, 1%, 0.67%

LAB 65.38, 79.22, -44.5

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 0 / 83 / 6 / 22

HEX #C722BC

RGB 199 34 188

HSL 304, 0.71%, 0.46%

LAB 48.16, 75.61, -42.75

 

CMYK 0 / 91 / 7 / 29

HEX #B610A9

RGB 182 16 169

HSL 304.7, 0.84%, 0.39%

LAB 43.03, 72.75, -39.86

 

CMYK 0 / 100 / 9 / 35

HEX #A50096

RGB 165 0 150

HSL 305.45, 1%, 0.32%

LAB 38.2, 68.75, -36.28

 

CMYK 0 / 100 / 11 / 42

HEX #940083

RGB 148 0 131

HSL 306.89, 1%, 0.29%

LAB 33.85, 62.99, -31.67

 

CMYK 0 / 100 / 15 / 49

HEX #830070

RGB 131 0 112

HSL 308.7, 1%, 0.26%

LAB 29.4, 57.11, -26.91

 

CMYK 0 / 83 / 6 / 21

HEX #C922BD

RGB 201 34 189

HSL 304.31, 0.71%, 0.46%

LAB 48.56, 76.14, -42.67

 

CMYK 0 / 83 / 28 / 21

HEX #C92291

RGB 201 34 145

HSL 320.12, 0.71%, 0.46%

LAB 46.45, 70.37, -19.85

 

CMYK 0 / 83 / 50 / 21

HEX #C92264

RGB 201 34 100

HSL 336.29, 0.71%, 0.46%

LAB 44.92, 65.95, 5.47

 

CMYK 0 / 83 / 73 / 21

HEX #C92237

RGB 201 34 55

HSL 352.46, 0.71%, 0.46%

LAB 44, 63.23, 32.07

 

CMYK 0 / 83 / 83 / 21

HEX #C92222

RGB 201 34 34

HSL 0, 0.71%, 0.46%

LAB 43.77, 62.52, 43.74

 

CMYK 0 / 83 / 6 / 21

HEX #C922BD

RGB 201 34 189

HSL 304.31, 0.71%, 0.46%

LAB 48.56, 76.14, -42.67

 

CMYK 17 / 83 / 0 / 21

HEX #A722C9

RGB 167 34 201

HSL 287.78, 0.71%, 0.46%

LAB 43.62, 71.91, -57.88

 

CMYK 39 / 83 / 0 / 21

HEX #7A22C9

RGB 122 34 201

HSL 271.62, 0.71%, 0.46%

LAB 36.93, 64.94, -69.07

 

CMYK 62 / 83 / 0 / 21

HEX #4D22C9

RGB 77 34 201

HSL 255.45, 0.71%, 0.46%

LAB 31.67, 59.69, -77.91

 

CMYK 83 / 83 / 0 / 21

HEX #2222C9

RGB 34 34 201

HSL 240, 0.71%, 0.46%

LAB 28.65, 56.81, -83.02

 

CMYK 0 / 83 / 6 / 21

HEX #C922BD

RGB 201 34 189

HSL 304.31, 0.71%, 0.46%

LAB 48.56, 76.14, -42.67

 

CMYK 0 / 93 / 6 / 14

HEX #DC0FCE

RGB 220 15 206

HSL 304.1, 0.87%, 0.46%

LAB 51.85, 84.79, -47.08

 

CMYK 0 / 83 / 6 / 21

HEX #C922BD

RGB 201 34 189

HSL 304.31, 0.71%, 0.46%

LAB 48.56, 76.14, -42.67

 

CMYK 0 / 71 / 5 / 29

HEX #B635AD

RGB 182 53 173

HSL 304.19, 0.55%, 0.46%

LAB 46.32, 64.48, -37.03

 

CMYK 0 / 56 / 4 / 36

HEX #A3489D

RGB 163 72 157

HSL 303.96, 0.39%, 0.46%

LAB 45.44, 49.04, -29.13

 

CMYK 0 / 37 / 3 / 44

HEX #905B8C

RGB 144 91 140

HSL 304.53, 0.23%, 0.46%

LAB 46.05, 29.82, -18.22

 

CMYK 0 / 12 / 1 / 51

HEX #7D6E7C

RGB 125 110 124

HSL 304, 0.06%, 0.46%

LAB 48.22, 8.57, -5.58

 

CMYK 39 / 83 / 0 / 21

HEX #7B22C9

RGB 123 34 201

HSL 271.98, 0.71%, 0.46%

LAB 37.06, 65.08, -68.84

 

