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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C71CBA it is the complementary color #38E345. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C71CBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C71CBA shade: #CC1CB5, #DD2EC8, #EE40DB, #FF52EE and #FF64FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C71CBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C71CBA shade: #C71CBA, #B60AA7, #A50094, #940081 and #83006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C71CBA shade: #C91DBC, #C91D8D, #C91D5F, #C91D30 and #C91D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C71CBA shade: #C91DBC, #A71DC9, #791DC9, #4B1DC9 and #1D1DC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C71CBA shade matches the following richer shades: #C91DBC and #DB0ACB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C71CBA shade: #C91DBC, #B62FAC, #A4429C, #91548C and #7F677D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C71CBA shade: #781DC9, #A61DC9, #C91DBD, #C91D8F and #C91D62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C71CBA shade: #811278, #A5189A, #C91DBC, #E12ED3 and #E652DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C71CBA shade: #C71CBA, #C94B1D and #1DC98F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C71CBA shade: #C71CBA, #BDC91D and #1DBDC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C71CBA shade: #C71CBA, #C94B1D, #1DC928 and #1D9BC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C71CBA shade: #C71CBA, #C97E1D, #1DC928 and #1D67C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 7 / 22

HEX #C71CBA

RGB 199 28 186

HSL 304.56, 0.75%, 0.45%

LAB 47.65, 76.48, -42.39

 

Complementary color

CMYK 75 / 0 / 70 / 11

HEX #38E345

RGB 56 227 69

HSL 124.56, 0.75%, 0.55%

LAB 79.73, -71.55, 62.02

 

CMYK 0 / 86 / 11 / 20

HEX #CC1CB5

RGB 204 28 181

HSL 307.84, 0.76%, 0.45%

LAB 48.27, 76.74, -38.42

 

CMYK 0 / 79 / 10 / 13

HEX #DD2EC8

RGB 221 46 200

HSL 307.2, 0.72%, 0.52%

LAB 53.49, 78.95, -41.02

 

CMYK 0 / 73 / 8 / 7

HEX #EE40DB

RGB 238 64 219

HSL 306.55, 0.84%, 0.59%

LAB 58.94, 80.3, -43.08

 

CMYK 0 / 68 / 7 / 0

HEX #FF52EE

RGB 255 82 238

HSL 305.9, 1%, 0.66%

LAB 64.54, 81.03, -44.72

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 0 / 86 / 7 / 22

HEX #C71CBA

RGB 199 28 186

HSL 304.56, 0.75%, 0.45%

LAB 47.65, 76.48, -42.39

 

CMYK 0 / 95 / 8 / 29

HEX #B60AA7

RGB 182 10 167

HSL 305.23, 0.9%, 0.38%

LAB 42.69, 73.15, -39.21

 

CMYK 0 / 100 / 10 / 35

HEX #A50094

RGB 165 0 148

HSL 306.18, 1%, 0.32%

LAB 38.09, 68.47, -35.24

 

CMYK 0 / 100 / 13 / 42

HEX #940081

RGB 148 0 129

HSL 307.7, 1%, 0.29%

LAB 33.73, 62.71, -30.6

 

CMYK 0 / 100 / 16 / 49

HEX #83006E

RGB 131 0 110

HSL 309.62, 1%, 0.26%

LAB 29.29, 56.83, -25.8

 

CMYK 0 / 86 / 6 / 21

HEX #C91DBC

RGB 201 29 188

HSL 304.53, 0.75%, 0.45%

LAB 48.17, 76.97, -42.71

 

CMYK 0 / 86 / 30 / 21

HEX #C91D8D

RGB 201 29 141

HSL 320.93, 0.75%, 0.45%

LAB 45.93, 70.94, -18.23

 

CMYK 0 / 86 / 53 / 21

HEX #C91D5F

RGB 201 29 95

HSL 336.98, 0.75%, 0.45%

LAB 44.41, 66.64, 7.86

 

CMYK 0 / 86 / 76 / 21

HEX #C91D30

RGB 201 29 48

HSL 353.37, 0.75%, 0.45%

LAB 43.52, 64.06, 35.68

 

CMYK 0 / 86 / 86 / 21

HEX #C91D1D

RGB 201 29 29

HSL 0, 0.75%, 0.45%

LAB 43.34, 63.52, 45.91

 

CMYK 0 / 86 / 6 / 21

HEX #C91DBC

RGB 201 29 188

HSL 304.53, 0.75%, 0.45%

LAB 48.17, 76.97, -42.71

 

CMYK 17 / 86 / 0 / 21

HEX #A71DC9

RGB 167 29 201

HSL 288.14, 0.75%, 0.45%

LAB 43.23, 73.06, -58.51

 

CMYK 40 / 86 / 0 / 21

HEX #791DC9

RGB 121 29 201

HSL 272.09, 0.75%, 0.45%

LAB 36.29, 66.27, -70.11

 

CMYK 63 / 86 / 0 / 21

HEX #4B1DC9

RGB 75 29 201

HSL 256.05, 0.75%, 0.45%

LAB 30.86, 61.35, -79.26

 

CMYK 86 / 86 / 0 / 21

HEX #1D1DC9

RGB 29 29 201

HSL 240, 0.75%, 0.45%

LAB 27.73, 58.73, -84.55

 

CMYK 0 / 86 / 6 / 21

HEX #C91DBC

RGB 201 29 188

HSL 304.53, 0.75%, 0.45%

LAB 48.17, 76.97, -42.71

 

CMYK 0 / 95 / 7 / 14

HEX #DB0ACB

RGB 219 10 203

HSL 304.59, 0.91%, 0.45%

LAB 51.37, 84.63, -46.13

 

