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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C721C3 it is the complementary color #38DE3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C721C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C721C3 shade: #CC21BE, #DD33D1, #EE45E4, #FF57F7 and #FF69FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C721C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C721C3 shade: #C721C3, #B60FB0, #A5009D, #94008A and #830077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C721C3 shade: #C520C1, #C52095, #C52068, #C5203C and #C52020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C721C3 shade: #C520C1, #9D20C5, #7020C5, #4420C5 and #2020C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C721C3 shade matches the following richer shades: #C520C1 and #D80ED3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C721C3 shade: #C520C1, #B333B0, #A0459E, #8E588C and #7B6A7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C721C3 shade: #7020C5, #9C20C5, #C520C3, #C52097 and #C5206A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C721C3 shade: #7E157C, #A21A9F, #C520C1, #DE31D9 and #E355E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C721C3 shade: #C721C3, #C54420 and #20C586

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C721C3 shade: #C721C3, #C3C520 and #20C3C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C721C3 shade: #C721C3, #C54420, #20C523 and #20A2C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C721C3 shade: #C721C3, #C57620, #20C523 and #2070C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 2 / 22

HEX #C721C3

RGB 199 33 195

HSL 301.45, 0.72%, 0.45%

LAB 48.47, 76.85, -46.32

 

Complementary color

CMYK 75 / 0 / 73 / 13

HEX #38DE3C

RGB 56 222 60

HSL 121.45, 0.72%, 0.55%

LAB 78.12, -70.75, 63.59

 

CMYK 0 / 84 / 7 / 20

HEX #CC21BE

RGB 204 33 190

HSL 304.91, 0.72%, 0.46%

LAB 49.06, 77.06, -42.43

 

CMYK 0 / 77 / 5 / 13

HEX #DD33D1

RGB 221 51 209

HSL 304.24, 0.71%, 0.53%

LAB 54.39, 78.97, -44.76

 

CMYK 0 / 71 / 4 / 7

HEX #EE45E4

RGB 238 69 228

HSL 303.55, 0.83%, 0.6%

LAB 59.92, 80.1, -46.59

 

CMYK 0 / 66 / 3 / 0

HEX #FF57F7

RGB 255 87 247

HSL 302.86, 1%, 0.67%

LAB 65.59, 80.65, -48.05

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 83 / 2 / 22

HEX #C721C3

RGB 199 33 195

HSL 301.45, 0.72%, 0.45%

LAB 48.47, 76.85, -46.32

 

CMYK 0 / 92 / 3 / 29

HEX #B60FB0

RGB 182 15 176

HSL 302.16, 0.85%, 0.39%

LAB 43.39, 73.89, -43.45

 

CMYK 0 / 100 / 5 / 35

HEX #A5009D

RGB 165 0 157

HSL 302.91, 1%, 0.32%

LAB 38.61, 69.75, -39.88

 

CMYK 0 / 100 / 7 / 42

HEX #94008A

RGB 148 0 138

HSL 304.05, 1%, 0.29%

LAB 34.25, 63.99, -35.38

 

CMYK 0 / 100 / 9 / 49

HEX #830077

RGB 131 0 119

HSL 305.5, 1%, 0.26%

LAB 29.81, 58.11, -30.73

 

CMYK 0 / 84 / 2 / 23

HEX #C520C1

RGB 197 32 193

HSL 301.45, 0.72%, 0.45%

LAB 47.95, 76.38, -46.01

 

CMYK 0 / 84 / 24 / 23

HEX #C52095

RGB 197 32 149

HSL 317.45, 0.72%, 0.45%

LAB 45.73, 70.38, -23.44

 

CMYK 0 / 84 / 47 / 23

HEX #C52068

RGB 197 32 104

HSL 333.82, 0.72%, 0.45%

LAB 44.09, 65.72, 1.69

 

CMYK 0 / 84 / 70 / 23

HEX #C5203C

RGB 197 32 60

HSL 349.82, 0.72%, 0.45%

LAB 43.11, 62.82, 27.78

 

CMYK 0 / 84 / 84 / 23

HEX #C52020

RGB 197 32 32

HSL 0, 0.72%, 0.45%

LAB 42.77, 61.82, 43.58

 

CMYK 0 / 84 / 2 / 23

HEX #C520C1

RGB 197 32 193

HSL 301.45, 0.72%, 0.45%

LAB 47.95, 76.38, -46.01

 

CMYK 20 / 84 / 0 / 23

HEX #9D20C5

RGB 157 32 197

HSL 285.45, 0.72%, 0.45%

LAB 41.58, 70, -58.92

 

CMYK 43 / 84 / 0 / 23

HEX #7020C5

RGB 112 32 197

HSL 269.09, 0.72%, 0.45%

LAB 35.02, 63.31, -69.91

 

CMYK 65 / 84 / 0 / 23

HEX #4420C5

RGB 68 32 197

HSL 253.09, 0.72%, 0.45%

LAB 30.14, 58.59, -78.12

 

CMYK 84 / 84 / 0 / 23

HEX #2020C5

RGB 32 32 197

HSL 240, 0.72%, 0.45%

LAB 27.77, 56.41, -82.13

 

CMYK 0 / 84 / 2 / 23

HEX #C520C1

RGB 197 32 193

HSL 301.45, 0.72%, 0.45%

LAB 47.95, 76.38, -46.01

 

CMYK 0 / 94 / 2 / 15

HEX #D80ED3

RGB 216 14 211

HSL 301.49, 0.88%, 0.45%

LAB 51.4, 84.9, -50.71

 

CMYK 0 / 84 / 2 / 23

HEX #C520C1

RGB 197 32 193

HSL 301.45, 0.72%, 0.45%

LAB 47.95, 76.38, -46.01

 

