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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C71D66 it is the complementary color #38E299. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C71D66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C71D66 shade: #CC1D61, #DD2F74, #EE4187, #FF539A and #FF65AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C71D66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C71D66 shade: #C71D66, #B60B53, #A50040, #94002D and #83001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C71D66 shade: #C91D67, #C91D38 and #C91D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C71D66 shade: #C91D67, #C91D95, #C91DC3, #A01DC9 and #711DC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C71D66 shade matches the following richer shades: #C91D67 and #DB0A64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C71D66 shade: #C91D67, #B62F69, #A4426C, #91546E and #7F6771

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C71D66 shade: #C91DC3, #C91D95, #C91D67, #C91D39 and #C92E1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C71D66 shade: #811242, #A51854, #C91D67, #E12E7B and #E65292

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C71D66 shade: #C71D66, #C9A11D and #1DACC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C71D66 shade: #C71D66, #67C91D and #1D67C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C71D66 shade: #C71D66, #C9A11D, #1DC97E and #1D45C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C71D66 shade: #C71D66, #BDC91D, #1DC97E and #281DC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 49 / 22

HEX #C71D66

RGB 199 29 102

HSL 334.24, 0.75%, 0.45%

LAB 44.2, 66.69, 3.15

 

Complementary color

CMYK 75 / 0 / 32 / 11

HEX #38E299

RGB 56 226 153

HSL 154.24, 0.75%, 0.55%

LAB 80.48, -58.92, 23.8

 

CMYK 0 / 86 / 52 / 20

HEX #CC1D61

RGB 204 29 97

HSL 336.69, 0.75%, 0.46%

LAB 45.05, 67.54, 7.61

 

CMYK 0 / 79 / 48 / 13

HEX #DD2F74

RGB 221 47 116

HSL 336.21, 0.72%, 0.53%

LAB 50.29, 69.14, 3.86

 

CMYK 0 / 73 / 43 / 7

HEX #EE4187

RGB 238 65 135

HSL 335.72, 0.84%, 0.59%

LAB 55.79, 69.94, 0.81

 

CMYK 0 / 67 / 40 / 0

HEX #FF539A

RGB 255 83 154

HSL 335.23, 1%, 0.66%

LAB 61.46, 70.18, -1.7

 

CMYK 0 / 60 / 32 / 0

HEX #FF65AD

RGB 255 101 173

HSL 331.95, 1%, 0.7%

LAB 64.63, 65.12, -7.94

 

CMYK 0 / 85 / 49 / 22

HEX #C71D66

RGB 199 29 102

HSL 334.24, 0.75%, 0.45%

LAB 44.2, 66.69, 3.15

 

CMYK 0 / 94 / 54 / 29

HEX #B60B53

RGB 182 11 83

HSL 334.74, 0.89%, 0.38%

LAB 39.26, 63.96, 7.62

 

CMYK 0 / 100 / 61 / 35

HEX #A50040

RGB 165 0 64

HSL 336.73, 1%, 0.32%

LAB 34.74, 59.89, 13.11

 

CMYK 0 / 100 / 70 / 42

HEX #94002D

RGB 148 0 45

HSL 341.76, 1%, 0.29%

LAB 30.61, 54.64, 19.51

 

CMYK 0 / 100 / 80 / 49

HEX #83001A

RGB 131 0 26

HSL 348.09, 1%, 0.26%

LAB 26.45, 49.46, 26.11

 

CMYK 0 / 86 / 49 / 21

HEX #C91D67

RGB 201 29 103

HSL 334.19, 0.75%, 0.45%

LAB 44.63, 67.27, 3.18

 

CMYK 0 / 86 / 72 / 21

HEX #C91D38

RGB 201 29 56

HSL 350.58, 0.75%, 0.45%

LAB 43.63, 64.37, 31.03

 

CMYK 0 / 86 / 86 / 21

HEX #C91D1D

RGB 201 29 29

HSL 0, 0.75%, 0.45%

LAB 43.34, 63.52, 45.91

 

CMYK 0 / 86 / 49 / 21

HEX #C91D67

RGB 201 29 103

HSL 334.19, 0.75%, 0.45%

LAB 44.63, 67.27, 3.18

 

CMYK 0 / 86 / 26 / 21

HEX #C91D95

RGB 201 29 149

HSL 318.14, 0.75%, 0.45%

LAB 46.27, 71.86, -22.56

 

CMYK 0 / 86 / 3 / 21

HEX #C91DC3

RGB 201 29 195

HSL 302.09, 0.75%, 0.45%

LAB 48.56, 77.98, -46.17

 

CMYK 20 / 86 / 0 / 21

HEX #A01DC9

RGB 160 29 201

HSL 285.7, 0.75%, 0.45%

LAB 42.11, 71.93, -60.38

 

CMYK 44 / 86 / 0 / 21

HEX #711DC9

RGB 113 29 201

HSL 269.3, 0.75%, 0.45%

LAB 35.22, 65.27, -71.92

 

CMYK 0 / 86 / 49 / 21

HEX #C91D67

RGB 201 29 103

HSL 334.19, 0.75%, 0.45%

LAB 44.63, 67.27, 3.18

 

CMYK 0 / 95 / 54 / 14

HEX #DB0A64

RGB 219 10 100

HSL 334.16, 0.91%, 0.45%

LAB 47.23, 73.91, 9.25

 

CMYK 0 / 86 / 49 / 21

HEX #C91D67

RGB 201 29 103

HSL 334.19, 0.75%, 0.45%

LAB 44.63, 67.27, 3.18

 