CMYK 17 / 83 / 0 / 21

HEX #A722C9

RGB 167 34 201

HSL 287.78, 0.71%, 0.46%

LAB 43.62, 71.91, -57.88

 

CMYK 0 / 83 / 6 / 21

HEX #C922BD

RGB 201 34 189

HSL 304.31, 0.71%, 0.46%

LAB 48.56, 76.14, -42.67

 

CMYK 0 / 83 / 28 / 21

HEX #C92291

RGB 201 34 145

HSL 320.12, 0.71%, 0.46%

LAB 46.45, 70.37, -19.85

 

CMYK 0 / 83 / 50 / 21

HEX #C92265

RGB 201 34 101

HSL 335.93, 0.71%, 0.46%

LAB 44.94, 66.03, 4.89

 

CMYK 0 / 83 / 5 / 49

HEX #82167B

RGB 130 22 123

HSL 303.89, 0.71%, 0.3%

LAB 31.23, 54.49, -31.02

 

CMYK 0 / 83 / 5 / 35

HEX #A51C9C

RGB 165 28 156

HSL 303.94, 0.71%, 0.38%

LAB 39.97, 65.45, -37.12

 

CMYK 0 / 83 / 6 / 21

HEX #C922BD

RGB 201 34 189

HSL 304.31, 0.71%, 0.46%

LAB 48.56, 76.14, -42.67

 

CMYK 0 / 75 / 5 / 13

HEX #DD37D2

RGB 221 55 210

HSL 303.98, 0.71%, 0.54%

LAB 54.82, 78.03, -44.65

 

CMYK 0 / 60 / 4 / 11

HEX #E35ADA

RGB 227 90 218

HSL 303.94, 0.71%, 0.62%

LAB 60.52, 68.31, -40.14

 

CMYK 0 / 83 / 6 / 22

HEX #C722BC

RGB 199 34 188

HSL 304, 0.71%, 0.46%

LAB 48.16, 75.61, -42.75

 

CMYK 0 / 61 / 83 / 21

HEX #C94E22

RGB 201 78 34

HSL 15.81, 0.71%, 0.46%

LAB 49.47, 46.88, 48.96

 

CMYK 83 / 0 / 28 / 21

HEX #22C991

RGB 34 201 145

HSL 159.88, 0.71%, 0.46%

LAB 72.33, -53.46, 16.74

 

CMYK 0 / 83 / 6 / 22

HEX #C722BC

RGB 199 34 188

HSL 304, 0.71%, 0.46%

LAB 48.16, 75.61, -42.75

 

CMYK 6 / 0 / 83 / 21

HEX #BDC922

RGB 189 201 34

HSL 64.31, 0.71%, 0.46%

LAB 77.7, -22.56, 72.96

 

CMYK 83 / 6 / 0 / 21

HEX #22BDC9

RGB 34 189 201

HSL 184.31, 0.71%, 0.46%

LAB 70.14, -33.16, -16.9

 

CMYK 0 / 83 / 6 / 22

HEX #C722BC

RGB 199 34 188

HSL 304, 0.71%, 0.46%

LAB 48.16, 75.61, -42.75

 

CMYK 0 / 61 / 83 / 21

HEX #C94E22

RGB 201 78 34

HSL 15.81, 0.71%, 0.46%

LAB 49.47, 46.88, 48.96

 

CMYK 83 / 0 / 78 / 21

HEX #22C92D

RGB 34 201 45

HSL 123.95, 0.71%, 0.46%

LAB 71.08, -68.25, 61.47

 

CMYK 83 / 22 / 0 / 21

HEX #229CC9

RGB 34 156 201

HSL 196.17, 0.71%, 0.46%

LAB 60.19, -16.42, -32.16

 

CMYK 0 / 83 / 6 / 22

HEX #C722BC

RGB 199 34 188

HSL 304, 0.71%, 0.46%

LAB 48.16, 75.61, -42.75

 

CMYK 0 / 36 / 83 / 21

HEX #C98022

RGB 201 128 34

HSL 33.77, 0.71%, 0.46%

LAB 59.86, 21.19, 58.14

 

CMYK 83 / 0 / 78 / 21

HEX #22C92D

RGB 34 201 45

HSL 123.95, 0.71%, 0.46%

LAB 71.08, -68.25, 61.47

 

CMYK 83 / 47 / 0 / 21

HEX #226AC9

RGB 34 106 201

HSL 214.13, 0.71%, 0.46%

LAB 45.45, 13.25, -55.49

 

Description

Color code: HEX #C722BC | qconv.com Color code: HEX #C722BC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 34 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 34 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 6 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 6% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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