CMYK 0 / 86 / 6 / 21

HEX #C91DBC

RGB 201 29 188

HSL 304.53, 0.75%, 0.45%

LAB 48.17, 76.97, -42.71

 

CMYK 0 / 74 / 5 / 29

HEX #B62FAC

RGB 182 47 172

HSL 304.44, 0.59%, 0.45%

LAB 45.57, 66.31, -37.62

 

CMYK 0 / 60 / 5 / 36

HEX #A4429C

RGB 164 66 156

HSL 304.9, 0.43%, 0.45%

LAB 44.5, 51.95, -29.98

 

CMYK 0 / 42 / 3 / 43

HEX #91548C

RGB 145 84 140

HSL 304.92, 0.27%, 0.45%

LAB 44.59, 34.12, -20.44

 

CMYK 0 / 19 / 2 / 50

HEX #7F677D

RGB 127 103 125

HSL 305, 0.1%, 0.45%

LAB 46.57, 13.69, -8.62

 

CMYK 40 / 86 / 0 / 21

HEX #781DC9

RGB 120 29 201

HSL 271.74, 0.75%, 0.45%

LAB 36.15, 66.15, -70.34

 

CMYK 17 / 86 / 0 / 21

HEX #A61DC9

RGB 166 29 201

HSL 287.79, 0.75%, 0.45%

LAB 43.07, 72.89, -58.78

 

CMYK 0 / 86 / 6 / 21

HEX #C91DBD

RGB 201 29 189

HSL 304.19, 0.75%, 0.45%

LAB 48.22, 77.11, -43.2

 

CMYK 0 / 86 / 29 / 21

HEX #C91D8F

RGB 201 29 143

HSL 320.23, 0.75%, 0.45%

LAB 46.01, 71.17, -19.32

 

CMYK 0 / 86 / 51 / 21

HEX #C91D62

RGB 201 29 98

HSL 335.93, 0.75%, 0.45%

LAB 44.49, 66.87, 6.1

 

CMYK 0 / 86 / 7 / 49

HEX #811278

RGB 129 18 120

HSL 304.86, 0.76%, 0.29%

LAB 30.53, 54.77, -30.24

 

CMYK 0 / 85 / 7 / 35

HEX #A5189A

RGB 165 24 154

HSL 304.68, 0.75%, 0.37%

LAB 39.56, 66.02, -36.56

 

CMYK 0 / 86 / 6 / 21

HEX #C91DBC

RGB 201 29 188

HSL 304.53, 0.75%, 0.45%

LAB 48.17, 76.97, -42.71

 

CMYK 0 / 80 / 6 / 12

HEX #E12ED3

RGB 225 46 211

HSL 304.69, 0.75%, 0.53%

LAB 54.73, 81.31, -45.33

 

CMYK 0 / 64 / 5 / 10

HEX #E652DB

RGB 230 82 219

HSL 304.46, 0.75%, 0.61%

LAB 59.86, 72.38, -41.7

 

CMYK 0 / 86 / 7 / 22

HEX #C71CBA

RGB 199 28 186

HSL 304.56, 0.75%, 0.45%

LAB 47.65, 76.48, -42.39

 

CMYK 0 / 63 / 86 / 21

HEX #C94B1D

RGB 201 75 29

HSL 16.05, 0.75%, 0.45%

LAB 48.93, 48.1, 50.66

 

CMYK 86 / 0 / 29 / 21

HEX #1DC98F

RGB 29 201 143

HSL 159.77, 0.75%, 0.45%

LAB 72.24, -54.32, 17.67

 

CMYK 0 / 86 / 7 / 22

HEX #C71CBA

RGB 199 28 186

HSL 304.56, 0.75%, 0.45%

LAB 47.65, 76.48, -42.39

 

CMYK 6 / 0 / 86 / 21

HEX #BDC91D

RGB 189 201 29

HSL 64.19, 0.75%, 0.45%

LAB 77.69, -22.7, 74.05

 

CMYK 86 / 6 / 0 / 21

HEX #1DBDC9

RGB 29 189 201

HSL 184.19, 0.75%, 0.45%

LAB 70.09, -33.51, -16.99

 

CMYK 0 / 86 / 7 / 22

HEX #C71CBA

RGB 199 28 186

HSL 304.56, 0.75%, 0.45%

LAB 47.65, 76.48, -42.39

 

CMYK 0 / 63 / 86 / 21

HEX #C94B1D

RGB 201 75 29

HSL 16.05, 0.75%, 0.45%

LAB 48.93, 48.1, 50.66

 

CMYK 86 / 0 / 80 / 21

HEX #1DC928

RGB 29 201 40

HSL 123.84, 0.75%, 0.45%

LAB 71, -69.05, 62.87

 

CMYK 86 / 23 / 0 / 21

HEX #1D9BC9

RGB 29 155 201

HSL 196.05, 0.75%, 0.45%

LAB 59.82, -16.26, -32.74

 

CMYK 0 / 86 / 7 / 22

HEX #C71CBA

RGB 199 28 186

HSL 304.56, 0.75%, 0.45%

LAB 47.65, 76.48, -42.39

 

CMYK 0 / 37 / 86 / 21

HEX #C97E1D

RGB 201 126 29

HSL 33.84, 0.75%, 0.45%

LAB 59.37, 22.14, 59.38

 

CMYK 86 / 0 / 80 / 21

HEX #1DC928

RGB 29 201 40

HSL 123.84, 0.75%, 0.45%

LAB 71, -69.05, 62.87

 

CMYK 86 / 49 / 0 / 21

HEX #1D67C9

RGB 29 103 201

HSL 214.19, 0.75%, 0.45%

LAB 44.49, 14.77, -57.05

 

Description

Color code: HEX #C71CBA | qconv.com Color code: HEX #C71CBA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 28 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 28 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 7 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 7% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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