CMYK 0 / 74 / 42 / 29

HEX #B62F69

RGB 182 47 105

HSL 334.22, 0.59%, 0.45%

LAB 42.76, 57.66, -1.22

 

CMYK 0 / 60 / 34 / 36

HEX #A4426C

RGB 164 66 108

HSL 334.29, 0.43%, 0.45%

LAB 42.57, 44.77, -3.72

 

CMYK 0 / 42 / 24 / 43

HEX #91546E

RGB 145 84 110

HSL 334.43, 0.27%, 0.45%

LAB 43.49, 28.91, -3.9

 

CMYK 0 / 19 / 11 / 50

HEX #7F6771

RGB 127 103 113

HSL 335, 0.1%, 0.45%

LAB 46.18, 11.36, -1.98

 

CMYK 0 / 86 / 3 / 21

HEX #C91DC3

RGB 201 29 195

HSL 302.09, 0.75%, 0.45%

LAB 48.56, 77.98, -46.17

 

CMYK 0 / 86 / 26 / 21

HEX #C91D95

RGB 201 29 149

HSL 318.14, 0.75%, 0.45%

LAB 46.27, 71.86, -22.56

 

CMYK 0 / 86 / 49 / 21

HEX #C91D67

RGB 201 29 103

HSL 334.19, 0.75%, 0.45%

LAB 44.63, 67.27, 3.18

 

CMYK 0 / 86 / 72 / 21

HEX #C91D39

RGB 201 29 57

HSL 350.23, 0.75%, 0.45%

LAB 43.64, 64.41, 30.44

 

CMYK 0 / 77 / 86 / 21

HEX #C92E1D

RGB 201 46 29

HSL 5.93, 0.75%, 0.45%

LAB 44.89, 59.14, 47.23

 

CMYK 0 / 86 / 49 / 49

HEX #811242

RGB 129 18 66

HSL 334.05, 0.76%, 0.29%

LAB 28.1, 47.95, 1.32

 

CMYK 0 / 85 / 49 / 35

HEX #A51854

RGB 165 24 84

HSL 334.47, 0.75%, 0.37%

LAB 36.54, 57.67, 2.63

 

CMYK 0 / 86 / 49 / 21

HEX #C91D67

RGB 201 29 103

HSL 334.19, 0.75%, 0.45%

LAB 44.63, 67.27, 3.18

 

CMYK 0 / 80 / 45 / 12

HEX #E12E7B

RGB 225 46 123

HSL 334.19, 0.75%, 0.53%

LAB 51.14, 71.02, 0.94

 

CMYK 0 / 64 / 37 / 10

HEX #E65292

RGB 230 82 146

HSL 334.05, 0.75%, 0.61%

LAB 57.01, 62.6, -4.05

 

CMYK 0 / 85 / 49 / 22

HEX #C71D66

RGB 199 29 102

HSL 334.24, 0.75%, 0.45%

LAB 44.2, 66.69, 3.15

 

CMYK 0 / 20 / 86 / 21

HEX #C9A11D

RGB 201 161 29

HSL 46.05, 0.75%, 0.45%

LAB 68.02, 3.12, 66.52

 

CMYK 86 / 14 / 0 / 21

HEX #1DACC9

RGB 29 172 201

HSL 190.12, 0.75%, 0.45%

LAB 64.95, -25.17, -24.82

 

CMYK 0 / 85 / 49 / 22

HEX #C71D66

RGB 199 29 102

HSL 334.24, 0.75%, 0.45%

LAB 44.2, 66.69, 3.15

 

CMYK 49 / 0 / 86 / 21

HEX #67C91D

RGB 103 201 29

HSL 94.19, 0.75%, 0.45%

LAB 72.72, -54.96, 67.86

 

CMYK 86 / 49 / 0 / 21

HEX #1D67C9

RGB 29 103 201

HSL 214.19, 0.75%, 0.45%

LAB 44.49, 14.77, -57.05

 

CMYK 0 / 85 / 49 / 22

HEX #C71D66

RGB 199 29 102

HSL 334.24, 0.75%, 0.45%

LAB 44.2, 66.69, 3.15

 

CMYK 0 / 20 / 86 / 21

HEX #C9A11D

RGB 201 161 29

HSL 46.05, 0.75%, 0.45%

LAB 68.02, 3.12, 66.52

 

CMYK 86 / 0 / 37 / 21

HEX #1DC97E

RGB 29 201 126

HSL 153.84, 0.75%, 0.45%

LAB 71.92, -57.93, 26.22

 

CMYK 86 / 66 / 0 / 21

HEX #1D45C9

RGB 29 69 201

HSL 226.05, 0.75%, 0.45%

LAB 35.47, 36.94, -71.74

 

CMYK 0 / 85 / 49 / 22

HEX #C71D66

RGB 199 29 102

HSL 334.24, 0.75%, 0.45%

LAB 44.2, 66.69, 3.15

 

CMYK 6 / 0 / 86 / 21

HEX #BDC91D

RGB 189 201 29

HSL 64.19, 0.75%, 0.45%

LAB 77.69, -22.7, 74.05

 

CMYK 86 / 0 / 37 / 21

HEX #1DC97E

RGB 29 201 126

HSL 153.84, 0.75%, 0.45%

LAB 71.92, -57.93, 26.22

 

CMYK 80 / 86 / 0 / 21

HEX #281DC9

RGB 40 29 201

HSL 243.84, 0.75%, 0.45%

LAB 28.24, 59.15, -83.68

 

Description

Color code: HEX #C71D66 | qconv.com Color code: HEX #C71D66 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 29 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 29 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 49 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 49% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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