CMYK 0 / 72 / 2 / 30

HEX #B333B0

RGB 179 51 176

HSL 301.41, 0.56%, 0.45%

LAB 45.75, 64.97, -39.73

 

CMYK 0 / 57 / 1 / 37

HEX #A0459E

RGB 160 69 158

HSL 301.32, 0.4%, 0.45%

LAB 44.52, 49.81, -31.2

 

CMYK 0 / 38 / 1 / 44

HEX #8E588C

RGB 142 88 140

HSL 302.22, 0.23%, 0.45%

LAB 45.11, 30.86, -19.68

 

CMYK 0 / 14 / 0 / 52

HEX #7B6A7B

RGB 123 106 123

HSL 300, 0.07%, 0.45%

LAB 46.91, 9.99, -6.96

 

CMYK 43 / 84 / 0 / 23

HEX #7020C5

RGB 112 32 197

HSL 269.09, 0.72%, 0.45%

LAB 35.02, 63.31, -69.91

 

CMYK 21 / 84 / 0 / 23

HEX #9C20C5

RGB 156 32 197

HSL 285.09, 0.72%, 0.45%

LAB 41.43, 69.84, -59.19

 

CMYK 0 / 84 / 1 / 23

HEX #C520C3

RGB 197 32 195

HSL 300.73, 0.72%, 0.45%

LAB 48.06, 76.68, -46.99

 

CMYK 0 / 84 / 23 / 23

HEX #C52097

RGB 197 32 151

HSL 316.73, 0.72%, 0.45%

LAB 45.82, 70.63, -24.51

 

CMYK 0 / 84 / 46 / 23

HEX #C5206A

RGB 197 32 106

HSL 333.09, 0.72%, 0.45%

LAB 44.15, 65.9, 0.53

 

CMYK 0 / 83 / 2 / 51

HEX #7E157C

RGB 126 21 124

HSL 301.14, 0.71%, 0.29%

LAB 30.47, 54.06, -32.91

 

CMYK 0 / 84 / 2 / 36

HEX #A21A9F

RGB 162 26 159

HSL 301.32, 0.72%, 0.37%

LAB 39.45, 65.77, -39.78

 

CMYK 0 / 84 / 2 / 23

HEX #C520C1

RGB 197 32 193

HSL 301.45, 0.72%, 0.45%

LAB 47.95, 76.38, -46.01

 

CMYK 0 / 78 / 2 / 13

HEX #DE31D9

RGB 222 49 217

HSL 301.73, 0.72%, 0.53%

LAB 54.8, 80.88, -48.66

 

CMYK 0 / 63 / 1 / 11

HEX #E355E0

RGB 227 85 224

HSL 301.27, 0.72%, 0.61%

LAB 60.08, 71.3, -44.21

 

CMYK 0 / 83 / 2 / 22

HEX #C721C3

RGB 199 33 195

HSL 301.45, 0.72%, 0.45%

LAB 48.47, 76.85, -46.32

 

CMYK 0 / 65 / 84 / 23

HEX #C54420

RGB 197 68 32

HSL 13.09, 0.72%, 0.45%

LAB 47.12, 49.81, 47.49

 

CMYK 84 / 0 / 32 / 23

HEX #20C586

RGB 32 197 134

HSL 157.09, 0.72%, 0.45%

LAB 70.84, -54.55, 20.55

 

CMYK 0 / 83 / 2 / 22

HEX #C721C3

RGB 199 33 195

HSL 301.45, 0.72%, 0.45%

LAB 48.47, 76.85, -46.32

 

CMYK 1 / 0 / 84 / 23

HEX #C3C520

RGB 195 197 32

HSL 60.73, 0.72%, 0.45%

LAB 77.06, -18.1, 73.07

 

CMYK 84 / 1 / 0 / 23

HEX #20C3C5

RGB 32 195 197

HSL 180.73, 0.72%, 0.45%

LAB 71.8, -37.32, -12.22

 

CMYK 0 / 83 / 2 / 22

HEX #C721C3

RGB 199 33 195

HSL 301.45, 0.72%, 0.45%

LAB 48.47, 76.85, -46.32

 

CMYK 0 / 65 / 84 / 23

HEX #C54420

RGB 197 68 32

HSL 13.09, 0.72%, 0.45%

LAB 47.12, 49.81, 47.49

 

CMYK 84 / 0 / 82 / 23

HEX #20C523

RGB 32 197 35

HSL 121.09, 0.72%, 0.45%

LAB 69.73, -67.88, 63.07

 

CMYK 84 / 18 / 0 / 23

HEX #20A2C5

RGB 32 162 197

HSL 192.73, 0.72%, 0.45%

LAB 61.81, -21.14, -27.42

 

CMYK 0 / 83 / 2 / 22

HEX #C721C3

RGB 199 33 195

HSL 301.45, 0.72%, 0.45%

LAB 48.47, 76.85, -46.32

 

CMYK 0 / 40 / 84 / 23

HEX #C57620

RGB 197 118 32

HSL 31.27, 0.72%, 0.45%

LAB 57.01, 24.85, 56.17

 

CMYK 84 / 0 / 82 / 23

HEX #20C523

RGB 32 197 35

HSL 121.09, 0.72%, 0.45%

LAB 69.73, -67.88, 63.07

 

CMYK 84 / 43 / 0 / 23

HEX #2070C5

RGB 32 112 197

HSL 210.91, 0.72%, 0.45%

LAB 46.88, 7.72, -50.9

 

Description

Color code: HEX #C721C3 | qconv.com Color code: HEX #C721C3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 33 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 33 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 2 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 2% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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